Symphony Orchestra

Announcing the 2024 Winners

Angela Moretti

First Prize

Angela Moretti, bassoon
Student of Dr. Michael Burns

Carla Maria von Weber: Concerto for Bassoon in F Major, op. 75

Read about Angela Moretti
Angela Moretti is currently in her first year of study for the Doctor of Musical Arts degree at the University of North Carolina at Greensboro. She holds a Master’s degree from the University of Central Florida and a Bachelor of Music Education degree from Florida State University. Prior to her time at UNCG, Ms. Moretti was the Adjunct Lecturer of Bassoon at Texas Lutheran University and served in the U.S. Army as a member of the 8th Army Band in South Korea and the 323d Army Band in Texas. While serving as an Army musician, she performed in hundreds of concerts, festivals, and clinics in South Korea and the United States. Prior to her Army service, Angela was a music teacher at Lakewood Park Elementary School in Florida and held positions with several regional orchestras across Florida and Texas. Her small business, Laughing Crow Bassoon Reeds, specializes in handmade bassoon reeds and supplies for amateur and professional bassoonists. In her spare time, Angela enjoys hiking, nature photography, freelance graphic design, and spending time with her rescued greyhound, Sarge.

Lauren Derflinger

Second Prize

Lauren Derflinger, oboe
Student of Dr. Courtney Miller

Eugene Goossens: Concerto for Oboe in One Movement, op. 45

Read about Lauren Derflinger
An avid orchestral musician and freelance oboist, Lauren has performed with the orchestra of Northern New York as second oboe and English horn and most recently with the UNC School of the Arts’ production of The Nutcracker. Lauren Derflinger is a sensitive player who enjoys exploring the depth of human emotion through the expressive possibility of the oboe. Lauren is passionate about making music accessible to all. She is active with Through the Staff, an organization that provides music lessons for all, as an oboe teacher. Lauren further demonstrates her commitment to community outreach as a member of the University of North Carolina at Greensboro Graduate Wind Quintet. This quintet provides engaging performances to UNCG students and participates in community outreach throughout the surrounding communities. Lauren has spent many summers refining her artistry at festivals such as the National Music Festival, the Sewanee Music Center, and the Brevard Summer Music Institute. With a background in Entrepreneurial studies, Lauren completed her music business degree and explores this avenue with her business The Joyful Oboist and teaching oboe lessons. Lauren is finishing her master’s degree and is a Graduate Assistant at UNCG. Lauren’s primary teachers include Dr. Courtney Miller, Dr. Mary Ashley Barret, and Dr. Anna Hendrickson. In her spare time, Lauren enjoys figure skating.

First Runner-Up

Daisy Schoen, soprano
Student of Dr. Robert Wells

Igor Stravinsky: No Word from Tom

Read about Daisy Schoen
Ms. Daisy Schön, she/her, is a classical soprano pursuing her Masters at UNCG. She studies with Dr. Robert Wells and is in the Vocal Pedagogy track. Daisy graduated from Indiana University with a BM degree in Vocal Performance where she studied with Dr. Brian Gill. While at IU, Daisy sang in numerous opera choruses, oratorios, and premiered contemporary vocal solo works. Last summer, Ms. Schön sang at the Collaborative Piano Institute at Louisiana State University, where she sang in masterclasses with master teachers of collaborative piano and premiered a set of music written for her and Mengyao Zhao by Steven Naylor. Daisy also teaches a vibrant studio and maintains an interest and focus on trauma-informed teaching practices. She strives for a compassionate, joyful, and mindful approach to her musicianship and facilitating.

Jayon Felizarta

Second Runner-Up

Jayon Felizarta, violin
Student of Dr. Fabián Lopez

Johannes Brahms: Violin Concerto in D Major, op. 77

Read about Jayon Felizarta
Jayon Felizarta is a violinist currently studying under Dr. Fabian Lopez at UNCG. As a native of North Carolina, he has been closely involved with the musical community since his youth, performing with the NC Triangle Youth Symphony, Duke String School symphony, and TYP Quartet. In 2020, Jayon received second prize of the King’s Peak International Music Competition, and in 2017, he received second prize at the North Carolina Symphony Youth Concerto Competition. He was a laureate of the Peter Perret youth talent search and has performed as soloist for the Winston-Salem Symphony.

An active orchestral performer, Jayon Felizarta is a first violinist of the Fayetteville Symphony and UNCG University Symphony Orchestra, and has performed with the Wilmington Symphony. He also performs as violinist for the JAW Trio at UNCG.

About the Competition

The UNCG School of Music Student Artist Competition provides an annual forum for exceptional student performers to audition for the opportunity to appear in concert with the University Symphony Orchestra or the Wind Ensemble. Preliminary rounds typically take place in December, with a final round in January that awards performances on concerts scheduled between the following spring and fall semesters. Two students are normally selected for this honor.

Auditioning

The competition will occur in two rounds:

  1. Preliminary Round, scheduled and administered by performance area (keyboard, voice, woodwind, brass, percussion, and string). Students should talk to their studio teacher and/or area coordinator about specific area requirements.
  2. Final Round, administered by the area of conducting and ensembles, on January 16, 2024 beginning at 2:00 p.m. in Tew Recital Hall. Up to 15 total auditionees, selected during preliminaries, will advance to perform in the final round.  The finals are open to the public.

Guidelines

COMPETITION PHILOSOPHY AND FORMAT

The philosophy of the Student Artist Competition is:

  1. To offer students the opportunity to appear as soloists with orchestra in the performance of full or partial concerti, arias and other short works on regularly scheduled concerts of the University Symphony Orchestra.
  2. To present outstanding School of Music students to the public.

The competition will occur in two rounds:

  1. The Preliminary Round, scheduled and administered by the keyboard, woodwind, voice, brass and percussion, and strings areas. Students should talk to their studio teacher and/or area coordinator about specific area requirements.
  2. The Final Round, on January 16, 2024, beginning at 2:00 p.m. Up to 15 total auditionees, selected during the preliminary round, will advance to perform in the finals.

PRELIMINARY ROUND

  • Scheduled by individual areas (keyboard, voice, woodwind, brass/percussion, string), must be completed no later than December 8, 2023.
  • Memorization is at the discretion of each individual area.
  • Performance proficiency requirement is at the discretion of each individual area.
  • No more that 3 students from any area will be advanced to the finals.

3 Keyboard                   3 Voice
3 Woodwind                 3 Brass and Percussion                3 Strings

  • The format for the preliminary round and criteria for advancing students to the final round is at the discretion of each individual area.
  • Each area will independently determine if they desire a balance between graduate and undergraduate representatives in the final round.
  • Repertoire must be approved by the conductor (Dr. Kim or Dr. Caldwell) before the students enter the preliminary round.

FINAL ROUND

  • Tuesday, January 16, 2024, beginning at 2:00 p.m. in Tew Recital Hall
  • Advertised and open to the public
  • Students will perform for up to 15 minutes in order to present complete works or movements, or samples of multiple movements.
  • Limited to a total of 15 participating students, representing their respective areas.

FINAL ROUND GUIDELINES, RULES, AND INFORMATION

  1. The audition order will be determined at random, so finalists must be available for the entire block of time. Exceptions may be made due to extenuating circumstances. Special requests for times must be communicated to the conductor by the application deadline.
  2. If available in the UNCG music library, an orchestral score should be provided.
  3. Each performer and accompanist should report to the audition site at least 15 minutes prior to the scheduled audition time. Performers should dress appropriately.
  4. If a soloist or accompanist is late the audition will be cancelled and the next performer will be called. Rescheduling the audition is at the discretion of the audition committee.
  5. If the chosen work is longer than the audition time allows, the finalist may select to perform a portion of the work as a whole, or excerpts from the entire piece.
  6. Vocalists may choose repertoire from either literature designed for concert performance with orchestra, or operatic arias. Selection of repertoire should be done in consultation with the studio professor.
  7. A soloist may win a performing slot only once during his/her career at UNCG.
  8. An impartial committee will serve as adjudicators. The conductor of the University Symphony Orchestra will serve as an advisor to the committee.

REPERTOIRE SELECTION

Repertoire must be approved by the conductor (Dr. Kim or Dr. Caldwell) before the students enter the preliminary round. If a student wins a performance slot with a piece that is impractical for the orchestra or wind ensemble to perform, or that has been performed by the orchestra within the past 3 years, he/she may be asked to perform an alternate work. Due to programming considerations, winners may be asked to perform more or less of a given work (i.e. one movement of a multi-movement work). Pieces may not be more than 20 minutes in duration. The conductor of the work may or may not be the faculty conductor of the orchestra. The conductor, in consultation with the student and studio teacher, will make final programming decisions.

PERFORMANCE SCHEDULING

A total of two winners will be selected from the Final Round. In an effort to maximize the educational experience for students enrolled in the Symphony Orchestra or Wind Ensemble and competition winners, one performance will be scheduled for April 2024 and the other during Fall 2024. Graduating students will be given scheduling preference for the April concert.

ORCHESTRA REHEARSALS

Monday/Wednesday: 2:00–3:40 p.m., Room 111

APRIL CONCERT

Dress rehearsal: April 24, 2:00–3:40 p.m.
Concert: April 24, 7:30 p.m., UNCG Auditorium



Recent Student Artist Competition Winners

2023

Daniel Garcia, clarinet
Nielsen – Concerto for Clarinet and Orchestra, op. 57
Student of Drs. Anthony Taylor and Andy Hudson

Tyler Reece, double bass
Martin – Concerto for Double Bass and Orchestra
Student of Prof. Craig Brown

2022

Lucas Gianini, clarinet
Zare – Bennu’s Fire
Student of Drs. Anthony Taylor and Andy Hudson

Clare Griffin, soprano
Handel – “Da tempeste il legno infranto” from Giulio Cesare
Student of Dr. Carla LeFevre

Kyrese Washington
Nielsen – Concerto for Flute and Orchestra, FS 119
Student of Dr. Erika Boysen

2020

Suzanne Polak, piano
Shostakovich – Piano Concerto No. 2 in F Major, op. 102
Student of Dr. James Douglass

Sydney Scherer, flute
Daugherty – Trail of Tears
Student of Dr. Erika Boysen

2019

Lilla Keith, sropano
Debussy – “Azaël! Azaël! Pourquoi m’as-tu quitte” from L’enfant prodigue
Student of Dr. Carla LeFevre

Akiko Yamazaki, piano
Saint-Saëns – Piano Concerto No. 2 in G minor, Op. 22
Student of Dr. John Salmon

2018

Alex Whitehead, clarinet
Debussy – Premiere Rhapsodie
Student of Dr. Anthony Taylor

Jacob Warren, saxophone
Creston – Concerto for Alto Saxophone
Student of Dr. Steven Stusek

2017

Ekin Ustunel, piano (MM)
Rachmaninoff – Piano Concerto No. 2 in C minor, mvt. 1
Student of Dr. Andrew Willis

Isaac Pyatt, marimba (junior)
Abe – Prism Rhapsody
Student of Dr. Eric Willie

2016

Elena Flores, soprano (MM)
Grand Prize Winner
Donizetti – “O Luce di Quest’anima” from Linda di Chamoanix
Student of Prof. Clara O’Brien

Emily Loboda, saxophone (DMA)
Creston – Concerto for Alto Saxophone
Student of Dr. Steven Stusek

Colin McDearman, piano (MM)
Mendelssohn – Capriccio Brillant
Student of Dr. Andrew Willis

2015

Kelsey Paquin, clarinet (MM)
Grand Prize Winner
McAllister – Black Dog
Student of Dr. Anthony Taylor and Dr. Kelly Burke

Lydia Pion, soprano (senior)
Dvorák – “Song to the Moon” from Rusalka
Student of Clara O’Brien

Mengfei Xu, piano (DMA)
Rachmaninoff – Rhapsody on a Theme by Paganini
Student of Dr. Andrew Willis

2014

William Hueholt, piano (sophomore)
Grand Prize Winner
Prokofiev – Piano Concerto No. 2 in G minor, op. 16
Student of Dr. Joseph DiPiazza

Justin Worley, tuba (DMA)
Strauss – Concerto No. 1 in E-flat, op. 11
Student of Dr. Dennis AsKew

Jessica Johnson, mezzo-soprano (MM)
Ravel – “Asie” from Shéhérazade
Student of Dr. Robert Bracey

2013

Mark Cramer, clarinet (DMA)
Grand Prize Winner
Debussy – Premiere Rhapsodie
student of Dr. Anthony Taylor

Jeremy Harris, piano (senior)
Rachmaninoff – Piano Concerto No. 2 in C minor, Mvt. I
Student of Dr. John Salmon

Jourdan Laine Howell, soprano (MM)
Weber – “Eist traumte menier sel’gen Base” from Der Freischutz
student of Dr. Robert Wells

2012

Anna Darnell, clarinet (junior)
Grand Prize Winner
Ticheli – Clarinet Concerto
Student of Dr. Anthony Taylor

Xin Gao, saxophone (DMA)
Peck – The Upward Stream
Student of Dr. Steven Stusek

Ryan Silvestri, violin (MM)
Tchaikovsky – Violin Concerto
Student of Prof. Marjorie Bagley

2011

Jason Wallace, saxophone (DMA)
Grand Prize Winner
Williams – Escapades for Saxophone and Orchestra
Student of Dr. Steven Stusek

Michelle Ayres, soprano (DMA)
Beethoven – “Ah! Perfido”
Student of Prof. Clara O’Brien

Stephanie Greco, violin (MM)
Shostakovich – Violin Concerto
Student of Prof. Marjorie Bagley

2010

Wei Jiao, piano – (DMA)
Grand Prize Winner
Tchaikovsky – Piano Concerto No. 1
Student of Dr. Andrew Willis

Joann Martinson, soprano (MM)
Bernstein – “Glitter and Be Gay” from Candide
Student of Dr. Robert Bracey

Julie Smith, flute (MM)
Nielsen – Flute Concerto
Student of Dr. Deborah Egekvist

Cicilia Yudha, piano (DMA)
Ravel – Piano Concerto in G
Student of Dr. John Salmon