Festival Celebrates Decade of Dance Film

The UNC Greensboro School of Dance and Sugarfoote Productions announce the 10th annual Greensboro Dance Film Festival (GDFF) to be held Friday, February 23rd and Saturday, February 24th. 

 GDFF, the first of its kind to reside in Greensboro, features dance films from 23 countries in both student and professional categories. An opening reception will be hosted at Oden Brewery on Friday February 23rd. A full screening and live dance and music performances take place on Saturday, February 24th at Transform GSO. The programs will also feature works that specifically address issues of race, place, and identity in a modern and ever-changing world and will be designed for and unique to the space. All events are free and open to the public. 

 UNCG Professor of Dance Robin Gee, Founder and Director of GDFF, says the combination of dance and film opens a broader world for choreographers and dancers. 

 “Merging performance and cinematic aesthetics, screen dance has expanded the possibilities of choreographic composition and structure by pushing the boundaries of dance beyond its staged possibilities. GDFF is a boutique film festival seeking to connect diverse populations through the innovative genre of dance on screen. In addition to highlighting dance films from around the world, this festival he supports artists through interdisciplinary collaboration and artistic exchange.” 

This year, the festival welcomes guest curator Hannah Fisher for additional workshops and screenings on UNCG’s campus and in the community. GDFF will culminate with a touring program in Italy as part of the first annual Corciano Dance Film Festival on July 20th, 2024.  

Watch the Greensboro Dance Film Festival trailer 

Liam Roos, Yisel Ortiz, and Associate Professor Michael Flannery checking footage during production of the School of Theatre’s web series I ❤️ Collaboration. Photo credit: Jannida Chase

The Making of a Web Series: I ❤️ Collaboration

I❤️Collaboration, a thirteen-part web series developed by students and faculty in the School of Theatre, School of Music, and Department of Media Studies can be seen as a training ground, a recruiting tool, and now, as a contender in a comedy film festival.

More about that later. First, let’s roll back the tape to where it all started:

“We’d been talking for years—even before the pandemic made us take everything online for a while—about adding some sort of video component to our theatre season,” says Michael Flannery, Associate Professor of Acting for the Camera. “We did a trio of short films two years ago, and I thought this time it would be fun to do a mockumentary, something sort of like The Office.”

Flannery worked with two students, Andre Otabor and Jeffrey Payton, both seniors in the BFA Acting Program, to brainstorm what that might look like. They wound up with a story about college students whose final exam is hijacked by the graduate teaching assistant who was humiliated by someone in the class, and they are forced to complete a scavenger hunt to pass. (more…)

Meet the Meshroom: A Mash-Up of Art, Dance, and Music

“Drop In. Drop Out. Bring a Friend.”

That is the tag line for a new event coming to UNC Greensboro in February through a partnership between Duke University Arts and the UNCG School of Dance.

Those are also literally the only instructions for the event, according to Caitlyn Schrader (’22 MFA Dance), CVPA’s Director or Community Engagement, who is co-curating the event, along with School of Dance Director Lee Walton and kt williams (’23 MFA Dance).

The event is called Meshroom, and Schrader promises that it will be an experience that you will not soon forget:

“It’s kind of wild. You walk into something that is so unfamiliar. It’s almost difficult to describe because it is so experimental. It’s not like ‘come see this play’ or ‘come see this dance performance,’ because it’s not that. It does involve work from visual artists, musicians, and movement artists, but there’s no stage, no script, no rehearsals. It is strictly improvisational. It’s more about process than product.” (more…)

Ana Paula Hofling headshot

Dr. Ana Paula Höfling’s “Staging Brazil” featured in Dance Research Journal

Congratulations to Dr. Ana Paula Höfling for the achievement of her book “Staging Brazil: Choreographies of Capoeira” being reviewed and featured in the 55th Volume of the Dance Research Journal, published by Cambridge University Press. 
“Staging Brazil” examines Brazilian capoeira—an African diasporic “street-fighting” practice and art presented in folkloric shows for tourists, contextualizing the rise of the two main styles of capoeira through the lens of the twentieth-century race and nation of Brazil. Reviewer Associate Professor Cindy García from the University of Minnesota writes, “Höfling deftly weaves together the knowledge from her lived experience as well as dance scholarship from the United States and Brazil. She generously analyzes and translates the significance of her findings for those of us who do not have this multidimensional, transnational expertise with capoeira.”
García also states “One of my favorite aspects of this book is the way that Höfling, as both a dance scholar and capoeira practitioner, embodies the archive by putting the illustrations from capoeira manuals into motion. Several illustrations from the manuals in chapter 1 exemplify the kind of material from which Höfling derives this dance-based methodology. Her trained capoeira-dancing body speculates the moves that must happen in between the illustrations of a series of moves so that she could recreate a more fluid performance of the practice. Her strategy of archival embodiment extends ways in which earlier dance scholarship has focused on the thick description and interpretation of dancing bodies within photos or drawings (see for example, Savigliano 1995, 149). By bringing movement to her analysis, she is able to make the connections between the images as her “body bridges the historical gaps” (14).”
The Dance Research Journal is a peer-reviewed publication for dance scholarship produced by the Dance Studies Association. It is published three times per year by Cambridge University Press.
For additional information about this article visit  https://muse.jhu.edu/article/914969