Posted on December 01, 2025

Art student Meghan Fox

Sometimes there are no words. And that, says Meghan Fox, is where art steps in: 

“The thing I love about art, and why I enjoy teaching it so much, is that art is a universal language. It’s older than written language. It has been connecting people for thousands of years. Even when words aren’t strong enough, art is always present.” 

Meghan Fox '25 BFA Art Education (K-12)

Fox is receiving a BFA in Art Education with K-12 licensure, and there is one age group she has a particular interest in teaching: 

“People say I’m crazy, but I really want to teach in middle school. A lot of people see middle school in a negative way. Students are going through such a formative time in their lives. I think it’s interesting because a student can be almost a different person from day to day because they’re going through so many physical changes and emotions. 

“If I can just help provide a safe space for expression and help influence one more artist in the world or one more good person, then that’s what teaching means to me. Also, middle school is usually the time when students either pick up a hobby or drop it. I love being able to give them a positive experience with art that may make an impact in the future.” 

Currently a student teacher in grades six through eight, Fox sees the benefits of art in her classroom: 

Meghan Fox '25 BFA Art Education presenting her research project
Meghan Fox presenting her research project at the University’s Undergraduate Research and Creativity Expo.

“For students, the arts really boost morale and test scores, too. That includes visual art, singing, playing an instrument, or dancing. All those things give the brain a break and help students process some of those complex emotions. Sometimes they can’t describe how they’re feeling, and they need to physically act on it. Art is a physical process.” 

Fox also sees art as a way to create community. COVID-19 happened while she was in high school, and she says she saw and felt the impact that isolation had on students: 

“The pandemic led to a real lack of communication skills. We couldn’t have interaction and teamwork building, so students weren’t able to create community. That’s what I want to bring to my classroom. I want to bring back that sense of community that we’ve been lacking and the social and communication skills, not just in school but as active members in the cities and town where they live.” 

Fox has found community in a variety of forms in many places: 

“I am from a little bit of everywhere. My dad was in the military for over thirty years. I was born in Virginia, and I’ve lived in five different states—Virginia, Georgia, Arizona, California, and North Carolina. As a military kid, I’ve grown up with community and structure.” 

Meghan Fox’s artistic journey started at early age, with gifts for her father on deployment. Today, her practice primarily focuses on ceramics and sculpture.

Art has always been a part of the community building for Fox: 

“When I was young, I would make crafts and things for my dad when he was deployed. It was a way that I felt I could stay connected with him. Then, in middle school, there was a time when I was bullied, and I found art to be a way to express my feelings. Now, I just love sharing my passion with students, the next generation of artists.” 

When she got to UNCG, Fox made it a point to find her fit. She worked in the Office of Military Affiliated Services on campus and did volunteer work with veterans. She has also served as a CVPA peer guide, helping new students make connections and get involved: 

“It’s easy to feel isolated and homesick at college. I haven’t had as many struggles with that, just being a military kid and constantly being uprooted and moved around, but I’ve seen friends go through it. Getting involved on campus, finding your people, your support system, can really help you through. 

“UNCG has a small school feel. It’s been easy to find friends outside of my major. I spent my first year going to many events and exploring all the different clubs on campus. I found my place here within the School of Art and in other groups, too.” 

Fox’s artistic practice focuses on sculpture and ceramics, and she’s found there are many opportunities for students to showcase their work: 

Meghan Fox '25 BFA Art Education with one of her ceramic works
Meghan Fox with one of her ceramic works.

“We have an iron pour each semester with lots of family friendly activities. It gives people a chance to see some of the cool things we do here. We also have Greensboro Project Space, which is our art gallery downtown. Students do exhibitions there, and some of our professors and our master’s students show there as well. We have local artists that come in, too, so that really ties us into the Greensboro community, too. 

“The school also has a summer art and design intensive for high school students. Art education majors take part in that as part of a course we take. But I loved it so much, I did it a second time as a volunteer. I loved the experience so much—giving students the tools and just letting them create made me so happy.” 

Art lessons aside, Fox wants to share something else she’s learned: 
 

“The biggest thing is probably patience. Being a sculptor—being any kind of artist—takes time. Being a teacher takes patience, too. I really have to make sure I pay attention to students’ skill levels to know how to push them to be better.” 

Story by Terri W Relos

Photo credit: Meghan Fox

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Posted on December 01, 2025

Chloe Arterberry, dance student

Chloe Arterberry can’t stop moving. That’s how she wound up where she is today. 

Raised by her grandparents, Arterberry lived in California until she was twelve years old when the family moved to Goldsboro, North Carolina: 

Chloe Arterberry '25 BFA Dance headshot
Chloe Aterberry

“My grandmother was like, ‘Oh my gosh, you cannot dance in the grocery stores anymore!’ I think it was because things seemed a little more subdued in the South than in California. They decided they had to get me into a dance class. And they were right: this is where I’m meant to be.” 

“The faculty are good at letting you make mistakes, then letting you figure out how to get back on your feet after you make those mistakes. That’s allowed me to get comfortable in the uncomfortable. I’ve grown so much here.” 

Arterberry’s practice is based on interdisciplinarity and improvisation. She says that’s one of the things that drew her to UNCG: 

“It’s my jam. I love improvisation, and I love understanding the body as well, which is why I was really interested in doing the Pilates certificate program while pursuing my dance degree. Once I started working in the program, I started to understand the inner mechanisms of the body, so that it translated into my improvisation and my movement research in general. 

“UNCG Dance is so good at finding ways to implement other art forms into the work that we do. At our recent Fall Dances concert, we had live musicians and seating in the round which sort of forces the audience to be in it with the dancers. Knowing how other artists are working and how to incorporate other art forms into my work has been a benefit to my choreography. The faculty allows you to be more than just a dancer. Of course there is focus on technique, but importance is placed on being your whole self, not just your dancing self.” 

While at UNCG, Arterberry was excited by the many opportunities: 

 
“One of my favorite things that I’ve gotten to do through UNCG is the American Dance Festival through an audition-based scholarship. The festival gives dancers access to world renowned choreographers and dancers. Through those connections, I’ve had so many other opportunities beyond UNCG.” 

Another favorite experience was the American College Dance Association (ACDA) performance: 

“I was with a piece that was selected to go to ACDA, then made it past adjudication to perform at the gala. It was such a beautiful experience because I’d been working with these people for so long. We’ve been in rehearsals for an entire semester. When we performed it, it was like, ‘Oh, we did it.’ It was beautiful.” 

But by far, the best part of Arterberry’s time at UNCG was the day-to-day connection: 

Chloe Arterberry '25 BFA Dance in the halls at the Coleman Building

“I know pretty much everyone in the dance program and we’re all kind of up in each other’s business every day. I feel like I touch at least one person every day. It’s a very connected community. We truly do care about each other because we’re in each other’s works. We dance with each other and feel each other’s energy. And if someone is off, we ask if we can help. It’s true support and love everywhere you go.” 

Arterberry plans to take that feeling of with her after graduation: 

“My goal for the rest of my life is to dance. That is literally it. To be a part of the community, to share in the community, to share the community in general with people that aren’t already in it. I’d like to travel and see what the dance community looks like in other places, Europe or South America. I’m definitely going to spend time in New York. I’ve been auditioning for a number of companies, but I’m not intent on staying in just one place for too long. There’s so much to see. 

  
“Eventually I’d like to have my own choreographic residency. Actually, I’ve started to play around with that. I would like it to be called Barefoot Bravery. It would be a collective where dancers could come together and make work and support each other. 

“My best advice for students today is to be open-minded. My ballet teacher, Marielis Garcia, always talks about how in ballet it’s not good for us to be so rigid. She says bridges are built to have a little give so that whatever wind blows, it won’t blow the whole bridge away. And I think about that a lot, like having a little bit of malleability so that I’m able to move things and be like, ‘OK, that’s not for me, but I’ll try this or I’ll try that.’” 

Story by Terri W Relos

Photo credit: Brandon Demeryhttps://vpa.uncg.edu/dance/

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Posted on December 01, 2025

Featured Image for

Dear CVPA graduates:

This month we are honoring you—the Class of 2025—and your significant artistic and academic achievements. The College of Visual and Performing Arts’ faculty and staff are extremely proud of everything that you have accomplished during your time at the “G.” To each member of CVPA’s Class of 2025, I congratulate you and say, BravoWell done, and Go make your mark!

Sincerely,

bruce mcclung signature

bruce d. mcclung, PhD 
Dean, College of Visual and Performing Arts

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Posted on November 23, 2025

Piano students playing at Brews-keys

While it is true that pianists are often in demand as collaborators with other musicians, young pianists rarely have the opportunity to collaborate with each other. UNCG’s Keyboard Studies is actively seeking ways to buck the status quo! 

One way to do that is the event “Brews-Keys,” which is held toward the end of each semester at Borough Coffee at Double Oaks. The event allows Greensboro residents and UNCG pianists to interact in a casual environment, which encourages conversations with those who might not typically listen to a live piano performance. 

In the spring 2025 semester, another layer was added to the experience. UNCG Keyboard students provided workshops and taught masterclasses to young students at the Music Academy of North Carolina (MANC), which culminated in a partnership performance by those students at the “Brews-Keys” event. 

Dr. Annie Jeng, Associate Professor of Piano and Piano Pedagogy, said that the MANC partnership “offered a way for young pianists to seek mentorship from students at UNCG and a way to form new bonds and friendships with other pianists. The casual environment allowed students to experience a different kind of performance opportunity outside of the formal recital hall.” 

Dr. Jeng also reflected on how this past spring’s “Brews-Keys” was a particularly special performance: “The teachers, students, and families at MANC were extremely appreciative to have the opportunity to work with UNCG students and to perform alongside music majors on the day of the event. We had students from ages four to seventy performing! We had hundreds of people in attendance throughout the day; I even met a woman who was so inspired from the performances that she decided to sign up for piano lessons at MANC!” 

UNCG School of Music students that were involved in the partnership and performance also had many positive things to say about their experience. Max Iapalucci reflected: “Getting to share such a beautiful space like the Double Oaks garden with talented young piano students of all ages was very special. It’s not very often that you get the opportunity to play the piano in an outdoor environment like that, and I’m so glad that not only did we get that opportunity, but that these students of all ages got it as well. I think it’s important for young pianists to get to see and spend time with pianists playing at the college level, to inspire them on their own journeys with music. Getting to hear three hours of live, diverse, piano repertoire was a special opportunity for everyone there, but especially for the MANC students who joined us at ‘Brews-Keys!’” 

Similarly, Devon Shifflett, a UNCG School of Music graduate student, shared: “Working with MANC was such a positive and rewarding experience! Their students had the chance to perform side by side with UNCG students, which created a fun and supportive atmosphere for everyone involved. In the weeks before the concert, Dr. Annie Jeng, I, and other graduate pianists visited MANC to lead masterclasses for students. It was a great opportunity for us to strengthen our teaching and communication skills while helping younger pianists refine their performances and grow as musicians. Seeing their confidence grow and performing alongside them made the whole experience especially meaningful!” 

Thomas Swenson, a piano teacher at MANC, also shared his appreciation and enthusiasm for the event: “Thank you so much to the UNCG Keyboard Studies students who contributed to the Group Piano Week at MANC! We really appreciated the opportunities that the UNCG students gave to our students. They provided wonderful tips and ideas in the masterclasses, and Devon Shifflett gave a great interactive presentation on the historical music periods. In addition, they played beautifully as our students created artwork to compliment the music. What a fantastic week it was!” 

It’s clear by all parties involved that the hope is for this partnership to continue, developing even more opportunities for students at UNCG and MANC to work, learn, and grow alongside one another. 

Story by Caitlyn Shrader 

Photo credit: Annie Jeng 

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Posted on November 21, 2025

Picture of former faculty member Sonny Bell

Former Instructor and Visiting Assistant Professor Charles Harris “Sonny” Bell III passed away on October 30, 2025. Dr. Bell was a UNC Greensboro faculty member for three years, first as an instructor from 1975 to 1977 and then as a Visiting Assistant Professor from 1980 to 1981. He was a guest artist at the Parkway Playhouse in Burnsville from 1977 to 1979 and served as Artistic Director during the summer of 1980. After UNCG, Bell taught for twenty years at Western Illinois University. He and his wife, Baird, of nearly fifty years retired to Lake Lure, NC. 

Bell taught in the areas of drama appreciation, acting, directing, world theatre and fundamentals of speech communication. His areas of special interest included acting and directing, playscript analysis, and theatre historiography. At UNCG he directed The Philadelphia Story and The Hot L Baltimore and choreographed the fight sequences for Peter Pan and When You Coming Back, Red Ryder? Regionally, he directed Arsenic and Old Lace and Bus Stop for the Parkway Playhouse in Burnsville and A Funny Thing Happened on the Way to the Forum for the Barn Dinner Theatre. As an actor, he appeared as Big Daddy in Cat on a Hot Tin Roof at the Parkway PlayhouseBillis in South Pacific at the Barn Dinner Theatre, Sidney Hopcroft in Absurd Person Singular at Gaslight Dinner Theatre, Toby Belch in Twelfth Night at UNCG, and as Mitch in A Streetcar Named Desire for the Carolina Theatre.  

A native of Dayton, Ohio, Bell received his BS in Business Management/Communication Arts from the University of Dayton, his MA in Directing and Staging from Bowling Green State University (thesis: “An Original Adaptation and Production Study of William Golding’s Lord of the Flies”), and his PhD in History/Directing and Staging, also from Bowling Green State University, with a dissertation titled “A History of an Ohio Tent Show Family: The Kinsey Komedy Kompany (1881–1951).”  

Memorial donations can be made to Elizabeth House Hospice, 571 Allen, Flat Rock, NC 28731. 

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Posted on November 03, 2025

Connie Chase directing the West Point Glee Club at Trinity Wall Street

“When I selected repertoire, I looked for the meaning that would fill them up for whatever was ahead. These were cadets training to become officers in the United States Army, leaders of character. They were wonderful singers who came through an audition process, but they weren’t music majors. Still, I always wanted them to know the meaning behind the music.” 

Constance “Connie” Lankford Chase (’76 BM Music Education) retired in September after a twenty-six-year career as conductor of the renowned West Point Military Academy Glee Club: 

Constance “Connie” Lankford Chase. Photo credit: Megan Cardone

“I led the cadets in singing a varied repertoire—patriotic and military songs, sacred and secular selections. We performed all of it proudly. But we always talked at length about the meaning.” 

Chase recalls hearing from a former student during the Second Gulf War: 

“She was, I think, a captain at the time, and she sent me an email. She wrote: ‘When I was a cadet, I didn’t always understand why you had us singing what you did. But one day when I was out in the desert at a memorial service, the band began to play the [Pavel] Chesnokov piece Salvation Is Created. I recognized it, and I was able to tell the others what it meant.’ She said she was so grateful for that.” 

A graduate of UNCG’s School of Music, Chase has always found meaning in music. Now, she is making sure that meaning is carried forward for future students through the Constance Lankford Chase Scholarship Endowment in Music. The gift is made in memory of her mother, ThomasEna “Tommie” Gandy Lankford, Woman’s College Class of 1941. 

“On the day I was born, my mother declared that I would attend WC. Even though by the time I graduated it was UNCG, it was always WC to my mother. I told her I was reading about other schools, too, and she said, ‘You can read all you want but you’re going to WC!’ And that was that. It was very lucky for me that UNCG had a top-notch music school. 

“My hard-work ethic was reinforced at UNCG. I credit that and all the training and support I got for everything I have ever been able to accomplish. Every single faculty member I met made me feel like I could do anything. They always said to go for it. They also reminded us that we were in a professional school, and we should act like professionals.” 

Chase carried that message into her work with the cadets: 

“Lots of opportunity will come the way of the West Point Glee Club because they’re West Point. And it was in 2002 that we had our first performance under my direction at Carnegie Hall. The West Point Bicentennial was coming up, so there was an occasion for us to perform the opening program. Some of the cadets were a little cocky about it, and I just wasn’t getting what I needed from them. 

“So, at one point I said to them let’s be clear about why we’re performing Carnegie Hall this time. It’s because West Point bought the house. There were gasps from the cadets! Then I said, ‘now, let’s deserve to be on that stage.’” 

Chase began her career as a junior high and high school band director in Fayetteville:  

Randy and Connie Chase

“I would probably still be there today if I hadn’t met my husband, Randy, who was a career military officer in the army. The first time he asked me to marry him I told him ‘no,’ because you’ll be leaving and I’m not going anywhere. I couldn’t imagine leaving my band.” 

They did leave Fayetteville after Chase said “yes”, moving every one-to-three years for two decades until Colonel Chase took a faculty appointment at West Point: 

“During Randy’s service, I had several responsibilities as an officer’s wife, such as running family support groups. Sometimes on small overseas bases I would be the only trained musician, and I would do services at the post chapel. Along the way, I played, taught, performed, whatever I could to keep my music going.” 

She kept her music going, and music took her to many places: 

Connie Chase leading the West Point Glee Club in a concdert at Saint Patrick’s Cathedral, New York City.

Chase has conducted the West Point Glee Club in the country’s finest venues, including Carnegie Hall, The John F. Kennedy Center for the Performing Arts, Lincoln Center, and Kansas City’s Kauffman Center; and recorded for Capitol, Curtain Call, Paramount, PBS, ABC, NBC, and at world-renowned Skywalker Studio. Guest conducting appearances include the Tabernacle Choir and Orchestra at Temple Square, Symphony of the Americas, and the National Choral Council’s Annual Messiah Sing-In at Lincoln Center.  

Under her direction, the Glee Club’s recordings include the original hymn Mansions of the Lord for the closing credits of the Paramount feature film We Were Soldiers’Til the Last Shot’s Fired with country artist Trace Adkins, which they performed with Mr. Adkins on CBS at the 2009 Academy of Country Music Awards Show; Showtime’s docu-drama A Game of Honor; ABC’s Taking the Stage: African American Music and Stories That Changed America; NBC’s Macy’s Fourth of July Fireworks Spectacular; and the DVD/CD Stand Ye Steady featuring Tony Award-winner Lea Salonga. 

In 2021 Chase joined organist Galen Tate as Co-Founder and Artistic Director of the St. Thomas More Summer Festival Chorus in Darien, CT, following a twelve-year tenure as Conductor and Artistic Director of Connecticut Chamber Choir.  

She served fourteen years as an adjunct professor in Applied Voice at Western Connecticut State University’s School of Visual and Performing Arts. A lyric soprano and accomplished soloist, Chase has performed as a choral artist under the batons of Jane Glover, Louis Langrée, Nicholas McGegan, and Gerard Schwarz.  Chase is co-author with the late Shirlee Emmons of Prescriptions for Choral Excellence (Oxford University Press, 2006). 

A guest conductor and presenter of workshops across the United States, she is a member of National Association of Teachers of Singing (NATS) (former CT Chapter Governor, Vice President, and Secretary), the American Choral Directors Association (ACDA), and a member of Pi Kappa Lambda Honor Society.  

In June 2023, Chase was inducted as a Voting Member of The Recording Academy, best known for its Grammy Awards. 

Chase’s scholarship at UNCG is intended for undergraduate or graduate students majoring in Music Education, with preference to students who show strong potential in both teaching and performance. Along with the gift, she offers UNCG School of Music students this advice: 

“Keep pursuing what you love and follow whatever opportunities come your way.” 

Story by Terri W Relos

Photos provided by Connie Chase

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Posted on November 03, 2025

picture of Melinda Burts playing clarinet in the Air Force Band

It’s a career you might not think of right away—one that combines music and the military—but it’s one that some School of Music alumni say has served them well, such as Master Sergeant James Miller (’08 MM Flute Performance): 

“You get paid to play. I think most people don’t understand how uncommon that is. If you’re a musician and you’re not looking into the military as a possible career, then you probably should. 

“What I’ve seen over the last ten-to-fifteen years is that the musical landscape has changed a lot. And I think part of the challenge of music programs is keeping up with that and training people to do something new.” 

Master Seargent James Miller, flutist with US Army, “Pershing’s Own”

Master Sergeant Miller has been with the U.S. Army Ceremonial Band, “Pershing’s Own,” since 2013. He says he’s glad he took the path from music school to the military: 

“It’s not where I ever pictured myself winding up even though I come from a long line of people who served. Both of my parents were in the military. My grandparents were, too. I’m kind of glad life brought me this way.” 

According to its website, the U.S. Armed Forces is the oldest and largest employer of musicians in the world, with about 6,500 musicians in 130 ensembles across various branches, including the Army, Navy, Marine Corps, Coast Guard, and Air Force. 

Master Sergeant (ret.) Melinda “Mindy” Burts (’97 MM Clarinet Performance) started down the teaching path before changing her course to the U.S. Air Force: 

“My bachelor’s degree is in Music Education. My parents convinced me that it would be more employable than a performance degree. But by the end of that I knew that what I really wanted was for someone to pay me to play the clarinet.” 

Master Sergeant (ret.) Melinda Burts, clarinetist with the Air Force Concert Band.

Master Sergeant Burts felt she needed more training, so she came to UNCG for her master’s degree and then started auditioning. 

She landed a job with one of the military regional bands at Langley Air Force Base. Having her heart set on being in one of the Armed Forces’ premier bands, she kept auditioning until she got the position with the Air Force Concert Band: 

“Our mission was mostly ceremonial and recruitment. Some days we’d be in rehearsal, then we might be gone for two or three weeks on tour. Some days we had ceremonies that required being up at the crack of dawn and other times we had local concerts in the evenings. The schedule was varied but the income was steady, and that’s important!” 

Technical Sergeant John Reyna (’21 BM Tuba Performance) has only been with the U.S. Air Force Concert Band since January but is already realizing that being a military musician is a rewarding career: 

Technical Sergeant John Reyna, Tuba player in the Air Force Concert Band

“The people are incredible. Not only are they fantastic musicians, but everybody is so kind. And everybody wants to be there, and we’re getting to play some really amazing literature. It’s exciting going to work, and this is probably the best work-life balance job a musician can have.” 

Master Sergeant Miller agrees about the work-life balance: 

“My primary duties are ceremonial, such as events at Arlington National Cemetery and elsewhere around the District of Columbia, including the White House and the Vice President’s home. Sure, we have things that don’t have as much notice, like a state funeral. But for the most part there is great stability in this job. 

“I had dreamed of playing in an orchestra, but by the time I got to graduate school, I realized there aren’t that many orchestras, and there are a lot of people with performance degrees. I started thinking about how I would be able to make a living by playing music. I know you love your instrument, but you have to have health insurance. You may want to take a vacation.” 

Being a military musician may be a good, steady job, but for all three alums, there’s more to it than that: 

“I love playing for people,” says Master Sergeant Burts. “I love seeing the reactions in the audience when they are happy or excited. I know I’ve played the Armed Forces medley about a thousand times—we played it at the end of every concert—but it always gets everyone pumped up, and it’s still fun. That was always my favorite part.” 

Technical Sergeant Reyna says he became aware of military bands in high school and wanted to be a part of that tradition: 

“These military bands have most of the major recordings for a lot of well-known band literature. So, in high school when I was really getting into it, those were the recordings I ended up listening to. It was always in the back of my mind, wanting to be in an ensemble like that, knowing that that’s one of the highest caliber ensembles you can be in as a tuba player.” 

“There’s something special about being a part of history,” adds Master Sergeant Miller. “We’re involved in major events that have happened in our country, whether good or bad. My first big job when I got to D.C. was an event at the Tomb of the Unknown Soldier, and President Barack Obama was there. That was the first time I played for a President, and there he was, just twenty feet from me with his wife and daughters. It was surreal.” 

Master Sergeant Burts recalls a particularly impactful day for her: 

“It’s the most important performance of my entire career. I played at the opening of the Pentagon 9/11 Memorial, which was one year after the tragedy. 
President George W. Bush was there, along with Secretary of Defense Donald Rumsfeld, and it was such a moving experience.” 

Although they are each in a different stage of their career—Master Sergeant Burts is retired, Master Sergeant Miller is about midway in, and Technical Sergeant Reyna is just starting out—they all got the preparation they needed at UNCG’s School of Music. Master Sergeant Burts came to study with Dr. Kelly Burke: 

“Dr. Burke is a well-respected clarinet teacher and studying with her was a time to focus on clarinet and refine my playing so that I could win an audition. The audition circuit is tough, and taking an audition is its own skill. 

“I played in the wind ensemble and orchestra, and we had studio class once a week. Dr. Burke made everyone understand that if it was your week to play you dressed up because it was a performance. She encouraged us to do all the recitals we could because she understood that the best thing to do was to play in front of people as much as we could.” 

Master Sergeant Miller had heard of the School of Music’s reputation, and when he was offered an assistantship to help pay for tuition, that sealed the deal: 

“It was great playing in the orchestra, chamber music groups, and in the wind ensemble. There were high-pressure moments, but I got valuable playing experience. The other studios were full of great musicians, and I got the opportunity to play with them in the ensembles. I really enjoyed working with the collaborative piano faculty—it was like getting coached by world-class pianists.  

“While I was there, the Wind Ensemble made a recording that was nominated for a GRAMMY®. I also won the concerto competition, so I got to solo with the orchestra. I think the size of UNCG’s School of Music was good for me, giving me a lot of opportunities that allowed me to help build my confidence.” 

Technical Sergeant Reyna’s introduction to UNCG was through the Summer Music Camp where he met tuba faculty members Drs. Dennis AsKew and Justin Worley: 

“One of the things I loved about UNCG was that it felt like there was this competitive atmosphere, but we were all friends. It wasn’t like everybody was going out for each other. I felt like I was learning and growing along with all my colleagues, and we were all trying our best at the same time, especially the ensemble led by Dr. John Locke. 

“Dr. Locke treated us like professionals and expected us to be prepared. You knew you’d better be prepared at that first rehearsal, or he’d call you out. That was the expectation across the board—with orchestra and chamber ensembles, too. And the music the students were making showed it. 

“Honestly, one of my most meaningful concerts so far has been Dr. Locke’s retirement concert when I was a sophomore. It was so powerful.” 

And that’s what it’s about to these three military musicians—finding ways to create meaningful lives in the arts: 

“I think as artists or musicians we can often be very self-absorbed, and we kind of get into our craft and strive for perfection” says Master Sergeant Miller. “We are constantly asking ourselves why we do what we do. But as military musicians, we serve our country. We play for families who have lost people and who have served our country. I don’t have to look for meaning in my job. It’s there every time I pull out my flute or piccolo to play.” 

Story by Terri W Relos

Photos provided by the U.S. Airforce and the U.S. Army

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cast photo of Devonte Jerome Wells who is Tin Man in

There’s no place like home for Devonté Jerome Wells (D. Jerome) who made his way back to the Triad in October as the Tin Man in the national tour of The Wiz at the Stephen Tanger Center for the Performing Arts in Greensboro. 

Wells, a Winston-Salem native, earned his BFA in Dance at UNCG in 2014. From there it’s been quite a journey with stage credits such as MJ the Musical (Broadway), Hamilton (Angelica Tour), and HairsprayThe Color Purple, and Dreamgirls (Regional).  His film and television credits include Haunted Mansion (Disney), TURN (AMC), and My Big Fat Fabulous Life (TLC). 

While Wells was in town for his tour, he took time to lead a masterclass with School of Dance Professor Robin Gee and to talk with CVPA about his own “yellow brick road” from UNCG to The Wiz

Devonte Wells (’14 BFA Dance) with School of Dance Professor Robin Gee in her Technique Class at UNCG. Photo credit: Judith Briand

How did you find your way to UNCG’s School of Dance? 

I was accepted at UNCG and Howard University but chose UNCG because of the relationship I’d begun to build with Duane Cyrus, a professor at the School of Dance at the time. I met Professor Cyrus in his role as the Artistic Director of an all-county dance series I’d been involved with. 

When I started at UNCG, I thought I would like to major in both music and dance but realized that would not be possible because both areas are so demanding. I went with dance because that was the one place I could always be around music. 

Were you involved in any musical theatre at UNCG? 

Professor Cyrus became a mentor for me, and I shadowed him in choreographing for Hairspray and Dream Girls. I realized I had a love for choreography and storytelling through dance. It truly broadened my horizons. When I graduated is when I began finding ways to marry storytelling as a vocalist and a trained dancer. 

What has your career path been like? 

I began my regional theater work at the Virginia Repertory Theater in Richmond. There is where I did my first union show, The Color Purple. I also worked at the Muny [St. Louis, MO], which is where I got my equity card for Hairspray

At that point I started thinking about moving to New York. I taught in some studios in Connecticut, worked at a children’s gym in the city, even came back to North Carolina and taught at my alma mater, Carver High School, worked in Atlanta, and back to New York where I booked some shows. And then came the audition for George Faison for The Wiz and here we are. 

You’ve got to know—this kind of career—it’s not a straight line. There are a lot of pivots and hurdles. But, if you have the right determination and work ethic, plus some talent, and a lot of faith, I think you can achieve anything. 

Tell us about playing the Tin Man—was this a favorite role of yours? 

The Tin Man character, played in the film by Nipsey Russell, is iconic, and it’s been incredible to get a chance to do my version of this role.  


I really identify with the Tin Man because he and I are party people. We love to be the life of a party. We enjoy community. We enjoy creating and building relationships because that’s what life is about. And this Tin Man does hip hop instead of tap dancing. The thing I enjoyed most about telling this particular story is that we get to see the humanity in the Tin Man.  
  
At the end of the story, he gets his heart. And I love how this story makes you think about who actually has had his heart all this time? I think it’s his community.   

Wells teaching a masterclass at the School of Dance, while in town for his tour of The Wiz. Photo credit: Judith Briand

 How has it to be back in Greensboro to perform and to visit the School of for a masterclass? 

You know, coming home, coming to Greensboro means so much to me. It means the world to have other artists, young artists, come out and be inspired and ignited. That’s what I feel like my life’s work is within our communities.  


I’ve been blessed to reach this point in my career. I do feel that I’m just beginning, but I look back and say, wow, you’ve done some cool things. You know, I offer all of that up to my faith and to my mom who’s been completely supportive and especially mentors like Duane Cyrus and my UNCG professors like Robin Gee, BJ Sullivan, Janet Lilly, and others. 
 

School of Dance students at masterclass with Wells. Photo credit: Judith Briand

What advice do you have for today’s School of Dance students? 

When you go into an audition, I know you want to be loved and you want to be chosen. But don’t get lost in that. Remember that any one gig you book is not bigger than the art. Without intention, without real goals, without purpose, it’s like moving frivolously through life. When you go into an audition, remember that the purpose starts with you.  

Story by Terri W Relos

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Headshot of Robert C. Hansen, Professor Emeritus who passed away October 2025
Robert C. Hansen, Professor Emeritus

Professor Emeritus Robert C. Hansen passed away on October 20, 2025. Dr. Hansen was a UNC Greensboro faculty member for thirty-four years from 1986 to 2020. For twelve years he served as Chair of the Department of Communication and Theatre and later the Department of Broadcasting/Cinema and Theatre, now the School of Theatre. As Chair he led the successful effort to have the theatre program accredited by the National Association of Schools of Theatre. Hansen also served for fourteen years as Associate Dean of the College of Arts and Sciences where his responsibilities included the curriculum, freshman seminars, and the online BA in liberal studies program.

Hansen taught in the areas of theatre history, dramatic literature, non-western theatre, musical theatre, and design. He authored the book Scenic and Costume Design for the Ballets Russes (UMI Research Press, 1985) as well as articles and reviews for such journals as Southern TheatreTheatre Crafts, and Theatre Design and Technology. He also worked extensively as an artist designing sets, lighting, and/or costumes for over one hundred stage productions for community, educational, and professional companies. His collection of ten thousand theatre and performing arts items comprise the Robert C. Hansen Performing Arts Collection in the UNCG Libraries.

A native of Minnesota, Hansen was the first in his family to attend college. He received his BA degree in theatre and English from the University of Minnesota-Morris, an MS degree from Florida State University, and his PhD from the University of Minnesota Twin Cities. Before UNCG, he taught at Bowling Green State University where he chaired the theatre department and served as managing director of the Huron Playhouse. Hansen served as an officer in the American Theatre Association, National Association of Schools of Theatre, North Carolina Theatre Association, Southeastern Theatre Conference, and United States Institute for Theatre Technology–Ohio Chapter. In 2012 Hansen received the University of Minnesota–Morris Alumni Association Distinguished Alumni Award, and in 2020 he was awarded the UNCG College of Visual and Performing Arts Distinguished Alumni Award.

Memorial donations to the Robert C. Hansen Scholarship Endowment in Theatre Education can be made at <https://giving.uncg.edu/how-to-give/> or by making a check out to UNCG with “Hansen Scholarship Endowment” in the memo line and mailing it to UNCG Advancement Services, PO Box 26170, Greensboro, NC 27402.

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Mac Koffa, student in School of Dance on the 2025 Homecoming Court

 
McCanzey “Mac” Koffa believes strongly in the connection between the arts and health and wellness. 

“I hope to help people think about dance with a different mindset.  Everyone likes to dance when they listen to music or go to concerts. So, it’s just a matter of educating people about how moving your body can boost your mood and have long-term physical benefits. 

Spring Dances 2024
Spring Dances 2024

“So many of our students at UNCG are artistically driven, but not everyone has the opportunity or support to major in an arts discipline. I’d like to see the school offer workshops that tie arts and wellness together for our entire student body. “ 

When Koffa learned that being on the UNCG Homecoming Royal Court could possibly provide funding for a service project, she was all in. 

“I’d like to build a series of workshops highlighting the connection between wellness and our CVPA Schools of Art, Dance, Music, and Theatre. These would be education-based and interdisciplinary, like follow-along drawing classes or simple movement classes.” 

Koffa applied for and was selected to be one of eight students representing the University on the Homecoming Royal Court, after a round of interviews about her involvement on campus and her proposed service project. On Homecoming, October 18th, two UNCG Royalty winners will be announced during Spartan Street Fest. Those winners, in addition to the title and honor, will receive other rewards and responsibilities including professional headshot, financial support for required community service project, 15 community service hours, requests to emcee various campus events, and UNCG sponsored professional development/leadership trainings. 

A senior majoring in Dance with a concentration in Performance and Choreography, Koffa learned of UNCG from her teachers at Enloe High School, an arts magnet school in Raleigh. It has turned out to be a great choice for Koffa, who has immersed herself in much of what the university has to offer, and has given back by serving in a number of leadership roles.  

“I’ve been a SOAR (Student Orientation Advising and Registration) leader and I’m the social media director for my sorority Chi Omega. I’ve served as a CVPA Student Ambassador, giving tours to prospective students, I’ve been very involved in High School Dance Day, and I’m currently serving as President of the School of Dance student group Prime Movers.” 
 

After graduation in May 2026, Koffa plans a move to Atlanta, Georgia. 

“I have a passion for performing. Atlanta is a great hub for commercial dance work—music videos, background dance roles for movies and television.  I also love arts administration. I’m taking a class, Career Strategies for Artists, and it’s been helpful in building that skill set as well as in mapping out a path and making connections in the industry.” 

Koffa says she feels prepared for what she feels will be the future of Dance, as an art form. 
 
“This is such a diverse campus, and the School of Dance reflects that with a diverse curriculum. A lot of schools I looked at were of the conservatory model or just focused on Ballet and Modern. Studying here has helped me stay versatile, which is important because Dance is evolving and there’s going to be a time when Ballet and Modern won’t be the only foundational points. 

“UNCG is also just the right size. I never felt it was difficult to get involved and make an impact. We’re just at that sweet spot in terms of size, and people here are willing to help you discover how you can be a part of campus life in a meaningful way. 

Story by Terri W Relos

Photos provided by McCanzey Koffa

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