BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//College of Visual and Performing Arts - ECPv6.18.3//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:College of Visual and Performing Arts
X-ORIGINAL-URL:https://vpa.uncg.edu
X-WR-CALDESC:Events for College of Visual and Performing Arts
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20260308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20261101T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20270314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20271107T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20280312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20281105T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261121T193000
DTEND;TZID=America/New_York:20261121T210000
DTSTAMP:20260820T154239Z
CREATED:20260819T171531Z
LAST-MODIFIED:20260820T154239Z
UID:10005337-1795289400-1795294800@vpa.uncg.edu
SUMMARY:POTUS: or\, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive
DESCRIPTION:By: Selina FillingerDirected by: Rebecca Bailey \n\n\n\nDates:Friday\, November 20 at 7:30 p.m.Saturday\, November 21 at 2 p.m. & 7:30 p.m.Sunday\, November 22 at 2p.m. & 7:30 p.m. \n\n\n\nTickets: Call the UNCG Theatre Box Office at 336.334.4392 after Aug. 24 or click the button below to purchase tickets online. \n\n\n\nPurchase Tickets at Etix \n\n\n\nAge Rating: PG-13Run Time: Approx. 1 hours and 45 minutes.Production Location: Pam and David Sprinkle (Brown Building)\, 402 Tate St\, Greensboro\, NC 27412 \n\n\n\nSummary: \n\n\n\nChaos erupts at 1600 Pennsylvania Avenue when a single reckless remark by the President spirals into a full-blown political and international disaster. With the fate of the administration hanging by a thread\, seven fiercely intelligent\, overworked women must race against the clock to contain the chaos\, dodge scandal\, and keep the commander-in-chief from self-destructing. Fast-paced\, sharp-witted\, and outrageously funny\, Selina Fillinger’s POTUS is a wildly entertaining all-female farce that became a Broadway sensation and earned three 2022 Tony Award nominations. \n\n\n\n“POTUS” is presented by arrangement with Concord Theatricals on behalf of Playscripts. www.concordtheatricals.com
URL:https://vpa.uncg.edu/single-event/potus-or-behind-every-great-dumbass-are-seven-women-trying-to-keep-him-alive/2026-11-21/2/
LOCATION:Pam and David Sprinkle Theatre\, 402 Tate Street\, Greensboro\, NC\, 27403\, United States
CATEGORIES:College of Visual and Performing Arts,College of Visual and Performing Arts,School of Theatre
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261122T133000
DTEND;TZID=America/New_York:20261122T153000
DTSTAMP:20260821T141740Z
CREATED:20260821T140650Z
LAST-MODIFIED:20260821T141740Z
UID:10005377-1795354200-1795361400@vpa.uncg.edu
SUMMARY:Honors High School Jazz Band and Jazz Ensemble I with special guest John Scofield
DESCRIPTION:The Miles Davis Jazz Studies Program presents the 27th Annual Honors High School Jazz Band\, November 21–22\, 2026\, featuring guitarist John Scofield. The two-day event consists of big band rehearsals\, clinics\, and improvisation master classes\, and concludes with a performance by the Honors Band\, John Scofield\, and the UNCG Jazz Ensemble I directed by Steve Haines. \n\n\n\nThrough his fifty-four-year career\, three-time GRAMMY Award®-winner John Scofield has occasionally detoured from the traditions of straight-ahead jazz\, exploring a blend of funk and jazz\, which has led to some of his most popular projects. In late autumn of 2026\, Scofield looks back at many of his now classic fusion groove compositions with Electrospective. Not intending to replicate the earlier fan favorites\, he plans instead to revisit them with the seasoned perspective of several decades\, culling tunes from his Blue Matter\, Uberjam\, and AGoGo bands—each responsible for a few recordings—as well as new material in the same vein.  \n\n\n\nScofield looks forward to teaming up with a stellar band of colleagues\, Electrospective will rely on interpretative input from Scofield alum and super funk drummer/producer Adam Deitch (Lettuce)\, multidimensional Larry Goldings (Scary Goldings\, James Taylor) on keyboards\, and legendary bassist Oteil Burbridge (Dead & Co.\, Tedeschi Trucks\, Allman Brothers). With this repertoire so frequently (and loudly) requested by audience members\, Scofield is glad to have a band that will truly do the music justice.  \n\n\n\n\n\n\n\nThe Miles Davis Jazz Studies Program at UNCG is a unique and innovative undergraduate jazz program designed to emulate the traditional process of learning jazz\, through a combination of mentorship\, real-world playing experiences\, and a communal approach to learning. Although the program is housed in one of the largest music schools in the Southeast\, it is kept intentionally small\, resulting in an intensive and highly personalized learning environment. \n\n\n\n UNCG offers the following degree programs for students interested in studying Jazz: \n\n\n\n\nBachelor of Music (B.M.) – Performance\n\n\n\nPost-Baccalaureate Certificate in Jazz Studies\n\n\n\n\n\n\nTicketPriceAdult$12.00Seniors$9.00Students$6.00\n\n\n\n\nPurchase Tickets\n\n\n\n\n\nParking
URL:https://vpa.uncg.edu/single-event/honors-high-school-jazz-band-and-jazz-ensemble-i-with-special-guest-christian-sands/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/05/JS_electro_color-scaled-e1778011524462.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261122T140000
DTEND;TZID=America/New_York:20261122T153000
DTSTAMP:20260820T154239Z
CREATED:20260819T171531Z
LAST-MODIFIED:20260820T154239Z
UID:10005338-1795356000-1795361400@vpa.uncg.edu
SUMMARY:POTUS: or\, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive
DESCRIPTION:By: Selina FillingerDirected by: Rebecca Bailey \n\n\n\nDates:Friday\, November 20 at 7:30 p.m.Saturday\, November 21 at 2 p.m. & 7:30 p.m.Sunday\, November 22 at 2p.m. & 7:30 p.m. \n\n\n\nTickets: Call the UNCG Theatre Box Office at 336.334.4392 after Aug. 24 or click the button below to purchase tickets online. \n\n\n\nPurchase Tickets at Etix \n\n\n\nAge Rating: PG-13Run Time: Approx. 1 hours and 45 minutes.Production Location: Pam and David Sprinkle (Brown Building)\, 402 Tate St\, Greensboro\, NC 27412 \n\n\n\nSummary: \n\n\n\nChaos erupts at 1600 Pennsylvania Avenue when a single reckless remark by the President spirals into a full-blown political and international disaster. With the fate of the administration hanging by a thread\, seven fiercely intelligent\, overworked women must race against the clock to contain the chaos\, dodge scandal\, and keep the commander-in-chief from self-destructing. Fast-paced\, sharp-witted\, and outrageously funny\, Selina Fillinger’s POTUS is a wildly entertaining all-female farce that became a Broadway sensation and earned three 2022 Tony Award nominations. \n\n\n\n“POTUS” is presented by arrangement with Concord Theatricals on behalf of Playscripts. www.concordtheatricals.com
URL:https://vpa.uncg.edu/single-event/potus-or-behind-every-great-dumbass-are-seven-women-trying-to-keep-him-alive/2026-11-22/1/
LOCATION:Pam and David Sprinkle Theatre\, 402 Tate Street\, Greensboro\, NC\, 27403\, United States
CATEGORIES:College of Visual and Performing Arts,College of Visual and Performing Arts,School of Theatre
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261122T173000
DTEND;TZID=America/New_York:20261122T190000
DTSTAMP:20260819T154435Z
CREATED:20260819T154430Z
LAST-MODIFIED:20260819T154435Z
UID:10005316-1795368600-1795374000@vpa.uncg.edu
SUMMARY:Horn Studio Recital
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nart\, Exhibition\, free\, gallery\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/horn-studio-recital-8/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/08/studio-recital-feature.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261122T193000
DTEND;TZID=America/New_York:20261122T210000
DTSTAMP:20260819T154743Z
CREATED:20260819T154737Z
LAST-MODIFIED:20260819T154743Z
UID:10005317-1795375800-1795381200@vpa.uncg.edu
SUMMARY:Clarinet Studio Undergraduate Showcase
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nart\, Exhibition\, free\, gallery\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/clarinet-studio-undergraduate-showcase-4/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/08/studio-recital-feature.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261122T193000
DTEND;TZID=America/New_York:20261122T210000
DTSTAMP:20260820T154239Z
CREATED:20260819T171531Z
LAST-MODIFIED:20260820T154239Z
UID:10005339-1795375800-1795381200@vpa.uncg.edu
SUMMARY:POTUS: or\, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive
DESCRIPTION:By: Selina FillingerDirected by: Rebecca Bailey \n\n\n\nDates:Friday\, November 20 at 7:30 p.m.Saturday\, November 21 at 2 p.m. & 7:30 p.m.Sunday\, November 22 at 2p.m. & 7:30 p.m. \n\n\n\nTickets: Call the UNCG Theatre Box Office at 336.334.4392 after Aug. 24 or click the button below to purchase tickets online. \n\n\n\nPurchase Tickets at Etix \n\n\n\nAge Rating: PG-13Run Time: Approx. 1 hours and 45 minutes.Production Location: Pam and David Sprinkle (Brown Building)\, 402 Tate St\, Greensboro\, NC 27412 \n\n\n\nSummary: \n\n\n\nChaos erupts at 1600 Pennsylvania Avenue when a single reckless remark by the President spirals into a full-blown political and international disaster. With the fate of the administration hanging by a thread\, seven fiercely intelligent\, overworked women must race against the clock to contain the chaos\, dodge scandal\, and keep the commander-in-chief from self-destructing. Fast-paced\, sharp-witted\, and outrageously funny\, Selina Fillinger’s POTUS is a wildly entertaining all-female farce that became a Broadway sensation and earned three 2022 Tony Award nominations. \n\n\n\n“POTUS” is presented by arrangement with Concord Theatricals on behalf of Playscripts. www.concordtheatricals.com
URL:https://vpa.uncg.edu/single-event/potus-or-behind-every-great-dumbass-are-seven-women-trying-to-keep-him-alive/2026-11-22/2/
LOCATION:Pam and David Sprinkle Theatre\, 402 Tate Street\, Greensboro\, NC\, 27403\, United States
CATEGORIES:College of Visual and Performing Arts,College of Visual and Performing Arts,School of Theatre
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261123T090000
DTEND;TZID=America/New_York:20261123T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005489-1795424400-1795449600@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-11-23/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261123T173000
DTEND;TZID=America/New_York:20261123T190000
DTSTAMP:20261027T144427Z
CREATED:20261027T144422Z
LAST-MODIFIED:20261027T144427Z
UID:10005466-1795455000-1795460400@vpa.uncg.edu
SUMMARY:Angela Ho\, mezzo-soprano
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nart\, Exhibition\, free\, gallery\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/angela-ho-mezzo-soprano/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/09/student-recital-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261123T193000
DTEND;TZID=America/New_York:20261123T210000
DTSTAMP:20260831T201102Z
CREATED:20260831T201059Z
LAST-MODIFIED:20260831T201102Z
UID:10005392-1795462200-1795467600@vpa.uncg.edu
SUMMARY:Chamber Singers
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\n\nart\, Exhibition\, free\, gallery\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube\n\n\n\n\n\n\n\n\n\n\nCarole Ott\, conductor \n\n\n\n\n\n\n\n\nAbout the Program\n \n\n\n\nBack to Program \n\n\n\n\nUNCG Choirs\nThe mission of the UNCG Choirs is dedicated to the teaching\, performance\, study and cultivation of choral music of the highest quality representing not just the western choral canon but also choral music of other cultures by a diverse body of historical and new composers. We believe that the UNCG Choirs are a serious and distinctive medium of musical expression\, of vital service and importance to its members and to UNCG. Through ensemble performance\, we strive to create an environment of trust\, communication\, and expressive freedom\, to present outstanding performances throughout the year\, and to enhance the institutional sprit and character of UNCG. To music as an art and a profession\, the UNCG Choirs seek to bring increasing artistry\, understanding\, and respect by efforts within our own immediate sphere and by providing leadership and sponsorship to school choral programs and through cooperation with all other agencies pursuing similar musical goals. \n\n\n\n\nUNCG Choirs\n\n\n\n\nBack to Program
URL:https://vpa.uncg.edu/single-event/chamber-singers-7/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/04/choir-events-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261124T090000
DTEND;TZID=America/New_York:20261124T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005490-1795510800-1795536000@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-11-24/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261124T120000
DTEND;TZID=America/New_York:20261205T170000
DTSTAMP:20261026T010215Z
CREATED:20261026T010211Z
LAST-MODIFIED:20261026T010215Z
UID:10005457-1795521600-1796490000@vpa.uncg.edu
SUMMARY:Winter 2026 Senior BFA + BA Art Exhibition 
DESCRIPTION:Winter 2026 Senior BFA + BA Exhibition \n\n\n\n\n\n\n\nNovember 24 – December 5\, 2026\n\n\n\n Reception: Friday\, December 4th | 6-8P\n\n\n\nThe School of Art at UNC Greensboro and Greensboro Project Space are proud to announce the Winter 2026 Senior BFA + BA Exhibition. Highlighting the efforts of graduating seniors across disciplines\, this exhibition is a testament to the creative and academic accomplishments made by these artists. Working with photography\, animation\, printmaking & drawing\, and new media and design\, the exhibited works demonstrate a fine-tuned attention to detail\, ambitious exploration of material capabilities\, and expansiveness of concept. This exhibition demonstrates the persistence\, dedication to creative practice\, and openness to experimentation that defines the studio arts program at UNCG.
URL:https://vpa.uncg.edu/single-event/winter-2026-senior-bfa-ba-art-exhibition/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:College of Visual and Performing Arts,Greensboro Project Space,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/10/winter-2026-senior-BFA-BA-exhibition-flyer_8.5x11-scaled.jpg
ORGANIZER;CN="Greensboro Project Space":MAILTO:greensboroprojectspace@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261125T090000
DTEND;TZID=America/New_York:20261125T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005491-1795597200-1795622400@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-11-25/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261126T090000
DTEND;TZID=America/New_York:20261126T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005492-1795683600-1795708800@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-11-26/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261127T090000
DTEND;TZID=America/New_York:20261127T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005493-1795770000-1795795200@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-11-27/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261130T090000
DTEND;TZID=America/New_York:20261130T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005494-1796029200-1796054400@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-11-30/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261201T090000
DTEND;TZID=America/New_York:20261201T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005495-1796115600-1796140800@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-12-01/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261202T090000
DTEND;TZID=America/New_York:20261202T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005496-1796202000-1796227200@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-12-02/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261202T193000
DTEND;TZID=America/New_York:20261202T210000
DTSTAMP:20260831T201209Z
CREATED:20260831T201206Z
LAST-MODIFIED:20260831T201209Z
UID:10005393-1796239800-1796245200@vpa.uncg.edu
SUMMARY:Coro di Belle Voci
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\n\nart\, Exhibition\, free\, gallery\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube\n\n\n\n\n\n\n\n\n\n\nLindsay Kesselman\, conductor \n\n\n\n\n\n\n\n\nAbout the Program\n \n\n\n\nBack to Program \n\n\n\n\nUNCG Choirs\nThe mission of the UNCG Choirs is dedicated to the teaching\, performance\, study and cultivation of choral music of the highest quality representing not just the western choral canon but also choral music of other cultures by a diverse body of historical and new composers. We believe that the UNCG Choirs are a serious and distinctive medium of musical expression\, of vital service and importance to its members and to UNCG. Through ensemble performance\, we strive to create an environment of trust\, communication\, and expressive freedom\, to present outstanding performances throughout the year\, and to enhance the institutional sprit and character of UNCG. To music as an art and a profession\, the UNCG Choirs seek to bring increasing artistry\, understanding\, and respect by efforts within our own immediate sphere and by providing leadership and sponsorship to school choral programs and through cooperation with all other agencies pursuing similar musical goals. \n\n\n\n\nUNCG Choirs\n\n\n\n\nBack to Program
URL:https://vpa.uncg.edu/single-event/coro-di-belle-voci-7/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/04/choir-events-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261203T090000
DTEND;TZID=America/New_York:20261203T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005497-1796288400-1796313600@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-12-03/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261204T090000
DTEND;TZID=America/New_York:20261204T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005498-1796374800-1796400000@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-12-04/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261204T193000
DTEND;TZID=America/New_York:20261204T210000
DTSTAMP:20260925T200050Z
CREATED:20260910T181146Z
LAST-MODIFIED:20260925T200050Z
UID:10005405-1796412600-1796418000@vpa.uncg.edu
SUMMARY:The Steve Haines Trio with special guest Joey Calderazzo
DESCRIPTION:Experience straight-ahead jazz with The Steve Haines Trio\, featuring the powerhouse rhythm section of internationally renowned pianist Joey Calderazzo\, bassist Steve Haines and drummer Kobie Watkins. Having locked into a swinging musical language for over 15 years\, they provide a propulsive foundation that serves both the curiosity and soulfulness of the jazz tradition. The trio is joined by a heavyweight saxophonist and luminary Gregory Tardy. He brings a fresh\, creative spark to this group\, providing spontaneous melodies for the rhythm section. This performance promises an evening of world-class musicianship\, characterized by interplay\, deep grooves\, and the kind of improvisation that only happens when seasoned masters share the stage. \n\n\n\n\n\n\n\nThe Miles Davis Jazz Studies Program at UNCG is a unique and innovative undergraduate jazz program designed to emulate the traditional process of learning jazz\, through a combination of mentorship\, real-world playing experiences\, and a communal approach to learning. Although the program is housed in one of the largest music schools in the Southeast\, it is kept intentionally small\, resulting in an intensive and highly personalized learning environment. \n\n\n\n UNCG offers the following degree programs for students interested in studying Jazz: \n\n\n\n\nBachelor of Music (B.M.) – Performance\n\n\n\nPost-Baccalaureate Certificate in Jazz Studies\n\n\n\n\n\n\nTicketPriceAdult$30.73Seniors$19.76Students$8.78Ticket prices include all ticket fees and taxes.\n\n\n\n\nPurchase Tickets
URL:https://vpa.uncg.edu/single-event/haines-trio-with-joey-calderazzo/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/09/haines-trio-calderazzo-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261204T193000
DTEND;TZID=America/New_York:20261204T213000
DTSTAMP:20260820T143836Z
CREATED:20260820T143626Z
LAST-MODIFIED:20260820T143836Z
UID:10005343-1796412600-1796419800@vpa.uncg.edu
SUMMARY:First Year BFA Performance Showcase
DESCRIPTION:Dates:Friday\, December 4 at 7:30 p.m.Saturday\, December 5 at 7:30 p.m. \n\n\n\nTickets: Call the UNCG Theatre Box Office at 336.334.4392 or click the button below to purchase tickets online. \n\n\n\nReserve Tickets at Etix \n\n\n\nAge Rating: PG-13Run Time: Approx. 2 hoursProduction Location: Pam and David Sprinkle (Brown Building)\, 402 Tate St\, Greensboro\, NC 27412 \n\n\n\nSummary: \n\n\n\nThe BFA Acting and Musical Theatre students present a series of scenes that highlight their journey through realism and foundational acting techniques. Join us to celebrate their passion for storytelling as they perform American contemporary scene work from their studio classroom.
URL:https://vpa.uncg.edu/single-event/first-year-bfa-performance-showcase/2026-12-04/
LOCATION:Pam and David Sprinkle Theatre\, 402 Tate Street\, Greensboro\, NC\, 27403\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261205T193000
DTEND;TZID=America/New_York:20261205T213000
DTSTAMP:20260820T143836Z
CREATED:20260820T143626Z
LAST-MODIFIED:20260820T143836Z
UID:10005344-1796499000-1796506200@vpa.uncg.edu
SUMMARY:First Year BFA Performance Showcase
DESCRIPTION:Dates:Friday\, December 4 at 7:30 p.m.Saturday\, December 5 at 7:30 p.m. \n\n\n\nTickets: Call the UNCG Theatre Box Office at 336.334.4392 or click the button below to purchase tickets online. \n\n\n\nReserve Tickets at Etix \n\n\n\nAge Rating: PG-13Run Time: Approx. 2 hoursProduction Location: Pam and David Sprinkle (Brown Building)\, 402 Tate St\, Greensboro\, NC 27412 \n\n\n\nSummary: \n\n\n\nThe BFA Acting and Musical Theatre students present a series of scenes that highlight their journey through realism and foundational acting techniques. Join us to celebrate their passion for storytelling as they perform American contemporary scene work from their studio classroom.
URL:https://vpa.uncg.edu/single-event/first-year-bfa-performance-showcase/2026-12-05/
LOCATION:Pam and David Sprinkle Theatre\, 402 Tate Street\, Greensboro\, NC\, 27403\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270205T200000
DTEND;TZID=America/New_York:20270205T200000
DTSTAMP:20260813T153804Z
CREATED:20260512T164856Z
LAST-MODIFIED:20260813T153804Z
UID:10003933-1801857600-1801857600@vpa.uncg.edu
SUMMARY:Samara Joy
DESCRIPTION:A native of the Bronx\, Samara Joy became entranced by classic R&B as a child and cut her teeth as a singer in her church’s gospel choir. And while her family history is deeply musical—her grandparents helmed the Philadelphia gospel group the Savettes\, and her father\, the musician and songwriter Antonio McLendon\, has produced\, composed and arranged his own astounding original work—she didn’t delve into the jazz tradition until a college student at SUNY Purchase. During her studies there\, she won the 2019 Sarah Vaughan International Jazz Vocal Competition\, which introduced her to the larger jazz scene as a rising star to watch. She was heard\, by audiences and critics alike\, as a masterful interpreter of jazz standards and a rightful heiress of the sound\, technique\, and charisma that defined her jazz heroines—including Vaughan\, Betty Carter\, Abbey Lincoln\, and Carmen McRae.     \n\n\n\nJoy released her self-titled debut on the Whirlwind label in 2021\, followed a year later by Linger Awhile\, her breakout Verve debut\, of which DownBeat wrote\, “With this beautiful recording\, a silky-voiced star is born.” The album earned her a Grammy for Best Jazz Vocal Album in addition to a headline-making win for Best New Artist. A deluxe edition of the album was released\, as well as the EP A Joyful Holiday\, which took home Grammys for Best Jazz Vocal Album and Best Jazz Performance in 2025. Her new Verve album\, Portrait\, which Joy co-produced with the veteran trumpeter/bandleader and multi-Grammy winner Brian Lynch\, showcases the intimate\, soulful chemistry that she’s developed with her touring band\, already earning her an NAACP Image Award for Best Jazz Album. Portrait also spotlights her burgeoning gifts as a lyricist in ingenious arrangements that meld her thoughtful words with music by Charles Mingus\, Sun Ra\, and her late mentor Barry Harris.   \n\n\n\n\n\n\nTickets & Pricing\n\n\n\n\n\nTicket TypeOrchestra/MezzUNCG Students$7.50Regional Students$15.00UNCG Faculty/Staff$25.00Adults$58.00Seniors/Military$48.00Children (K-12)$20.00\n\n\n\n\nPURCHASE TICKETS\n\n\n\n\n\n\n* Tickets to CVPA and UCLS events are sold exclusively through our box office locations and ETix website\, and nowhere else. Tickets purchased through third-party vendors cannot be honored. \n\n\n\n\n\n\n\n\n\nIn addition to public presentations\, artists in the UCLS series have important interactions with UNCG students\, such as holding masterclasses\, talkback sessions\, and seminars\, often just hours before performing on stage. Thanks to a grant from The Cemala Foundation\, some of these artists also work with K-12 students in the Guilford County Schools.
URL:https://vpa.uncg.edu/single-event/samara-joy/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music,UCLS
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/05/SamaraJoyFeatured-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270206T193000
DTEND;TZID=America/New_York:20270206T213000
DTSTAMP:20260820T154118Z
CREATED:20260819T194510Z
LAST-MODIFIED:20260820T154118Z
UID:10005341-1801942200-1801949400@vpa.uncg.edu
SUMMARY:Taylor Takeback ‘27
DESCRIPTION:Conceived by Dominick Amendum\, Jennifer Vellenga\, and Jim WrenDirected by Jim Wren \n\n\n\nDates:Saturday\, February 6 at 7:30 p.m.Sunday\, February 7 at 2p.m. \n\n\n\nTickets: Call the UNCG Theatre Box Office at 336.334.4392 after Aug. 24 or click the button below to purchase tickets online. \n\n\n\nPurchase Tickets at Etix \n\n\n\nAge Rating: PG-13Run Time: Approx. 1 hours and 45 minutesProduction Location: Taylor Theatre\, 406 Tate St\, Greensboro\, NC 27412 \n\n\n\nSummary: \n\n\n\nCelebrate our long-awaited return to Taylor Theatre for an unforgettable evening of scenes and songs. Audiences are invited back into the space to experience it anew\, as current students bring to life excerpts from plays and musicals that have shaped Taylor’s artistic legacy. Directed by Emeritus faculty member Jim Wren\, with music direction by alumnus and Artist-in-Residence Dominick Amendum\, this dynamic performance bridges past and present by honoring the artists\, stories\, and community that define the School of Theatre. Join us as we launch an exciting new chapter and celebrate the power of coming home.
URL:https://vpa.uncg.edu/single-event/taylor-takeback-27/2027-02-06/
LOCATION:UNCG Taylor Theatre\, 406 Tate St\, Greensboro\, NC 27403\, USA\, 406 Tate St\, Greensboro\, NC\, 27403\, United States
CATEGORIES:College of Visual and Performing Arts,College of Visual and Performing Arts,School of Theatre
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270207T140000
DTEND;TZID=America/New_York:20270207T160000
DTSTAMP:20260820T154118Z
CREATED:20260819T194510Z
LAST-MODIFIED:20260820T154118Z
UID:10005342-1802008800-1802016000@vpa.uncg.edu
SUMMARY:Taylor Takeback ‘27
DESCRIPTION:Conceived by Dominick Amendum\, Jennifer Vellenga\, and Jim WrenDirected by Jim Wren \n\n\n\nDates:Saturday\, February 6 at 7:30 p.m.Sunday\, February 7 at 2p.m. \n\n\n\nTickets: Call the UNCG Theatre Box Office at 336.334.4392 after Aug. 24 or click the button below to purchase tickets online. \n\n\n\nPurchase Tickets at Etix \n\n\n\nAge Rating: PG-13Run Time: Approx. 1 hours and 45 minutesProduction Location: Taylor Theatre\, 406 Tate St\, Greensboro\, NC 27412 \n\n\n\nSummary: \n\n\n\nCelebrate our long-awaited return to Taylor Theatre for an unforgettable evening of scenes and songs. Audiences are invited back into the space to experience it anew\, as current students bring to life excerpts from plays and musicals that have shaped Taylor’s artistic legacy. Directed by Emeritus faculty member Jim Wren\, with music direction by alumnus and Artist-in-Residence Dominick Amendum\, this dynamic performance bridges past and present by honoring the artists\, stories\, and community that define the School of Theatre. Join us as we launch an exciting new chapter and celebrate the power of coming home.
URL:https://vpa.uncg.edu/single-event/taylor-takeback-27/2027-02-07/
LOCATION:UNCG Taylor Theatre\, 406 Tate St\, Greensboro\, NC 27403\, USA\, 406 Tate St\, Greensboro\, NC\, 27403\, United States
CATEGORIES:College of Visual and Performing Arts,College of Visual and Performing Arts,School of Theatre
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270211T193000
DTEND;TZID=America/New_York:20270211T210000
DTSTAMP:20260820T205634Z
CREATED:20260820T205629Z
LAST-MODIFIED:20260820T205634Z
UID:10005375-1802374200-1802379600@vpa.uncg.edu
SUMMARY:Symphonic Band
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\n\nart\, Exhibition\, free\, gallery\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube\n\n\n\n\n\n\n\n\n\n\nJonathan Caldwell\, conductorStephanie Ycaza\, tubaMolly Allman\, graduate conductor \n\n\n\nProgram\n\n\n\nJOHN PHILIP SOUSAThe Fairest of the Fair (1908) \n\n\n\nKELIJAH DUNTONStillwater (2019) \n\n\n\nVINCENT PERSICHETTIDivertimento\, op. 42 (1949) \n\n\n\nBRUCE BROUGHTONTurbulence (2013/2016) \n\n\n\nGERMAINE TAILLEFERREDeuxième suite pour orchestre [Les paysages de France] (1949/1999)arranged by Désiré Dondeyne \n\n\n\nNUBIA JAIME-DONJUANDanzon No. 3\, “The Lone Pine” (2026) \n\n\n\n\nAbout the Program\n \n\n\n\nBack to Program \n\n\n\n\nAbout the Soloist\n\n\n\n\nStephanie Ycaza is Assistant Professor of Tuba and Euphonium at the University of North Carolina at Greensboro. She previously held the position of Instructor of Tuba and Euphonium at the University of Northern Iowa\, and has also served on the music faculties of Virginia Commonwealth University\, Virginia State University\, Longwood University\, the University of Richmond\, and Shenandoah University. Stephanie is active as a masterclass teacher and as a clinician for middle and high school bands.  \n\n\n\nStephanie is a founding member of Calypsus Brass\, a brass quintet dedicated to performing new works and providing high-quality recordings for composers. Calypsus is committed to promoting the works of composers from historically marginalized groups\, and serves as an Ensemble-in-Residence for Rising Tide Music Press. Stephanie is Principal Tuba of the Waterloo-Cedar Falls Symphony\, and has also performed with the Virginia Symphony\, the Williamsburg Symphony\, the Capital Wind Symphony\, and the Virginia Grand Military band. She has also contributed to recording projects at Spacebomb Records in Richmond\, VA. Stephanie’s recent solo performances have focused on music for tuba with electronic accompaniment\, music by women composers\, and her own transcriptions and arrangements for low brass. She has appeared as a soloist at the International Tuba Euphonium Conference\, the Northeast\, Southeast\, and Midwest Regional ITEA Conferences\, the Army Band Tuba-Euphonium Workshop\, and the International Women’s Brass Conference. Stephanie also writes and gives presentations on the topic of mindfulness in the practice and performance of music.  \n\n\n\nStephanie holds a Doctor of Musical Arts degree from Shenandoah University\, a Master of Music degree and Artist Diploma from Yale University\, and a Bachelor of Music degree from Virginia Commonwealth University. She studied with Dr. Ross Walter\, Toby Hanks\, Mike Roylance\, Andrew Hitz\, and Michael Bunn. Stephanie is a Miraphone tuba artist.  \n\n\n\nBack to Program \n\n\n\n\nUNCG Bands\nThe UNCG Bands are devoted to the performance\, study\, and advancement of wind band music at the highest artistic level. Recognized as one of the nation’s premier collegiate band programs\, the UNCG Bands maintain an active and distinguished record of excellence through performances\, recordings\, tours\, and appearances at major conventions. \n\n\n\nThrough exemplary organization\, training\, and presentation\, the UNCG Bands offer exceptional musical experiences for our members and share outstanding performances throughout the year. Together\, we enrich the cultural life\, spirit\, and character of UNCG. \n\n\n\nThe UNCG Bands also proudly support music education across North Carolina and throughout the region by providing leadership\, mentorship\, and sponsorship to secondary school band programs and other musical organizations. \n\n\n\n\nUNCG Bands\n\n\n\n\nBack to Program
URL:https://vpa.uncg.edu/single-event/symphonic-band-14/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/07/PIC24762-MUS_Wind_Ensemble_0639-3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270216T193000
DTEND;TZID=America/New_York:20270216T210000
DTSTAMP:20260824T170851Z
CREATED:20260824T170845Z
LAST-MODIFIED:20260824T170851Z
UID:10005383-1802806200-1802811600@vpa.uncg.edu
SUMMARY:Concert Band
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\n\nart\, Exhibition\, free\, gallery\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube\n\n\n\n\n\n\n\n\n\n\nPatty Saunders\, conductorJaden Brown\, conductor \n\n\n\n\n\n\n\n\nAbout the Program\n \n\n\n\nBack to Program \n\n\n\n\nUNCG Bands\nThe UNCG Bands are devoted to the performance\, study\, and advancement of wind band music at the highest artistic level. Recognized as one of the nation’s premier collegiate band programs\, the UNCG Bands maintain an active and distinguished record of excellence through performances\, recordings\, tours\, and appearances at major conventions. \n\n\n\nThrough exemplary organization\, training\, and presentation\, the UNCG Bands offer exceptional musical experiences for our members and share outstanding performances throughout the year. Together\, we enrich the cultural life\, spirit\, and character of UNCG. \n\n\n\nThe UNCG Bands also proudly support music education across North Carolina and throughout the region by providing leadership\, mentorship\, and sponsorship to secondary school band programs and other musical organizations. \n\n\n\n\nUNCG Bands\n\n\n\n\nBack to Program
URL:https://vpa.uncg.edu/single-event/concert-band-13/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/07/PIC24762-MUS_Wind_Ensemble_0639-3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270217T173000
DTEND;TZID=America/New_York:20270217T190000
DTSTAMP:20260902T153227Z
CREATED:20260902T153224Z
LAST-MODIFIED:20260902T153227Z
UID:10005394-1802885400-1802890800@vpa.uncg.edu
SUMMARY:Coro di Belle Voci
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\n\nart\, Exhibition\, free\, gallery\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube\n\n\n\n\n\n\n\n\n\n\nLindsay Kesselman\, conductor \n\n\n\n\n\n\n\n\nAbout the Program\n \n\n\n\nBack to Program \n\n\n\n\nUNCG Choirs\nThe mission of the UNCG Choirs is dedicated to the teaching\, performance\, study and cultivation of choral music of the highest quality representing not just the western choral canon but also choral music of other cultures by a diverse body of historical and new composers. We believe that the UNCG Choirs are a serious and distinctive medium of musical expression\, of vital service and importance to its members and to UNCG. Through ensemble performance\, we strive to create an environment of trust\, communication\, and expressive freedom\, to present outstanding performances throughout the year\, and to enhance the institutional sprit and character of UNCG. To music as an art and a profession\, the UNCG Choirs seek to bring increasing artistry\, understanding\, and respect by efforts within our own immediate sphere and by providing leadership and sponsorship to school choral programs and through cooperation with all other agencies pursuing similar musical goals. \n\n\n\n\nUNCG Choirs\n\n\n\n\nBack to Program
URL:https://vpa.uncg.edu/single-event/coro-di-belle-voci-8/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/04/choir-events-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270217T193000
DTEND;TZID=America/New_York:20270217T210000
DTSTAMP:20260903T142105Z
CREATED:20260903T142011Z
LAST-MODIFIED:20260903T142105Z
UID:10005398-1802892600-1802898000@vpa.uncg.edu
SUMMARY:Symphony Orchestra
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\n\nart\, Exhibition\, free\, gallery\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nJungho Kim\, conductor \n\n\n\nProgram\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Program\n \n\n\n\nBack to Program \n\n\n\n\nAbout the Soloist\n \n\n\n\n\nUNCG Orchestras\nThe vibrant UNCG Orchestra program has long been recognized for performance excellence\, adventurous programming\, and high artistic standards. A diversity of offerings allow students the opportunity to perform repertoire for ensembles ranging from the largest cornerstone and contemporary works for full orchestra\, to intimate pieces for chamber orchestra\, to string orchestra. \n\n\n\nStudents in the UNCG Orchestra program are dedicated to the performance\, study and cultivation of orchestral music of the highest quality. The UNCG Orchestras offer outstanding performances throughout the year and enhance the institutional spirit and community of UNCG. We seek to promote music education in the state of North Carolina and in our region by supporting secondary school orchestra programs and other organizations through our outreach activities and other annual events on campus. \n\n\n\n\nUNCG Orchestras\n\n\n\n\nBack to Program
URL:https://vpa.uncg.edu/single-event/symphony-orchestra-12/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/11/symphony-orchestra-collage-FA25-feature.jpg
END:VEVENT
END:VCALENDAR