Posted on March 03, 2025

Featured Image for CVPA’s Advising Team and Peer Guides Keep Students On Track

The college experience goes far beyond the classroom, and in UNCG’s College of Visual and Performing Arts (CVPA), perhaps no one sees that more clearly than the two people whose goal is to get every student through their first year: Kristin Rusboldt (Director of Advising and Student Success) and Abigail Hart (Undergraduate Academic Advisor). In describing their goal, Hart explains: 

“We believe in holistic advising, meaning that we don’t just focus on a student’s academic successes and status, but we also want to know how they’re doing personally, socially, and professionally, too. Even though my advising group is about two hundred students, I make sure my meetings are long enough to ask them how they are and if they feel like they’re finding ways to connect to campus. That helps them know that someone cares about them not only as a student but as a person. We truly believe that our students are people first.” 

Rusboldt agrees: “We want students to know we are engaged in their journey, that they matter, their path matters, and that we are here to support that path. I make sure students understand that I’m not here to tell them what to do. I tell them, ‘I am not your parent, but I am your support system while you are here. I’m your behind-the-scenes cheerleader.’” 

To do that, CVPA and UNCG use a student-success system called Starfish, which allows professors to send flags, kudos, and referrals. Rusboldt calls Starfish an early-alert system, which allows faculty and advisors to work together toward student success: 

“It can provide positive messages like ‘we’re so proud of you,’ ‘you’re showing improvement,’ or ‘we love your voice in the classroom.’ It can also be a way to say, ‘something’s off here, and you might need some help.’ The great thing about the Starfish flags is they go to various support systems on campus the student might need.” 

Those support systems might be academic help centers or counseling services for assistance with issues such as test anxiety or stress management. 

“I think what makes us unique here is that after we make these recommendations, we are dedicated to the follow-up,” says Rusboldt. “Maybe we walk them over to one of the centers, or we might check in later and ask how their session went. If we get a Starfish flag, the conversation is never ‘Hey, you’re not going to class.’ We ask them what is happening in their dorm, their work situation, their life, to try to find out what might be hindering their ability to attend class. We let them know that we understand that life can be stressful. Then we ask, ‘How can we help you through whatever is going on. What can we do to help you be successful?’” 

Hart adds: “If I get a Starfish flag from a professor about a student’s grades, I let my advisee know that ultimately I’m not so worried about the academics as I am about them as a person.” 

Students see their advisors three times in their first year, then transition to a faculty advisor who is a professor in their major. There are activities to help them feel connected to the University and to one other, including UNCG’s Nav1Gate kickoff event, during which the entire student body convenes to learn about campus life then meets in groups in their Schools and Colleges. CVPA also hosts various events through the Peer Guide program and programming at Cone Residence Hall, also known as Studio 91, which is the campus arts living community:  
 

“We want to make students feel as though they belong from the minute they step on campus,” explains Hart. “We had about ten events in the fall semester in Studio 91 including a karaoke night, which was a huge hit! We also employ students from each of our schools (Art, Dance, Music, and Theatre) who are our Peer Guides. Peer Guides also do events and send check-in emails. Their goal is to intentionally bond with first-year students and to create a sense of belonging and community.” 

Taylor Aldredge is a senior about to graduate with a BA in Drama and a minor in Musical Theatre. As a Peer Guide, she has a cohort of fifty students in the School of Theatre with whom she communicates regularly: 

“I’m here if you need help with classes or anything. We’ve just added the tutoring aspect to this, but we’ve always offered to help with homework if needed. If you need just an upperclassman or someone else to who has been in your shoes, Peer Guides are here. We can be an academic resource or just be a friend.”  

Aldredge believes in the power of students helping students: 

“Having a support system can make a difference a lot of times for people staying in school or not. The professors here are great, but sometimes students don’t connect with the faculty that well. They see the power dynamic. So having peer-to-peer guidance is important. Having another student say, ‘It’s ok to advocate for yourself,’ and to be an outlet to talk about what you’re feeling means so much.” 


Aldredge says constant communication is key to building student community. She and other Peer Guides send check-in messages and informational mails to first-year students. The CVPA advising team does too, sending a weekly e-Newsletter, “Weekly Happenings Around CVPA,” which highlights events and opportunities across the College. Rusboldt recalls: 

“Weekly Happenings” started because we heard the representatives on the Dean’s Student Advisory Council desire to know about what was happening in the various areas in our College. It’s about getting the word out about things to do, but it also serves to amplify the student voice. We are happy to advertise student-led events. We also include academic updates and information about upcoming student deadlines.” 

The Culture of Care that begins on the first day of class continues until students graduate, says Rusboldt: 

“We start out with the first-year students but even though we hand them off after a year, we’ve created relationships that will last throughout a student’s time at UNCG and beyond. This is a team effort, and making sure we support our students is our passion.” 

Story by Terri W Relos

Photo credit: Abigail Hart

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Posted on February 13, 2025

Harry Potter remake by students
Harry Potter remake by students

A group of alumni, led by Cooper Atkinson (’23 BA Arts Administration), recreated “Harry Potter and the Sorcerer’s Stone,” shot for shot – 2,335 shots in total – on the UNC Greensboro campus when they were students. The result, “Harry and the Stone,” has become an internet sensation, gaining 2.5 million views on YouTube.

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Posted on February 12, 2025

Scott Glasser joins School of Music
Scott Glasser joins School of Music

College of Visual and Performing Arts Dean bruce d. mcclung has announced the appointment of  Scott Glasser as Assistant Professor of String Music Education. 

Originally from Upstate New York, Glasser joins the music education faculty after serving as Faculty Associate and String Project Administrator at Arizona State University (ASU) where he directed the mariachi ensemble program, taught music education courses, and oversaw operations for the ASU String Project. Prior to his career in higher education, Glasser was Director of Orchestras & Mariachi at Marcos de Niza High School in Tempe, Arizona and Director of Orchestras for the Liberty Central School District in New York.


Glasser’s research interests include mariachi education and history, teacher identity development, and string pedagogy. He has presented sessions and research at the American String Teachers Association National Conference, Society for Music Teacher Education Symposium, and Arizona Music Educators Association Conference. A pre-K–12 music educator for sixteen years, he aims for his research to be applicable and accessible to preservice and practicing teachers. 
 
Passionate about teaching and performing, Glasser has led student ensembles that have performed at numerous venues throughout the country, including the Main Plaza of Lincoln Center; the United Nations; the State Capitol Building in Austin, Texas; and St. Malachy’s Chapel in Times Square. As a musician, he performs regularly as a violinist and vocalist in the classical, musical theatre, and mariachi realms. Since 2013, he has been co-founder and violinist for the Aletheia String Quartet, a group of music educators dedicated to giving back to the Phoenix Metropolitan community through its Homestead Concert Series. 

Glasser holds a Bachelor of Music (BM) and a Master of Music (MM) in Music Education from the State University of New York at Fredonia and will graduate with his PhD in Music Learning and Teaching from Arizona State University in May 2025. 

Photo by Tara Nichols, My Creative Light

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Posted on February 06, 2025

Lang Lang UCLS Banner

A virtuosic pianist whose musicianship and charisma make him one of the most sought-after performers of this century, Lang Lang regularly opens the season at Carnegie Hall.

On March 15th, Lang Lang will perform at the UNCG Auditorium as part of the 2024–2025 UNC Greensboro Concert and Lecture Series.

Heralded by the New York Times as “the hottest artist on the classical music planet,” Lang Lang plays sold-out concerts all over the world. He has formed ongoing collaborations with conductors including Sir Simon Rattle, Gustavo Dudamel, Daniel Barenboim, and Christoph Eschenbach and performs with all the world’s top orchestras. Lang Lang is known for thinking outside the box and frequently steps into different musical worlds. His performances at the GRAMMY® Awards with Metallica, Pharrell Williams, and jazz legend Herbie Hancock were watched by millions of viewers.  

Lang Lang’s program in Greensboro will include works by Gabriel Fauré, Robert Schumann, and Frédéric Chopin.

Limited tickets are still available at ucls.uncg.edu

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Posted on February 03, 2025

School Girls production photo (l-r) Alexa Fields (Gifty), Symone Spencer (Paulina), and Seania Burnett (Mercy). Photo credit: Elainia Sanders
School Girls production photo (l-r) Alexa Fields (Gifty), Symone Spencer (Paulina), and Seania Burnett (Mercy). Photo credit: Elainia Sanders

This month, the UNCG School of Theatre and North Carolina A&T Division of Theatre Arts will welcome to Greensboro hundreds of theatre students and faculty from across the Southeast, Puerto Rico, and the Virgin Islands for the Kennedy Center American College Theatre Festival (KCACTF). 

In addition to being a co-host for the KCACTF Region 4 conference, UNCG School of Theatre has a production in the festival, three nominations for the prestigious Irene Ryan Acting Scholarship, and recognitions for Stage Management, Hair & Make Up Design, Dramaturgy, and Direction. 

UNCG’s School Girls, or the African Mean Girls Play, directed by Associate Professor of Acting Mya Brown, is one of only eight plays chosen to advance to the regional competition, with accolades going to students Jakyia Barnes, Seania Burnett, and Symone Spencer (Irene Ryan Acting Scholarship nominees); Tala Terrell (Stage Management); Jayde Grant (Hair & Makeup Design); Sean Burchette, Candace Lilford, and Jay Smith (Dramaturgy); and Professor Mya Brown (Direction). 

The benefits of the festival go beyond the show and individual recognitions, says Brown: 

“Having the festival here in Greensboro means that all our students have access to incredible opportunities with no travel expense. There are programs to compete for scholarships and grants, and career networking opportunities. Many of our students are first-generation college students, so the fact they can get all this at little or no cost right here in their backyard is huge for them.” 

The festival also provides invaluable training: 

“For workshops, they’ll be in ensembles with people they’ve never met. That’s the real world. That’s what you’re going to wind up doing. In the School of Theatre, we make little families, but once you get to the professional level, the likelihood of knowing more than one person in a production is fairly low. This is a great springboard exercise to learn how to navigate that space. 

“At the KCACTF conference, students will have access to professors and professionals outside of those they see all the time. Getting feedback from those people is incredible, and it reinforces the training here. There’s something about how when you hear it from someone else, suddenly it resonates. I don’t care where the lightbulb goes off, I just care that the lightbulb goes off!” 

Jakyia Barnes plays Headmistress in the play School Girls. She says she’s a little stunned by her nomination for the Irene Ryan Scholarship: 

Jakyia Barnes as Headmistress in UNCG Theatre’s production of “School Girls”

“I still can’t believe it. I remember the performance when we realized the festival respondents were in the audience, taking notes about our performance. I was a little psyched out! I’m honored and trying to take it as a testament to my art and craft and to my purpose for being here. I just feel so grateful.” 

Barnes, who is a senior from Raleigh, is excited about all the festival has to offer: 

“I’ll get to participate in a competition with a lot of other student artists and see how those outside of UNCG perform and work. This is a great chance to create community and connection with so many professors and directors of other theatre departments. We’ll get to see different shows and take part in workshops where we’ll get advice and fine tune our craft. I’m also excited that we get to perform School Girls again!” 

School Girls, by Jocelyn Bioh, is a sharp, funny, and deeply honest exploration of colorism and identity. Set in a 1980s Ghanaian boarding school, the story follows Paulina, a confident and talented dark-skinned student vying to represent her country in the Miss Ghana pageant. Her dreams are challenged by Ericka, a new student whose light skin and Eurocentric features captivate the pageant recruiter. 

Barnes and Brown agree that School Girls is a special show. In materials that she prepared for entry into the festival, Brown wrote about its message: 

“As the director, I’m inspired by how the playwright Jocelyn Bioh weaves humor with profound gravity, using familiar high school dynamics to unearth the painful legacies of colorism, colonial beauty standards, and the universal struggle for self-worth. The play captures the tender and turbulent journey of growing up—not just among peers but under societal forces that seek to define us.” 

Brown says directing the play struck a personal chord for her: 

“This was a rare time when I felt like I had a true affinity space with the actors, which was so cool. The amount of learning on that production, even for me, was immense. Learning about the Ghanaian culture, learning about each other, recalling our childhood experiences growing up, building friendships, and attending school. I taught them games and chants I played with my friends, and it bonded and connected us in a rich way. I think I knew that would happen, but to experience it was far greater than to just know it.” 

“I feel so proud of this show,” says Barnes. “I am forever impacted by the story that I was so blessed to be a part of telling, and I’m so proud of myself for overcoming my own challenges and working with this story that is bigger than me. I thank Professor Brown for pushing that out of all of us. 

“We drew on our experiences. Of course, none of us are from Ghana or have ever been there. But we’ve all been young, Black girls. We’ve all been in school and learning that the world has perpetuated these stereotypes, which place a burden on us by telling us there are things we can’t be or have.” 

And although the show deals with the serious topics of colorism, weight issues, and bullying, Barnes says the main message is joy: 

“That’s what Professor Brown and our cast wanted to share—the resilience and joy of these Black girls. There’s the moment at the end when Erika wins the pageant. Although that’s not what Paulina wanted, there’s joy at seeing a young African woman win and joy in the anticipation of what it could mean for her. And the way the girls dance, smile and rejoice in each other’s presence is beautiful. The world may be hard, and people may be upset and angry and pushing you down but hold on to your joy because it can bring you so much more.” 

KCACTF Region 4 will be in Greensboro February 4th–9th.  

The festival moves around the region each year, and Professor Brown was delighted when Greensboro was chosen: 

“Before coming to UNCG, I was in upstate New York, which is Region 2, where the festival is everything. I’m hoping having it here will ignite some of that same excitement and passion. This region has so many HBCUs (Historically Black Colleges and Universities) and is so rich in diversity of performances. It’s what brought me here. Those are the kinds of students I want to reach. The diversity of this region is what made School Girls, with an all-Black, all female-presenting cast, such a good pick for the Region 4 conference.” 

Brown says conversations with KCACTF organizers had been ongoing for several years with former School of Theatre Director Natalie Sowell, but with Taylor Theatre offline for renovations, space was an issue. Brown began talking with NC A&T to find a way to work together on that: 

“The workshops will be held in UNCG Theatre buildings and in the Elliott University Center,” says Brown. “Large shows will be presented in the UNCG Auditorium, and smaller productions will be staged at the Paul Robeson Theatre on the campus of NC A&T.” 

The eight shows that will be performed were chosen from hundreds of productions seen by KCACTF respondents over a year. The respondents traveled to various schools to watch the shows during their regular run, then held post-show meetings with the casts, crews, and directors. Then they made recommendations as to which ones would be invited to the regional event. Regional winners will be invited to showcase at the national festival in Washington, DC during the week of April 15th. 

The Kennedy Center American College Theater Festival (KCACTF) is a national theater program involving 18,000 students annually from colleges and universities across the country. KCACTF aims to celebrate the finest and most diverse work produced in university and college theater programs and provide opportunities for participants to develop their theater skills and insight and achieve professionalism. It also seeks to encourage colleges and universities to give distinguished productions of new plays, especially those written by students; the classics, revitalized or newly conceived; and experimental works. 

Story by Terri W Relos 

Photography by Elainia Sanders 

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Posted on January 28, 2025

Inna Faliks Daniel Ericourt Artist Residency in Piano

The UNC Greensboro School of Music will welcome Ukrainian-born pianist Inna Faliks as the featured artist for the 2024-2025 Daniel Ericourt Artist Residency in Piano in February. 

Faliks will be on campus Wednesday, February 26th–Friday, February 28th for student masterclasses, and a lecture. Ms. Faliks will also give a solo recital in Tew Recital Hall, which will feature works by Johann Sebastian Bach, Franz Liszt, Frédéric Chopin, and Ludwig van Beethoven, as well as contemporary works composed for Inna Faliks by Veronika Krausas and Maya Miro Johnson. The program will also include readings from Faliks’ memoir Weight in the Fingertips: A Musical Odyssey from Soviet Ukraine to the World Stage

“Adventurous and passionate” (The New Yorker), Inna Faliks has established herself as one of the most communicative, and poetic artists of her generation. She has made a name for herself through commanding performances of standard piano repertoire, as well genre-bending, interdisciplinary projects, and inquisitive work with contemporary composers.  

Dr. John Salmon, Professor of Keyboard and residency coordinator, anticipates the residency will be of great benefit to students: 
 

“We know that UNCG piano students will be inspired by Inna Faliks’ wide-ranging artistic experience and global perspective.”   

The Ericourt Residency honors eminent French concert pianist Daniel Ericourt (1903-1998) who was Artist-in-Residence at the UNC Greensboro School of Music from 1963–1976.  
 

“The Ericourt Residency is one of our important keyboard events,” says Dr. Salmon. “Daniel Ericourt’s widow, Jayne Winfield Ericourt, lives in Greensboro and is a beloved presence at many of our School of Music events. We are happy to be able to offer the residency honoring her late husband as an opportunity for the community to experience the School of Music, especially the keyboard area.” 

Since its founding in 2007, the Ericourt Residency has brought these renowned artists to UNCG:  José Feghali, Jon Nakamatsu, Jacques Després, Pascal Rogé, David Owen Norris, Charles Richard-Hamelin, Daria Rabotkina, Craig Sheppard, Lydia Artymiw, and Sara Davis Buechner. 

All of the Ericourt Residency events with Inna Faliks are open to the public without charge. See event listings here. 

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Posted on January 27, 2025

Roomful of Teeth
Roomful of Teeth

This week, The UNC Greensboro Concert and Lecture Series presents Roomful of Teeth, a Grammy-winning vocal band dedicated to reimagining the expressive potential of the human voice. By engaging collaboratively with artists, thinkers, and community leaders from around the world, the group seeks to uplift and amplify voices old and new while creating and performing meaningful and adventurous music.

Roomful of Teeth will perform in Tew Recital Hall in the Music Building on Friday, January 31st at 8:00 pm. An open rehearsal and Q&A will be held that afternoon, and all UNCG students are invited to attend.

Professor of Choral Music, Conducting Carole Ott will moderate the Q&A, which she says, along withthe open rehearsal will will offer students an invaluable experience:

“Roomful of Teeth is a cutting-edge ensemble which is doing incredible work exploring what is possible with the human voice. It will be so exciting to have them on campus and for our students to hear them rehearse and perform. I hope students will come away with a deeper understanding of what singing can be and what performing can be. I hope that they (and we all) come away from the experience changed and expanded.”

Roomful of Teeth has been praised for their innovative and daring sound which is revolutionizing choral music. They are coming to UNCG from shows at New York’s Carnegie Hall, the Paris Philharmonie, as well as venues in Brussels, Antwerp, and Prague.

Founded in 2009 by Brad Wells, the band was incubated at the Massachusetts Museum of Contemporary Art (MASS MoCA) in North Adams, Massachusetts.

“As the world rapidly changes, Roomful of Teeth is cultivating deeper relationships with technology, continuing to explore and expand the artistic reach of the human voice,” says Wells. We are excited about new collaborative projects focused on stories of place, home, and community in diverse environments around the world. They explore, learn, and collaborate with passionate curiosity, contagious enthusiasm, and deep gratitude.”

Through their unique collaborative process with a wide range of artists and ensembles, Roomful of Teeth has worked with many of today’s most compelling musical creators to build a significant and continuously growing repertoire spanning genres and art forms.


UCLS Presents Roomful of Teeth

Friday, January, 31, 2025 @ 8:00 pm

Tew Recital Hall

Parking in McIver Street Deck

UNCG Student Tickets are $7.50

Other tickets range from $15–$25

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Posted on January 24, 2025

2025 Student Artist Competition News Feature Image

The School of Music is pleased to announce the winners of the 2025 Student Artist Competition. The UNCG School of Music Student Artist Competition provides an annual forum for exceptional student performers to audition for the opportunity to appear in concert with the Symphony Orchestra or Wind Ensemble. Preliminary rounds typically take place in December, with a final round in January that awards performances on concerts scheduled between the following spring and fall semesters.

First Prize

Calvin Godfrey

Trumpet
Student of Dr. Garrett Klein

Calvin Godfrey is currently pursuing a Master of Music in Trumpet Performance at University of North Carolina Greensboro where he holds a Graduate Assistantship and studies with Dr. Garrett Klein. An active performer, he has played with numerous professional ensembles, including the Charlotte Symphony, and advanced to the semi-final round of the graduate solo division at the 2024 National Trumpet Competition. Calvin was also recognized for his paper Beethoven and Shostakovich: The String Quartet in Soviet Russia, winning the UNCG Best Musicology Project award in April 2024. Calvin graduated summa cum laude with a degree in Computer Science and Mathematics from Virginia Tech, where he studied trumpet with Dr. Jason Crafton.


SECOND PRIZE

Taylor Stirm

Clarinet
Student of Dr. Anthony Taylor and Dr. Luke Ellard

Taylor Stirm is a current Doctoral student at UNC Greensboro and the North Carolina Student Representative for the International Clarinet Association. Stirm has a large private studio in North Carolina of clarinet and piano students and is a clarinet instructor at the University of North Carolina School of the Arts Community Music School and the UNC Greensboro Community Music School. She is equally at home in solo, chamber and orchestral situations, having performed throughout the United States and internationally. She has been featured at conferences of the International Clarinet Association, American Single Reed Summit and HERo. Stirm is a founding member of the clarinet trio Chaos Incarné, which aims to expand the clarinet repertoire through commissioning emerging composers from underrepresented communities. Stirm holds degrees from UNC Greensboro and Arizona State University, where her primary teachers include Anthony Taylor, Luke Ellard, Andy Hudson, Robert Spring, Joshua Gardner, and Theresa Martin. 


THIRD PRIZE

Cori Trenczer

Cello
Student of Dr. Alexander Ezerman

Cori Trenczer is a cellist, chamber musician, and teacher from the Hudson Valley region of New York. Coming from a musical family and a family of educators, Cori is both an avid performer and a teacher to a robust studio of cello students. Cori has her bachelors degree in cello performance from the Eastman School of Music and she is a graduate assistant in the graduate string quartet at UNCG. Cori also enjoys playing in the Greensboro Symphony Orchestra as a section cellist, and teaching her studio of roughly 18 cello students, ranging from age 8 to adult. She is interested in contemporary music and playing music by underrepresented composers. Cori is a virtual cello teacher on the faculty of Cornerstone Music Studios and on wyzant.com, and teaches in-person at Moore Music Company and through UNCG’S Community Music Lessons Program.

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Posted on January 17, 2025

Featured Image for New P2 Cohort Focuses on Older Adult Activity, Pathways to Wellness

The Institute for Community and Economic Engagement’s two partnerships for its seventh cohort center around public art and entrepreneurship. 

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Posted on December 05, 2024

Featured Image for School of Art Students Animate Employees at Industries of the Blind 

This fall students in UNCG’s School of Art’s Animation concentration had the opportunity to connect with employees at Industries of the Blind (IoB) through storytelling.  

Students first toured the IoB facility on Gate City Boulevard in Greensboro and then returned to interview and to hear stories from several IoB associates. In pairs, they collaborated on creating character designs and storyboards to envision the narratives as animated films of the associates based on their favorite animal. Before returning to IoB to pitch the ideas back to the original storytellers, students also discussed ways to make visual content accessible for individuals with visual impairment and sought out examples of audio descriptions as a guide for ways to share their work. As part of the culminating project and to show gratitude to the employees, the students created tactile 3D printed versions of each animal character design as a keepsake of their shared experience. 

Assistant Professor of Animation Dan Hale reflects: “The goal of the project was to give students an opportunity to realize the awesome responsibility that comes with telling someone else’s story, while also bringing to light narratives from traditionally under-represented populations. By adapting the story to non-human characters, students also learned to not get bogged down in details but rather to look for universal truths and levels of understanding.” 

Industries of the Blind associate Cynthia Vega (bottom left) holds a 3D-printed figure made from the animated character design created by UNCG School of Art animation student Izhabelle Chang. Photo credit: Dan Hale
Industries of the Blind associate Cynthia Vega (bottom left) holds a 3D-printed figure made from the animated character design created by UNCG School of Art animation student Izhabelle Chang. Photo credit: Dan Hale

Idamis Calero Gomez is a UNCG Art student in the BFA Animation program who participated in the program. Gomez says it provided new perspective: 

“I realized how privileged I am to have my eyesight, but also it filled me with a profound admiration for the workers at Industries of the Blind, especially the person whose story I got to tell. She lives every day to the max and focuses on leading a happy life and planning her next travel adventure. Sometimes we take things for granted and remembering her positive attitude, even when facing challenges daily, is a great reminder to live my life to the fullest and keep pushing forward like she does.” 

Sarah Comella is an Industries of the Blind Associate who participated in the animation project: 

“The experience was exceptional. I thought both sides learned a great deal. The students learned that people who are blind are like everyone else with hopes, dreams, and funny quirks that make people unique in their own way. I learned that the students could do things that even though I’m not able to see them, they can show the world that people who are blind can achieve their own goals the same as people with vision can do. It was a wonderful experience, and I thoroughly enjoyed myself.” 

Story by Caitlyn Schrader

Photo credit: Dan Hale

Learn more about the UNCG School of Art’s Animation Program. 

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