The Printmaking & Drawing concentration values technical aptitude, innovation and experimentation by merging both traditional and expansive drawing and printmaking methods with contemporary thinking about process, materials, and the development of personal vision.

Drawing is at the creative core of many art practices and is itself a wide-ranging, exploratory field. Printmaking provides further expressive and conceptual options for artists by offering a range of courses such as lithography, screen printing, relief and intaglio methods, and mixed-media printmaking that bridges the digital and the handmade. Both drawing and printmaking are inherently interdisciplinary fields, so the area frequently converses with other School of Art areas to offer students a rich educational experience.

Students will find printmaking and drawing faculty bring diverse experience to this area as artists who operate as painters, digital designers, book artists, sculptors, textile artists and more. Further, with access to the UNCG Special Collections Library and the Weatherspoon Art Museum’s collection of cutting-edge contemporary art, students can study artworks that inspire, teach, and engage powerfully across the cultural spectrum.

Program Distinctions

In 2021, Printmaking and Drawing faculty members Barbara Campbell Thomas and Christopher Thomas exhibited work in a traveling exhibition, Catalog, a group exhibition highlighting their participation in The Printmakers Left, an international collective of artists who have been working together for over 20 years on artist books, printed matter and installations. The exhibition is traveling to galleries across the US.

Between 2020 and 2021, Printmaking and Drawing Faculty member Barbara Campbell Thomas exhibited work at the Virginia Museum of Contemporary Art, Southeastern Center for Contemporary Art and the North Carolina Museum of Art.

2021 – Printmaking & Drawing faculty Barbara Campbell Thomas and Christopher Thomas exhibited work in a traveling exhibition, Catalog, highlighting their participation in The Printmakers Left, an international collective of artists who have been working together for over 20 years on artist books, printed matter and installations.

2020 – Printmaking & Drawing Faculty member Barbara Campbell Thomas exhibited work at the Virginia Museum of Contemporary Art, Southeastern Center for Contemporary Art and the North Carolina Museum of Art.

2019 – Printmaking and Drawing Faculty Christopher Thomas and Barbara Campbell Thomas travel to Chengdu, China to teach a week-long mixed media drawing workshop to 75 students at the Chengdu Academy of Fine Art.

2019 – Printmaking and Drawing Area hosts a Chinese brush painting workshop with a master of traditional Chinese Painting.

2019 – Valpuri Remling, Master Printer and Workshop Manager at the internationally renowned Tamarind Institute visits the printmaking and drawing area and gives a talk to students.

2016 – Falk Visiting Artist Rosemarie Fiore works with students from across the School of Art, including Printmaking and Drawing students, to create a site-specific work in which she draws with the smoke and fire from firecrackers.

2015 – The Printmakers Left: Visionary Workbook at Gatewood Gallery
The Printmaker’s Left, an international collective of artists who have been working together for over 20 years on artist books, printed matter and installations, exhibited prints, books, paintings and ephemera at UNCG.

Studio Resources Include:

  • 2 etching presses
  • 1 letterpress
  • 2 lithography presses
  • Screen printing facilities
  • Digital imaging and output
  • + additional equipment available through the Jackson Library including letterpress and Risograph

The Student Experience

Students in Printmaking & Drawing are involved with The Coraddi (https://coraddimag.com/)

After Graduation

Anthony Patterson – www.aipatterson.com
Logan Hamilton – www.grimgraphicsink.com
Sarah Laponte – www.sarahlaponte.com
Topher Alexander – www.christopheralexander.work

Printmaking and Drawing Faculty

List of Courses

These courses are required by the Printmaking and Drawing concentration. For a suggested schedule of courses for Printmaking and Drawing students, see the schedule at the bottom of this page. For more information on these and other available courses, see the UNCG course bulletin.

Printmaking and Drawing Concentration – 120 credit hours
Required Classes

  • ART 221 Life Drawing I
  • ART 321 Life Drawing II
  • ART 322 Variable Topics in Drawing
  • ART 420 Advanced Drawing
  • ART 326 Printmaking I
  • ART 328 Printmaking II
  • ART 329 Lithography
  • ART 324 Screenprinting / Monoprinting
  • ART 349 Expanded Print Media
  • ART 427 Printmaking / Drawing Capstone

  • ART 285 Photography I
  • ART 286 Digital Photography I
  • ART 340 Sequencing I
  • ART 341 Typographics I
  • ART 344 Imaging I
  • ART 345 Interactivity I
  • ART 354 Metal Sculpture
  • ART 373 Design Methods for the Crafts
  • ART 384 Photojournalism and Documentary Photo
  • ART 385 Photography II
  • ART 392 Typographics II
  • ART 441 Typographics III
  • ART 442 Sequencing II

All fourth years enrolled in the BFA programs must exhibit their work in the annual BFA Exhibition, held each Spring and Fall semester. Students are encouraged to consult the UNCG Undergraduate Bulletin for course descriptions.

This list outlines the schedule of courses recommended for majors in the Printmaking and Drawing concentration. For more information on courses and requirements, see the UNCG course bulletin.

University Minimums: 120 Hours Required, 36 at or above the 300 level.

First Year

Foundation Program in Studio Art

Studio Foundation Program Courses:

  • Foundation Semester 1: ARH 110, ART 105, ART 120, ART 140 and ART 150 (fall)
  • Foundation Semester II: ARH 111; ART 220, ART 240 and ART 253 (spring)

Second Year

  • Art History (above 100 level)
  • ART 221
  • ART 326
  • MAC (select one or two courses)
  • Recommended 15 credit hours
  • ART History (above 100 level)
  • ART 322
  • ART 324 or ART 328
  • Art or Related Elective
  • MAC (select one or two courses)
  • Recommended 15 credit hours

Third Year

  • Art History (above 100 level)
  • ART 324 or ART 328
  • ART 349 or ART 329
  • ART or related Elective
  • MAC (select one or two courses)
  • Recommended 15 credit hours
  • ART 349 or ART 329
  • Art History (above 100 level)
  • ART or related Elective
  • ART 393 Practicum/Internship in Art Careers (select this for up to 3 credit hours of internship credit). This course is optimal for those seeking professional training. This course can count as an Art or related elective.
  • ART 496 Special Problems Studio (this course is recommended for students who are extremely self-motivated and directed, and ready to pursue a body of work under the direction of a full-time faculty member). This course is optional, and counts as an Art or related elective.
  • MAC (select one or two courses)
  • Recommended 15 credit hours

Fourth Year

  • ART 420
  • Art or Related Elective
  • Select courses from another discipline within the School of Art or University
  • ART 496 (Special Problems Studio; may be repeated for credit)
  • ART 393 practicum/Internship in Art Careers (select this for up to 3 credit hours of internship credit). This course is optimal for those seeking professional training. This course can count as an Art or related elective.
  • Recommended 15 credit hours
  • ART 427
  • Select courses from another discipline within the School of Art or University
  • ART 496 (Special Problems Studio; may be repeated for credit)
  • ART 393 practicum/Internship in Art Careers (select this for up to 3 credit hours of internship credit). This course is optimal for those seeking professional training. This course can count as an Art or related elective.
  • Recommended 15 credit hours

To earn a BFA in Art with a studio concentration in four years, you must average 15 credit hours per semester. 

Fourth years must participate in an experience which will prepare them for the professional world of exhibiting. All studio art majors are required to enter the annual BFA Exhibition.