BEGIN:VCALENDAR VERSION:2.0 PRODID:-//College of Visual and Performing Arts - ECPv6.15.19//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:College of Visual and Performing Arts X-ORIGINAL-URL:https://vpa.uncg.edu X-WR-CALDESC:Events for College of Visual and Performing Arts REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/New_York BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20210314T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20211107T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20220313T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20221106T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20230312T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20231105T060000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/New_York:20221022T140000 DTEND;TZID=America/New_York:20221022T160000 DTSTAMP:20260411T063425 CREATED:20240130T163329Z LAST-MODIFIED:20240130T163329Z UID:10000473-1666447200-1666454400@vpa.uncg.edu SUMMARY:Humperdinck’s ‘Hansel and Gretel’ and Fall Scenes • Opera Theatre DESCRIPTION:Tickets\n \n\n\n\nAdults\n$10.00\n\n\nStudents (any institution)\n$5.00\n\n\n\n\n\nPURCHASE TICKETSDOWNLOAD PROGRAM\n \n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.\n\n\n\n \n \nSYNOPSIS\nAct I (Peter’s House) \nAs the curtain rises\, Hansel and Gretel are busy working. They soon become distracted and resort to dancing and playing games. At the height of their frivolity\, their mother (Gertrude) returns and discovers their laziness. In her anger\, she accidentally knocks a pitcher of milk to the floor\, shattering it and spilling its contents. She blames the children and banishes them to the woods to pick strawberries\, after which she collapses in frustration and exhaustion. Her husband and the father of the children (Peter) returns home after an exceptionally successful afternoon of selling the brooms\, which he makes for a living. When he inquires as to the whereabouts of the children\, she tells him of their fate. He is horrified\, since the forest is the dwelling place of the evil Witch who entices children and bakes them into gingerbread cookies. Both parents rush out to rescue them. \nAct II (The Forest) \nAs the children pick strawberries and collect flowers in the forest\, they begin to play games again. Before they realize it\, they devour all the berries they have picked\, and it has grown too dark to collect any more. Hansel confesses that he has lost the way\, and Gretel begins to panic. The Sandman sprinkles sand into their eyes\, causing them to fall into a deep sleep\, during which angels appear and protect them. \nAct III (The Witch’s House) \nThe next morning\, the Dew Fairy wakes the children. They describe to each other a wondrous dream that each had\, after which they discover the Witch’s candy house. When they try to flee\, she casts a spell on them\, locks Hansel in a cage\, and turns her attention to the oven. Gretel speaks the magic words\, freeing Hansel from the spell. When the Witch invites her to look in the oven\, Gretel plays dumb and asks her to show her how. The Witch bends over to demonstrate and Hansel and Gretel push her into the oven\, breaking the spell that has been cast on all of the gingerbread children. Father and Mother appear\, and all rejoice in a hymn of Thanksgiving. URL:https://vpa.uncg.edu/single-event/humperdincks-hansel-and-gretel-and-fall-scenes-opera-theatre-2/ LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States CATEGORIES:College of Visual and Performing Arts,School of Music ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/hansel-and-gretel-header-scaled-l4pLYh.tmp_.jpg ORGANIZER;CN="UNCG Auditorium-1-CVPA –%3B Master (2000)":MAILTO:uncg.edu_3736303334383835333332@resource.calendar.google.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220929T193000 DTEND;TZID=America/New_York:20220929T210000 DTSTAMP:20260411T063425 CREATED:20240130T163228Z LAST-MODIFIED:20240130T163228Z UID:10000438-1664479800-1664485200@vpa.uncg.edu SUMMARY:Wind Ensemble • Annie Jeng\, piano DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAMPROGRAM NOTES AND BIOSVIEW ON CPVA LIVE\nJonathan Caldwell\, conductor\nAnnie Jeng\, piano \n\nCHEN\nEnergetically from Dragon Rhyme \nWAGNER\nTrauermusik \nLANG\ncheating\, lying\, stealing \nMESSIAEN\nLa Ville d’en-haut \nWILLIAMS\nStar Wars Trilogy (trans. Hunsberger) \n\nPROGRAM NOTES\n\n   \n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.\n\n\n\n\n\n \nAnnie Jeng is a pianist\, educator\, and collaborator. She is committed to listening\, learning\, and becoming a better member of society with the hopes of paving roads for justice\, collaboration\, and kindness in communities. She has performed widely in such settings as the Brancaleoni International Music Festival in Italy\, the Gijón International Piano Festival in Spain\, the Kennedy Center\, Interlochen Arts Academy\, and China. (However\, she sometimes prefers to perform in intimate spaces such as living rooms\, personal Zoom calls\, and breweries.) Recent performances have included Beethoven’s Choral Fantasy with UNCG’s University Symphony Orchestra\, Ravel’s Piano Concerto in G major with the Ann Arbor Symphony Orchestra\, Messiaen’s La ville d’en haut with the University of Michigan Symphony Band\, and Messiaen’s Oiseaux exotiques with the University of Michigan Contemporary Directions Ensemble. A Presser scholar\, Annie has presented at Music Teachers National Association (MTNA) conferences at collegiate\, state\, and national levels and College Music Society (CMA) regional conferences. \nAnnie’s essential goal as an artist is to make communities richer and more meaningful through the arts. To this end\, Annie strives to make music accessible to audiences of all backgrounds by expanding and rethinking the traditional recital format to include interdisciplinary and interactive elements\, all with the aim of encouraging audiences to engage with the artistic experience. Recent projects include\, “Music by the Barrel\,” which was a concert series at the Ann Arbor Distilling Company in Ann Arbor\, “Beyond the Keys: Unlocking Piano Works” which was an interactive concert on the roof of a parking deck performed by her piano pedagogy students\, and “Brews-keys” which featured UNCG piano faculty and students at Oden Brewing Company in Greensboro\, North Carolina. She also led music workshops that focused on group singing and music as a form of expression through the Prison Creative Arts Project at University of Michigan. \nDuring the onset of the COVID-19 pandemic\, Annie personally picked up and delivered keyboards to UNCG piano students in order to ensure that music within student’s lives would not be stopped. As a strong believer of creating a better and more equitable “normal\,” she also founded A Seat at the Piano (ASAP) in the summer of 2020 (aseatatthepiano.com). ASAP is a resource that is dedicated to the promotion of inclusion in the performance and study of solo piano repertoire. \nMuch of Annie’s research is devoted to contemporary music and studying the pedagogical capabilities of contemporary piano techniques. In 2018\, Annie received the Rackham Predoctoral Fellowship from the University of Michigan to create a pedagogical resource called Circles and Lines that will feature newly commissioned works by female composers that introduce unconventional piano techniques to intermediate pianists. She is also the pianist of Khemia Ensemble (khemiaensemble.com)\, a contemporary chamber ensemble that is dedicated to promoting contemporary classical music by cultivating inclusive place-making\, collaborative mentorships\, and authentic storytelling through immersive\, multimedia performances. She released the album\, “World Map” with Parma Recordings as the former pianist of Four Corner’s Ensemble. Committed to supporting musicians in finding their unique career path\, she also worked as a Programming Assistant at University of Michigan’s Excellence in Entrepreneurship\, Career Empowerment & Leadership (EXCEL) Lab. She also serves as a member of the National Conference on Keyboard Pedagogy (NCKP) Career Development and Innovation Committee. \nAnnie received her MM in Piano Performance from the University of Michigan and her BM in Piano Performance with a minor in Public Health from New York University. She received her DMA in Piano Performance and Pedagogy from the University of Michigan in 2019. Her teachers include Logan Skelton\, José Ramón Mendez\, Miyoko Lotto\, Anne-Marie McDermott\, and Faye Bonner. She is currently the Assistant Professor of Piano and Piano Pedagogy at University of North Carolina at Greensboro. (anniejeng.com) \n\nThe UNCG Wind Ensemble is a highly select concert band of fifty performers majoring in music at the UNCG School of Music. Performers in the current Wind Ensemble are drawn from sixteen states\, Slovenia\, and Hong Kong. The ensemble has enjoyed a distinguished record of performance throughout its history. In January 1992\, the UNCG Wind Ensemble performed “A Tribute to John Philip Sousa” to a capacity crowd of 2\,700 at the Concert Hall of the John F. Kennedy Center for the Performing Arts in Washington\, D.C. Twice\, the Wind Ensemble earned critical acclaim from The Washington Post following concerts in the nation’s capital. The Wind Ensemble has performed throughout the eastern United States in recent years including the first-ever performance\, in 1987\, by a North Carolina collegiate ensemble in Lincoln Center\, New York City. The Wind Ensemble performed that same year in West Virginia\, Virginia\, Pennsylvania\, and Washington\, D.C. The Wind Ensemble has recorded nineteen commercially-available albums which have received widespread praise. \nIn 1985\, the Wind Ensemble performed a series of concerts with Pulitzer Prize-winning composer-conductor Karel Husa. In 1988\, the UNCG Wind Ensemble performed in New Orleans\, Louisiana by invitation of the College Band Directors National Association for the Southern Division convention. On a number of occasions\, the Wind Ensemble has commissioned and premiered works from leading band composers. In November of 1990\, the Wind Ensemble performed for the Southern Division of MENC convention. In February 1994\, the UNCG Wind Ensemble performed for a convention of the CBDNA and NBA in Williamsburg\, Virginia. In March 1999\, the Wind Ensemble performed for the national convention of the American Bandmasters Association in Melbourne\, Florida. In February 2000\, the Wind Ensemble performed for the CBDNA Southern Division Convention hosted at UNCG. In 2006\, the Wind Ensemble performed in The Music Center at Strathmore in Bethesda\, Maryland\, shared a concert with the United States Army Band “Pershing’s Own” in Arlington\, Virginia\, and collaborated with Karel Husa\, David Dzubay\, and Carter Pann in the performaces of their music\, including two commissions. In 2009\, the Wind Ensemble performed at the CBDNA National Convention at the University of Texas at Austin and performed additional concerts in Georgia\, Alabama\, Louisiana\, and Texas as part of a week-long tour. The Wind Ensemble performed at the 2011 National Convention of the American Bandmasters Association and the 2013 National Conference of the College Band Directors National Association hosted in Greensboro. Most recently\, the UNCG took a twelve day concert tour through the Czech Republic\, Austria\, and Italy\, the highlight of which was a concert in Prague’s famed Dvořák Hall. URL:https://vpa.uncg.edu/single-event/wind-ensemble-annie-jeng-piano/ LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States CATEGORIES:College of Visual and Performing Arts,CVPA Live!,School of Music ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/bands-header-3FOXQV.tmp_.jpg ORGANIZER;CN="UNCG Auditorium-1-CVPA –%3B Master (2000)":MAILTO:uncg.edu_3736303334383835333332@resource.calendar.google.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220928T193000 DTEND;TZID=America/New_York:20220928T193000 DTSTAMP:20260411T063425 CREATED:20240130T163228Z LAST-MODIFIED:20240130T163228Z UID:10000437-1664393400-1664393400@vpa.uncg.edu SUMMARY:University Band • Garrett Klein\, trumpet DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAMPROGRAM NOTES AND BIOSVIEW ON CPVA LIVE\nKristin Arp\, conductor\nGarrett Klein\, trumpet \n\nSHAPIRO\nTight Squeeze \nCOLGRASS\nOld Churches \nBIEDENBENDER\nMelodious Thunk \nBENNETT\nRose Variations \nDAY\nShimmering Sunlight \nMILBURN\nAmerican Hymnsong Suite \n\nPROGRAM NOTES\n\n   \n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.\n\n\n\n\n\n \nTrumpet artist Garrett Klein has performed across the United States and Asia as a soloist\, chamber player\, and orchestral musician. He is currently serving as Assistant Professor of Trumpet at UNC Greensboro where he leads the Trumpet Studio\, coaches the Graduate Brass Quintet\, and directs the Trumpet Ensemble. Previously Garrett served on the faculties of St. Olaf College and Gustavus Adolphus College. \nGarrett is a member of the Dallas Brass\, an internationally recognized touring ensemble. Dallas Brass has a legacy of presenting uplifting performances\, which span a wide array of musical styles. In addition to performing shows across the country\, Dallas Brass demonstrates a steadfast commitment to music education by working to inspire students of all ages while on tour. \nOutside of touring with Dallas Brass\, Garrett has performed with the Charlotte Symphony\, Winston-Salem Symphony\, the North Carolina Brass Band\, and the Carolina Brass. He has also appeared as a guest musician with The Phoenix Symphony\, the Tucson Symphony Orchestra\, the New World Symphony\, the Singapore Symphony Orchestra\, and the Malaysian Philharmonic Orchestra. Additionally\, Garrett is an Associate Artist with the Rodney Marsalis Philadelphia Big Brass. A new music advocate\, Garrett has worked with composers to commission new works for trumpet\, presenting newly composed works at International Trumpet Guild Conferences. \nGarrett earned his DMA and MM degrees at Arizona State University\, along with a Certificate in Music Theory Pedagogy. Prior to ASU\, he studied at the prestigious Yong Siew Toh Conservatory of Music in Singapore and St. Olaf College in Minnesota. Garrett Klein is an endorsing artist for Conn-Selmer and proudly performs on Vincent Bach trumpets. \n\nThe renowned UNCG Bands are dedicated to the performance\, study\, and cultivation of wind band music of the highest quality\, and are a serious and distinctive medium of musical expression. The UNCG Bands are considered to be among the very finest collegiate band programs in America based upon our active profile of excellence in our performances\, recordings\, tours and convention performances. \nThrough exemplary practices in organization\, training\, and presentation\, the UNCG Bands provide exceptional experiences for our members\, sharing outstanding performances throughout the year and enhancing the institutional spirit and character of UNCG. \nThe UNCG Bands seek to support music education in the state of North Carolina and in our region by providing leadership and sponsorship to secondary school band programs and other organizations. URL:https://vpa.uncg.edu/single-event/university-band-garrett-klein-trumpet/ LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States CATEGORIES:College of Visual and Performing Arts,CVPA Live!,School of Music ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/bands-header-3FOXQV.tmp_.jpg ORGANIZER;CN="UNCG Auditorium-1-CVPA –%3B Master (2000)":MAILTO:uncg.edu_3736303334383835333332@resource.calendar.google.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220927T193000 DTEND;TZID=America/New_York:20220927T193000 DTSTAMP:20260411T063425 CREATED:20240130T163226Z LAST-MODIFIED:20240130T163226Z UID:10000436-1664307000-1664307000@vpa.uncg.edu SUMMARY:Symphonic Band • Erika Boysen\, flute DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAMPROGRAM NOTES AND BIOSVIEW ON CPVA LIVEGIVE TO THE BANDS\nJonathan Caldwell\, conductor\nErika Boysen\, flute \n\nWILSON\nShortcut Home \nSPECHT\nEmbers to Ash \nCUONG\nHeart on Fire (consortium premiere) \nYOUNG\nConcerto for Flute and Wind Ensemble \nHOLST\nSuite No. 2 in F for Military Band\, op. 28\, no. 2 \n\nPROGRAM NOTES\n\n\n   \n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.\n\n\n\n\n\n \n\nDr. Erika Boysen is an international performer\, educator and collaborator who is the Assistant Professor of Flute at the University of North Carolina Greensboro.  Known for her verve and energy while teaching\, Erika has previously served as faculty at the Interlochen Arts Academy and Interlochen Arts Camp\, Northwestern Michigan College and Ann Arbor School for the Performing Arts. \nCommitted to developing new and innovative ways of presenting and teaching the traditional model of classical flute\, the majority of her research and scholarship focuses on cross-disciplinary collaboration between the arts.  Through movement\, singing and acting\, she promotes an approach to education and performance that highlights multiple aspects of artistic expression. \nIn demand as a clinician and speaker\, she has been a featured artist at the Montana Flute Festival\, Eastern Carolina Flute Symposium and Iowa Flute Festival.  In addition\, she has published articles in Flute Talk Magazine and Physics Education Journal and presented at the North Carolina Music Educators Association Conference and Wild Acres Flute Retreat. \nErika has toured across the United States and Europe performing in a variety of chamber\, orchestral and improvisation-based ensembles.  Currently\, as a member of the UNCG East Wind Quintet\, Seen/Heard Trio and COLLAPSS Ensemble (Collective for Happy Sounds)\, she is dedicated to championing music of living composers. Erika has received orchestral fellowships from the Aspen Music Festival\, Texas Music Festival and Brevard Music Festival having worked with conductors: Christian Arming\, David Robertson\, Esa-Pekka Salonen\, Robert Spano and Hugh Wolff. These orchestral and chamber pursuits are complemented by her appearances at ArtX Detroit\, Meadowbrook\, and Culture Lab Festivals as a part of Shara Nova’s indie rock/alternative pop band\, My Brightest Diamond. \nHer first solo debut album\, Reimagining the Album\, will be released via an online application featuring newly commissioned works for the singing/moving flutist by composers: David Biedenbender\, Mark Engebretson\, Jane Rigler and Sam L. Richards.  In addition\, she can be heard on the Blue Griffin and Arts Laureate Recording labels. \nA native of Iowa\, Dr. Boysen received her Doctor of Musical Arts from the University of Michigan\, Master of Music from the New England Conservatory\, and Bachelor of Music from the University of North Carolina School of the Arts. \n\nThe renowned UNCG Bands are dedicated to the performance\, study\, and cultivation of wind band music of the highest quality\, and are a serious and distinctive medium of musical expression. The UNCG Bands are considered to be among the very finest collegiate band programs in America based upon our active profile of excellence in our performances\, recordings\, tours and convention performances. \nThrough exemplary practices in organization\, training\, and presentation\, the UNCG Bands provide exceptional experiences for our members\, sharing outstanding performances throughout the year and enhancing the institutional spirit and character of UNCG. \nThe UNCG Bands seek to support music education in the state of North Carolina and in our region by providing leadership and sponsorship to secondary school band programs and other organizations. URL:https://vpa.uncg.edu/single-event/symphonic-band-erika-boysen-flute/ LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States CATEGORIES:College of Visual and Performing Arts,CVPA Live!,School of Music ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/bands-header-3FOXQV.tmp_.jpg ORGANIZER;CN="UNCG Auditorium-1-CVPA –%3B Master (2000)":MAILTO:uncg.edu_3736303334383835333332@resource.calendar.google.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220926T193000 DTEND;TZID=America/New_York:20220926T193000 DTSTAMP:20260411T063425 CREATED:20240130T163222Z LAST-MODIFIED:20240130T163222Z UID:10000435-1664220600-1664220600@vpa.uncg.edu SUMMARY:Symphony Orchestra DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAMPROGRAM NOTES AND BIOSVIEW ON CPVA LIVE\nRotem Weinberg\, conductor \n\nOKOYE\nVoices Shouting Out \nBEETHOVEN\nEgmont Overture \nCOLERIDGE-TAYLOR\nHiawatha Overture \nMAYER\nFaust Overture \nLISZT\nLes préludes\, S.97 \n\n   \n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.\n\n\n\n\n\n \n \n\nIsraeli conductor Rotem Weinberg is known for his profound musicality\, creative programming\, and polished performances. He is a cross-genre musician\, at home in classical\, operatic\, and pops repertoires alike. In the fall of 2022 he will assume the position of Visiting Assistant Professor of Conducting and Director of Orchestras at the University of North Carolina at Greensboro\, where he will conduct orchestras\, opera\, and teach conducting. \nRotem began his conducting studies at the age of seventeen\, under the guidance of Vag Papian. Before starting his academic studies\, he served in the Israel Defense Forces military band as head librarian and assistant conductor. He earned a BM in orchestral conducting from the Buchmann-Mehta School of Music of Tel-Aviv University\, where he studied with Prof. Yoav Talmi\, Yi-an Xu\, and Ronen Borshevsky. His graduate studies took him to The University of Michigan\, where he earned both MM and DMA degrees in orchestral conducting\, studying with the renowned conductor and pedagogue Kenneth Kiesler. \nAt the University of Michigan\, Rotem served as Music Director of the Campus Symphony Orchestra and the Michigan Pops Orchestra\, bringing these ensembles to new musical heights. He also filled the role of assistant conductor to the prestigious orchestra program\, supporting the work of four student orchestras. As cover conductor of the University of Michigan Opera Theater\, he conducted operas such as Puccini’s La bohème\, Handel’s Alcina\, and William Bolcom’s Dinner at Eight. In February 2018 he served as the first assistant conductor for the ground-breaking test performance of Gershwin’s Porgy and Bess’ new critical edition. Following his studies\, Rotem served as Music Director of Spectrum Orchestra in Birmingham\, Michigan\, Associate Conductor of the Michigan Youth Symphony Orchestra\, and Cover Conductor for the Detroit Symphony Orchestra. \nRotem participated in workshops and masterclasses with world renowned orchestral conductors\, including Simon Rattle\, Zubin Mehta\, Zsolt Nagy and Christopher Lyndon Gee. He participated in additional conducting workshops with Joseph Missal\, Felix Hauswirth\, and Laszlo Marosi. \nIn his native Israel\, Rotem led several orchestral\, wind\, and vocal ensembles\, achieving national acclaim as a conductor and educator. He received frequent honors and awards for his conducting and musicianship\, including the America-Israel Cultural Foundation Excellence Grant in orchestral conducting\, the Buchmann-Mehta School of Music Excellence Scholarship\, and the Tel Aviv University Dean of Arts Excellence Award for his outstanding musical and academic achievements. \nAn advocate of contemporary music\, Rotem has collaborated and premiered work by composers Nina Shekhar\, Natalie Moller\, Tyler Arnold\, Sawyer Denton\, and Samuel Sussman. URL:https://vpa.uncg.edu/single-event/symphony-orchestra/ LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States CATEGORIES:College of Visual and Performing Arts,CVPA Live!,School of Music ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/smphony-header-22b-scaled-08Sc8v.tmp_.jpg ORGANIZER;CN="UNCG Auditorium-1-CVPA –%3B Master (2000)":MAILTO:uncg.edu_3736303334383835333332@resource.calendar.google.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220917T193000 DTEND;TZID=America/New_York:20220917T193000 DTSTAMP:20260411T063425 CREATED:20240130T163220Z LAST-MODIFIED:20240130T163220Z UID:10000431-1663443000-1663443000@vpa.uncg.edu SUMMARY:Collage DESCRIPTION:PURCHASE TICKETSCOLLAGE WEBSITEPERFORMANCE CALENDAR\n\n\nGIVE TO THE COLLAGE FUND\nWe hope that you will consider donating to the Collage Scholarship Fund. Every dollar raised from ticket sales and donations helps to support our talented music students. Please click the link to donate now. \nDONATE NOW\n\n\n \n \n\n\n\nThe UNCG School of Music is proud to present our 15th annual performance of Collage at 7:30 PM on September 17\, 2022! We are excited to welcome audiences back to UNCG Auditorium for our most exciting event of the year! \nCollage is captivating and totally unique\, featuring an incredible range of performers presenting one riveting work after another. Join School of Music students and many of our world-class faculty members for this non-stop evening of amazing performances.  It’s not to be missed! \nCollage will follow all state and university COVID safety guidelines. \nAll ticket proceeds benefit the School of Music Collage Scholarship Fund. \n\nTicket Prices\nClick to view the UNCG Auditorium seating chart. \n\n\nSection\nAdults\nSeniors\nStudents\n\n\nSection A\nfront orchestra\, mezzanine\n$26\n$21\n$16\n\n\nSection B\nmiddle and rear orchestra\, lower balcony\n$19\n$15\n$11\n\n\nSection C\nupper balcony\n$14\n$10\n$7\n\n\n*Ticket prices do not include fees for credit card processing or mailing of tickets. \nNote: Due to the production design utilizing multiple locations around the auditorium\, certain parts of the performance may be out of the direct sightline from seats in each price tier. \n**All seating is reserved. Please order tickets in advance.** \n\n\n \nLiszt: Hungarian Rhapsody No. 2\nAnnie Jeng and John Salmon\, piano \n\n\n\n\n \nBeethoven: Choral Fantasy (Finale)\nSymphony Orchestra\, Choirs\, and Faculty Soloists\nWelborn Young\, conductor URL:https://vpa.uncg.edu/single-event/collage/ LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States CATEGORIES:College of Visual and Performing Arts,School of Music ATTACH;FMTTYPE=image/png:https://vpa.uncg.edu/wp-content/uploads/2024/01/collage-header-rev-HpxRjL.tmp_.png ORGANIZER;CN="UNCG Auditorium-1-CVPA –%3B Master (2000)":MAILTO:uncg.edu_3736303334383835333332@resource.calendar.google.com END:VEVENT END:VCALENDAR