Concert Band

Patricia Cornett

Patricia Cornett is the Director of Bands at the Temple University Boyer College of Music and Dance where she conducts the Wind Symphony and teaches advanced conducting. Prior to joining the faculty at Temple, she was the Director of Bands at Cal State Fullerton where she conducted the Wind Symphony, Symphonic Winds, and taught courses in conducting and music education. She was also a Visiting Assistant Professor at SUNY Potsdam’s Crane School of Music.

Cornett taught at Essex High School in Essex Junction, Vermont from 2007–2010 where she conducted three concert bands, jazz band, and taught courses in guitar and history of rock. She was also the Director of Instrumental Music at Woodland Regional High School in Beacon Falls, Connecticut, from 2003–2005. She is published in the Teaching Music Through Performance in Band series, the CBDNA Journal, and has presented sessions at national CBDNA conferences, as well as numerous state conferences. She is a member of the College Band Directors National Association, the Conductors Guild, the Pennsylvania Music Educators Association, and the National Association for Music Education.

Symphonic Band

Andrea E. BrownDr. Andrea E. Brown was appointed the Associate Director of Bands at the University of Maryland in 2018. In this position she conducts the University of Maryland Wind Ensemble and serves as the Director of Athletic Bands in which she leads the “Mighty Sound of Maryland” and all aspects of the athletic band program. Brown is formerly a member of the conducting faculty at the University of Michigan where she served as the assistant director of bands. In this position, she was the conductor of the Campus Bands and director of the Campus Band Chamber Ensembles, associate director of the Michigan Marching and Athletic Bands, director of the Men’s Basketball Band, guest conductor with the Symphony Band and Concert Band, taught conducting, and was a faculty sponsor of a College of Engineering Multidisciplinary Design Project team researching conducting pedagogy technology. Previously Brown was the director of orchestra and assistant director of bands at the Georgia Institute of Technology in Atlanta where she also led research in conducting pedagogy technology and was a member of the Oxford Program faculty. She is a frequent guest conductor, clinician, and adjudicator in the US, Europe, and Asia.

Brown completed a DMA in instrumental conducting at UNC Greensboro where she was a student of John Locke and Kevin Geraldi. While at UNCG, she was named Outstanding Teaching Assistant and was both guest conductor and principal horn on UNCG Wind Ensemble’s fireworks! and finish line! CDs released on the Equilibrium label. Brown has also had several rehearsal guides published in the popular GIA Publications series, “Teaching Music Through Performance in Band” and has presented at the Midwest Clinic in Chicago, Music For All Summer Symposium, the Yamaha Bläserklasse in Schlitz, Germany, the International Computer Music Conference in Ljubljana, Slovenia, the College Music Society International Conference in Sydney, Australia, and multiple times at the College Band Directors National Association National Conference.

A proponent of inclusion and equity issues in the music profession, Brown is a frequent guest speaker on these topics. She currently serves on the CBDNA Gender and Ethnic Minority Committee, and as a member of the recently formed Drum Corps International Women’s In Step Committee. Brown is also the founder of “Women Rising to the Podium” – an online group of 2300 members supporting and celebrating women band directors. She also serves the chair of the Sigma Alpha Iota Women’s Music Fraternity Graduate Conducting Grant.

Brown currently serves as a brass consultant for Phantom Regiment and Spirit of Atlanta Drum and Bugle Corps. She has been on the brass and conducting instructional staff of the DCI World Champion Phantom Regiment since 2004. Other marching organizations with which she has instructed are the U.S. Army All-American Marching Band, Carolina Crown, Kennesaw Mountain High School (GA), Father Ryan High School (TN), and McGavock High School (TN).

As a performer, Brown was a member of the AA Brass Quintet, which won the International Brass Quintet Competition hosted by Fred Mills at the University of Georgia. She performed with the horn sections of the Boston Brass All Stars Big Band, North Carolina Symphony, Winston-Salem Symphony, and the Brevard Music Center Orchestra. Brown has studied brass performance and pedagogy with Abigail Pack, Jack Masarie, Freddy Martin, J.D. Shaw, Dottie Bennett, Randy Kohlenberg, Richard Steffen, and Ed Bach.

Originally from Milan, Tennessee, she is a graduate of Austin Peay State University where she was named “Outstanding Student in Music.” Brown earned a master of music degree in horn performance and a master of music education degree with a cognate in instrumental conducting from the University of North Carolina at Greensboro. Prior to her position at Georgia Tech, Brown was the assistant director of bands at Austin Peay State University and taught public school in Milwaukee, Wisconsin, and Dallas, Texas. She is a member of Phi Kappa Phi, Pi Kappa Lambda, and CBDNA. She was awarded the Rose of Honor as a member of Sigma Alpha Iota and is an honorary member of Kappa Kappa Psi and Tau Beta Sigma.

Application and Recording Instructions for Students

Students will complete an online application and upload an audio recording (.mp3) or video with 3 to 5 minutes of playing. Please consolidate recordings into one before submitting. You may perform any music you wish – a solo, an etude or study, or even a melodic excerpt from a piece of band music (standard solos and etudes are best). You should consult with your band director or private teacher for help in choosing the piece(s) you can play well.

Percussionists are asked to perform on three instruments: snare drum (first on the recording), a keyboard percussion instrument – if possible (second), and on timpani (last). Percussionists who only play one instrument, just snare drum – for example, should not be discouraged from sending in an application.

Other recording instructions include:

  1. Any type of digital recorder will do: computer, hand-held recorder, iPhone, iPad, tablet, etc.
  2. Before you begin to play, state your name, instrument, grade, and school.
  3. Label the audition file with your name and instrument (Ex: Holst-Gustav-Trombone-10.mp3).
  4. Only one player per recording.
  5. You may take several tries, if you wish, at recording a fine performance. If you make mistakes, just start over from the beginning.
  6. Test your recording before uploading the file. Be sure it’s not blank!

Applications and audition recordings must be submitted online no later than Thursday, January 5, 2023.

Sample Schedule

6:30–7:10 p.m.Arrive at UNCG
Symphonic Band report to Music Building Lobby & check-in; receive, schedule, name tag, etc.
Concert Band report to UNCG Auditorium
7:15–9:15 p.m.Honor Band Rehearsal – please be on time!
Symphonic Band in Room 111 of Music Bldg.
Concert Band in UNCG Auditorium
8:30–10:00 a.m.Honor Band Rehearsal (same location as Thursday night)
10:00–10:20 a.m.Break
10:20–11:45 a.m.Honor Band Rehearsal
11:45 a.m.–1:05 p.m.Lunch at UNCG Dining Hall (included in fee)
1:05–2:30 p.m.Honor Band Rehearsal
2:35–3:45 p.m.Instrumental Clinics with UNCG School of Music Faculty
3:45–4:00 p.m.Break
4:00–5:00 p.m.Honor Band Rehearsal
5:00–6:00 p.m.Dinner at UNCG Dining Hall (included in fee)
6:00–7:00 p.m.Honor Band Rehearsal
7:30–9:00 p.m.UNCG Wind Ensemble Concert, UNCG Auditorium
9:00–11:30 a.m.Honor Band Rehearsal (locations switch)
11:30 a.m.Change into concert clothes, check out of hotel, have lunch on your own
2:00 p.m.Honor Band Concerts in UNCG Auditorium (open to the public)
Concert Band
Symphonic Band
Concert dress will be “Sunday dress clothes.” No band uniforms or tuxedos.

Clinics for students on all instruments will be presented on Friday afternoon by members of the UNCG School of Music Faculty:

  • Dr. Erika Boysen, flute
  • Dr. Ashley Barret, oboe
  • Dr. Michael Burns, bassoon
  • Dr. Anthony Taylor and Dr. Andy Hudson, clarinet
  • Dr. Steven Stusek, saxophone
  • Dr. Abigail Pack, horn
  • Dr. Garrett Klein, trumpet
  • Dr. Randy Kohlenberg, trombone
  • Dr. Justin Worley, tuba & euphonium
  • Dr. Eric Willie, percussion
  • Prof. Craig Brown, double bass


Clinic not held due to public health concerns.


Clinic cancelled due to inclement weather.


9-10 Band – Catherine Rand, University of Southern Mississippi

Amparito Roca – Jaime Texidor
Aria di Chiesa – Alessandro Stradella
Arabian Dances – Brian Balmages
Second Prelude – George Gershwin
For The New Day Arise – Steve Barton

11-12 Band – Col. Michael Colburn, Butler University, “The President’s Own” US Marine Band

The Free Lance – John Philip Sousa
An American Elegy – Frank Ticheli
Conga del Fuego Nuevo – Arturo Márquez
Second Suite in F for Military Band – Gustav Holst


9-10 Band – Elizabeth Peterson, University of Illinois

Joy Revisited – Frank Ticheli
Colorado Peaks – Dana Wilson
Rhosymedre – Ralph Vaughan Williams
In The Forest of the King – Pierre LaPlante
Americans We – Henry Fillmore

11-12 Band – Stephen Peterson, University of Illinois

Romanian Overture – Thomas Doss
Shortcut Home – Dana Wilson
Rest – Frank Ticheli
The Black Horse Troop – John Philip Sousa
The Hounds of Spring – Alfred Reed


9-10 Band – Stuart Sims, California State University, Stanislaus

Charm – Kevin Puts
Melodious Thunk – David Biedenbender
Second Suite in F for Military Band – Gustav Holst

11-12 Band – Col. Lowell Graham, University of Texas at El Paso, U.S. Air Force Band

Satiric Dances – Norman Dello Joio
Grace – Brian Balmages
Journey Through Orion – Julie Giroux
National Emblem – E.E. Bagley arr. Loras Schissel


9-10 Band – Damon Talley, Louisiana State University

Shine – Michael Markowski
Simple Gifts – Frank Ticheli
Lux Aurumque (Light and Gold) – Eric Whitacre
His Honor – Henry Fillmore
An American Elegy – Frank Ticheli
Undertow – John Mackey
March Hongroise – Hector Berlioz (arr. Yo Goto)

11-12 Band – Russell Mikkelson, The Ohio State University

The Footlifter – Henry Fillmore (ed. Richard Blatti)
A Movement for Rosa – Mark Camphouse
Fantasy on a Theme by Sousa – Andrew Boysen, Jr.


9-10 Band – Terry Austin, Virginia Commonwealth University

Dublin Dances – Jan Van der Roost
Sheltering Sky – John Mackey
Echoes of the Hollow Square – Johnny Vinson
Imperial Edward – John Philip Sousa
Mazama – Jay Chattaway
Miniature Overture – Jack Stamp

11-12 Band – John R. Locke & Kevin M. Geraldi, University of North Carolina at Greensboro

Gandalf from Lord of the Rings – Johan de Meij
Vesuvius – Frank Ticheli
Dusk – Steven Bryant
Valdres – Johannes Hanssen


Clinic cancelled due to inclement weather


9-10 Band – Bruce Moss, Bowling Green State University

Fanfare for the Centennial – Ryan Nowlin
Puszta – Jan Van der Roost
A Tribute to Grainger – Arr. Ragsdale
Dusk – Steven Bryant
On the Hudson – Edwin Franko Goldman

11-12 Band – Frank Wickes, Emeritus, Louisiana State University

The Diplomat – John Philip Sousa
When Jesus Wept – William Schuman
Firefly – Ryan George
Italian Rhapsody – Julie Giroux


9-10 Band – Mark Camphouse, George Mason University

Air Mobility Command March – Mark Camphouse
The Witch and The Saint – Steven Reineke
Three London Miniatures – Mark Camphouse
II. For England’s Rose
The Fighting 99th Concert March – William Camphouse

11-12 Band – Eugene Corporon, University of North Texas

Scarecrow Overture – Joseph Turrin
San Antonio Dances – Frank Ticheli
Arirang and Akatonbo – Chang Su Koh


9-10 Band – Sue Samuels, University of Alabama Birmingham

Bravura – Charles Edward Duble
Rejouissance – James Curnow
Galop – Dmitri Shostakovich
Song for Lyndsay – Andrew Boysen

11-12 – Richard Floyd, University of Texas

Canzona Bergamasca – Samuel Scheidt
Spangled Heavens – Donald Grantham
Second Prelude – George Gershwin
Undertow – John Mackey


9-10 Band – Rodney Dorsey, University of Michigan

Flourish for Wind Band – Vaughan Williams
Lindbergh Variations – Sheldon
No Shadow of Turning – Gillingham
Llwyn Onn – Hogg
Prelude, Siciliano, and Rondo – Arnold/Paynter

11-12 Band – Gary Green, University of Miami

Japanese Tune – Konagaya
Lux Arumque – Eric Whitacre
Angels in the Architecture – Frank Ticheli


9-10 Band – Eric Wilson, Baylor University

Suite Provençal – Jan Van Der Roost
A Longford Legend – Robert Sheldon
Rollo Takes a Walk – David Maslanka
Amazing Grace – William Himes
Themes from “Green Bushes” – Percy Grainger
Folk Dances – Dmitri Shostakovich/Reynolds

11-12 Band – Frank Ticheli, Composer/Conductor, University of Southern California

Alligator Alley – Michael Daugherty
Loch Lomond – Frank Ticheli
Children’s March – Percy Grainger/Rogers
Vesuvius – Frank Ticheli


9-10 Band – Brian Doyle, Crane School of Music

Intrada Jubilante – David Gillingham
Two Grainger Melodies – Percy Grainger/Kreines
Hebrides Suite – Clare Grundman
Fortress – Frank Ticheli

11-12 Band – Don Wilcox, Emeritus, West Virginia University

Rakoczy March – Hector Berlioz/arr. Reed
Husaria Cavalry Overture – Julie Giroux
Two Movements from the “Vespers” – Sergei Rachmaninnoff/arr. Wilcox
“Apollo Unleashed” from Symphony No. 2 – Frank Ticheli
“Ragtime” from Divertimento For Band – Ira Hearshen
Troopers Tribunal – Henry Fillmore


9-10 Band – Scott Teeple, University of Wisconsin

The Corcoran Cadets – John Philip Sousa/ed. Fennell
When the Stars Began to Fall – Fred Allen
Hebrides Suite – Clare Grundman
Canticle – Bruce Pearson
Different Voices – Rick Kirby
Second Suite in F – Gustav Holst

11-12 Band – Kevin Sedatole, Michigan State University

Nitro – Frank Ticheli
March and Cortege from Bacchus – Leo Delibes/arr. Kreines
Dancing at Stonehenge – Anthony Suter
Pacem – Robert Spittal
A Slavic Farewell – Vasily Agapkin/arr. Bourgeois


9-10 Band – Marcellus Brown, Boise State University

Fantasy on a Theme by Sousa – Andrew Boysen Jr.
Old Churches – Michael Colgrass
Courtly Airs and Dances – Ron Nelson
Holiday for Band – Melvin Shelton
Elegy – Melvin Shelton
On the Mall – Edwin F. Goldman

11-12 Band – Michael Haithcock, University of Michigan

Black Horse Troop – John Philip Sousa
Sanctuary – Ticheli
Candide Suite – Leonard Bernstein/arr. Grundman


9-10 Band – Timothy Rhea, Texas A&M University

The Drunken Sailor – Grant Hull
Down a Country Lane – Aaron Copland/arr. Patterson
Variations on a Korean Folk Song – John Barnes Chance
The Trombone King – Karl L. King

11-12 Band – Tom Fraschillo, University of Southern Mississippi

“Parade” from Pacific Celebration – Roger Nixon
March Slav – Tchaikovsky/arr. Laurendeau
Colossus of Columbia – Russell Alexander
Battle Hymn of the Republic – Luigi Zaninelli


9-10 Band – Julian White, Florida A&M

Freischutz Quickstep – Claudio Grafulla/arr. Fry
Prairie Song – Carl Strommen
Purgatorio – Robert W. Smith
Nocturne, Op. 9, No. 2 – Alexander Scriabin/arr. Reed
A Festival Prelude – Alfred Reed

11-12 Band Selections – Tom Leslie, UNLV

Fanfare and Hymn of Brotherhood – Jay Bocook
Inn of the Sixth Happiness – Malcolm Arnold/ arr. Suzuki
October – Eric Whitacre
Rushmore – Alfred Reed
Barnum and Bailey’s Favorite – Karl King
Introit – Fisher Tull


9-10 Band – John Carmichael, Western Kentucky University

Sun Dance – Frank Ticheli
Bullets and Bayonets March – John Philip Sousa
Three London Miniatures – Mark Camphouse
A Longford Legend – Robert Sheldon
Celtic Hymns and Dances – Eric Ewazen
Still Wie Die Nacht – Karl Böhm/arr. Richard

11-12 Band – Gary Hill, Arizona State University

Smetana Fanfare – Karel Husa
Second Suite in F for Military Band – Gustav Holst
Song for Band – William Bolcom
Vesuvius – Frank Ticheli
Foshay Tower Washington Memorial March – John Philip Sousa/arr. Dorff
Fanfares from Libuse – Bedrich Smetana/arr. Nelhybel
Blessed Are They – Johannes Brahms/arr. Buehlman


9-10 Band – Hal Cooper, Arkansas Tech University

American Fanfare – John Wasson
American River Songs – Pierre LaPlante
Colonial Airs and Dances – Ron Nelson
My Jesus, Oh What Anguish – J. S. Bach/trans. Reed
A Galop to End All Galops – Warren Barker
Chant and Jubilo – W. Francis McBeth
Poem – John Tatgenhorst

11-12 Band – Ray Cramer, Indiana University

Fiesta! – Philip Sparke
Be Thou My Vision – David R. Gillingham
Königsmarsch – Richard Strauss/arr. Barret
Puszta – Jan Van der Roost
Suite from the Opera “Merry Mount” – Howard Hanson/ arr. Boyd
Pathfinder of Panama – John Philip Sousa/arr. Byrne
Dance of the Jesters – Peter I. Tchaikovsky/arr. Cramer


9-10 Band – Steven Gage, Youngstown State University

Fairest of the Fair March – John Philip Sousa
Cenotaph – Jack Stamp
Folk Song Suite – Ralph Vaughan Williams
Prelude and Fugue in B-flat Major – J. S. Bach/trans. by Moehlman
Snakes! – Thomas C. Duffy
Yorkshire Ballad – James Barnes

11-12 Band – Gary Green, University of Miami

Japanese Tune – Soichi Konagaya
And Can It Be? – David R. Gillingham
S’isch Äbe-n-e Münsch uf Ärde – Traditional/arr. Rüedi
Watchman, Tell Us of the Night – Mark Camphouse
Dance of the Jesters – Peter I. Tchaikovsky/arr. Cramer


9-10 Band – Linda Moorhouse, LSU

Children of the Regiment March – Julius Fucik/arr. Bourgeois
Shenandoah – Frank Ticheli
Rikudim – Jan Van der Roost
Folksongs for Band, Suite No. 3 – David Stanhope
Movement II- “Droylsden Wakes
The Chosen Place – Fred Strum
God of Our Fathers – Claude T. Smith

11-12 Band – Ken Bloomquist, Michigan State University Emeritus

Fortress – Frank Ticheli
Symphony No. 1 – Daniel Bukvich
Amazing Grace – William Himes/arr. Maldonado
Satiric Dances – Norman Dello Joio
Emblem of Unity March – J.J. Richard/arr. Swearingen