Music by Soren Allen, Joey Crittenden, Mara Gibson, and Alexandre Lunsqui
Present~Continuous provides advanced performers with the opportunity of performing significant works of the new music repertoire, in addition to music of visiting composers and members of the UNCG community. Present~Continuous performs at the UNCG New Music Festival, and other venues including tours to universities in South Carolina, Georgia and Tennessee. The group’s repertoire has included works by George Crumb, Olivier Messiaen, Steve Reich, David Lang, Robert Paterson, Zhou Long, Julia Wolfe, Anna Clyne, and others.
The instrumentation of the ensemble varies according to the program, ranging from 4 to 18 performers.
Composer Mara Gibson is originally from Charlottesville, VA, graduated from Bennington College and completed her Ph.D. at SUNY Buffalo. She also attended London College of Music as well as L’École des Beaux-Arts in Fontainebleau, France and the International Music Institute at Darmstadt, Germany. She has earned grants and honors from the American Composer’s Forum; the Banff Center; Louisiana Division of the Arts; Arts KC; Meet the Composer; the Kansas Arts Commission National Endowment for the Arts; the International Bass Society; ASCAP, the John Hendrick Memorial Foundation; Virginia Center for the Arts; and Yale University. Recently, she enjoyed a residency at the MacDowell Colony and was awarded an ATLAS grant through the Louisiana Board of Regents for her bassoon concerto. Internationally renowned ensembles and soloists perform her music throughout the United States, Canada, South America, Australia, Asia, and Europe.
Gibson’s music has been described as “shocking, gripping and thought-provoking… conjuring a flurry of emotions” (PARMA recordings). She is a regular cross-disciplinary collaborator, having worked with choreographers, visual artists, writers, film makers and musicians. In 2015, Gibson released her first compilation CD, ArtIfacts, with her second recording, Sky-born, following in November 2017 through Navona/Parma Recordings. The latest presents new works including Blackbird, which features Cascade Quartet. The music draws inspiration from a variety of artistic mediums: “haunting and epic with visceral energy.” Her piano preludes Conundrums are inspired by a series of paintings by Baltimore-based artist Jim Condron and performed by Holly Roadfedlt. Pieces by long-time collaborators Michael Hall, UMKC colleagues and Megan Ihnen are also featured on the album in Spark and One Voice.
As Gramophone magazine describes, “repertoire on this recording was mostly inspired by poetry and paintings. What binds these pieces are Gibson’s concise handling of musical materials and her spectrum of sonic approaches.” Sky-born displays a compelling contemporary voice with a restless imagination, able to morph other forms of artistic expression into daring, musical odysseys.”
In August 2017, Gibson was the first-annual commissioned composer for the Baroque on Beaver Orchestra led by Robert Nordling. The ensemble showcased her piece, Secret Sky, music inspired by the bird migration patterns on the island. Collaboration is integral to Gibson’s process; whether through her music, collaborations or teaching, she hopes to achieve a relationship between the macro and micro. In 2019, Gibson premiered four new works White Ash, The Clockmaker’s Doll, Four Modes and Mirror, Mirror and traveled to Athens, Greece to record Secret Sky with the Athens Philharmonic Orchestra which will be included in a compilation CD released by Navona. Additionally, Secret Sky was included in the 10th annual season opener by the Chicago Composers Orchestra and a newly arranged version was included by LSU Symphonic Winds. In 2020-21, Mara work will be dedicated to a large scale new bassoon concerto Escher Keys.
Dr. Gibson taught as an Associate Teaching Professor at the UMKC Conservatory of Music and Dance for over ten years, where she was founder of the UMKC Composition Workshop and co-director/founder of ArtSounds. From 2015-2017, she coordinated undergraduate composition, managing to triple the Conservatory’s undergraduate composition enrollment. Gibson has also contributed to New Music Box and in fall 2017, she joined Louisiana State University as a Visiting Assistant Professor; fall 2018, Gibson became Associate Professor of Composition at LSU.