Steven Bryant’s music is chiseled in its structure and intent, fusing lyricism, dissonance, silence, technology, and humor into lean, skillfully-crafted works that enthrall listeners and performers alike. His seminal work Ecstatic Waters, for wind ensemble and electronics, has become one of the most performed works of its kind in the world, receiving over 250 performances in its first five seasons. Recently, the orchestral version was premiered by the Minnesota Orchestra to unanimous(opens in new window), rapturous acclaim(opens in new window). The son of a professional trumpeter and music educator, he strongly values music education, and his creative output includes a number of works for young and developing musicians.

John Corigliano states Bryant’s “compositional virtuosity is evident in every bar” of his 34’ Concerto for Wind Ensemble. Bryant’s first orchestral work, Loose Id for Orchestra, hailed by composer Samuel Adler as “orchestrated like a virtuoso,” was premiered by The Juilliard Symphony and is featured on a CD release by the Bowling Green Philharmonia on Albany Records. Alchemy in Silent Spaces, commissioned by James DePreist and The Juilliard School, was premiered by the Juilliard Orchestra in May 2006. The Chicago Symphony Orchestra’s MusicNOW series featured his brass quintet, Loose Id, conducted by Cliff Colnot, on its 2012-13 concert series.

Notable upcoming projects include an orchestral work for the Detroit Symphony Orchestra (April, 2018), an evening-length dramatic work for the Pittsburgh New Music Ensemble(opens in new window), a choral work for the BBC Singers(opens in new window) (July, 2017), a work for FivE for Euphonium Quartet and wind ensemble (2019), and a large work to celebrate the 150th anniversary of the University of Illinois Bands. Recent works include a Concerto for Alto Saxophone for Joseph Lulloff and the Michigan State University Wind Symphony (winner of the 2014 American Bandmasters Sousa Ostwald Award), and a Concerto for Trombone for Joseph Alessi and the Dallas Wind Symphony. Other commissions have come from the Gaudete Brass Quintet (Chicago), cellist Caroline Stinson (Lark Quartet), pianist Pamela Mia Paul, the Amherst Saxophone Quartet (funded by the American Composers Jerome Composers Commissioning Program), the University of Texas – Austin Wind Ensemble, the US Air Force Band of Mid-America, the Japanese Wind Ensemble Conductors Conference, and the Calgary Stampede Band, as well as many others.

Steven studied composition with John Corigliano at The Juilliard School, Cindy McTee at the University of North Texas, and Francis McBeth at Ouachita University, trained for one summer in the mid-1980s as a break-dancer (i.e. was forced into lessons by his mother), was the 1987 radio-controlled car racing Arkansas state champion, has a Bacon Number of 1, and has played saxophone with Branford Marsalis on Sleigh Ride. He resides in Durham, NC with his wife, conductor Verena Mösenbichler-Bryant (Duke University).

Hilary Purrington is a living composer of chamber, vocal, and orchestral music. Her work has received recognition from the American Academy of Arts and Letters; the American Society of Composers, Authors, and Publishers (ASCAP); the International Alliance for Women in Music; and the National Federation of Music Clubs (NFMC), among others.

Purrington’s orchestral and chamber works have been performed by many distinguished ensembles, including the Peabody Modern Orchestra, the American Modern Ensemble, Voices of Change, and the Chicago Harp Quartet. Her orchestral work Likely Pictures in Haphazard Sky, premiered by the Yale Philharmonia, has been read by the Philadelphia and American Composers Orchestras and performed by the Minnesota Orchestra. Recent commissions include new works for the New York Youth Symphony and American Composers Orchestra, and upcoming projects include commissions for the Philadelphia Orchestra and the River Oaks Chamber Orchestra. For the 2018–19 season, Purrington was named the Sioux City Symphony Orchestra’s Composer of the Year and served as composer-in-residence for the Musical Chairs Chamber Ensemble. She is a 2020 recipient of an orchestral commission from the League of American Orchestra’s Women Composers Readings and Commissions program, supported by the Virginia B. Toulmin Foundation.

Purrington has also composed several works for dance. Most recently, the Albany Symphony commissioned Patterns, a new work for chamber orchestra. Inspired by the life of fashion arbiter Ellen Louise Demorest, the piece featured the Albany Berkshire Ballet with choreography by Mary Talmi. In 2018, Purrington participated in Periapsis Music and Dance’s Emerging Artist Residencies and created a new work with choreographer Annalee Traylor, which premiered in May 2019. While attending The Juilliard School, Purrington collaborated with choreographer Stephanie Terasaki to create a new work for brass quartet and dance.

Also an accomplished vocalist, Purrington has developed a reputation as a skilled composer of solo and choral music. Her song For your judicious and pious consideration was premiered by mezzo-soprano Adele Grabowsky on the 2016 NY Phil Biennial’s New Music New Haven concert. In 2015, the Eric Stokes Fund commissioned Purrington to compose a new song cycle about the devastating effects of climate change. The resulting work, A Clarion Call, was premiered at the 2017 Conference for Ecology and Religion hosted by the Yale Divinity School. Recent vocal commissions include new works for the Melodia Women’s Choir of NYC, Yale Glee Club, inFLUX, and the Bowers/Fader Duo. In April 2019, C4: The Choral Composer/Conductor Collective premiered John Eason Stops Preaching, a new work with words by contemporary poet Julia Bouwsma.

A versatile collaborator, Purrington recently worked with children’s author Mo Willems and composed an original piece to appear in the book Because (Hyperion Books for Children, 2019). Illustrated by artist Amber Ren, Because tells the story of a young girl who devotes herself to studying music and grows up to become a professional conductor and composer. The book reached The New York Times’ Best-Seller List and continues to charm and inspire young readers across the world.

Originally from western Massachusetts, Purrington lives and works in Durham, North Carolina. She holds degrees from the Yale School of Music, The Juilliard School, and the Shepherd School of Music at Rice University.