BEGIN:VCALENDAR VERSION:2.0 PRODID:-//College of Visual and Performing Arts - ECPv6.16.1//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:College of Visual and Performing Arts X-ORIGINAL-URL:https://vpa.uncg.edu X-WR-CALDESC:Events for College of Visual and Performing Arts REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/New_York BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20210314T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20211107T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20220313T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20221106T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20230312T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20231105T060000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;VALUE=DATE:20221012 DTEND;VALUE=DATE:20221023 DTSTAMP:20260516T144014 CREATED:20240130T163314Z LAST-MODIFIED:20240130T163314Z UID:10000446-1665532800-1666483199@vpa.uncg.edu SUMMARY:23 Chunks of Being Exhibition @ Greensboro Project Space DESCRIPTION:Exhibition on View\nWhen: October 11th- October 22nd\, 2022\nClosing Reception: October 21st 6:00pm-8:00pm\nWhere: Greensboro Project Space (111 E February One Place) \nGallery Hours: Tuesdays-Fridays\, 12-5pm; Saturdays\, 2-5pm\nSolo Show\, Featuring: Greg Grieve \n23 Chunks of Being – A Retrospective  \nThe Dungeon Master ofMeanings \nAs a major contributor to the emerging study of religion andvideo games\, Gregory Price Grieve\, Head of the Religious Studies Department atThe University of North Carolina at Greensboro\, researches and teaches Asianreligions and popular culture. His retrospective of photo-collages\, paintings\,sculptures\, videos\, and installations spans almost forty years\, with many showntogether for the first time. His artistic expression explores the ideasconnecting his research interests without having to resort to the fixedmeanings required in academic language.  \nGrieve uses collage\, assemblage\, montage\, andinstallation–techniques originally employed by the early 20thcentury avant-guard movements. The Dadaists\, Surrealists\, and earlyConceptualists reinvented the role of artist with strategies to battle ossifiedinstitutions. Their materials and techniques could satirize social conventions\,undermine the certainty of rationality\, or embody the sensory and informationaloverload that was part of modernization. Similarly\, Grieve uses found photographic images\, many from the Library of Congress\,and found objects\, combining them to create apersonal language. Their layering\,superimposition\, transparency\, and montage unify his source materials with a new logic. The resulting aestheticis one of free-associative flows\, lucid dreaming\, and humor with titles thatplay with etymology\, imply conceptual readings\, or make cross-disciplinaryreferences to add an additional layer of interpretation. \n In this electric moment\, as thephysical atomizes into data and perception into pixels\, Grieve’s retrospective isnot just a collection of objects. It’s an archive of a life understanding itself. The artist becomesa dungeon master\, the viewer a willing player\, andthe artworks in ’23 Chunks of Being’ componentsin a game of embracing the groundlessness we navigate.  \n(Ryan Hill\, Professor and Directorof Sculpture Tucson) URL:https://vpa.uncg.edu/single-event/23-chunks-of-being-exhibition-greensboro-project-space/ LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA CATEGORIES:School of Art END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20221018T173000 DTEND;TZID=America/New_York:20221018T190000 DTSTAMP:20260516T144014 CREATED:20240130T163326Z LAST-MODIFIED:20240130T163326Z UID:10000467-1666114200-1666119600@vpa.uncg.edu SUMMARY:Grace Nelson Poe\, flute • Graduate Recital DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAM\n\n   \n\n\n\n\n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall. URL:https://vpa.uncg.edu/single-event/grace-nelson-poe-flute-graduate-recital/ LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States CATEGORIES:School of Music ORGANIZER;CN="Music Bldg-1-CVPA –%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20221018T193000 DTEND;TZID=America/New_York:20221018T210000 DTSTAMP:20260516T144014 CREATED:20240130T163326Z LAST-MODIFIED:20240130T163326Z UID:10000468-1666121400-1666126800@vpa.uncg.edu SUMMARY:Taylor Stirm\, clarinet • Graduate Recital DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAMVIEW ON CPVA LIVE\n\n\n\n\n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall. URL:https://vpa.uncg.edu/single-event/taylor-stirm-clarinet-graduate-recital/ LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States CATEGORIES:College of Visual and Performing Arts,CVPA Live!,School of Music ORGANIZER;CN="Music Bldg-1-CVPA –%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20221019T193000 DTEND;TZID=America/New_York:20221019T210000 DTSTAMP:20260516T144014 CREATED:20240130T163326Z LAST-MODIFIED:20240130T163326Z UID:10000469-1666207800-1666213200@vpa.uncg.edu SUMMARY:Patricia Garcia Gil\, fortepiano • Graduate Recital DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAM\n\n   \n\n\n\n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall. URL:https://vpa.uncg.edu/single-event/patricia-garcia-gil-fortepiano-graduate-recital/ LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States CATEGORIES:School of Music ORGANIZER;CN="Music Bldg-1-CVPA –%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20221020T193000 DTEND;TZID=America/New_York:20221020T210000 DTSTAMP:20260516T144014 CREATED:20240130T163326Z LAST-MODIFIED:20240130T163326Z UID:10000470-1666294200-1666299600@vpa.uncg.edu SUMMARY:Roderick Andrew Terrell II\, clarinet • Graduate Recital DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAMVIEW ON CPVA LIVE\n\n\n\n\n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall. URL:https://vpa.uncg.edu/single-event/roderick-andrew-terrell-ii-clarinet-graduate-recital/ LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States CATEGORIES:CVPA Live!,School of Music ORGANIZER;CN="Music Bldg-1-CVPA –%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20221021T180000 DTEND;TZID=America/New_York:20221021T200000 DTSTAMP:20260516T144014 CREATED:20240130T163317Z LAST-MODIFIED:20240130T163317Z UID:10000449-1666375200-1666382400@vpa.uncg.edu SUMMARY:Closing Reception for “23 Chunks of Being” DESCRIPTION:Exhibition on View\nWhen: October 11th- October 22nd\, 2022\nClosing Reception: October 21st 6:00pm-8:00pm\nWhere: Greensboro Project Space (111 E February One Place) \nGallery Hours: Tuesdays-Fridays\, 12-5pm; Saturdays\, 2-5pm\nSolo Show\, Featuring: Greg Grieve \n23 Chunks of Being – A Retrospective  \nThe Dungeon Master ofMeanings \nAs a major contributor to the emerging study of religion andvideo games\, Gregory Price Grieve\, Head of the Religious Studies Department atThe University of North Carolina at Greensboro\, researches and teaches Asianreligions and popular culture. His retrospective of photo-collages\, paintings\,sculptures\, videos\, and installations spans almost forty years\, with many showntogether for the first time. His artistic expression explores the ideasconnecting his research interests without having to resort to the fixedmeanings required in academic language.  \nGrieve uses collage\, assemblage\, montage\, andinstallation–techniques originally employed by the early 20thcentury avant-guard movements. The Dadaists\, Surrealists\, and earlyConceptualists reinvented the role of artist with strategies to battle ossifiedinstitutions. Their materials and techniques could satirize social conventions\,undermine the certainty of rationality\, or embody the sensory and informationaloverload that was part of modernization. Similarly\, Grieve uses found photographic images\, many from the Library of Congress\,and found objects\, combining them to create apersonal language. Their layering\,superimposition\, transparency\, and montage unify his source materials with a new logic. The resulting aestheticis one of free-associative flows\, lucid dreaming\, and humor with titles thatplay with etymology\, imply conceptual readings\, or make cross-disciplinaryreferences to add an additional layer of interpretation. \n In this electric moment\, as thephysical atomizes into data and perception into pixels\, Grieve’s retrospective isnot just a collection of objects. It’s an archive of a life understanding itself. The artist becomesa dungeon master\, the viewer a willing player\, andthe artworks in ’23 Chunks of Being’ componentsin a game of embracing the groundlessness we navigate.  \n(Ryan Hill\, Professor and Directorof Sculpture Tucson) URL:https://vpa.uncg.edu/single-event/closing-reception-for-23-chunks-of-being/ LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA CATEGORIES:School of Art END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20221021T193000 DTEND;TZID=America/New_York:20221021T210000 DTSTAMP:20260516T144014 CREATED:20240130T163329Z LAST-MODIFIED:20240130T163329Z UID:10000472-1666380600-1666386000@vpa.uncg.edu SUMMARY:Clay Blankenship presents ENOCH • Undergraduate Recital DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAM\n\n   \n\n\n\n\n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall. URL:https://vpa.uncg.edu/single-event/clay-blankenship-presents-enoch-undergraduate-recital/ LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States CATEGORIES:School of Music ORGANIZER;CN="Music Bldg-1-CVPA –%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20221021T193000 DTEND;TZID=America/New_York:20221021T213000 DTSTAMP:20260516T144014 CREATED:20240130T163326Z LAST-MODIFIED:20240130T163326Z UID:10000471-1666380600-1666387800@vpa.uncg.edu SUMMARY:Humperdinck’s ‘Hansel and Gretel’ and Fall Scenes • Opera Theatre DESCRIPTION:Tickets\n \n\n\n\nAdults\n$10.00\n\n\nStudents (any institution)\n$5.00\n\n\n\n\n\nPURCHASE TICKETSDOWNLOAD PROGRAM\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.\n\n\n\n\nSYNOPSIS\nAct I (Peter’s House) \nAs the curtain rises\, Hansel and Gretel are busy working. They soon become distracted and resort to dancing and playing games. At the height of their frivolity\, their mother (Gertrude) returns and discovers their laziness. In her anger\, she accidentally knocks a pitcher of milk to the floor\, shattering it and spilling its contents. She blames the children and banishes them to the woods to pick strawberries\, after which she collapses in frustration and exhaustion. Her husband and the father of the children (Peter) returns home after an exceptionally successful afternoon of selling the brooms\, which he makes for a living. When he inquires as to the whereabouts of the children\, she tells him of their fate. He is horrified\, since the forest is the dwelling place of the evil Witch who entices children and bakes them into gingerbread cookies. Both parents rush out to rescue them. \nAct II (The Forest) \nAs the children pick strawberries and collect flowers in the forest\, they begin to play games again. Before they realize it\, they devour all the berries they have picked\, and it has grown too dark to collect any more. Hansel confesses that he has lost the way\, and Gretel begins to panic. The Sandman sprinkles sand into their eyes\, causing them to fall into a deep sleep\, during which angels appear and protect them. \nAct III (The Witch’s House) \nThe next morning\, the Dew Fairy wakes the children. They describe to each other a wondrous dream that each had\, after which they discover the Witch’s candy house. When they try to flee\, she casts a spell on them\, locks Hansel in a cage\, and turns her attention to the oven. Gretel speaks the magic words\, freeing Hansel from the spell. When the Witch invites her to look in the oven\, Gretel plays dumb and asks her to show her how. The Witch bends over to demonstrate and Hansel and Gretel push her into the oven\, breaking the spell that has been cast on all of the gingerbread children. Father and Mother appear\, and all rejoice in a hymn of Thanksgiving. URL:https://vpa.uncg.edu/single-event/humperdincks-hansel-and-gretel-and-fall-scenes-opera-theatre/ LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States CATEGORIES:College of Visual and Performing Arts,School of Music ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/hansel-and-gretel-header-scaled-l4pLYh.tmp_.jpg ORGANIZER;CN="SMTD –%3B UNCG Auditorium (Master)":MAILTO:uncg.edu_3736303334383835333332@resource.calendar.google.com END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20221022T140000 DTEND;TZID=America/New_York:20221022T160000 DTSTAMP:20260516T144014 CREATED:20240130T163329Z LAST-MODIFIED:20240130T163329Z UID:10000473-1666447200-1666454400@vpa.uncg.edu SUMMARY:Humperdinck’s ‘Hansel and Gretel’ and Fall Scenes • Opera Theatre DESCRIPTION:Tickets\n \n\n\n\nAdults\n$10.00\n\n\nStudents (any institution)\n$5.00\n\n\n\n\n\nPURCHASE TICKETSDOWNLOAD PROGRAM\n \n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.\n\n\n\n \n \nSYNOPSIS\nAct I (Peter’s House) \nAs the curtain rises\, Hansel and Gretel are busy working. They soon become distracted and resort to dancing and playing games. At the height of their frivolity\, their mother (Gertrude) returns and discovers their laziness. In her anger\, she accidentally knocks a pitcher of milk to the floor\, shattering it and spilling its contents. She blames the children and banishes them to the woods to pick strawberries\, after which she collapses in frustration and exhaustion. Her husband and the father of the children (Peter) returns home after an exceptionally successful afternoon of selling the brooms\, which he makes for a living. When he inquires as to the whereabouts of the children\, she tells him of their fate. He is horrified\, since the forest is the dwelling place of the evil Witch who entices children and bakes them into gingerbread cookies. Both parents rush out to rescue them. \nAct II (The Forest) \nAs the children pick strawberries and collect flowers in the forest\, they begin to play games again. Before they realize it\, they devour all the berries they have picked\, and it has grown too dark to collect any more. Hansel confesses that he has lost the way\, and Gretel begins to panic. The Sandman sprinkles sand into their eyes\, causing them to fall into a deep sleep\, during which angels appear and protect them. \nAct III (The Witch’s House) \nThe next morning\, the Dew Fairy wakes the children. They describe to each other a wondrous dream that each had\, after which they discover the Witch’s candy house. When they try to flee\, she casts a spell on them\, locks Hansel in a cage\, and turns her attention to the oven. Gretel speaks the magic words\, freeing Hansel from the spell. When the Witch invites her to look in the oven\, Gretel plays dumb and asks her to show her how. The Witch bends over to demonstrate and Hansel and Gretel push her into the oven\, breaking the spell that has been cast on all of the gingerbread children. Father and Mother appear\, and all rejoice in a hymn of Thanksgiving. URL:https://vpa.uncg.edu/single-event/humperdincks-hansel-and-gretel-and-fall-scenes-opera-theatre-2/ LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States CATEGORIES:College of Visual and Performing Arts,School of Music ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/hansel-and-gretel-header-scaled-l4pLYh.tmp_.jpg ORGANIZER;CN="UNCG Auditorium-1-CVPA –%3B Master (2000)":MAILTO:uncg.edu_3736303334383835333332@resource.calendar.google.com END:VEVENT END:VCALENDAR