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DTSTART;TZID=America/New_York:20260302T193000
DTEND;TZID=America/New_York:20260302T210000
DTSTAMP:20260406T221348
CREATED:20251209T182424Z
LAST-MODIFIED:20260226T020841Z
UID:10003610-1772479800-1772485200@vpa.uncg.edu
SUMMARY:Sinfonia: Folk Tunes and Folk Tales
DESCRIPTION:https://youtube.com/live/K96dBkh7A6I\n\n\n\n\nScott Glasser\, conductorJennifer Aikey\, graduate conductorJordan Owen\, graduate conductor \n\n\n\nProgram\n\n\n\nHEINRICH IGNAZ FRANZ BIBERBattalia \n\n\n\nSonata: The Gathering of the MusketeersThe Profligate Society of Common HumourAllegroThe MarchPrestoAriaThe BattleThe Lament of the Wounded \n\n\n\nTRADITIONAL KOREAN FOLK SONGAhrirang (Traditional Korean Folk Song) \n\n\n\nPERCY E. FLETCHERFolk Tune and Fiddle Dance \n\n\n\nKIRT MOSIERTwo Scenes from the Hollow \n\n\n\nIchabod’s WalkHessian’s Ride \n\n\n\n\n\n\n\n\n\n\nAbout the Program\n \n\n\n\n\nAbout the Artists\n\n\n\n\nLorena Guillén\, voice and artistic directorAlejandro Rutty\, piano and bass Jacqui Carrasco\, violinGuy Capuzzo\, guitarAdam Ricci\, pianoErik Schmidt\, percussion \n\n\n\nWith its mesmerizing style and sound\, the award-winning Lorena Guillén Tango Ensemble has captivated audiences with soulful arrangements of Argentine tango standards and original compositions that create a dynamic tango and pan-Latin fusion since 2015. The musicians in the group each have rich and extensive experience in Argentine tango\, jazz\, classical and contemporary music\, and other world and popular music styles\, all of which can be heard on their two albums\, Exótica Flor (2023) and The Other Side of My Heart (2018)\, both available on all streaming platforms. \n\n\n\n“Not Your Average Folk Contest 2021″ Grand Prize Winner (NC Folk Festival) and “World Music” category winner of Music-At-the-Museum Contest 2021 (NC Museum of Art)\, the Lorena Guillén Tango Ensemble has been featured on TV performances for NC PBS channel and Fox8News as well as live radio programs such as WUNC’s “The State of Things” with Frank Stasio (NPR affiliate in Chapel Hill\, NC)\, KUNM’s “Corazón Tanguero” with Cristina Baccin (NPR affiliate in Albuquerque\, NM)\, WFDD “Triad Arts” (Winston Salem\, NC)\, “Musicaldo” (KGLP 91.7\, Gallup\, NM)\, and Radio DAMus (Buenos Aires\, Argentina). \n\n\n\nOver the years\, the ensemble has presented its music at various venues: Kleinhans Music Hall (Buffalo\, NY)\, MusicBox Theater and Folk Research Center (Saint Lucia\, West Indies)\, Frick Museum Summer Concerts (PA)\, Center Stage Series at the Sangre de Cristo Auditorium (CO)\, Winston-Salem’s FIESTA Festival\, Music Carolina SummerFest\, NC Museum of Art\, Greensboro’s NC Folk Festival\, Creative Greensboro Concert Series\, Blowing Rock Art & History Museum Summer Concert Series\,  Western Piedmont Symphony Concert Series\, and Los Angeles’ Alvas Showroom (Los Angeles\, CA).  \n\n\n\nThis September 2023\, the LGTE will embark on their first concert tour to Argentina\, with shows at various venues and a featured presentation at the Familia Club Atlético Fernández Fierro Tango Festival. \n\n\n\nThe group frequently collaborates with regional Latino organizations\, tango-dance organizations and youth orchestras and choirs. The Other Side of My Heart reflects that commitment: an oral-history multi-media piece based on interviews with Latina immigrants to NC. In the Embrace of Tango Project explored the crossed-path between Argentine tango and Jewish-diaspora culture and involved workshops with the Triangle-Jewish-Chorale\, the UNCG University Chorale\, and Durham-Tango-Dance. \n\n\n\nMany of these creative initiatives have been generously funded by grants from the following organizations\, which have supported the group’s creation of original works\, audio recording\, video recording\, and implementation of workshops: ArtsGreensboro “Regional Artist Project\,” NC arts Council\, New-Music USA\, and “EDI Grant” from the UNCG College of Visual and performing Arts. \n\n\n\n\nUNCG Orchestras\nThe vibrant UNCG Orchestra program has long been recognized for performance excellence\, adventurous programming\, and high artistic standards. A diversity of offerings allow students the opportunity to perform repertoire for ensembles ranging from the largest cornerstone and contemporary works for full orchestra\, to intimate pieces for chamber orchestra\, to string orchestra. \n\n\n\nStudents in the UNCG Orchestra program are dedicated to the performance\, study and cultivation of orchestral music of the highest quality. The UNCG Orchestras offer outstanding performances throughout the year and enhance the institutional spirit and community of UNCG. We seek to promote music education in the state of North Carolina and in our region by supporting secondary school orchestra programs and other organizations through our outreach activities and other annual events on campus. \n\n\n\n\nUNCG Orchestras\n\n\n\n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\n\nflute\, music\, student recital\, studio recital\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/sinfonia-13/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260303T193000
DTEND;TZID=America/New_York:20260303T210000
DTSTAMP:20260406T221348
CREATED:20250529T182836Z
LAST-MODIFIED:20260303T155307Z
UID:10003295-1772566200-1772571600@vpa.uncg.edu
SUMMARY:Symphonic Band
DESCRIPTION:https://youtube.com/live/dF-pAABLE58\n\n\n\n\nJonathan Caldwell\, conductorAbigail Pack\, hornMolly Allman\, graduate conductor \n\n\n\nProgram\n\n\n\nRALPH VAUGHAN WILLIAMSFolk Song Suite (1924) \n\n\n\nMarch\, Seventeen Come SundayIntermezzo\, My Bonny BoyMarch\, Folk Songs from Somerset \n\n\n\nCATHERINE LIKHUTASure-fire (2023) \n\n\n\nTHÉO SCHMITTNetworks (2023) \n\n\n\n\nAbout the Program\n \n\n\n\n\nAbout the Artists\nAbigail Pack\n\n\n\n\n\n\n\nDr. Abigail Pack\, Professor of Horn at UNCG and a native of Roanoke\, Virginia\, received her training from East Carolina University (BMA)\, University of Iowa (MM)\, and University of Wisconsin-Madison (DMA) where she was a Bolz Teaching Fellow.  Before assuming her current position at UNCG she was horn faculty at James Madison University from 2001 to 2008.  She has also been on faculty at Knox College in Galesburg\, Il\, Western State College in Gunnison\, CO and in the Gunnison Watershed School District.  An avid symphony player Dr. Pack has held positions with the Barton Symphony Orchestra\, Quad Cities Symphony Orchestra\, Des Moines Symphony Orchestra\, Cedar Rapids Symphony Orchestra\, Green-Bay Symphony Orchestra\, the Wisconsin Chamber Orchestra and currently has a position with the Roanoke Symphony Orchestra\, the Southwest Chamber Orchestra\, the Greensboro Opera\, Amici Musicorum (chamber orchestra)\,  and the Opera Roanoke Orchestra.  Other orchestral subbing engagements include the Greensboro Symphony\, Winston Salem Symphony\, and the Charlotte Symphony. Other venues have included performances with the Western Piedmont Wind Symphony\, North Carolina Brass Band\, the Iowa Brass Quintet\, Western Slope Brass Band\, and Massanutten Brass Band.  Performance and presentation highlights include the National Flute Association (Washington DC with the Montpelier Winds)\, the International Horn Symposium (University of Cape Town\, South Africa\, Ithaca\, NY\, Montreal\, Canada)\, the International Midwest Band and Orchestra Conference (Chicago 2009\, 2022)\, International Double Reed Society (Athens\, GA)\, Western International Band Clinic (2022)\, the American Band College (2017\, 2021\, 2024) and The Kennedy Center of the Performing Arts (Washington).  She is a founding member of System 5 Brass Quintet and CORalina Horn Quartet and can be heard on the Centaur label.  \n\n\n\n\nUNCG Bands\nThe renowned UNCG Bands are dedicated to the performance\, study\, and cultivation of wind band music of the highest quality\, and are a serious and distinctive medium of musical expression. The UNCG Bands are considered to be among the very finest collegiate band programs in America based upon our active profile of excellence in our performances\, recordings\, tours and convention performances. \n\n\n\nThrough exemplary practices in organization\, training\, and presentation\, the UNCG Bands provide exceptional experiences for our members\, sharing outstanding performances throughout the year and enhancing the institutional spirit and character of UNCG. \n\n\n\nThe UNCG Bands seek to support music education in the state of North Carolina and in our region by providing leadership and sponsorship to secondary school band programs and other organizations. \n\n\n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\n\nflute\, music\, student recital\, studio recital\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/symphonic-band-11/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/11/abigail_pack.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260304T193000
DTEND;TZID=America/New_York:20260304T210000
DTSTAMP:20260406T221348
CREATED:20251105T154946Z
LAST-MODIFIED:20260304T205825Z
UID:10003572-1772652600-1772658000@vpa.uncg.edu
SUMMARY:Symphony Orchestra
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\n\nflute\, music\, student recital\, studio recital\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube\n\n\n\n\n\n\n\n\n\n\n\nhttps://youtube.com/live/e1Ue0ztNez4\n\n\n\n\nJungho Kim\, conductorSuyahan\, morin khuur/horsehead fiddleSiana Wong\, violin (First Prize Winner\, Student Artist Competition)Hexigetu (Wenze)\, guest composerJordan Owen\, graduate conductor \n\n\n\nProgram\n\n\n\n\nCARL MARIA VON WEBER \n\n\n\nOverture to Der Freischütz\, op. 77 \n\n\n\n\n\n\n\n\n\nHEXIGETU (WENZE) \n\n\n\nHorqin Rhapsodie \n\n\n\n\n\n\n\n\n\nHEXIGETU (WENZE) \n\n\n\nCapriccio on a Pastoral Theme for Horsehead Fiddle and Orchestra \n\n\n\nworld premiere \n\n\n\n\n\n\n\n\n\nJEAN SIBELIUS \n\n\n\nViolin Concerto in D minor\, op. 47\, Movement I \n\n\n\n\n\n\n\n\n\nJOHANNES BRAHMS \n\n\n\nAcademic Festival Overture\, op. 80 \n\n\n\n\n\n\n\n\n\nAbout the Program\nOverture to Der Freischütz\, op. 77\n\n\n\nThe Opera  \n\n\n\nCarl Maria von Weber’s 1821 opera Der Freischütz (The Freeshooter) is widely recognized as the foundational work of German Romantic opera. Composed between 1817 and 1821 and premiered in Berlin\, this three act Singspiel with spoken dialogue draws on German folk legend and early Romantic interests in the supernatural\, the natural world\, and the moral tension between good and evil. At its center is Max\, a huntsman whose confidence and marksmanship fail him at the very moment he must win a shooting contest\, declared by Cuno\, Agathe’s father and hereditary forester\, to marry Agathe and become his rightful successor. In his desperation to improve himself and secure his future\, Max is persuaded by his brooding companion Caspar\, who has already forfeited his soul to Samiel\, the Black Huntsman\, into entering a Faustian bargain. Together they summon seven magic bullets\, six of which Max controls\, while the seventh belongs to Samiel and will strike whatever target the demonic power chooses.  \n\n\n\nThe Music \n\n\n\n The Overture condenses the opera’s dramatic trajectory into a concentrated musical narrative that foregrounds its central moral question concerning the conflict between good and evil. It begins with broad orchestral gestures and a noble horn chorale that evoke the hunting community and the forest environment\, before the atmosphere shifts suddenly with tremolo strings and a diminished seventh chord associated with Samiel’s diabolical presence. The principal fast section unfolds in sonata form. Its turbulent first theme\, derived from Max’s Act I aria\, reflects his unsettled and darker character as it moves from agitated C minor writing into a grim\, marchlike quality. In contrast stands a luminous second theme in C major\, taken from Agathe’s Act II aria\, initially shaped by antiphonal exchanges between woodwinds\, low strings\, and brass that suggest lingering uncertainty. By the conclusion\, however\, C major ultimately prevails over C minor. Agathe’s loving and redemptive music triumphs over Samiel’s sinister influence\, and the Overture\, like the opera\, resolves its opening question by affirming that love and grace overcome the forces of darkness. \n\n\n\nNote by Jordan Owen \n\n\n\nViolin Concerto in D minor\, op. 47\n\n\n\nJean Sibelius composed his Violin Concerto in D minor\, op.47\, between 1902 and 1904\, marking his only completed foray into the genre due to a naturally solemn disposition. While encouraged by German virtuoso Willy Burmester to write the piece\, Sibelius was forced by financial strain and personal turbulence to move the premiere to a date that Burmester could not accommodate\, leading the offended violinist to never perform it.  Over a barely audible murmur in the strings\, the solo violin introduces the principal theme of the first movement\, a dark\, sighing idea that gradually gains intensity. The theme conveys both longing and passion and returns multiple times throughout the movement. The composer’s stylistic features are evident throughout\, including somber orchestral colors\, swelling brass chords\, slow harmonic motion\, and expressive melodic writing. \n\n\n\nNote by Jordan Owen \n\n\n\nHorqin Rhapsody for Orchestra\n\n\n\nHorqin Rhapsody is an orchestral work composed in the Mongolian style. The music is magnificent and grand\, characterized by a tempestuous performance that evokes the vast and majestic landscape of the grassland. The piece is divided into four sections: \n\n\n\n\nIntroduction: Ancient horns awaken the slumbering grassland.\n\n\n\nFirst Section: Depicts a magnificent scene of herds of horses galloping across the plains\, stirring and awe-inspiring.\n\n\n\nSecond Section: Portrays the profound and serene expanse of the grassland.\n\n\n\nThird Section: Presents a vision of nature and humanity in perfect harmony\, celebrating the passionate\, unrestrained\, and optimistic spirit of the grassland people in the face of hardship.\n\n\n\n\nHorsehead Fiddle Concerto: Capriccio on a Pastoral Theme\n\n\n\nCapriccio on a Pastoral Theme depicts the vast pastures\, gentle winds\, clear skies\, and serene waters of the northern frontier of the motherland. The piece is composed in a rhapsodic style and free form. Its inspiration is drawn from the pastoral songs of the grassland\, incorporating traditional Mongolian folk songs praising the Mongolian horse. The work skillfully blends the horsehead fiddle with symphonic accompaniment\, celebrating the grassland people’s love for their homeland and their efforts in building a magnificent northern frontier. It also reflects their noble inner world\, dedicated to ecological preservation and harmonious coexistence with nature. \n\n\n\nAcademic Festival Overture\n\n\n\nJohannes Brahms came from a working-class family in Hamburg. Money was tight. To help make ends meet\, Brahms quit school at fourteen and headed to the seaport to work as a barroom musician. Brahms was unlikely to attend University\, however his duo-partner\, the violinist Joseph Joachim\, invited Brahms into University life\, over a couple of summer months in Göttingen\, while Joachim and his friends took Philosophy and History classes.(It was to Joachim that he would late dedicate his monumental violin concerto.) It was during these summer months that Brahms acquainted himself with beer halls and student drinking songs. By 1879\, Brahms was an established composer when the University of Breslau presented Brahms with an honorary Doctor of Philosophy. In return\, the University requested him to compose a piece as a musical “thank you”. Brahms did not appreciate this and instead of the traditional symphony the academics expected\, they received a beautifully orchestrate medley of student drinking songs that has become one of Brahms’ best-known works. In Academic Festival Overture\, Brahms skillfully weaves together four traditional beer-hall songs that would have been well-known to German university students of his era. The first\, “Wir hatten gebauet ein stattliches Haus” (“We have built a stately house”) is a majestic trumpet chorale that carried significant political weight; associated with student groups advocating for German unification. This is followed by the lyrical “Der Landesvater” (“Father of our Country”) in the strings and the humorous\, bassoon led “Was kommt dort von der Höh? (“What comes from afar?”)\, a lighthearted tune traditionally used during freshman initiations. The piece culminates in a triumphant full-orchestra rendition of “Gaudeamus igitur” (“Let us rejoice\, therefore”) a popular 13th-century commencement song that elaborates the rowdy\, carefree spirit of student life.  \n\n\n\nNote by Jordan Owen \n\n\n\nBack to Program \n\n\n\n\nAbout Suyahan\n\n\n\n\n“My grandfather and my great-grandfather played the Mongolian four-stringed fiddle\, told Mongolian stories\, and sang traditional songs in the village. Then\, when I was nine\, I first heard someone play the horsehead fiddle to accompany a folk song. From that moment I was deeply captivated by the sound! I fell in love with it!”  \n\n\n\nBorn in Tongliao\, Inner Mongolia\, China to ethnic Mongolian parents\, Suyahan was fascinated from a young age by the expressiveness of the Morin Khuur—(Horsehead Fiddle or Matou Qin). After undergraduate study\, he went to Ulaanbaatar\, Mongolia to complete his MM and then his DMA at the Mongolia National University of Education.  \n\n\n\nProf. Suyahan has won numerous accolades for his performances in China\, and he has received many teaching excellence awards from the Inner Mongolia Autonomous Region during his teaching at the Inner Mongolia University for the Nationalities (IMUN). \n\n\n\nBack to Program \n\n\n\n\nAbout Siana Wong\n\n\n\n\nSiana Wong is a native of Greensboro\, North Carolina\, with Malaysian heritage. Before attending college she was a member of the Greensboro and Winston-Salem Symphony Youth Orchestras\, winning their concerto competition and performing as a soloist with them. She pursued her Bachelor of Music degree at UNC Chapel Hill under the tutelage of Nicholas DiEugenio\, as well as a BA in biology. During her time at Chapel Hill\, Siana was also a winner of the concerto competition. Siana is an avid chamber music performer in and out of her home state of NC\, including performances with EMF and UNCG faculty. Siana spent many summers at the Luby Violin Symposium at Chapel Hill\, having the opportunity to learn from first-class violinists from around the globe. She has also attended the Instrumental Program of Chautauqua Institution and participated in master classes with Ana Luque\, Shannon Thomas and others.  \n\n\n\nSiana is a member of Fayetteville Symphony Orchestra\, Western Piedmont Symphony\, and she has recently been appointed Associate Concertmaster of Greensboro Symphony Orchestra. In addition to her performing career\, she enjoys teaching in her private studio.  \n\n\n\nCurrently\, Siana is extending her studies at UNCG\, pursuing a Post-Baccalaureate Certificate in Performance Studies with Dr. Fabián López.  \n\n\n\nShe plays on a Wojciech Topa violin from 2017. \n\n\n\nBack to Program \n\n\n\n\nAbout Hexigetu (Wenze) \n\n\n\n\nHexigetu (Wenze) is a Doctor of Musical Composition\, a professor and Master’s supervisor at Inner Mongolia Minzu University. He holds several prominent positions\, including Vice Chairman of the Inner Mongolia Musicians Association\, Deputy Director of the Autonomous Region’s Steering Committee for Aesthetic Education\, Council Member of the Chinese Society for Minority Music\, and Deputy Director of the Ministry of Education’s Alliance for the Innovative Development of Art and Technology. He has been selected for the Inner Mongolia Autonomous Region’s “New Century 321 Talent Project” and is recognized as an “Inner Mongolia Prairie Excellence” talent. He has published over 30 academic papers and musical works. \n\n\n\nHis orchestral work Sacrificial Praise was selected for the 4th China Symphony Music Season and won the Inner Mongolia “Sarina” Award. His orchestral compositions include Sacrificial Praise\, Horqin Rhapsody\, Distant Recollections\, the symphonic chorus A Riguma\, the musical Noligerma\, the symphonic poem Sengge Rinchen\, and the Horqin Banquet Music Collection\, among others. His piano works include Variations on a Goose  Theme\, Western Capriccio\, and Dance of Life (which received an entry award in the “San Carlo Cup” National Piano Composition Competition). His chamber work Blooming won the Excellence Award at the 2nd Chinese Minority Chamber Music Composition Competition. The songs Horqin Grassland and Years Like a Song won first and third prizes\, respectively\, in the National University Music Alliance Song Composition Competition. Horqin Grassland and Searching for That Piece of Grassland received the Inner Mongolia “Five Ones Project” Award. The mixed chorus You Are My Lifelong Pursuitwas selected for the National University Archives of Original Classics Celebrating the 100th Anniversary of the Founding of the Communist Party of China. The work Grassland Cavalry was awarded the Outstanding Creative Work prize at the First Northeast China Three Provinces and One Region Education System Art Performance. He is also the author of monographs such as Practical Piano Textbook and Horqin Rhapsody. \n\n\n\nBack to Program \n\n\n\n\nUNCG Orchestras\nThe vibrant UNCG Orchestra program has long been recognized for performance excellence\, adventurous programming\, and high artistic standards. A diversity of offerings allow students the opportunity to perform repertoire for ensembles ranging from the largest cornerstone and contemporary works for full orchestra\, to intimate pieces for chamber orchestra\, to string orchestra. \n\n\n\nStudents in the UNCG Orchestra program are dedicated to the performance\, study and cultivation of orchestral music of the highest quality. The UNCG Orchestras offer outstanding performances throughout the year and enhance the institutional spirit and community of UNCG. We seek to promote music education in the state of North Carolina and in our region by supporting secondary school orchestra programs and other organizations through our outreach activities and other annual events on campus. \n\n\n\n\nUNCG Orchestras\n\n\n\n\nBack to Program
URL:https://vpa.uncg.edu/single-event/symphony-orchestra-10/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/11/suyahan-feature.jpg
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