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April 2019
Images of the Grateful Dead and Deadheads
Photo credit: © Lloyd Wolf / www.lloydwolf.com During the months of March and April, 2019, UNCG will host a photographic exhibition, Images of the Grateful Dead and Deadheads at Tate Street Coffee House. A closing reception with music by Jon Walters and David Gans, will be held on April 27, 2019, 6pm-8pm. The closing reception is open to the public. Rebecca Adams, the UNCG professor who took a class on tour with the Grateful Dead in the Summer of 1989, and…
Find out more »May 2019
“Exploring UNCG in the 1960s: An Exhibit presented by The Jackson Libraries”
Based on research conducted by students in Grogan Residential College, the Martha Blakeney Hodges Special Collections and University Archives will host an exhibit focused on the UNC Greensboro campus in the 1960s. The exhibit will be open Monday to Friday between 9am and 5pm, beginning on March 15 and running through May 31, with the exception April 19 and May 27, when the University is closed.
Find out more »Exhibition: Here We Are: Painting & Sculpting the Human Form
Exhibition opens March 2 and continues through October 20, 2019. “We convince,” wrote the poet Walt Whitman, “by our presence.” He argued that the human body is not merely a physical object, but the means to emotional experience and connection. In celebrating its dynamic nature, he famously proclaimed, “I sing the body electric.” Countless visual artists likewise have explored and affirmed the charged power of the human form. With works from the Weatherspoon’s collection of modern and contemporary art, this installation considers…
Find out more »Exhibition: Here We Are: Painting & Sculpting the Human Form
Exhibition opens March 2 and continues through October 20, 2019. “We convince,” wrote the poet Walt Whitman, “by our presence.” He argued that the human body is not merely a physical object, but the means to emotional experience and connection. In celebrating its dynamic nature, he famously proclaimed, “I sing the body electric.” Countless visual artists likewise have explored and affirmed the charged power of the human form. With works from the Weatherspoon’s collection of modern and contemporary art, this installation considers…
Find out more »Exhibition: Here We Are: Painting & Sculpting the Human Form
Exhibition opens March 2 and continues through October 20, 2019. “We convince,” wrote the poet Walt Whitman, “by our presence.” He argued that the human body is not merely a physical object, but the means to emotional experience and connection. In celebrating its dynamic nature, he famously proclaimed, “I sing the body electric.” Countless visual artists likewise have explored and affirmed the charged power of the human form. With works from the Weatherspoon’s collection of modern and contemporary art, this installation considers…
Find out more »Exhibition: Here We Are: Painting & Sculpting the Human Form
Exhibition opens March 2 and continues through October 20, 2019. “We convince,” wrote the poet Walt Whitman, “by our presence.” He argued that the human body is not merely a physical object, but the means to emotional experience and connection. In celebrating its dynamic nature, he famously proclaimed, “I sing the body electric.” Countless visual artists likewise have explored and affirmed the charged power of the human form. With works from the Weatherspoon’s collection of modern and contemporary art, this installation considers…
Find out more »Exhibition: Here We Are: Painting & Sculpting the Human Form
Exhibition opens March 2 and continues through October 20, 2019. “We convince,” wrote the poet Walt Whitman, “by our presence.” He argued that the human body is not merely a physical object, but the means to emotional experience and connection. In celebrating its dynamic nature, he famously proclaimed, “I sing the body electric.” Countless visual artists likewise have explored and affirmed the charged power of the human form. With works from the Weatherspoon’s collection of modern and contemporary art, this installation considers…
Find out more »June 2019
Exhibition: Here We Are: Painting & Sculpting the Human Form
Exhibition opens March 2 and continues through October 20, 2019. “We convince,” wrote the poet Walt Whitman, “by our presence.” He argued that the human body is not merely a physical object, but the means to emotional experience and connection. In celebrating its dynamic nature, he famously proclaimed, “I sing the body electric.” Countless visual artists likewise have explored and affirmed the charged power of the human form. With works from the Weatherspoon’s collection of modern and contemporary art, this installation considers…
Find out more »Exhibition: Here We Are: Painting & Sculpting the Human Form
Exhibition opens March 2 and continues through October 20, 2019. “We convince,” wrote the poet Walt Whitman, “by our presence.” He argued that the human body is not merely a physical object, but the means to emotional experience and connection. In celebrating its dynamic nature, he famously proclaimed, “I sing the body electric.” Countless visual artists likewise have explored and affirmed the charged power of the human form. With works from the Weatherspoon’s collection of modern and contemporary art, this installation considers…
Find out more »Exhibition: Here We Are: Painting & Sculpting the Human Form
Exhibition opens March 2 and continues through October 20, 2019. “We convince,” wrote the poet Walt Whitman, “by our presence.” He argued that the human body is not merely a physical object, but the means to emotional experience and connection. In celebrating its dynamic nature, he famously proclaimed, “I sing the body electric.” Countless visual artists likewise have explored and affirmed the charged power of the human form. With works from the Weatherspoon’s collection of modern and contemporary art, this installation considers…
Find out more »