Ana Paula Höfling
- Associate Professor
- Dance - Dance Studies
- 220H Coleman Building
Ana Paula Höfling is Associate Professor and Graduate Program Director for the MFA in Dance and the MA in Dance Theories and Practices in the School of Dance. She is the author of Staging Brazil: Choreographies of Capoeira (Wesleyan University Press, 2019), an analysis of the role of capoeira and capoeiristas in the process of staging Brazilian “national culture” between 1928 and 1974, focusing on issues of race, class, and authorship. The book is available in paperback as well as an e-book: https://www.hfsbooks.com/books/staging-brazil-hofling/
Her articles include: “Capoeiras of Bahia” in Axé Bahia: the power of art in an Afro-Brazilian metropolis (Los Angeles: Fowler Museum, 2017); “Staging Capoeira, Samba, Maculelê and Candomblé: Viva Bahia’s Choreographies of Afro-Brazilian Folklore for the Global Stage” in Performing Brazil: essays on culture, identity and the performing arts (Madison: University of Wisconsin Press, 2015); “Pedagogy of the possessed: re-thinking the dancer-researcher-performer (BPI) method in dance curricula in Brazil,” available in both English and Portuguese in the open source Brazilian Journal on Presence Studies. Vol. 6 No. 2, p. 287-307, May-Aug, 2016, http://seer.ufrgs.br/index.php/presenca/article/view/58130/37190; “Dancing Latinidad: Spinning a World of Salsa Scholarship” in Latin American Research Review 53(3): pp.666-670, https://larrlasa.org/articles/236/; “Dancing Mestiçagem, Embodying Whiteness: Eros Volúsia’s bailado brasileiro” in Dance Research Journal 52.2, August 2020. https://www.cambridge.org/core/journals/dance-research-journal/article/abs/dancing-mesticagem-embodying-whiteness-eros-volusias-bailado-brasileiro/. Her new research focuses on folkloric ballet companies in early twentieth-century Rio de Janeiro, particularly the choreographic work of Eros Volúsia, Mercedes Baptista, and Felicitas Barreto.
She holds a PhD in Culture and Performance and an MA in Dance from the University of California, Los Angeles, an MFA in Dance from the University of Hawai`i at Manoa and a BA in Linguistics from the University of California, Berkeley. Prior to coming to UNCG, she taught at Wesleyan University, where she was an Andrew Mellon Postdoctoral Fellow, at the University of Wyoming, and at the Academia Superior de Artes de Bogotá in Colombia, where she was an IIE Fulbright scholar. She is an RAD-trained ballet dancer and a capoeirista, having studied with Mestre Acordeon, Mestre João Grande, and since 2005, with Mestre Jogo de Dentro and the Grupo Semente do Jogo de Angola.
She is Associate Editor of the Brazilian Journal on Presence Studies, and she is a member of the Dance Studies Association, the Brazilian Studies Association, and the Latin American Studies Association.