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DTSTART;TZID=America/New_York:20261110T090000
DTEND;TZID=America/New_York:20261110T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005480-1794301200-1794326400@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-11-10/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261110T120000
DTEND;TZID=America/New_York:20261114T170000
DTSTAMP:20261018T154516Z
CREATED:20261018T154513Z
LAST-MODIFIED:20261018T154516Z
UID:10005448-1794312000-1794675600@vpa.uncg.edu
SUMMARY:kaleidoscope minds art exhibition
DESCRIPTION:Kaleidoscope Minds\n\n\n\nFeaturing UNCG Student Artists\n\n\n\nCurated by GPS Interns: Lydia Ronsick & Ray Owensby \n\n\n\n\n\n\n\nExhibition: November 10 – 14\, 2026\n\n\n\nReception: Friday\, Nov 13\, 6-8p\n\n\n\nMore About Kaleidoscope Minds  \n\n\n\nKaleidoscope Minds is an exhibition that examines how memories bring together things that have become separated through time or space. We seek art that explores artists’ introspective relationship with recollecting\, or binding together things\, memories\, people\, and places that hold weight in the self. We are interested to see what artistic voice creates when reflecting on pieces of the self. \n\n\n\nMore About The GPS Student Intern Curators  \n\n\n\nLydia Ronsick \n\n\n\nAs a painter\, I see a canvas as both a window to the external world\, and a mirror to the internal world. As one of the curators of this exhibition\, I am interested to see how different artists interact with the theme of reflecting and introspecting\, and what unique perspectives and visual languages they can present as a result of confronting themselves.  \n\n\n\nRay Owensby \n\n\n\nAs an art historian\, I see art as a language\, one that we use to communicate across time and geography as a species. Understanding this language is something we all have in common\, but what artists have is the ability to say something new with it. My intent in curating this exhibition is to bring together many individual artists’ relationship with their own pasts\, their memories\, and their art. I want to see what becomes of an internal artistic conversation with the self\, and what happens when those individual stories are bound together.
URL:https://vpa.uncg.edu/single-event/kaleidoscope-minds-art-exhibition/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:College of Visual and Performing Arts,Greensboro Project Space,School of Art
ATTACH;FMTTYPE=image/png:https://vpa.uncg.edu/wp-content/uploads/2026/10/Kaleidoscope-Minds-vertical.png
ORGANIZER;CN="Greensboro Project Space":MAILTO:greensboroprojectspace@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261110T173000
DTEND;TZID=America/New_York:20261110T190000
DTSTAMP:20261009T204433Z
CREATED:20261009T204428Z
LAST-MODIFIED:20261009T204433Z
UID:10005438-1794331800-1794337200@vpa.uncg.edu
SUMMARY:Oboe Studio Graduate Recital
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\n\nacting\, Shakespeare\, shakespeare acting drama play\, theatre\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/oboe-studio-graduate-recital/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/08/studio-recital-feature.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261110T193000
DTEND;TZID=America/New_York:20261110T210000
DTSTAMP:20260819T151629Z
CREATED:20260819T151625Z
LAST-MODIFIED:20260819T151629Z
UID:10005314-1794339000-1794344400@vpa.uncg.edu
SUMMARY:Present Continuous
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\n\nacting\, Shakespeare\, shakespeare acting drama play\, theatre\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/present-continuous-4/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/08/Tew-Recital-Hall-Stage.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261111T090000
DTEND;TZID=America/New_York:20261111T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005481-1794387600-1794412800@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-11-11/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261111T173000
DTEND;TZID=America/New_York:20261111T190000
DTSTAMP:20261009T204536Z
CREATED:20261009T204530Z
LAST-MODIFIED:20261009T204536Z
UID:10005439-1794418200-1794423600@vpa.uncg.edu
SUMMARY:Oboe Studio Undergraduate and Secondary Recital
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\n\nacting\, Shakespeare\, shakespeare acting drama play\, theatre\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/oboe-studio-undergraduate-and-secondary-recital/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/08/studio-recital-feature.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261111T173000
DTEND;TZID=America/New_York:20261111T190000
DTSTAMP:20261009T204720Z
CREATED:20261009T204718Z
LAST-MODIFIED:20261009T204720Z
UID:10005440-1794418200-1794423600@vpa.uncg.edu
SUMMARY:Sydney Snyder\, mezzo-soprano
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nacting\, Shakespeare\, shakespeare acting drama play\, theatre\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/sydney-snyder-mezzo-soprano/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/09/student-recital-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261111T193000
DTEND;TZID=America/New_York:20261111T210000
DTSTAMP:20260819T152555Z
CREATED:20260818T201344Z
LAST-MODIFIED:20260819T152555Z
UID:10005310-1794425400-1794430800@vpa.uncg.edu
SUMMARY:Trumpet Ensemble
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nacting\, Shakespeare\, shakespeare acting drama play\, theatre\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/trumpet-ensemble-5/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/11/brass-day-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261112T090000
DTEND;TZID=America/New_York:20261112T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005482-1794474000-1794499200@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-11-12/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261112T173000
DTEND;TZID=America/New_York:20261112T190000
DTSTAMP:20261027T141707Z
CREATED:20261027T141705Z
LAST-MODIFIED:20261027T141707Z
UID:10005462-1794504600-1794510000@vpa.uncg.edu
SUMMARY:Quinn Anderson\, trumpet and bassoon
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nacting\, Shakespeare\, shakespeare acting drama play\, theatre\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/quinn-anderson-trumpet-and-bassoon/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/09/student-recital-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261112T193000
DTEND;TZID=America/New_York:20261112T210000
DTSTAMP:20261021T195940Z
CREATED:20261021T195936Z
LAST-MODIFIED:20261021T195940Z
UID:10005455-1794511800-1794517200@vpa.uncg.edu
SUMMARY:Dylan Brown\, composer
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nacting\, Shakespeare\, shakespeare acting drama play\, theatre\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/dylan-brown-composer/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/09/student-recital-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261113T090000
DTEND;TZID=America/New_York:20261113T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005483-1794560400-1794585600@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-11-13/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261113T173000
DTEND;TZID=America/New_York:20261113T190000
DTSTAMP:20261030T013253Z
CREATED:20261030T013250Z
LAST-MODIFIED:20261030T013253Z
UID:10005468-1794591000-1794596400@vpa.uncg.edu
SUMMARY:Saxophone Studio Recital
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\n\nacting\, Shakespeare\, shakespeare acting drama play\, theatre\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/saxophone-studio-recital-19/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/08/studio-recital-feature.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261113T183000
DTEND;TZID=America/New_York:20261113T200000
DTSTAMP:20261021T200416Z
CREATED:20261021T200243Z
LAST-MODIFIED:20261021T200416Z
UID:10005456-1794594600-1794600000@vpa.uncg.edu
SUMMARY:Haydn Eaton\, organ
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nacting\, Shakespeare\, shakespeare acting drama play\, theatre\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/haydn-eaton-organ/
LOCATION:Home Moravian Church\, 529 S Church St\, Winston-Salem\, North Carolina\, 27101\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/09/student-recital-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261113T193000
DTEND;TZID=America/New_York:20261113T193000
DTSTAMP:20261009T025814Z
CREATED:20260820T202135Z
LAST-MODIFIED:20261009T025814Z
UID:10005373-1794598200-1794598200@vpa.uncg.edu
SUMMARY:Fall Dances
DESCRIPTION:Experience the artistry and energy of the School of Dance in Fall Dances\, featuring compelling new works by our renowned faculty with our talented second and third year students. This dynamic concert brings together a diverse range of choreographic voices\, movement styles\, and perspectives\, offering an exciting glimpse into the depth and creativity of our dance community. \n\n\n\nFrom established faculty artists to emerging student performers\, Fall Dances celebrates the power of movement\, collaboration\, and artistic discovery. Join us for an inspiring evening of dance that showcases the next generation of artists alongside the accomplished voices shaping the field today.
URL:https://vpa.uncg.edu/single-event/fall-dances-5/2026-11-13/
LOCATION:Coleman Theatre\, 1408 Walker Ave\, Greensboro\, North Carolina\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Dance
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/08/2025-11-06_20-41-07_490-1-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261113T193000
DTEND;TZID=America/New_York:20261113T210000
DTSTAMP:20260925T202109Z
CREATED:20260925T201005Z
LAST-MODIFIED:20260925T202109Z
UID:10005414-1794598200-1794603600@vpa.uncg.edu
SUMMARY:Spartan Jazz Collective: 100 Years of John Coltrane
DESCRIPTION:The Spartan Jazz Collective\, UNCG’s premier faculty-student collaborative ensemble\, concludes the Jazz Studies program’s centennial celebration of John Coltrane with a dynamic performance spanning the full breadth of the jazz icon’s career\, from his early recordings as a leader to the groundbreaking works of the mid-1960s. \n\n\n\n\n\n\n\nThe Miles Davis Jazz Studies Program at UNCG is a unique and innovative undergraduate jazz program designed to emulate the traditional process of learning jazz\, through a combination of mentorship\, real-world playing experiences\, and a communal approach to learning. Although the program is housed in one of the largest music schools in the Southeast\, it is kept intentionally small\, resulting in an intensive and highly personalized learning environment. \n\n\n\n UNCG offers the following degree programs for students interested in studying Jazz: \n\n\n\n\nBachelor of Music (B.M.) – Performance\n\n\n\nPost-Baccalaureate Certificate in Jazz Studies\n\n\n\n\n\n\nTicketPriceAdult$16.20Seniors$13.20Students$9.20Ticket prices include a $3.00 processing fee and applicable sales tax.\n\n\n\n\nPurchase Tickets
URL:https://vpa.uncg.edu/single-event/spartan-jazz-collective-100-years-of-john-coltrane/
LOCATION:The Crown at the Carolina Theatre\, 310 S Greene St\, Greensboro\, 27401\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/09/john-coltrane-sjc-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261113T193000
DTEND;TZID=America/New_York:20261113T210000
DTSTAMP:20261027T144054Z
CREATED:20261027T143941Z
LAST-MODIFIED:20261027T144054Z
UID:10005464-1794598200-1794603600@vpa.uncg.edu
SUMMARY:Flute Ensemble
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\n\nacting\, Shakespeare\, shakespeare acting drama play\, theatre\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/flute-ensemble-3/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/10/ksom-gen-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261114T120000
DTEND;TZID=America/New_York:20261114T173000
DTSTAMP:20260824T164534Z
CREATED:20260824T164529Z
LAST-MODIFIED:20260824T164534Z
UID:10005381-1794657600-1794677400@vpa.uncg.edu
SUMMARY:Double Reed Day
DESCRIPTION:
URL:https://vpa.uncg.edu/music/degrees-and-programs/music-programs/doublereedday/
LOCATION:UNCG School of Music\, 100 McIver St\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/reedday.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261114T193000
DTEND;TZID=America/New_York:20261114T193000
DTSTAMP:20261009T025814Z
CREATED:20260820T202135Z
LAST-MODIFIED:20261009T025814Z
UID:10005431-1794684600-1794684600@vpa.uncg.edu
SUMMARY:Fall Dances
DESCRIPTION:Experience the artistry and energy of the School of Dance in Fall Dances\, featuring compelling new works by our renowned faculty with our talented second and third year students. This dynamic concert brings together a diverse range of choreographic voices\, movement styles\, and perspectives\, offering an exciting glimpse into the depth and creativity of our dance community. \n\n\n\nFrom established faculty artists to emerging student performers\, Fall Dances celebrates the power of movement\, collaboration\, and artistic discovery. Join us for an inspiring evening of dance that showcases the next generation of artists alongside the accomplished voices shaping the field today.
URL:https://vpa.uncg.edu/single-event/fall-dances-5/2026-11-14/
LOCATION:Coleman Theatre\, 1408 Walker Ave\, Greensboro\, North Carolina\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Dance
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/08/2025-11-06_20-41-07_490-1-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261114T193000
DTEND;TZID=America/New_York:20261114T210000
DTSTAMP:20261012T143617Z
CREATED:20261012T143509Z
LAST-MODIFIED:20261012T143617Z
UID:10005442-1794684600-1794690000@vpa.uncg.edu
SUMMARY:Sputter Box
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nacting\, Shakespeare\, shakespeare acting drama play\, theatre\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube\n\n\n\n\n\n\n\n\n\n\nKathryn Vetter\, clarinet/bass clarinetAlina Tamborini\, sopranoPeter White\, percussion \n\n\n\nHeralded as “Unforgettable” by the Wilmington Star News\, Sputter Box is an innovative clarinet\, voice\, percussion ensemble based in New York City that is engaging new audiences in contemporary chamber music through their entertaining\, interdisciplinary performances. As pioneers for the unique instrumentation\, they have commissioned over seventy works and have received grants from The Alice M. Ditson Fund\, Chamber Music America\, FROMM Foundation\, Foundation for Contemporary Arts\, Brooklyn Arts Council\, and Queens Arts Council to produce their concerts in New York City and the US. They have been guest performers and resident artists at Appalachian State University (2026)\, Converse University (2026)\, Emory University (2025)\, University of Florida (2025\, 2021)\, University of North Carolina-Wilmington (2025)\, Columbus State University (2025)\, Princeton University (2024)\, and UMASS-Amherst (2020). Sputter Box was an Avaloch Farms Music Institute Artist in Residence (2026\, 2018)\, New Music on the Point Featured Ensemble (2026)\, Showcase Ensemble at Chamber Music America’s National Conference (2025)\, Blackbird Creative Lab Ensemble (2024)\, Kinds of Kings Bouman Fellowship Collaborating Ensemble (2022)\, Cortona Sessions Featured Ensemble Fellow (2020)\, and a Minnesota Fringe Festival featured ensemble (2021\, 2022). Sputter Box’s commitment to fun\, high-quality performances brings an irresistible energy to the stage.
URL:https://vpa.uncg.edu/single-event/guest-artist-recital/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/09/guest-artist-recital-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261115T173000
DTEND;TZID=America/New_York:20261115T190000
DTSTAMP:20260818T204045Z
CREATED:20260818T204040Z
LAST-MODIFIED:20260818T204045Z
UID:10005312-1794763800-1794769200@vpa.uncg.edu
SUMMARY:Clarinet Choir
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nacting\, Shakespeare\, shakespeare acting drama play\, theatre\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/clarinet-choir/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/03/clarinet-ensemble-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261116T090000
DTEND;TZID=America/New_York:20261116T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005484-1794819600-1794844800@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-11-16/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261116T173000
DTEND;TZID=America/New_York:20261116T190000
DTSTAMP:20260819T153258Z
CREATED:20260819T153254Z
LAST-MODIFIED:20260819T153258Z
UID:10005315-1794850200-1794855600@vpa.uncg.edu
SUMMARY:Flute Studio Recital
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nacting\, Shakespeare\, shakespeare acting drama play\, theatre\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/flute-studio-recital-5/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/08/studio-recital-feature.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261116T193000
DTEND;TZID=America/New_York:20261116T210000
DTSTAMP:20260824T174733Z
CREATED:20260824T174728Z
LAST-MODIFIED:20260824T174733Z
UID:10005386-1794857400-1794862800@vpa.uncg.edu
SUMMARY:Sinfonia
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\n\nacting\, Shakespeare\, shakespeare acting drama play\, theatre\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube\n\n\n\n\n\n\n\n\n\n\n\n\nScott Glasser\, conductor \n\n\n\n\n\n\n\n\nAbout the Program\n \n\n\n\n\nUNCG Orchestras\nThe vibrant UNCG Orchestra program has long been recognized for performance excellence\, adventurous programming\, and high artistic standards. A diversity of offerings allow students the opportunity to perform repertoire for ensembles ranging from the largest cornerstone and contemporary works for full orchestra\, to intimate pieces for chamber orchestra\, to string orchestra. \n\n\n\nStudents in the UNCG Orchestra program are dedicated to the performance\, study and cultivation of orchestral music of the highest quality. The UNCG Orchestras offer outstanding performances throughout the year and enhance the institutional spirit and community of UNCG. We seek to promote music education in the state of North Carolina and in our region by supporting secondary school orchestra programs and other organizations through our outreach activities and other annual events on campus. \n\n\n\n\nUNCG Orchestras\n\n\n\n\nBack to Program
URL:https://vpa.uncg.edu/single-event/sinfonia-16/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/09/orchestas-pic13905-e1787592498109.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261117T090000
DTEND;TZID=America/New_York:20261117T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005485-1794906000-1794931200@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-11-17/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261117T120000
DTEND;TZID=America/New_York:20261121T170000
DTSTAMP:20261015T195600Z
CREATED:20261015T195557Z
LAST-MODIFIED:20261015T195600Z
UID:10005444-1794916800-1795280400@vpa.uncg.edu
SUMMARY:2026 MFA Thesis exhibition: Maggie murphy
DESCRIPTION:DREAM SCREEN\n\n\n\nMFA Thesis Exhibition\n\n\n\nMaggie Murphy\n\n\n\n\n\n\n\nNovember 17 -21\, 2026\n\n\n\nReception: Friday\, November 20th\, 7-9p\n\n\n\nDream Screen is a schoolyard pretend wedding between my adult and child selves. We exchange plastic Pretty Pretty Princess rings and\, as vows\, chant to each other\, “I’m okay and you’re okay\, I’m okay and you’re okay\,” back and forth\, over and over. I can see this scene so vividly in my mind\, as if I dreamed about it last night. And if I try hard enough\, I can convince myself it is a concrete memory I actually have: my time-traveling grown-up self showing up on the playground and asking me to marry her\, as real as my memories of recitals and talent shows and birthday parties. This is because I experience my mind as a movie theater\, where my dreams\, memories\, and imagination are playing on repeat\, and for me\, these psychic experiences are totally mutable—all constantly mixing together and shifting between states of certainty and precariousness\, validity and delusion. As a child\, this sense of unreality lent itself to a deeply-held belief that I had secret powers\, that I was being chased by people in white masks\, that an angel lived on my ceiling and protected me from harm. And as an adult\, while I still believe that my thoughts can alter the world around me\, I now recognize it as maladaptive magical thinking that stems from obsessive-compulsive disorder. Or is it? Because\, actually\, maybe it’s all real; maybe my powers are still alive and active.  \n\n\n\nThe idea of the “dream screen” comes from psychoanalytic theory. It’s the screen on which we project our dreams when we go to sleep\, whether it’s a surface we actually see or the underlying matrix upon which our dreams appear. I chose this concept as the name for my exhibition because my work externalizes the moving images I see on that screen in my mind and brings them into three dimensions. Glitchy plastic televisions become portals for hand-drawn\, looping reveries. Archival home videos are subjected to additive and subtractive alterations\, exposing how easily I can edit and sanitize my memories over time\, while original footage attempts to manifest my dream logic as viewers traverse uncanny\, empty landscapes. Encrusted mound sculptures and suspended textile partitions translate childhood impulses of accumulation\, adornment\, hide-and-seek\, and fort-building into physical barriers against real and imagined threats to body and psyche. By taking apart and re-activating the toys and technologies of my youth\, I can work through my fraught relationships with both normal make-believe and unhealthy superstition. Likewise\, reworking my memories with crayons and stickers\, constructing a psychic storm shelter out of quilts\, and translating my own self-soothing form into armored mounds allows me to showcase what my powers can do. In the end\, entering this show is the same as stepping inside my personal daydreams and secret hideouts—and we’re all totally okay as long as we stay there. I’m okay and you’re okay. \n\n\n\nMaggie Murphy was born in Neptune\, NJ in 1985. \n\n\n\nLearn more | IG: @m_ggi_m_rphy
URL:https://vpa.uncg.edu/single-event/2026-mfa-thesis-exhibition-maggie-murphy/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:College of Visual and Performing Arts,Greensboro Project Space,School of Art
ATTACH;FMTTYPE=image/png:https://vpa.uncg.edu/wp-content/uploads/2026/10/dream_screen-insta-website-scaled.png
ORGANIZER;CN="Greensboro Project Space":MAILTO:greensboroprojectspace@gmail.com
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261117T173000
DTEND;TZID=America/New_York:20261117T190000
DTSTAMP:20260818T183033Z
CREATED:20260818T183029Z
LAST-MODIFIED:20260818T183033Z
UID:10005304-1794936600-1794942000@vpa.uncg.edu
SUMMARY:Studio Voice Recital
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\n\nacting\, Shakespeare\, shakespeare acting drama play\, theatre\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/studio-voice-recital-20/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/08/studio-recital-feature.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261117T193000
DTEND;TZID=America/New_York:20261117T210000
DTSTAMP:20260820T204335Z
CREATED:20260820T202947Z
LAST-MODIFIED:20260820T204335Z
UID:10005372-1794943800-1794949200@vpa.uncg.edu
SUMMARY:Symphonic Band
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\n\nacting\, Shakespeare\, shakespeare acting drama play\, theatre\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube\n\n\n\n\n\n\n\n\n\n\nJonathan Caldwell\, conductorJaden Brown\, graduate conductorPatty Saunders\, graduate conductor \n\n\n\nProgram\n\n\n\nTIELMAN SUSATOSelections from The Danserye (1551/2002)arranged by Patrick Dunnigan \n\n\n\nJOAQUÍN TURINAMiniaturas\, op. 52 (1929/1959/2022)arranged by John Krance and Kevin Geraldi \n\n\n\nJENNIFER JOLLEYLichtweg/Lightway (2017) \n\n\n\nFISHER TULLSketches on a Tudor Psalm (1971) \n\n\n\n\nAbout the Program\n \n\n\n\nBack to Program \n\n\n\n\nUNCG Bands\nThe UNCG Bands are devoted to the performance\, study\, and advancement of wind band music at the highest artistic level. Recognized as one of the nation’s premier collegiate band programs\, the UNCG Bands maintain an active and distinguished record of excellence through performances\, recordings\, tours\, and appearances at major conventions. \n\n\n\nThrough exemplary organization\, training\, and presentation\, the UNCG Bands offer exceptional musical experiences for our members and share outstanding performances throughout the year. Together\, we enrich the cultural life\, spirit\, and character of UNCG. \n\n\n\nThe UNCG Bands also proudly support music education across North Carolina and throughout the region by providing leadership\, mentorship\, and sponsorship to secondary school band programs and other musical organizations. \n\n\n\n\nUNCG Bands\n\n\n\n\nBack to Program
URL:https://vpa.uncg.edu/single-event/symphonic-band-13/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/07/PIC24762-MUS_Wind_Ensemble_0639-3.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261117T193000
DTEND;TZID=America/New_York:20261117T210000
DTSTAMP:20261012T145100Z
CREATED:20261012T144851Z
LAST-MODIFIED:20261012T145100Z
UID:10005443-1794943800-1794949200@vpa.uncg.edu
SUMMARY:Vincent van Gelder\, piano
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nacting\, Shakespeare\, shakespeare acting drama play\, theatre\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube\n\n\n\n\n\n\n\n\n\n\nDr. Vincent van Gelder was born in Rotterdam\, The Netherlands. He won top prizes in several national and international piano competitions\, including the Liszt-Garrison International Piano Competition\, New York Artist International Competition\, and St. Louis Artist Presentation competition. He has performed in many states in the US\, as well as multiple countries throughout Europe\, a notable example being a well-reviewed solo recital at Carnegie Hall.  In 2008 he nearly lost the index finger of his left hand\, but thanks to a successful surgery he made a near full recovery.  \n\n\n\nHe has been a soloist with several orchestras\, and worked with conductors such as Hans Vonk. As a chamber pianist Vincent\, performed with musicians like Dmitri Sitkovetski\, members of the Ciompi Quartet\, Red Clay Quartet\, and his wife\, Dr. Ināra Zandmane. He has collaborated with several composers including the Argentinean composer Alejandro Rutty\, who wrote a piano concerto for him that premiered at the University of North Carolina at Greensboro Symphony Orchestra. \n\n\n\nHighly acclaimed performances were in London\, England\, the Van Cliburn Festival\, and Harpa Hall in Iceland. As a composer\, he won  the 2025 International Fidelio Piano Composition Competition in Madrid\, Spain. Dr. van Gelder’s recordings have been played on radio and tv stations in the US as well as The Netherlands.  \n\n\n\nIn June of 2018 he performed at Harpa Hall in Reykjavik Iceland\, where he performed the world premiere of one of his own works\, ‘Guardians of Iceland-Eylin’s Journey’—a large\, multi-movement piece based on Icelandic legends\, a piano performance accompanied by artwork from his then 13 year old daughter\, Natalie van Gelder. Their next project\, ‘Ardenuir: The Stone in the Sword\,’ saw its premiere in 2022 at the Virginia Somerville Sutton Theatre in Greensboro\, North Carolina. They subsequently toured many concert halls in North Carolina.  \n\n\n\nIn September 2024\, Natalie published her first animated short film\, ‘Home Cooked Meals’\, with an original soundtrack written and performed by Vincent van Gelder. This short film is a featured animation at the NC Film Festival\, the Cary Film Festival\, the Raleigh Film and Art Festival\, and OUT at the Movies International Film Festival.  \n\n\n\nIn 2024\, Dr. van Gelder was invited to do record works by Jacobo Palm and other Caribbean composers for the Palm Foundation in The Netherlands. This is an ongoing project. \n\n\n\nDr. van Gelder studied in Holland\, Latvia\, and the US\, receiving two Masters and subsequently a Doctor of Musical Arts degree in piano performance from the University of Missouri at Kansas City. His most influential teachers were Leslie Howard\, Czerny-Stefanska\, Teofils Bikis\, Arnis Zandmanis\, Wilfred Delphin\, and Richard Cass.   \n\n\n\nHe has been a member of the piano faculty at Duke University.  He is the founder and president of the Triad Institute for Young Musicians.
URL:https://vpa.uncg.edu/single-event/vincent-van-gelder-piano-2/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/09/guest-artist-recital-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261118T090000
DTEND;TZID=America/New_York:20261118T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005486-1794992400-1795017600@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-11-18/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
END:VCALENDAR