Clara O'Brien

In Memoriam: Prof. Clara O’Brien

Clara O’Brien, Professor of Voice, passed away unexpectedly on Monday evening, December 18, 2023. Professor O’Brien was a member of the UNCG School of Music faculty for the past fifteen years.

Professor O’Brien’s international career began when she was awarded the Sonderpreis des Badischen Staatstheaters—a prize created especially for her at the 1stInternational Coloratura Competition, Sylvia Geszty in Stuttgart, Germany. She appeared on such European stages as Berlin, Luxembourg, Strasbourg, Dresden, Leipzig and Frankfurt, and domestically in Chicago and Dallas. For many years, she was engaged as soloist at the State Theater of Baden and based her career from Germany. Her operatic performances received Opernwelt’s Best Performance citations in both the Emerging and Established Artist categories. Other awards include 1st Prize, Erika Köth Meisterkurs and Finalist at the International Belvedere Competition.

She also won the Grand Prix Paul Derenne, International Concours de chant de Paris for her interpretation of Impressionist and post-Impressionist mélodie. She was also a noted interpreter of late-Romantic and Modernist German Lieder. Her recital repertoire ranged from medieval chanson to premieres from living composers. Recordings include releases on the Bella Musica and Albany Records labels, and her performances were broadcast on Southwest German Radio and Television and NPR radio. Her most recent recording was of Othmar Schoeck’s Das stille Leuchten with UNCG Professor of Collaborative Piano James Douglass (Ablaze Records 2021).

Professor O’Brien held degrees from the Eastman School of Music (MM and Performer’s Certificate) and Youngstown State University’s Dana School of Music (BM, summa cum laude) and completed her stage training at the Curtis Institute of Music. Her apprenticeship programs included Lyric Opera Center for American Artists and the Aspen Music Festival. She was a Fulbright Scholar and was awarded a fellowship to the Münchener Singschul. She also taught at the American Institute for Musical Studies in Graz, Austria and presented masterclasses throughout the United States.

A funeral will take place on Saturday, January 13 at 2:00 pm at Holy Trinity Episcopal Church in Greensboro (607 N Greene St). An event at the School of Music to remember Professor O’Brien is being planned. Further details will be announced soon.

Liz Anderson (First-year MFA) holds a pose in the School of Dance's Pilates Certification Class

Pioneers in Pilates: School of Dance Launches Certificate Program 

“And now place your hands on the pegs, extend those legs up to the ceiling, breathe, and feel your strength.” 

Mila Parrish walks around the studio speaking in a calm almost melodic tone, guiding her students through a Pilates flow, stopping from time to time to adjust a leg or arm to help the dancers achieve the proper positions. 

The students are pioneers in Pilates at UNCG’s School of Dance—the first cohort that will earn a certification to teach the exercise form. 

“A certification program leads towards job security,” says Parrish. “And it aligns beautifully with the direction these dancers are already going. It fits in with their coursework. It’s not extra. It’s not more. It just deepens their already experienced bodies, and these students are earning certification from the premier organization for Pilates teachers. They will come away with an incredible marketability.” 

Her students agree: 

“I thought this would be a great thing to add to my resume, to help me find work after graduating. But I also wanted to do it for myself. Pilates is a great way to find balance,” says Liz Anderson, a first-year MFA student. 

Anna Creekmore is a junior pursuing a BFA in Dance Education: 

“I’m studying to be a dance teacher and adding this kind of cross-training is essential. Some of the exercises we do help us reach full potential in stretching and in movement. I’m only 4′ 11″, and with Pilates I feel like I’m six feet tall! There’s this newfound sense of stability and understanding of my body, especially my core.” 

Pilates is a type of mind-body exercise developed in the early twentieth century by German physical trainer Joseph Pilates while treating polio patients on the Isle of Man. He invented the equipment called “reformers” (originally made from bedsprings) to help patients use resistance to work their muscles. 

Davida Reid, a third-year MFA student, found that Pilates classes have helped her work through her own injury: 

“I think it’s important for dancers to know where movement initiates and to have a deeper understanding of movement so you’re not just throwing your body around.  I’ve been dealing with an injury that came from having flexibility but not the strength, and Pilates helps you gain both. After bringing Pilates into my training, I was able to go into arabesque and hold it again. I hadn’t felt that in a very long time.” 

Mila Parrish (Professor of Dance) working with students in the School of Dance's new Pilates certification class.
Mila Parrish (Professor of Dance) working with students in the School of Dance’s new Pilates certification class.

Parrish loves seeing what the class is doing for the students and how they will use it in the future: 

“They can utilize their practice to care for themselves because this is a mindful practice. Beyond that, being certified to teach may help them pay the rent! We want to help students learn how to achieve financial wellness, too. This is another beautiful layer to add to their growth as artists and teachers.” 

“With my MFA, I can be a performer, dancer, and professor,” says Reid. “By adding that certification in Pilates, I can work right away within my field.  It’s a foundation that helps a dancer live off and take care of themselves.” 

 “In Dance Education, there’s a career path but having the extra certification is valuable. Pilates is a booming exercise trend, so coming out of school with this certification will make it easier to find work,” adds Creekmore. 

Parrish is excited to be bringing Pilates into the curriculum: 

“This was five years in the making. I’m so appreciative that Dean mcclung believed in this program and was able to help find funding for the equipment and this studio.” 

As a College of Visual and Performing Arts, we want to grow and adjust to meet the needs of our students to help them become successful in living a life in the arts,” says Dean bruce mcclung. “The Pilates Certificate program is an important addition to the School of Dance’s offerings as it will allow dance students to become certified Pilates instructors and will add to their career possibilities.” 

While the certification program is only open to dance majors, the School of Dance also offers a Pilates class to all students as part of the university’s MAC (Minerva’s Academic Curriculum) general education program.  The course falls under the category of health and wellness, and it fills quickly every semester. 

Victoria Williams, a second-year MFA student in the certification program, values the aspect of wellness: 

“For me, it was just taking some time for myself as a grad student. I have the desire to perform and to teach and I wanted to integrate a practice that would allow me to strengthen and train as well have some time to focus on myself in a very intimate environment. It has allowed me to give my body so much more grace. Instead of being frustrated with how my body is or isn’t performing, I’ve learned to work with my body instead of against it.” 

 Story by Terri W Relos

 

Professor Emerita Gay Cheney

In Memoriam: Dr. Gay Cheney

Professor Emerita Gay E. Cheney passed away last Wednesday, November 29, 2023. Dr. Cheney was a UNC Greensboro dance faculty member for twenty years from 1976 to 1996. She also served as Head of the Dance Department, now the School of Dance, from 1978 to 1982. While at UNC Greensboro, Dr. Cheney taught improvisation, the creative process, choreography, philosophy of dance, aesthetics and criticism of dance, twentieth-century dance, and courses on “Art as Human Experience,” “Body Wisdom and Art,” and “Ceremony for the Earth.” In 1995 Dr. Cheney was honored with the North Carolina Dance Alliance Annual Award, which recognized her years of service to dance in the state. The School of Health and Human Sciences named her an honorary alumna and presented her with the Distinguished Alumni Award in 1998.
Dr. Cheney was president of the North Carolina Dance Alliance from 1984 to 1985 and its vice-president from 1983 to 1984. From 1976 to 1989, she was a consultant for the State Department of Public Instruction, Creative Arts Division. Her textbook, Basic Concepts in Modern Dance: A Creative Approach, was published in 1969. In addition, Dr. Cheney published in several professional journals, choreographed dances for UNCG students, and performed with several companies and individuals from 1956 to 1990. She was a former student of Alwin Nikolais, Deborah Hay, and Bella Lewitzsky.  Her research focused on dance as healing and anthropological dance, with particular emphasis on Native American dance ceremony and ritual.
A native of New Jersey, Dr. Cheney completed her undergraduate degree at Tufts University. She received a master’s degree at the University of Wisconsin-Madison in 1964, and her PhD from the University of Southern California in 1970. Her teaching experience prior to UNC Greensboro included Newton High School in Newton, Massachusetts; George Washington University; American University; and California State University-Hayward.
A service for Dr. Cheney will be held in January, and there may be an event at the School of Dance to remember Dr. Cheney in the future.
Photo credit: Lynn Hey, Greensboro News & Record