BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//College of Visual and Performing Arts - ECPv6.17.3.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:College of Visual and Performing Arts
X-ORIGINAL-URL:https://vpa.uncg.edu
X-WR-CALDESC:Events for College of Visual and Performing Arts
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20260308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20261101T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20270314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20271107T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261006T120000
DTEND;TZID=America/New_York:20261017T170000
DTSTAMP:20260906T013400Z
CREATED:20260906T013357Z
LAST-MODIFIED:20260906T013400Z
UID:10005403-1791288000-1792256400@vpa.uncg.edu
SUMMARY:Notes from downstream art exhibition
DESCRIPTION:Notes from downstream \n\n\n\nExhibition by Adrianne Huang & Elizabeth (E) Trefney\n\n\n\n\n\n\n\nOctober 6 – 17\, 2026\n\n\n\nReception + Artist Talk: Friday\, Oct 16th | 6-8P\n\n\n\nMore About Notes from downstream \n\n\n\nIf all the world was a river\, how would we situate ourselves in its flow? Elizabeth (EJ) Trefney’s work dives into rushing waters and swims among smooth currents\, weaving images of the natural world into past and present\, distant and familiar. Objects and specimens foreground Adrianne Huang’s work\, which prefers to embark on a riverside search\, turning over rocks and peering into crevices. Notes from downstream considers both artists’ approaches to questions of observation\, collection\, and coexistence in an exhibition of drawings\, prints\, and zines. Elizabeth’s Dawn Chorus and Adrianne’s catalog weave together depictions of material scenes and entities to convey the intangible resilience\, magnetism\, and intimacy of nature. Looking to ancestral practices and peculiar objects\, these projects engage in a dialogue with the natural world through careful depictions of earth\, sea\, sky\, and heritage.  \n\n\n\nDawn Chorus tells stories of environmental resilience through a series of cyanotype prints\, graphite drawings\, and handmade wooden frames. These artworks bear witness to nature’s gentleness alongside its unforgiving strength in wake of climate change. From ancestral homelands in Armenia to the Haw River shoreline in Elizabeth’s backyard\, these artworks serve as a collection of regional climate portraits. \n\n\n\nA series of ink drawings and handmade zines that resemble cabinets of curiosity\, catalog considers the acts of collecting and observing natural and manmade objects. The series works to unpack\, and at times remake\, structures of categorization by purposefully presenting items in abstractly connected groups\, without any discernibly meaningful organization or hierarchy within. Do we seek order by nature\, or because we’ve created a world that necessitates it? \n\n\n\nMore About the Artists \n\n\n\nAdrianne Huang \n\n\n\nAdrianne Huang works across painting\, drawing\, and book arts to navigate ambiguity and complex emotional states. With an educational background in Information Science\, she is interested in the dissonance between definitive answers and nature’s fundamental uncertainty and impermanence. Making and collecting images is one way of attempting to establish permanence and hold the unattainable\, but why are we drawn to preservation and ideas of eternity? How do we know to treasure things before they’re gone\, or when to let them go after? An exploration of how and why we make sense of objects and experiences\, and in doing so\, establish a boundary between rational and arbitrary\, emerges as an undercurrent in her work and refracts in many directions. Connections between unexpected subjects and settings evoke tension and ambiguity\, like scenes from a vivid\, constantly shifting dream. Objects of personal fascination – tropical plants\, fish\, the Chinese zodiac\, and human figures – become stand-ins for comfort\, regret\, and the elasticity of time. Stranger than life but more familiar than fantasy\, her images question the act of “making sense\,” serving as wish fulfillment\, dream diary\, self-critique\, and catalog of curiosity. \n\n\n\nLearn more: huangadrianne.myportfolio.com | IG: @hngyrn \n\n\n\nElizabeth (E) Trefney  \n\n\n\nHandwritten letters\, rocks pulled from a river\, dried leaves: Elizabeth (EJ) Trefney combines physical memories with depictions of nature to tell stories of climate change\, Armenian heritage\, and\, above all\, caregiving. To tell these stories\, she creates narrative-based artworks using cyanotype\, graphite drawing\, laser-etching\, or\, most commonly\, a combination of these mediums. \n\n\n\nThe symbols in the foreground of EJ’s artworks are sourced from family & public archives or hikes in the North Carolina woods. As a public health & social services professional\, science and caregiving are inevitably at the core of her artwork. The act of creating is tied deeply to research: How can Armenian oral tradition help us tackle today’s (un)natural disasters? How can the geology of Haw River rocks teach us about balance and evolution? \n\n\n\nWhile using familial Armenian handwriting or ancient rocks from my Haw River backyard may seem like an act of perpetual care to our ancestors\, EJ’s goal is to create a meeting place in the present. She calls on ancestral wisdom and science as a joint solution to modern environmental crises\, and hopes the ephemeral and often deeply personal symbols in these projects can be used to form a connection not just to nature but to each other.“From heart to heart there is a path.” – Armenian Proverb \n\n\n\nLearn more: elizabethtrefney.com | IG: @ejtref
URL:https://vpa.uncg.edu/single-event/notes-from-downstream-art-exhibition/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:College of Visual and Performing Arts,Greensboro Project Space,School of Art
ATTACH;FMTTYPE=image/png:https://vpa.uncg.edu/wp-content/uploads/2026/09/notes-from-downstream-flyer-85x11-1-scaled.png
ORGANIZER;CN="Greensboro Project Space":MAILTO:greensboroprojectspace@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261016T200000
DTEND;TZID=America/New_York:20261016T200000
DTSTAMP:20260528T155758Z
CREATED:20260512T162957Z
LAST-MODIFIED:20260528T155758Z
UID:10003932-1792180800-1792180800@vpa.uncg.edu
SUMMARY:Rennie Harris Puremovement American Dance Theater
DESCRIPTION:Rennie Harris Puremovement American Dance Theater (RHPM) is the leading US street dance theater company\, and for over thirty-five years has been dedicated to preserving and disseminating hip-hop aesthetics and street dance culture through workshops\, classes\, history\, lecture demonstrations\, long-term residencies\, mentoring programs\, and public performances. With his roots in the inner-city\, Harris and RHPM present unique stories that are riveting\, intimate\, and honest. RHPM’s mission is to re-educate the public about hip-hop culture and street dance through its artistic work\, sharing the essence and spirit of street dance\, rather than the commercially exploited stereotype portrayed by the media.  \n\n\n\nDr. Lorenzo “Rennie” Harris is a leading ambassador for hip-hop. Harris grew up entrenched in hip-hop culture in all its forms—music\, dance\, language. Throughout his career\, he has embraced the culture and sought to honor its legacy\, believing that hip-hop and street dance is the purest form of movement in that it honors both African and African American-Latino culture. Harris is well versed in the vernacular of what he calls hip-hop “proper\,” as well as the various techniques of B-boy\, house\, GQ and other styles that have emerged spontaneously from the inner cities of America\, like the North Philadelphia community in which he was raised.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTickets & Pricing\n\n\n\n\n\nTicket TypeOrchestra/MezzUNCG Students$7.50Regional Students$15.00UNCG Faculty/Staff$20.00Adults$30.00Seniors/Military$22.00Children (K-12)$10.00\n\n\n\n\nPURCHASE TICKETS\n\n\n\n* Tickets to CVPA and UCLS events are sold exclusively through our box office locations and ETix website\, and nowhere else. Tickets purchased through third-party vendors cannot be honored. \n\n\n\n\n\n\n\n\n\n\n\nIn addition to public presentations\, artists in the UCLS series have important interactions with UNCG students\, such as holding masterclasses\, talkback sessions\, and seminars\, often just hours before performing on stage. Thanks to a grant from The Cemala Foundation\, some of these artists also work with K-12 students in the Guilford County Schools.
URL:https://vpa.uncg.edu/single-event/rennie-harris-puremovement/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,UCLS
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/05/MRP-NYT-2-Steven-Pisano.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261017T193000
DTEND;TZID=America/New_York:20261017T213000
DTSTAMP:20260820T200253Z
CREATED:20260820T200250Z
LAST-MODIFIED:20260820T200253Z
UID:10005370-1792265400-1792272600@vpa.uncg.edu
SUMMARY:AGSD Showcase
DESCRIPTION:The Associates of Graduate Students in dance will host a concert showcasing Graduate level choreography on October 17th 2026.
URL:https://vpa.uncg.edu/single-event/agsd-showcase-3/
LOCATION:Coleman Theatre\, 1408 Walker Ave\, Greensboro\, North Carolina\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Dance
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/08/IMG_4717-2026-03-31T05_15_13.431-scaled.jpg
END:VEVENT
END:VCALENDAR