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Music, Gender, and Protest in the 1960s: A Symposium with Concerts (Part III- The Evening Concert)
April 5, 2019 @ 8:00 pm - 9:00 pm
Music was a crucial form of expression for the contestatory voices of the 1960s across the various liberation, rights, and protest movements and their successor movements. Not only were gender and sexuality the subjects of liberation movements that mark their beginnings in the late 1960s (Women’s Liberation, Gay Liberation), but women and gay folk were also important participants in the music of the civil rights, peace, and environmental movements in the U.S., Latin America, and elsewhere. As a response to male-dominated rock music culture, a lesbian-led DIY movement of “women’s music” (or womyn’s or wimmin’s music) arose in the late 1960s, developing an entire musical counter-culture throughout the 1970s.
This symposium draws out the significance of gender and protest in music of the 1960s and considers what cultural value that nexus continues to manifest. The symposium will be bookended by two concerts, the first a “hootenanny”-style, informal concert with opportunities for audience participation, and the second a more formal concert in the concert hall. The program for the evening concert is below. Click here to see the schedules for the earlier parts of this day-long event: the sing along and the symposium ,
Sponsored by the College of Visual and Performing Arts, the College of Arts and Sciences, and the Women’s and Gender Studies Program, and in collaboration with the School of Music.
Photo: An original hand painted slide used in John Cage’s Musicircus (1967) and in HPSCHD (1969). Courtesy of S. Husarik.
Program for Evening Concert
8:00 PM
Songs of Mercedes Sosa (1936–2009)
Como la cigarra María Elena Walsh (1930–2011)
Si se calla el cantor Horacio Guarany (1925–2017)
Dora Cardona, voice and guitar, and Adam Ricci, piano
Songs by Malvina Reynolds and Joan Baez
Little Boxes. Malvina Reynolds (1900–1978)
Deportee (Plane Wreck at Los Gatos) Words: Woody Guthrie (1912–1967)
Music (1961): Martin Hoffman
Brittany Griffin, mezzo-soprano, and Adam Ricci, piano
Indeterminacy / Cheap Imitation John Cage (1912-1992)
Julia Edwards, Sara Graybeal, and Amy Parkes, readers
Gilfred Fray, piano
Music for Yoko Ono’s Cut Piece Lihuen Sirvent
Voice of Women in Old Time Music
Red Rocking Chair
Wayfaring Pilgrim From NC musician Ola Belle Reed (1916–2002)
West Virginia Mine Disaster From Kentucky musician Jean Ritchie (1922–2015)
Say Darlin, Day Traditional, from NC Musician Sheila Kay Adams (b. 1953)
Old Time Fire on the Mountain Traditional Fiddle Tune
March is Mueller Month Sarah Dorsey
UNCG Old Time Ensemble: Caroline Infante Arismendi, Banjo; Triston Broadway, Fiddle
Elizabeth Church, Banjo (Tentative); Aran Garnett-Deakin, Banjo; Abigail Klima, Fiddle
Rebecca Bhuiyan, Fiddle; Vini Kuker, Ukulele; Sarah Dorsey, Mandolin; Kristen Mitchell, Guitar
Diana Campuzano Bueno, Mandolin; Jonathan Mirrielees, Guitar/Bass
Christen Blanton, Director