Praised by the New York Times for his “excellent” and “evocative” playing, violinist Nicholas DiEugenio leads a versatile life as chamber musician, leader, and soloist in music ranging from Biber to Carter and beyond. A core member of the Sebastians, a period group hailed as “topnotch” by the New Yorker and “everywhere sharp-edged and engaging” by the New York Times, Nicholas also performs and records with pianist Mimi Solomon. Their current duo project, entitled “Unraveling Beethoven,” comprises a full cycle of the Beethoven violin sonatas along with response works from composers Tonia Ko, Robert Honstein, Jesse Jones, Allen Anderson, and D.K. Garner.
Nicholas has performed with mentors and colleagues such as Ani Kavafian, Laurie Smukler, Joel Krosnick, Peter Salaff, Joseph Lin, and Robert Mealy, and in venues ranging from Carnegie’s Weill Recital Hall and New York’s Trinity Wall Street to the Brooke Army Medical Center in San Antonio, TX and Rose Live Music in Brooklyn. Along with conductor Jeffery Meyer, Nicholas commissioned and premiered Loren Loiacono’s Concerto for Violin and Strings with the St. Petersburg Chamber Philharmonic in Glinka Hall, and has commissioned and premiered Nobody’s, a solo violin work by composer Ted Hearne.
Nicholas has twice been a prize winner at the Fischoff Competition; his award-winning recording of the three Schumann violin sonatas with Chi-Chen Wu is available on the Musica Omnia label. Nicholas has also recorded for the innova, New Focus, and Naxos labels. Nicholas is director of the Luby Violin Symposium at UNC Chapel Hill, and co-artistic director of MYCO, a youth chamber music program in Chapel Hill, NC. Currently Assistant Professor of Violin at UNC Chapel Hill, Nicholas was previously violin professor at the Ithaca College School of Music. Nicholas teaches at the Kinhaven Music School during the summers, and holds BM and MM degrees from the Cleveland Institute of Music and an AD and DMA from the Yale School of Music.