Wind Ensemble
November 21 @ 7:30 pm – 9:00 pm
Program
Jonathan Caldwell, conductor
Lindsay Kesselman, soprano
Patty Saunders, graduate conductor
DAI
Saṃsāric Dance (world premiere)
GRAINGER
Colonial Song
CERRONE
Darkening, Then Brightening
GOTKOVSKY
Symphonie pour orchestre d’harmonie
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Lindsay Kesselman is a two-time GRAMMY-nominated soprano known for her warm, collaborative spirit and investment in personal, intimate communication with audiences. She regularly collaborates with orchestras, wind symphonies, chamber ensembles, opera/theater companies, and new music ensembles across the United States, often premiering, touring, and recording new works composed for her by living composers. She is a passionate advocate for contemporary music and has commissioned/premiered over one hundred works to date.
Recent and upcoming highlights include the premiere of Darkening, then Brightening by Christopher Cerrone with the University of Illinois Wind Symphony; the wind transcription of Caroline Shaw’s Is a Rose, Energy in All Directions by Kenneth Frazelle with Sandbox Percussion at the Saratoga Performing Arts Center; the role of Anna in Kurt Weill and Bertolt Brecht’s The Seven Deadly Sins with the Charlotte Symphony; the role of Ada Lovelace in the new opera Galaxies in Her Eyes by Mark Lanz Weiser and Amy S. Punt; Astronautica: Voices of Women in Space with Voices of Ascension; the John Corigliano 80th birthday celebration at National Sawdust (2018); a leading role in Louis Andriessen’s opera Theatre of the World with the Los Angeles Philharmonic and Dutch National Opera; and an international tour of Einstein on the Beach with the Philip Glass Ensemble (2012–2015).
Kesselman is Assistant Professor of Voice and Choral Music at the UNC Greensboro School of Music. Kesselman holds degrees in voice performance and music education from Rice University and Michigan State University. She is represented by Trudy Chan at Black Tea Music and lives in Charlotte with her husband, Kevin Noe, and son, Rowan.
Lindsay Kesselman is a two-time GRAMMY-nominated soprano known for her warm, collaborative spirit and investment in personal, intimate communication with audiences. She regularly collaborates with orchestras, wind symphonies, chamber ensembles, opera/theater companies, and new music ensembles across the United States, often premiering, touring, and recording new works composed for her by living composers. She is a passionate advocate for contemporary music and has commissioned/premiered over one hundred works to date.
Recent and upcoming highlights include the premiere of Darkening, then Brightening by Christopher Cerrone with the University of Illinois Wind Symphony; the wind transcription of Caroline Shaw’s Is a Rose, Energy in All Directions by Kenneth Frazelle with Sandbox Percussion at the Saratoga Performing Arts Center; the role of Anna in Kurt Weill and Bertolt Brecht’s The Seven Deadly Sins with the Charlotte Symphony; the role of Ada Lovelace in the new opera Galaxies in Her Eyes by Mark Lanz Weiser and Amy S. Punt; Astronautica: Voices of Women in Space with Voices of Ascension; the John Corigliano 80th birthday celebration at National Sawdust (2018); a leading role in Louis Andriessen’s opera Theatre of the World with the Los Angeles Philharmonic and Dutch National Opera; and an international tour of Einstein on the Beach with the Philip Glass Ensemble (2012–2015).
Kesselman is Assistant Professor of Voice and Choral Music at the UNC Greensboro School of Music. Kesselman holds degrees in voice performance and music education from Rice University and Michigan State University. She is represented by Trudy Chan at Black Tea Music and lives in Charlotte with her husband, Kevin Noe, and son, Rowan.
The UNCG Wind Ensemble is a highly select concert band of fifty performers majoring in music at the UNCG School of Music. Performers in the current Wind Ensemble are drawn from sixteen states, Slovenia, and Hong Kong. The ensemble has enjoyed a distinguished record of performance throughout its history. In January 1992, the UNCG Wind Ensemble performed “A Tribute to John Philip Sousa” to a capacity crowd of 2,700 at the Concert Hall of the John F. Kennedy Center for the Performing Arts in Washington, D.C. Twice, the Wind Ensemble earned critical acclaim from The Washington Post following concerts in the nation’s capital. The Wind Ensemble has performed throughout the eastern United States in recent years including the first-ever performance, in 1987, by a North Carolina collegiate ensemble in Lincoln Center, New York City. The Wind Ensemble performed that same year in West Virginia, Virginia, Pennsylvania, and Washington, D.C. The Wind Ensemble has recorded nineteen commercially-available albums which have received widespread praise.
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