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DTSTART;VALUE=DATE:20221101
DTEND;VALUE=DATE:20221113
DTSTAMP:20260412T080954
CREATED:20240130T163506Z
LAST-MODIFIED:20240130T163506Z
UID:10000484-1667260800-1668297599@vpa.uncg.edu
SUMMARY:Zaire Miles-Moultrie Exhibition @ Greensboro Project Space
DESCRIPTION:Exhibition on View\nWhen: November 1st – November 12th\, 2022\nClosing Reception: TBD\nWhere: Greensboro Project Space (111 E February One Place) \nGallery Hours: Tuesdays-Fridays\, 12-5pm; Saturdays\, 2-5pm\nSolo Show\, Featuring: Zaire Miles-Moultrie \nMore About The Lion\, The Jackal\, and The Man \nLearning about Africa\, its people\, cultures\, history\, its reach and its effects across the world is not an easy task to do but once you start it’s almost impossible to stop. As an artist it is a wonderland that I enjoy exploring and taking what I learned and transforming it into works of art. This is an experience that I am so glad and appreciative to have however\, while learning about the wonders of Africa I also had learn about the terrible beauties\, misconceptions\, perversions\, abuse\, and other heinous aspects that Africa and its people had to endure from Western Nations /Colonizers  and from within.From this comes The Lion\, The Jackal\, and The Man a solo art exhibition that explores the cultures\, histories\, and peoples within Africa. The works in The Lion\, The Jackal\, and The Man is a direct acknowledgement of the beautiful\, the good\, the bad\, and the inconceivables of the history and cultures within Africa.  \nThe Works within The Lion\, The Jackal\, and The Man comprise of surreal collages\, drawings\, illustrations\, and prints of original art by Zaire Miles-Moultrie. Each piece aims to tackle a wide range of subject matters while also enticing the viewer to come up and look closer at each piece that is on display. Ultimately the aim of this exhibition is to expose the viewer to the many cultures and peoples of Africa while acknowledging and combating their own ideologies\, perceptions\, and biases regarding Africa.  \n  \nMore About Zaire \nZaire Miles-Moultrie was born in the sunny state of California but raised and grown in the old North State of North Carolina. At a young age he was introduced to the world of art through comic books and his love for the arts grew immensely throughout the years. After picking up his first pencil and drawing his very first line he was never able to stop himself from learning more about his passions and himself. Currently Zaire is enrolled at the University of North Carolina at Greensboro (UNCG) pursuing his degrees in Entrepreneurship and a B.F.A. in studio art with a concentration in Printmaking and Drawing. At the moment he has an interest in researching and learning more about modern Afro-Centric artists\, art\, and sustainable art and business practices. \nAs I grow as an artist I always want to continue to grow my sources of inspirations whether it be from paintings\, sculptures\, cultures\, histories\, peoples\, etc. By using printmaking and drawing as my medium of choice I can express myself\, my voice\, and message in a multitude of ways while also paying homage to inspirations. My art\, designs\, drawing\, and prints are collages of the many ideologies that I have come to learn\, accept\, and embody like blackness\, negritude\, intellectualism\, love\, and allyship. This leads me to combat harmful and hateful ideologies that go against my very core as an artist and as a human being.   \nhttps://www.greensboroprojectspace.com/blog-post/the-lion-the-jackal-and-the-man
URL:https://vpa.uncg.edu/single-event/zaire-miles-moultrie-exhibition-greensboro-project-space/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221021T180000
DTEND;TZID=America/New_York:20221021T200000
DTSTAMP:20260412T080954
CREATED:20240130T163317Z
LAST-MODIFIED:20240130T163317Z
UID:10000449-1666375200-1666382400@vpa.uncg.edu
SUMMARY:Closing Reception for “23 Chunks of Being”
DESCRIPTION:Exhibition on View\nWhen: October 11th- October 22nd\, 2022\nClosing Reception: October 21st 6:00pm-8:00pm\nWhere: Greensboro Project Space (111 E February One Place) \nGallery Hours: Tuesdays-Fridays\, 12-5pm; Saturdays\, 2-5pm\nSolo Show\, Featuring: Greg Grieve \n23 Chunks of Being – A Retrospective  \nThe Dungeon Master ofMeanings \nAs a major contributor to the emerging study of religion andvideo games\, Gregory Price Grieve\, Head of the Religious Studies Department atThe University of North Carolina at Greensboro\, researches and teaches Asianreligions and popular culture. His retrospective of photo-collages\, paintings\,sculptures\, videos\, and installations spans almost forty years\, with many showntogether for the first time. His artistic expression explores the ideasconnecting his research interests without having to resort to the fixedmeanings required in academic language.  \nGrieve uses collage\, assemblage\, montage\, andinstallation–techniques originally employed by the early 20thcentury avant-guard movements. The Dadaists\, Surrealists\, and earlyConceptualists reinvented the role of artist with strategies to battle ossifiedinstitutions. Their materials and techniques could satirize social conventions\,undermine the certainty of rationality\, or embody the sensory and informationaloverload that was part of modernization. Similarly\, Grieve uses found photographic images\, many from the Library of Congress\,and found objects\, combining them to create apersonal language. Their layering\,superimposition\, transparency\, and montage unify his source materials with a new logic. The resulting aestheticis one of free-associative flows\, lucid dreaming\, and humor with titles thatplay with etymology\, imply conceptual readings\, or make cross-disciplinaryreferences to add an additional layer of interpretation. \n In this electric moment\, as thephysical atomizes into data and perception into pixels\, Grieve’s retrospective isnot just a collection of objects. It’s an archive of a life understanding itself. The artist becomesa dungeon master\, the viewer a willing player\, andthe artworks in ’23 Chunks of Being’ componentsin a game of embracing the groundlessness we navigate.  \n(Ryan Hill\, Professor and Directorof Sculpture Tucson)
URL:https://vpa.uncg.edu/single-event/closing-reception-for-23-chunks-of-being/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221012
DTEND;VALUE=DATE:20221023
DTSTAMP:20260412T080954
CREATED:20240130T163314Z
LAST-MODIFIED:20240130T163314Z
UID:10000446-1665532800-1666483199@vpa.uncg.edu
SUMMARY:23 Chunks of Being Exhibition @ Greensboro Project Space
DESCRIPTION:Exhibition on View\nWhen: October 11th- October 22nd\, 2022\nClosing Reception: October 21st 6:00pm-8:00pm\nWhere: Greensboro Project Space (111 E February One Place) \nGallery Hours: Tuesdays-Fridays\, 12-5pm; Saturdays\, 2-5pm\nSolo Show\, Featuring: Greg Grieve \n23 Chunks of Being – A Retrospective  \nThe Dungeon Master ofMeanings \nAs a major contributor to the emerging study of religion andvideo games\, Gregory Price Grieve\, Head of the Religious Studies Department atThe University of North Carolina at Greensboro\, researches and teaches Asianreligions and popular culture. His retrospective of photo-collages\, paintings\,sculptures\, videos\, and installations spans almost forty years\, with many showntogether for the first time. His artistic expression explores the ideasconnecting his research interests without having to resort to the fixedmeanings required in academic language.  \nGrieve uses collage\, assemblage\, montage\, andinstallation–techniques originally employed by the early 20thcentury avant-guard movements. The Dadaists\, Surrealists\, and earlyConceptualists reinvented the role of artist with strategies to battle ossifiedinstitutions. Their materials and techniques could satirize social conventions\,undermine the certainty of rationality\, or embody the sensory and informationaloverload that was part of modernization. Similarly\, Grieve uses found photographic images\, many from the Library of Congress\,and found objects\, combining them to create apersonal language. Their layering\,superimposition\, transparency\, and montage unify his source materials with a new logic. The resulting aestheticis one of free-associative flows\, lucid dreaming\, and humor with titles thatplay with etymology\, imply conceptual readings\, or make cross-disciplinaryreferences to add an additional layer of interpretation. \n In this electric moment\, as thephysical atomizes into data and perception into pixels\, Grieve’s retrospective isnot just a collection of objects. It’s an archive of a life understanding itself. The artist becomesa dungeon master\, the viewer a willing player\, andthe artworks in ’23 Chunks of Being’ componentsin a game of embracing the groundlessness we navigate.  \n(Ryan Hill\, Professor and Directorof Sculpture Tucson)
URL:https://vpa.uncg.edu/single-event/23-chunks-of-being-exhibition-greensboro-project-space/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221003T090000
DTEND;TZID=America/New_York:20221003T160000
DTSTAMP:20260412T080954
CREATED:20240130T163312Z
LAST-MODIFIED:20240130T163312Z
UID:10000441-1664787600-1664812800@vpa.uncg.edu
SUMMARY:Kaylan Buteyn: “Careworn/Carefree”
DESCRIPTION:Kaylan Buteyn holds an MFA from the New Hampshire Institute of Art. Her work investigates physical representations of generational care through paintings\, quilts\, domestic textiles\, abstraction and collage. She has exhibited in galleries and community spaces internationally. \n \nExhibition Opens October 1 and runs through December 1.\nThe Gatewood Gallery is open Monday – Friday 9:00 – 4:00pm \nA Reception will be held October 26\, from 3:00 – 5:00pm
URL:https://vpa.uncg.edu/single-event/kaylan-buteyn-careworn-carefree/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220917T193000
DTEND;TZID=America/New_York:20220917T193000
DTSTAMP:20260412T080954
CREATED:20240130T163220Z
LAST-MODIFIED:20240130T163220Z
UID:10000431-1663443000-1663443000@vpa.uncg.edu
SUMMARY:Collage
DESCRIPTION:PURCHASE TICKETSCOLLAGE WEBSITEPERFORMANCE CALENDAR\n\n\nGIVE TO THE COLLAGE FUND\nWe hope that you will consider donating to the Collage Scholarship Fund. Every dollar raised from ticket sales and donations helps to support our talented music students. Please click the link to donate now. \nDONATE NOW\n\n\n \n   \n\n\n\nThe UNCG School of Music is proud to present our 15th annual performance of Collage at 7:30 PM on September 17\, 2022! We are excited to welcome audiences back to UNCG Auditorium for our most exciting event of the year! \nCollage is captivating and totally unique\, featuring an incredible range of performers presenting one riveting work after another. Join School of Music students and many of our world-class faculty members for this non-stop evening of amazing performances.  It’s not to be missed! \nCollage will follow all state and university COVID safety guidelines. \nAll ticket proceeds benefit the School of Music Collage Scholarship Fund. \n\nTicket Prices\nClick to view the UNCG Auditorium seating chart. \n\n\nSection\nAdults\nSeniors\nStudents\n\n\nSection A\nfront orchestra\, mezzanine\n$26\n$21\n$16\n\n\nSection B\nmiddle and rear orchestra\, lower balcony\n$19\n$15\n$11\n\n\nSection C\nupper balcony\n$14\n$10\n$7\n\n\n*Ticket prices do not include fees for credit card processing or mailing of tickets. \nNote: Due to the production design utilizing multiple locations around the auditorium\, certain parts of the performance may be out of the direct sightline from seats in each price tier. \n**All seating is reserved. Please order tickets in advance.** \n\n\n \nLiszt: Hungarian Rhapsody No. 2\nAnnie Jeng and John Salmon\, piano \n\n\n\n\n \nBeethoven: Choral Fantasy (Finale)\nSymphony Orchestra\, Choirs\, and Faculty Soloists\nWelborn Young\, conductor
URL:https://vpa.uncg.edu/single-event/collage/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
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