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DTSTART;TZID=America/New_York:20240213T193000
DTEND;TZID=America/New_York:20240213T210000
DTSTAMP:20260413T180017
CREATED:20240130T164906Z
LAST-MODIFIED:20240130T164906Z
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SUMMARY:Courtney Miller\, oboe • Artist Faculty Recital
DESCRIPTION:DOWNLOAD PROGRAM\n  \n \n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n \n   \n\n\n\n\n\nOboist Courtney Miller is recognized for her exquisite playing and innovative performances. Fanfare magazine hails her as “a performer of considerable skill\, with an unfailingly lovely sound\, abundant technical ability\, and a special gift for turning notes into poetry.” She has performed recital tours throughout the United States\, Europe\, Asia\, and South America. \nDr. Courtney Miller’s 2019 album\, Portuguese Perspectives\, spotlights world premiere recordings by Portuguese composers\, including several new commissions by Miller. This album and her 2015 release\, Modern Fairy Tales\, are available on all streaming platforms. American Record Guide praises her “seamless consistency in the various registers of the oboe…and sensitive phrasing and articulation.” This summer in Thailand\, she will perform works from her newest album\, Hans Gál: Works for Viola\, Piano\, Violin\, and Oboe. \nAn experienced orchestral musician\, Miller also performs frequently with orchestras throughout the United States\, most recently with the Chicago Symphony and Orchestra Iowa. In addition\, she has a flair for interdisciplinary work. She has collaborated with hip-hop dancer Ernest Phillips\, belly dancer Janelle Issis\, and choreographer Kristin Marrs. Perhaps her most daring collaboration yet is Psionic\, a work that explores interactive movement data between oboist and computer through a live stream of EEG data. \nBefore joining the UNCG faculty\, Dr. Miller was Associate Professor of Oboe at the University of Iowa. She previously served on the faculties of Boston College and Ashland University. \nDr. Courtney Miller received a DMA from Boston University with John Ferrillo\, a MM from Cleveland Institute of Music with John Mack\, and a BM from Florida State University with Eric Ohlsson.
URL:https://vpa.uncg.edu/single-event/courtney-miller-oboe-artist-faculty-recital/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
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DTSTART;TZID=America/New_York:20240215T193000
DTEND;TZID=America/New_York:20240215T210000
DTSTAMP:20260413T180017
CREATED:20240130T164907Z
LAST-MODIFIED:20240130T164907Z
UID:10000992-1708025400-1708030800@vpa.uncg.edu
SUMMARY:Red Clay Goes to the Opera! • Red Clay Saxophone Quartet with Lindsay Kesselman\, soprano • Faculty and Guest Artist Recital
DESCRIPTION:DOWNLOAD PROGRAM\nLindsay Kesselman\, soprano\nSusan Fancher\, soprano saxophone\nLaurent Estoppey\, alto saxophone\nSteven Stusek\, tenor saxophone\nMark Engebreston\, baritone saxophone \n\nMOZART\nOverture to The Marriage of Figaro \nPUCCINI\nCrisantemi (Chrysanthemums)\n“Quando m’en vo” from La Bohème\n \nHANDEL\n“Tornami a vagghegiar” from Alcina \nROSSINI\nRossini Medley \nBERNSTEIN\nOverture to Candide\n“There is a Garden” from Trouble in Tahiti \nBOLCOM\nAmor \n  \n \n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n \n   \n\n\n\n\n\nThe Red Clay Saxophone Quartet was formed in 2003 when the fates conspired to bring four internationally recognized saxophonists (Susan Fancher\, Robert Faub\, Steven Stusek and Mark Engebretson) together in Greensboro\, North Carolina. In January 2022\, Laurent Estoppey joined the quartet on alto saxophone. The RCSQ takes its name from the area’s luscious red soil. The Quartet presents a varied repertoire from classical to jazz to new music to tango\, featuring music by composers such as Chen Yi\, Ben Johnston\, James Paul Sain\, György Ligeti\, Guillermo Lago\, Francis Poulenc\, Alejandro Rutty\, Steve Reich\, Mark Engebretson\, David Maslanka\, Martin Bresnick\, Burton Beerman\, and Gavin Bryars. \n\n\nLindsay Kesselman is a two time GRAMMY-nominated soprano known for her warm\, collaborative spirit and investment in personal\, intimate communication with audiences. She regularly collaborates with orchestras\, wind symphonies\, chamber ensembles\, opera/theater companies\, and new music ensembles across the United States\, often premiering\, touring and recording new works written for her by living composers. She is a passionate advocate for contemporary music\, and has commissioned/premiered over 100 works to date. \nRecent and upcoming highlights include the premiere of the wind transcription of Caroline Shaw’s Is a Rose\, Energy in All Directions by Kenneth Frazelle with Sandbox Percussion at the Saratoga Performing Arts Center\, the role of Anna in Kurt Weill’s The Seven Deadly Sins with the Charlotte Symphony\, the role of Ada Lovelace in a new opera\, Galaxies in Her Eyes by Mark Lanz Weiser and Amy Punt\, Astronautica: Voices of Women in Space with Voices of Ascension\, ongoing performances of two works written for Kesselman by John Mackey with orchestras and wind symphonies across the country\, the John Corigliano 80th birthday celebration at National Sawdust (2018)\, Quixote (Amy Beth Kirsten and Mark DeChiazza) with Peak Performances at Montclair State University (2017)\, a leading role in Louis Andriessen’s opera Theatre of the World with the Los Angeles Philharmonic and Dutch National Opera and an international tour of Einstein on the Beach with the Philip Glass Ensemble (2012-2015). \n\n\nShe is featured on several recent recordings: David Biedenbender’s all we are given we cannot hold (2023\, Blue Griffin)\, Chris Cerrone’s opera In a Grove (2023\, In a Circle Records)\, Caroline Shaw’s Is a Rose (2023\, Blue Griffin)\, Chris Cerrone’s The Arching Path (2021\, In a Circle Records)\, Russell Hartenberger’s Requiem for Percussion and Voices (2019\, Nexus Records)\, Chris Cerrone’s The Pieces That Fall to Earth with Wild Up (2019\, New Amsterdam Records)\, Mathew Rosenblum’s Lament/Witches’ Sabbath with the Pittsburgh New Music Ensemble (2018\, New Focus Recordings)\, Louis Andriessen’s Theatre of the World with the Los Angeles Philharmonic (2017\, Nonesuch)\, and Jon Magnussen’s Twinge with HAVEN (2016\, Blue Griffin). \n\n\nKesselman has been the resident soprano of the Pittsburgh New Music Ensemble for 12 seasons\, and Haven\, Kesselman’s trio with Kimberly Cole Luevano\, clarinet and Midori Koga\, piano (www.haventrio.com) actively commissions and tours throughout North America. Haven is the recipient of a 2021 Barlow Endowment for Music Composition award with composer David Biedenbender and a 2021 Chamber Music America Classical Commissioning Grant with composer Ivette Herryman Rodriguez. \n\n\nShe is a dedicated teacher\, currently serving as Visiting Assistant Professor of Voice at UNC Greensboro. A frequent guest clinician at colleges and universities across the United States\, Kesselman specializes in voice teaching\, leadership\, entrepreneurship\, musicianship\, young composer mentoring\, chamber music\, audience development\, programming\, interdisciplinary collaboration\, harnessing vulnerability in performance\, and community engagement.  This season she is an adjudicator for student composer competitions through North Star Music\, LLC and Connecticut Summerfest\, and she co-teaches the Heretic’s Guide to Score Study and Interpretation with Kevin Noe. \nKesselman holds degrees in voice performance and music education from Rice University and Michigan State University. She is represented by Trudy Chan at Black Tea Music and lives in Charlotte\, NC with her fiancé Kevin and son Rowan.
URL:https://vpa.uncg.edu/single-event/red-clay-goes-to-the-opera-red-clay-saxophone-quartet-with-lindsay-kesselman-soprano-faculty-and-guest-artist-recital/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,CVPA Live!,School of Music
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