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DTSTART;TZID=America/New_York:20261120T193000
DTEND;TZID=America/New_York:20261120T193000
DTSTAMP:20261009T030152Z
CREATED:20260820T203144Z
LAST-MODIFIED:20261009T030152Z
UID:10005374-1795203000-1795203000@vpa.uncg.edu
SUMMARY:BFA Thesis Concert- Fall 2026
DESCRIPTION:Celebrate the culmination of an important milestone in the artistic journey of our BFA students with the Fall BFA Thesis Concert. Featuring original choreographic works by our senior BFA thesis choreographers\, this concert serves as a capstone experience as they prepare to step into student teaching roles in the spring and begin the next chapter of their professional careers. \n\n\n\nThis year’s concert also celebrates the lasting connection between UNCG and its alumni. Selected UNCG Dance alumni were invited to audition their choreographic works\, bringing together emerging artists and accomplished alumni in one dynamic evening of dance.
URL:https://vpa.uncg.edu/single-event/bfa-thesis-concert-fall-2026/2026-11-20/
LOCATION:Coleman Theatre\, 1408 Walker Ave\, Greensboro\, North Carolina\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Dance
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/08/IMG_2314-2026-04-12T15_17_08.863-1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261120T193000
DTEND;TZID=America/New_York:20261120T210000
DTSTAMP:20260811T172130Z
CREATED:20260811T165220Z
LAST-MODIFIED:20260811T172130Z
UID:10003978-1795203000-1795208400@vpa.uncg.edu
SUMMARY:The Nutcracker Suite: Symphony Orchestra and Jazz Ensemble I
DESCRIPTION:Event Details\n\n\n\n\nPurchase Tickets\n\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\n\nacting\, Shakespeare\, shakespeare acting drama play\, theatre\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube\n\n\n\n\n\n\n\n\n\n\n\n\nSymphony OrchestraJungho Kim\, conductorJaninah Burnett\, sopranoMichaela Kelly\, soprano \n\n\n\nJazz Ensemble ISteve Haines\, director \n\n\n\nProgram\n\n\n\nGEORGES BIZETFarandole from L’Arlesienne Suite No. 2 (1879) \n\n\n\nRICHARD STRAUSSFour Last Songs\, op. posth. (1948)Morgen (1894) \n\n\n\nPYOTR ILYICH TCHAIKOVSKYThe Nutcracker Suite\, op. 71a (1892) \n\n\n\nDUKE ELLINGTON/BILLY STRAYHORNThe Nutcracker Suite (1960) \n\n\n\n\nAbout the Program\nCelebrate the season with a program that bridges classical masterworks and jazz innovation. The evening opens with Bizet’s spirited Farandole and features soprano soloists Janinah Burnett and Michaela Kelly in Richard Strauss’s luminous Four Last Songs and Morgen. \n\n\n\nAt the heart of the concert are two unforgettable interpretations of The Nutcracker. The UNCG Symphony Orchestra performs Tchaikovsky’s cherished orchestral suite\, followed by Duke Ellington and Billy Strayhorn’s groundbreaking jazz reimagining. Heard side by side\, these works reveal how the same musical ideas can inspire vastly different sounds\, styles\, and traditions. \n\n\n\nBack to Program \n\n\n\n\nAbout the Soloists\n\n\n\n\nVersatile singer\, actor\, musician\, writer\, arranger\, and educator\, Janinah Burnett has thrilled audiences domestically and internationally in opera\, recital\, musical theatre\, jazz\, television\, and film. Some of her signature operatic roles include Mimí in La bohème\, Lëila in Les Pêcheurs des Perles)\, Donna Anna and Donna Elvira in Don Giovanni\, Micaëla in Carmen\, Marguerite in Faust\, and Violetta in La Traviata. An original cast member of Baz Luhrmann’s La Bohème on Broadway as Mimí\, she won a Los Angeles Theater Alliance Award and performed on the Tony Awards.  Janinah was on the roster of principal artists at the Metropolitan Opera for eight consecutive seasons debuting as Bianca in La Rondine.  \n\n\n\nMore recently Janinah was a member of the closing cast of Phantom of the Opera on Broadway\, making appearances as “Carlotta Giudicelli” since 2016.    \n\n\n\nIn February 2021\, Burnett released her debut album\, Love the Color of Your Butterfly\, which features musical arrangements and collaborations with some of the world’s best jazz musicians. Released on her own record label Clazz Records\, Love the Color of Your Butterfly is an amalgamation of jazz\, opera\, art song\, oratorio\, rhythm and blues\, and spirituals and introduces her concept of “Clazz\,” which encourages collaboration and redefines the parameters of genre while embracing parts of history that are erased\, widely unknown and forgotten. Love the Color of Your Butterfly has been featured in numerous publications including the Financial Times\, Playbill\, Broadway World\, Downbeat Magazine\, and Opera News.   \n\n\n\n\n\n\n\nSoprano\, researcher\, and teacher Dr. Michaela Kelly is Assistant Professor of Voice at the University of North Carolina at Greensboro. Previously\, she taught as lecturer at Scripps College and Chapman University. Michaela was recently awarded a 2026 Faculty Research Grant from UNCG to support her upcoming album release of Windows: Five Songs of Love by Alan Louis Smith with the Navona Record Label. Upcoming engagements for 2026-2027: soprano soloist for the Brahms Requiem with Cumberland Choral Arts\, soprano soloist with Raleigh Camerata\, soloist for Vier Letzte Lieder by Strauss with the UNCG Symphony Orchestra\, soloist with the Piedmont Wind Symphony saxophone ensemble\, as well as recitals in California\, Michigan\, and throughout North Carolina. Michaela will also be the guest clinician for the 2026 Guilford County All County Treble Chorus. \n\n\n\nA flexible and dynamic performer\, Michaela has sung with the Los Angeles Opera Chorus and Los Angeles Master Chorale on their GRAMMY award winning album “Ortiz:Yanga.” She is an avid recitalist and passionate about art songs. Recently\, Michaela performed as a fellow at the Cincinnati Fellowship of the Song and sang a mini-recital highlighting the benefits of cross training at the NATS National Conference. During her first year on faculty at UNCG\, she sang as the soprano soloist with UNCG Chamber Singers in Schubert’s Mirjam’s Siegesgesang\, as part of a vocal trio for UNCG’s annual Collage\, as well as with the UNCG new music ensemble\, Present\, Continuous. Michaela was a recipient of the inaugural American Art Song Prize at SongFest where she performed a recital curated and coached by Libby Larsen\, John Musto and Martha Guth. She has performed as a recitalist at Toronto Summer Music Festival\, the Classical Music Institute\, Source Song Festival and has appeared as a soloist with the UNCG Chamber Singers\, Claremont Concert Orchestra\, Thornton Wind Ensemble\, I Cantori di Carmel\, New England Conservatory Opera\, and NEC Choirs and Orchestra. \n\n\n\nMichaela was a recipient of the 2024 Emerging Leader Award from the National Association of Teachers of Singing (NATS). Michaela currently serves as Co-Vice President of North Carolina NATS and previously served as Vice President of Programs for NATS – Los Angeles. Her article “The Composition of a Voice Lesson: How a Motor Learning Classification Framework Affects Teacher Effectiveness” was published in the May/June 2025 edition of the Journal of Singing. She has presented her research at the Pan-American Vocology Association Symposium\, Mid-Atlantic Regional NATS Conference\, North Carolina Music Educators Association Conference\, Cal-Western NATS Conference\, and NATS National Conference. This research will culminate in an upcoming online course with Embodied Music Lab titled “The Reflective Studio Music Teacher” which will be released in the spring of 2027.  \n\n\n\nDr. Kelly holds a Bachelor’s of Music Education from the University of North Carolina at Greensboro\, a Master’s of Music in Vocal Pedagogy from the New England Conservatory\, and a Doctorate of Musical Arts in Vocal Performance from the University of Southern California. \n\n\n\nBack to Program \n\n\n\n\nUNCG Orchestras\nThe vibrant UNCG Orchestra program has long been recognized for performance excellence\, adventurous programming\, and high artistic standards. A diversity of offerings allow students the opportunity to perform repertoire for ensembles ranging from the largest cornerstone and contemporary works for full orchestra\, to intimate pieces for chamber orchestra\, to string orchestra. \n\n\n\nStudents in the UNCG Orchestra program are dedicated to the performance\, study and cultivation of orchestral music of the highest quality. The UNCG Orchestras offer outstanding performances throughout the year and enhance the institutional spirit and community of UNCG. We seek to promote music education in the state of North Carolina and in our region by supporting secondary school orchestra programs and other organizations through our outreach activities and other annual events on campus. \n\n\n\n\nUNCG Orchestras\n\n\n\n\nBack to Program \n\n\n\n\nMiles Davis Jazz Studies Program\nThe Miles Davis Jazz Studies Program is a small\, highly specialized program within the School of Music in the College of Visual and Performing Arts at the University of North Carolina at Greensboro (UNCG). The program offers a comprehensive curriculum in improvisation\, arranging and composition\, jazz history\, theory\, ear training\, pedagogy\, and piano skills\, leading to a Bachelor of Music inPerformance with a concentration in Jazz Studies. \n\n\n\nThe program’s faculty are internationally recognized jazz artists and educators\, providing students with exceptional mentorship and professional guidance. Through participation in several small jazz combos and two large jazz ensembles\, students gain extensive performance experience and benefit from unique opportunities to study and perform alongside their faculty mentors. \n\n\n\n\nMiles Davis Jazz Studies Program\n\n\n\n\nBack to Program
URL:https://vpa.uncg.edu/single-event/the-nutcracker-suite/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/08/nutcracker-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261120T193000
DTEND;TZID=America/New_York:20261120T210000
DTSTAMP:20260820T154239Z
CREATED:20260819T171531Z
LAST-MODIFIED:20260820T154239Z
UID:10005335-1795203000-1795208400@vpa.uncg.edu
SUMMARY:POTUS: or\, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive
DESCRIPTION:By: Selina FillingerDirected by: Rebecca Bailey \n\n\n\nDates:Friday\, November 20 at 7:30 p.m.Saturday\, November 21 at 2 p.m. & 7:30 p.m.Sunday\, November 22 at 2p.m. & 7:30 p.m. \n\n\n\nTickets: Call the UNCG Theatre Box Office at 336.334.4392 after Aug. 24 or click the button below to purchase tickets online. \n\n\n\nPurchase Tickets at Etix \n\n\n\nAge Rating: PG-13Run Time: Approx. 1 hours and 45 minutes.Production Location: Pam and David Sprinkle (Brown Building)\, 402 Tate St\, Greensboro\, NC 27412 \n\n\n\nSummary: \n\n\n\nChaos erupts at 1600 Pennsylvania Avenue when a single reckless remark by the President spirals into a full-blown political and international disaster. With the fate of the administration hanging by a thread\, seven fiercely intelligent\, overworked women must race against the clock to contain the chaos\, dodge scandal\, and keep the commander-in-chief from self-destructing. Fast-paced\, sharp-witted\, and outrageously funny\, Selina Fillinger’s POTUS is a wildly entertaining all-female farce that became a Broadway sensation and earned three 2022 Tony Award nominations. \n\n\n\n“POTUS” is presented by arrangement with Concord Theatricals on behalf of Playscripts. www.concordtheatricals.com
URL:https://vpa.uncg.edu/single-event/potus-or-behind-every-great-dumbass-are-seven-women-trying-to-keep-him-alive/2026-11-20/
LOCATION:Pam and David Sprinkle Theatre\, 402 Tate Street\, Greensboro\, NC\, 27403\, United States
CATEGORIES:College of Visual and Performing Arts,College of Visual and Performing Arts,School of Theatre
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261121T133000
DTEND;TZID=America/New_York:20261121T150000
DTSTAMP:20261027T144221Z
CREATED:20261027T144218Z
LAST-MODIFIED:20261027T144221Z
UID:10005465-1795267800-1795273200@vpa.uncg.edu
SUMMARY:Kadesh Street\, trombone
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nacting\, Shakespeare\, shakespeare acting drama play\, theatre\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/kadesh-street-trombone-2/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/09/student-recital-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261121T140000
DTEND;TZID=America/New_York:20261121T153000
DTSTAMP:20260820T154239Z
CREATED:20260819T171531Z
LAST-MODIFIED:20260820T154239Z
UID:10005336-1795269600-1795275000@vpa.uncg.edu
SUMMARY:POTUS: or\, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive
DESCRIPTION:By: Selina FillingerDirected by: Rebecca Bailey \n\n\n\nDates:Friday\, November 20 at 7:30 p.m.Saturday\, November 21 at 2 p.m. & 7:30 p.m.Sunday\, November 22 at 2p.m. & 7:30 p.m. \n\n\n\nTickets: Call the UNCG Theatre Box Office at 336.334.4392 after Aug. 24 or click the button below to purchase tickets online. \n\n\n\nPurchase Tickets at Etix \n\n\n\nAge Rating: PG-13Run Time: Approx. 1 hours and 45 minutes.Production Location: Pam and David Sprinkle (Brown Building)\, 402 Tate St\, Greensboro\, NC 27412 \n\n\n\nSummary: \n\n\n\nChaos erupts at 1600 Pennsylvania Avenue when a single reckless remark by the President spirals into a full-blown political and international disaster. With the fate of the administration hanging by a thread\, seven fiercely intelligent\, overworked women must race against the clock to contain the chaos\, dodge scandal\, and keep the commander-in-chief from self-destructing. Fast-paced\, sharp-witted\, and outrageously funny\, Selina Fillinger’s POTUS is a wildly entertaining all-female farce that became a Broadway sensation and earned three 2022 Tony Award nominations. \n\n\n\n“POTUS” is presented by arrangement with Concord Theatricals on behalf of Playscripts. www.concordtheatricals.com
URL:https://vpa.uncg.edu/single-event/potus-or-behind-every-great-dumbass-are-seven-women-trying-to-keep-him-alive/2026-11-21/1/
LOCATION:Pam and David Sprinkle Theatre\, 402 Tate Street\, Greensboro\, NC\, 27403\, United States
CATEGORIES:College of Visual and Performing Arts,College of Visual and Performing Arts,School of Theatre
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261121T193000
DTEND;TZID=America/New_York:20261121T193000
DTSTAMP:20260528T155449Z
CREATED:20260512T170918Z
LAST-MODIFIED:20260528T155449Z
UID:10003935-1795289400-1795289400@vpa.uncg.edu
SUMMARY:John Scofield and Electrospective
DESCRIPTION:John Scofield and Electrospective\n\n\n\nThrough his fifty-four-year career\, three-time Grammy Award®-winner John Scofield has occasionally detoured from the traditions of straight-ahead jazz\, exploring a blend of funk and jazz\, which has led to some of his most popular projects. In late autumn of 2026\, Scofield looks back at many of his now classic fusion groove compositions with Electrospective. Not intending to replicate the earlier fan favorites\, he plans instead to revisit them with the seasoned perspective of several decades\, culling tunes from his Blue Matter\, Uberjam\, and AGoGo bands—each responsible for a few recordings—as well as new material in the same vein.  \n\n\n\nScofield looks forward to teaming up with a stellar band of colleagues\, Electrospective will rely on interpretative input from Scofield alum and super funk drummer/producer Adam Deitch (Lettuce)\, multidimensional Larry Goldings (Scary Goldings\, James Taylor) on keyboards\, and legendary bassist Oteil Burbridge (Dead & Co.\, Tedeschi Trucks\, Allman Brothers). With this repertoire so frequently (and loudly) requested by audience members\, Scofield is glad to have a band that will truly do the music justice.  \n\n\n\n\n\n\n\n\n\n\nTickets & Pricing\n\n\n\n\n\nTicket TypeOrchestra/MezzStudents$8.00Adults$28.00Seniors$18.00\n\n\n\n\nPURCHASE TICKETS\n\n\n\n* Tickets to CVPA and UCLS events are sold exclusively through our box office locations and ETix website\, and nowhere else. Tickets purchased through third-party vendors cannot be honored. \n\n\n\n\n\n\n\n\n\n\nRobinson Family Visiting Jazz Artists\n\n\n\nA residency made possible by the Robinson Family Fund\, established by Ward Robinson (’19 PBC Jazz\, ’10 MPH) and Pamela Pittman\, is bringing two jazz luminaries to UNCG’s School of Music this year. Guitarist John Scofield and Electrospective\, and vocalist Carmen Bradford will come to Greensboro for residencies with students and concerts which will be open to the public.
URL:https://vpa.uncg.edu/single-event/john-scofield-and-electrospective/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music,UCLS
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/05/JS_electro_color-scaled-e1778011524462.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261121T193000
DTEND;TZID=America/New_York:20261121T193000
DTSTAMP:20261009T030152Z
CREATED:20260820T203144Z
LAST-MODIFIED:20261009T030152Z
UID:10005433-1795289400-1795289400@vpa.uncg.edu
SUMMARY:BFA Thesis Concert- Fall 2026
DESCRIPTION:Celebrate the culmination of an important milestone in the artistic journey of our BFA students with the Fall BFA Thesis Concert. Featuring original choreographic works by our senior BFA thesis choreographers\, this concert serves as a capstone experience as they prepare to step into student teaching roles in the spring and begin the next chapter of their professional careers. \n\n\n\nThis year’s concert also celebrates the lasting connection between UNCG and its alumni. Selected UNCG Dance alumni were invited to audition their choreographic works\, bringing together emerging artists and accomplished alumni in one dynamic evening of dance.
URL:https://vpa.uncg.edu/single-event/bfa-thesis-concert-fall-2026/2026-11-21/
LOCATION:Coleman Theatre\, 1408 Walker Ave\, Greensboro\, North Carolina\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Dance
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/08/IMG_2314-2026-04-12T15_17_08.863-1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261121T193000
DTEND;TZID=America/New_York:20261121T210000
DTSTAMP:20260820T154239Z
CREATED:20260819T171531Z
LAST-MODIFIED:20260820T154239Z
UID:10005337-1795289400-1795294800@vpa.uncg.edu
SUMMARY:POTUS: or\, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive
DESCRIPTION:By: Selina FillingerDirected by: Rebecca Bailey \n\n\n\nDates:Friday\, November 20 at 7:30 p.m.Saturday\, November 21 at 2 p.m. & 7:30 p.m.Sunday\, November 22 at 2p.m. & 7:30 p.m. \n\n\n\nTickets: Call the UNCG Theatre Box Office at 336.334.4392 after Aug. 24 or click the button below to purchase tickets online. \n\n\n\nPurchase Tickets at Etix \n\n\n\nAge Rating: PG-13Run Time: Approx. 1 hours and 45 minutes.Production Location: Pam and David Sprinkle (Brown Building)\, 402 Tate St\, Greensboro\, NC 27412 \n\n\n\nSummary: \n\n\n\nChaos erupts at 1600 Pennsylvania Avenue when a single reckless remark by the President spirals into a full-blown political and international disaster. With the fate of the administration hanging by a thread\, seven fiercely intelligent\, overworked women must race against the clock to contain the chaos\, dodge scandal\, and keep the commander-in-chief from self-destructing. Fast-paced\, sharp-witted\, and outrageously funny\, Selina Fillinger’s POTUS is a wildly entertaining all-female farce that became a Broadway sensation and earned three 2022 Tony Award nominations. \n\n\n\n“POTUS” is presented by arrangement with Concord Theatricals on behalf of Playscripts. www.concordtheatricals.com
URL:https://vpa.uncg.edu/single-event/potus-or-behind-every-great-dumbass-are-seven-women-trying-to-keep-him-alive/2026-11-21/2/
LOCATION:Pam and David Sprinkle Theatre\, 402 Tate Street\, Greensboro\, NC\, 27403\, United States
CATEGORIES:College of Visual and Performing Arts,College of Visual and Performing Arts,School of Theatre
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261122T133000
DTEND;TZID=America/New_York:20261122T153000
DTSTAMP:20260821T141740Z
CREATED:20260821T140650Z
LAST-MODIFIED:20260821T141740Z
UID:10005377-1795354200-1795361400@vpa.uncg.edu
SUMMARY:Honors High School Jazz Band and Jazz Ensemble I with special guest John Scofield
DESCRIPTION:The Miles Davis Jazz Studies Program presents the 27th Annual Honors High School Jazz Band\, November 21–22\, 2026\, featuring guitarist John Scofield. The two-day event consists of big band rehearsals\, clinics\, and improvisation master classes\, and concludes with a performance by the Honors Band\, John Scofield\, and the UNCG Jazz Ensemble I directed by Steve Haines. \n\n\n\nThrough his fifty-four-year career\, three-time GRAMMY Award®-winner John Scofield has occasionally detoured from the traditions of straight-ahead jazz\, exploring a blend of funk and jazz\, which has led to some of his most popular projects. In late autumn of 2026\, Scofield looks back at many of his now classic fusion groove compositions with Electrospective. Not intending to replicate the earlier fan favorites\, he plans instead to revisit them with the seasoned perspective of several decades\, culling tunes from his Blue Matter\, Uberjam\, and AGoGo bands—each responsible for a few recordings—as well as new material in the same vein.  \n\n\n\nScofield looks forward to teaming up with a stellar band of colleagues\, Electrospective will rely on interpretative input from Scofield alum and super funk drummer/producer Adam Deitch (Lettuce)\, multidimensional Larry Goldings (Scary Goldings\, James Taylor) on keyboards\, and legendary bassist Oteil Burbridge (Dead & Co.\, Tedeschi Trucks\, Allman Brothers). With this repertoire so frequently (and loudly) requested by audience members\, Scofield is glad to have a band that will truly do the music justice.  \n\n\n\n\n\n\n\nThe Miles Davis Jazz Studies Program at UNCG is a unique and innovative undergraduate jazz program designed to emulate the traditional process of learning jazz\, through a combination of mentorship\, real-world playing experiences\, and a communal approach to learning. Although the program is housed in one of the largest music schools in the Southeast\, it is kept intentionally small\, resulting in an intensive and highly personalized learning environment. \n\n\n\n UNCG offers the following degree programs for students interested in studying Jazz: \n\n\n\n\nBachelor of Music (B.M.) – Performance\n\n\n\nPost-Baccalaureate Certificate in Jazz Studies\n\n\n\n\n\n\nTicketPriceAdult$12.00Seniors$9.00Students$6.00\n\n\n\n\nPurchase Tickets\n\n\n\n\n\nParking
URL:https://vpa.uncg.edu/single-event/honors-high-school-jazz-band-and-jazz-ensemble-i-with-special-guest-christian-sands/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/05/JS_electro_color-scaled-e1778011524462.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261122T140000
DTEND;TZID=America/New_York:20261122T153000
DTSTAMP:20260820T154239Z
CREATED:20260819T171531Z
LAST-MODIFIED:20260820T154239Z
UID:10005338-1795356000-1795361400@vpa.uncg.edu
SUMMARY:POTUS: or\, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive
DESCRIPTION:By: Selina FillingerDirected by: Rebecca Bailey \n\n\n\nDates:Friday\, November 20 at 7:30 p.m.Saturday\, November 21 at 2 p.m. & 7:30 p.m.Sunday\, November 22 at 2p.m. & 7:30 p.m. \n\n\n\nTickets: Call the UNCG Theatre Box Office at 336.334.4392 after Aug. 24 or click the button below to purchase tickets online. \n\n\n\nPurchase Tickets at Etix \n\n\n\nAge Rating: PG-13Run Time: Approx. 1 hours and 45 minutes.Production Location: Pam and David Sprinkle (Brown Building)\, 402 Tate St\, Greensboro\, NC 27412 \n\n\n\nSummary: \n\n\n\nChaos erupts at 1600 Pennsylvania Avenue when a single reckless remark by the President spirals into a full-blown political and international disaster. With the fate of the administration hanging by a thread\, seven fiercely intelligent\, overworked women must race against the clock to contain the chaos\, dodge scandal\, and keep the commander-in-chief from self-destructing. Fast-paced\, sharp-witted\, and outrageously funny\, Selina Fillinger’s POTUS is a wildly entertaining all-female farce that became a Broadway sensation and earned three 2022 Tony Award nominations. \n\n\n\n“POTUS” is presented by arrangement with Concord Theatricals on behalf of Playscripts. www.concordtheatricals.com
URL:https://vpa.uncg.edu/single-event/potus-or-behind-every-great-dumbass-are-seven-women-trying-to-keep-him-alive/2026-11-22/1/
LOCATION:Pam and David Sprinkle Theatre\, 402 Tate Street\, Greensboro\, NC\, 27403\, United States
CATEGORIES:College of Visual and Performing Arts,College of Visual and Performing Arts,School of Theatre
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261122T173000
DTEND;TZID=America/New_York:20261122T190000
DTSTAMP:20260819T154435Z
CREATED:20260819T154430Z
LAST-MODIFIED:20260819T154435Z
UID:10005316-1795368600-1795374000@vpa.uncg.edu
SUMMARY:Horn Studio Recital
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nacting\, Shakespeare\, shakespeare acting drama play\, theatre\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/horn-studio-recital-8/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/08/studio-recital-feature.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261122T193000
DTEND;TZID=America/New_York:20261122T210000
DTSTAMP:20260819T154743Z
CREATED:20260819T154737Z
LAST-MODIFIED:20260819T154743Z
UID:10005317-1795375800-1795381200@vpa.uncg.edu
SUMMARY:Clarinet Studio Undergraduate Showcase
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nacting\, Shakespeare\, shakespeare acting drama play\, theatre\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/clarinet-studio-undergraduate-showcase-4/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/08/studio-recital-feature.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261122T193000
DTEND;TZID=America/New_York:20261122T210000
DTSTAMP:20260820T154239Z
CREATED:20260819T171531Z
LAST-MODIFIED:20260820T154239Z
UID:10005339-1795375800-1795381200@vpa.uncg.edu
SUMMARY:POTUS: or\, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive
DESCRIPTION:By: Selina FillingerDirected by: Rebecca Bailey \n\n\n\nDates:Friday\, November 20 at 7:30 p.m.Saturday\, November 21 at 2 p.m. & 7:30 p.m.Sunday\, November 22 at 2p.m. & 7:30 p.m. \n\n\n\nTickets: Call the UNCG Theatre Box Office at 336.334.4392 after Aug. 24 or click the button below to purchase tickets online. \n\n\n\nPurchase Tickets at Etix \n\n\n\nAge Rating: PG-13Run Time: Approx. 1 hours and 45 minutes.Production Location: Pam and David Sprinkle (Brown Building)\, 402 Tate St\, Greensboro\, NC 27412 \n\n\n\nSummary: \n\n\n\nChaos erupts at 1600 Pennsylvania Avenue when a single reckless remark by the President spirals into a full-blown political and international disaster. With the fate of the administration hanging by a thread\, seven fiercely intelligent\, overworked women must race against the clock to contain the chaos\, dodge scandal\, and keep the commander-in-chief from self-destructing. Fast-paced\, sharp-witted\, and outrageously funny\, Selina Fillinger’s POTUS is a wildly entertaining all-female farce that became a Broadway sensation and earned three 2022 Tony Award nominations. \n\n\n\n“POTUS” is presented by arrangement with Concord Theatricals on behalf of Playscripts. www.concordtheatricals.com
URL:https://vpa.uncg.edu/single-event/potus-or-behind-every-great-dumbass-are-seven-women-trying-to-keep-him-alive/2026-11-22/2/
LOCATION:Pam and David Sprinkle Theatre\, 402 Tate Street\, Greensboro\, NC\, 27403\, United States
CATEGORIES:College of Visual and Performing Arts,College of Visual and Performing Arts,School of Theatre
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261123T090000
DTEND;TZID=America/New_York:20261123T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005489-1795424400-1795449600@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-11-23/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261123T173000
DTEND;TZID=America/New_York:20261123T190000
DTSTAMP:20261027T144427Z
CREATED:20261027T144422Z
LAST-MODIFIED:20261027T144427Z
UID:10005466-1795455000-1795460400@vpa.uncg.edu
SUMMARY:Angela Ho\, mezzo-soprano
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nacting\, Shakespeare\, shakespeare acting drama play\, theatre\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/angela-ho-mezzo-soprano/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/09/student-recital-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261123T193000
DTEND;TZID=America/New_York:20261123T210000
DTSTAMP:20260831T201102Z
CREATED:20260831T201059Z
LAST-MODIFIED:20260831T201102Z
UID:10005392-1795462200-1795467600@vpa.uncg.edu
SUMMARY:Chamber Singers
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\n\nacting\, Shakespeare\, shakespeare acting drama play\, theatre\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube\n\n\n\n\n\n\n\n\n\n\nCarole Ott\, conductor \n\n\n\n\n\n\n\n\nAbout the Program\n \n\n\n\nBack to Program \n\n\n\n\nUNCG Choirs\nThe mission of the UNCG Choirs is dedicated to the teaching\, performance\, study and cultivation of choral music of the highest quality representing not just the western choral canon but also choral music of other cultures by a diverse body of historical and new composers. We believe that the UNCG Choirs are a serious and distinctive medium of musical expression\, of vital service and importance to its members and to UNCG. Through ensemble performance\, we strive to create an environment of trust\, communication\, and expressive freedom\, to present outstanding performances throughout the year\, and to enhance the institutional sprit and character of UNCG. To music as an art and a profession\, the UNCG Choirs seek to bring increasing artistry\, understanding\, and respect by efforts within our own immediate sphere and by providing leadership and sponsorship to school choral programs and through cooperation with all other agencies pursuing similar musical goals. \n\n\n\n\nUNCG Choirs\n\n\n\n\nBack to Program
URL:https://vpa.uncg.edu/single-event/chamber-singers-7/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/04/choir-events-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261124T090000
DTEND;TZID=America/New_York:20261124T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005490-1795510800-1795536000@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-11-24/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261124T120000
DTEND;TZID=America/New_York:20261205T170000
DTSTAMP:20261026T010215Z
CREATED:20261026T010211Z
LAST-MODIFIED:20261026T010215Z
UID:10005457-1795521600-1796490000@vpa.uncg.edu
SUMMARY:Winter 2026 Senior BFA + BA Art Exhibition 
DESCRIPTION:Winter 2026 Senior BFA + BA Exhibition \n\n\n\n\n\n\n\nNovember 24 – December 5\, 2026\n\n\n\n Reception: Friday\, December 4th | 6-8P\n\n\n\nThe School of Art at UNC Greensboro and Greensboro Project Space are proud to announce the Winter 2026 Senior BFA + BA Exhibition. Highlighting the efforts of graduating seniors across disciplines\, this exhibition is a testament to the creative and academic accomplishments made by these artists. Working with photography\, animation\, printmaking & drawing\, and new media and design\, the exhibited works demonstrate a fine-tuned attention to detail\, ambitious exploration of material capabilities\, and expansiveness of concept. This exhibition demonstrates the persistence\, dedication to creative practice\, and openness to experimentation that defines the studio arts program at UNCG.
URL:https://vpa.uncg.edu/single-event/winter-2026-senior-bfa-ba-art-exhibition/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:College of Visual and Performing Arts,Greensboro Project Space,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/10/winter-2026-senior-BFA-BA-exhibition-flyer_8.5x11-scaled.jpg
ORGANIZER;CN="Greensboro Project Space":MAILTO:greensboroprojectspace@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261125T090000
DTEND;TZID=America/New_York:20261125T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005491-1795597200-1795622400@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-11-25/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261126T090000
DTEND;TZID=America/New_York:20261126T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005492-1795683600-1795708800@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-11-26/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261127T090000
DTEND;TZID=America/New_York:20261127T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005493-1795770000-1795795200@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-11-27/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261130T090000
DTEND;TZID=America/New_York:20261130T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005494-1796029200-1796054400@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-11-30/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261201T090000
DTEND;TZID=America/New_York:20261201T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005495-1796115600-1796140800@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-12-01/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261202T090000
DTEND;TZID=America/New_York:20261202T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005496-1796202000-1796227200@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-12-02/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261202T193000
DTEND;TZID=America/New_York:20261202T210000
DTSTAMP:20260831T201209Z
CREATED:20260831T201206Z
LAST-MODIFIED:20260831T201209Z
UID:10005393-1796239800-1796245200@vpa.uncg.edu
SUMMARY:Coro di Belle Voci
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\n\nacting\, Shakespeare\, shakespeare acting drama play\, theatre\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube\n\n\n\n\n\n\n\n\n\n\nLindsay Kesselman\, conductor \n\n\n\n\n\n\n\n\nAbout the Program\n \n\n\n\nBack to Program \n\n\n\n\nUNCG Choirs\nThe mission of the UNCG Choirs is dedicated to the teaching\, performance\, study and cultivation of choral music of the highest quality representing not just the western choral canon but also choral music of other cultures by a diverse body of historical and new composers. We believe that the UNCG Choirs are a serious and distinctive medium of musical expression\, of vital service and importance to its members and to UNCG. Through ensemble performance\, we strive to create an environment of trust\, communication\, and expressive freedom\, to present outstanding performances throughout the year\, and to enhance the institutional sprit and character of UNCG. To music as an art and a profession\, the UNCG Choirs seek to bring increasing artistry\, understanding\, and respect by efforts within our own immediate sphere and by providing leadership and sponsorship to school choral programs and through cooperation with all other agencies pursuing similar musical goals. \n\n\n\n\nUNCG Choirs\n\n\n\n\nBack to Program
URL:https://vpa.uncg.edu/single-event/coro-di-belle-voci-7/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/04/choir-events-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261203T090000
DTEND;TZID=America/New_York:20261203T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005497-1796288400-1796313600@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-12-03/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261204T090000
DTEND;TZID=America/New_York:20261204T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005498-1796374800-1796400000@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-12-04/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261204T193000
DTEND;TZID=America/New_York:20261204T210000
DTSTAMP:20260925T200050Z
CREATED:20260910T181146Z
LAST-MODIFIED:20260925T200050Z
UID:10005405-1796412600-1796418000@vpa.uncg.edu
SUMMARY:The Steve Haines Trio with special guest Joey Calderazzo
DESCRIPTION:Experience straight-ahead jazz with The Steve Haines Trio\, featuring the powerhouse rhythm section of internationally renowned pianist Joey Calderazzo\, bassist Steve Haines and drummer Kobie Watkins. Having locked into a swinging musical language for over 15 years\, they provide a propulsive foundation that serves both the curiosity and soulfulness of the jazz tradition. The trio is joined by a heavyweight saxophonist and luminary Gregory Tardy. He brings a fresh\, creative spark to this group\, providing spontaneous melodies for the rhythm section. This performance promises an evening of world-class musicianship\, characterized by interplay\, deep grooves\, and the kind of improvisation that only happens when seasoned masters share the stage. \n\n\n\n\n\n\n\nThe Miles Davis Jazz Studies Program at UNCG is a unique and innovative undergraduate jazz program designed to emulate the traditional process of learning jazz\, through a combination of mentorship\, real-world playing experiences\, and a communal approach to learning. Although the program is housed in one of the largest music schools in the Southeast\, it is kept intentionally small\, resulting in an intensive and highly personalized learning environment. \n\n\n\n UNCG offers the following degree programs for students interested in studying Jazz: \n\n\n\n\nBachelor of Music (B.M.) – Performance\n\n\n\nPost-Baccalaureate Certificate in Jazz Studies\n\n\n\n\n\n\nTicketPriceAdult$30.73Seniors$19.76Students$8.78Ticket prices include all ticket fees and taxes.\n\n\n\n\nPurchase Tickets
URL:https://vpa.uncg.edu/single-event/haines-trio-with-joey-calderazzo/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/09/haines-trio-calderazzo-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261204T193000
DTEND;TZID=America/New_York:20261204T213000
DTSTAMP:20260820T143836Z
CREATED:20260820T143626Z
LAST-MODIFIED:20260820T143836Z
UID:10005343-1796412600-1796419800@vpa.uncg.edu
SUMMARY:First Year BFA Performance Showcase
DESCRIPTION:Dates:Friday\, December 4 at 7:30 p.m.Saturday\, December 5 at 7:30 p.m. \n\n\n\nTickets: Call the UNCG Theatre Box Office at 336.334.4392 or click the button below to purchase tickets online. \n\n\n\nReserve Tickets at Etix \n\n\n\nAge Rating: PG-13Run Time: Approx. 2 hoursProduction Location: Pam and David Sprinkle (Brown Building)\, 402 Tate St\, Greensboro\, NC 27412 \n\n\n\nSummary: \n\n\n\nThe BFA Acting and Musical Theatre students present a series of scenes that highlight their journey through realism and foundational acting techniques. Join us to celebrate their passion for storytelling as they perform American contemporary scene work from their studio classroom.
URL:https://vpa.uncg.edu/single-event/first-year-bfa-performance-showcase/2026-12-04/
LOCATION:Pam and David Sprinkle Theatre\, 402 Tate Street\, Greensboro\, NC\, 27403\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261205T193000
DTEND;TZID=America/New_York:20261205T213000
DTSTAMP:20260820T143836Z
CREATED:20260820T143626Z
LAST-MODIFIED:20260820T143836Z
UID:10005344-1796499000-1796506200@vpa.uncg.edu
SUMMARY:First Year BFA Performance Showcase
DESCRIPTION:Dates:Friday\, December 4 at 7:30 p.m.Saturday\, December 5 at 7:30 p.m. \n\n\n\nTickets: Call the UNCG Theatre Box Office at 336.334.4392 or click the button below to purchase tickets online. \n\n\n\nReserve Tickets at Etix \n\n\n\nAge Rating: PG-13Run Time: Approx. 2 hoursProduction Location: Pam and David Sprinkle (Brown Building)\, 402 Tate St\, Greensboro\, NC 27412 \n\n\n\nSummary: \n\n\n\nThe BFA Acting and Musical Theatre students present a series of scenes that highlight their journey through realism and foundational acting techniques. Join us to celebrate their passion for storytelling as they perform American contemporary scene work from their studio classroom.
URL:https://vpa.uncg.edu/single-event/first-year-bfa-performance-showcase/2026-12-05/
LOCATION:Pam and David Sprinkle Theatre\, 402 Tate Street\, Greensboro\, NC\, 27403\, United States
END:VEVENT
END:VCALENDAR