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SUMMARY:The Den Community art Exhibition 
DESCRIPTION:[ ] @ GPS\n\n\n\nThe Den Community Exhibition\n\n\n\nCurated by Jalani Maxwell\, Dismantled Supply Co.\n\n\n\n\n\n\n\n October 14 – 25\, 2025\n\n\n\nReception: Friday\, October 17th | 6-8P\n\n\n\n \n\n\n\nAdditional Events:\n\n\n\nLoafs and Loafers by Kyle Scott\, Oct 16th | 6-9PM\n\n\n\nSyn[ ]cate Basement Show by Dom Savant\, Oct 22nd | 6-9PM\n\n\n\n[ ] Artist Forum\, Oct 25th | 3-4:30PM\n\n\n\nFeatured Community Artists\n\n\n\nNailah BrewerLyric BrooksDarius CantyAminah CoppageJakai DickersonDawoud EvansMyles GravesKijani GrinageCain JohnsonTristen JonesMalcolm KingJalani MaxwellA’Daria MoffettRaynette NahDemarjae PowellKeir RichardIsaiah SoutherlandAmari Stimpson-Hatcher\,Jordan X \n\n\n\nMore About [ ] @ GPS \n\n\n\nSick of fighting to be seen? \n\n\n\nMaybe [ ] is the place for you. \n\n\n\nDen\, more commonly referred to as [ ] \, is a grassroots organization founded in Greensboro\, NC in 2024. Functioning to offer minority and youth artist with opportunities for professional artistic development\, [ ] actively engages with a developing arts scene through a variety of interventions\, workshops and activities. This exhibition serves as a culmination of our efforts thus far and a glimpse into the world [ ] is cultivating. \n\n\n\nIt is just as much our world\, as it is yours; tell us what you see. \n\n\n\nSo\, how about it [ ] ? You in? \n\n\n\nCuratorial Statement \n\n\n\nStories untold often just need space to be heard\, felt\, seen and more importantly\, experienced. Making space is taking space. “Third spaces” are the kind DSCo holds conversation in. These exist as syncretic hubs\, embracing a variety of identities and fostering interest. Championing intersectionality\, [ ] gives space to a community with a ring of its own. \n\n\n\nDismantled Supply Co. presents to you\, [ ] . \n\n\n\n \n\n\n\nGreensboro Project Space Weekly Gallery Hours: \n\n\n\nTuesday – Friday\, 12 -5 PM \n\n\n\nSaturday\, 2-5PM
URL:https://vpa.uncg.edu/single-event/the-den-community-art-exhibition/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:College of Visual and Performing Arts,Greensboro Project Space,School of Art
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ORGANIZER;CN="Greensboro Project Space":MAILTO:greensboroprojectspace@gmail.com
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DTSTART;TZID=America/New_York:20251022T090000
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SUMMARY:Crossing the Coulee
DESCRIPTION:Kate Gordon’s studio practice focuses on painting in the expanded field\, sourcing inspiration from pop-up books\, dioramas\, and collage. The dream imagery that Gordon mines aims to capture the strangeness of the waking world\, which is often not as logical as it might at first appear. Gordon has shown her paintings\, collages\, and video works nationally; exhibitions include a site-specific installation “Alligator Naps” at the Hilliard Art Museum\, curation into the Weatherspoon Art Museum’s “Art on Paper” exhibition\, and an invitation to create a public video installation at Block 2\, a visual platform for new media artists in Raleigh\, NC. Most recent professional accomplishments include participation in Kolaj Institute’s Artist Residency in Scotland\, curation into “Is This Too Much?”\, a maximalist exhibition at Le Mieux Galleries\, and inclusion in the “Louisiana Contemporary” exhibition at the Ogden Museum of Southern Art. Gordon currently holds the position of Associate Professor of Figure Drawing & Foundations at the University of Louisiana at Lafayette. She earned an M.F.A. from the University of North Carolina at Greensboro and a B.F.A. from Pratt Institute. \n\n\n\nExhibition runs October 16 – December 5\, 2025 Monday – Friday\, 8am – 4pmArtist Talk and Reception October 16\, 4:30pm
URL:https://vpa.uncg.edu/single-event/crossing-the-coulee-2/2025-10-22/
LOCATION:UNCG Gatewood Studio Arts Building\, 527 Highland Ave\, Greensboro\, NC\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
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SUMMARY:The Juliet Letters
DESCRIPTION:Lindsay Kesselman\, sopranoMarjorie Bagley\, violinSiana Wong\, violinScott Rawls\, violaCori Trenczer\, violoncello \n\n\n\nProgram\n\n\n\nELVIS COSTELLO and THE BRODSKY QUARTETThe Juliet Letters (1992) \n\n\n\nDeliver UsFor Other EyesSwineExpert RitesDead LetterI Almost Had a WeaknessWhy?Who Do You Think You Are?Taking My Life in Your HandsThis Offer Is UnrepeatableDear Sweet Filthy WorldThe Letter HomeJacksons\, Monk and RoweThis Sad BurlesqueRomeo’s SeanceI Thought I’d Write to JulietLast PostThe First to LeaveDamnation’s CellarThe Birds Will Still Be Singing \n\n\n\n\nAbout the Program\nElvis Costello writes\, “…so there was this professor in Verona who answered letters to Juliet… \n\n\n\nWell\, if that sounds like the start of a tall story I suppose it is. There was a tiny newspaper item about a Veronese academic who had taken on the task of replying to letters addressed to ‘Juliet Capulet.’ \n\n\n\nThis apparently continued for a number of years\, until some gentlemen of the press exposed this secret correspondence. Quite how he came by these letters in the first place remains unclear. We can only make a guess as to their content. After all\, these people were writing to an Imaginary woman\, and a dead imaginary woman at that. Perhaps they were simply scholarly enquiries\, or letters of sympathy from others disappointed in love\, or even a plea from somebody forced into an unhappy arranged marriage. Whatever was contained in these letters and their replies\, the idea of this correspondence provided the initial inspiration” for The Juliet Letters\, a song sequence for string quartet and voice—a collaboration between Elvis Costello and The Brodsky Quartet. \n\n\n\n\nLyrics\nDeliver Us\n\n\n\nInstrumental \n\n\n\nFor Other Eyes\n\n\n\nI don’t know what I would doIf this letter should fall intoOther hands than it should pass throughFor other eyes \n\n\n\nHe said\, “It was nothing… it’s over and done”But the rotten worm was burrowing stillIts spirit invades me bleeding me whiteFor other repliesI searched his pocketsI searched his eyesI searched his wallet for clues and liesAnd I found a number that I somehow dialledA woman answered\, a woman smiledThen she hung up on the silence unperplexedInnocently spun her rolodexI dialled again I could not resistRevealing just the dentist receptionist \n\n\n\nOne day we’lI laugh about it or maybe we’lI curseBut there is one thing that is making it worseAnd it’s the lack of forgiveness that I can’t disguiseNo matter how well he liesNow we don’t know each other anymoreAnd when we touch our lips feel soreI question the longing left in his sighsFor other eyes \n\n\n\nSwine\n\n\n\nYou’re a swine and I’m saying that’s an insult to the pigIn the foul furrow that you digWhy don’t you lay your head downIn that unconsecrated groundWAS she your MOTHER?Or WAS she your brldeTo defile and to blisterTo gnaw at her sideIs this the end of the world?Now that you’ve finished your lifeThis RIDDLE is the work of my little pen-knife \n\n\n\nExpert Rites\n\n\n\nI marvel at the wonder of it in our souless ageFast flow the tears upon the pageDon’t be alarmed I am her friendWill I be excused if I presumeIt’s more than disappointment that we shareYou share the same sorry life\, the families fight\,that unhappy blade you both inviteThis romantic ideal has a lonely appealI once loved someone the way that you doBut I had to let her goI live with my regretDon’t despair my would-be Juliet \n\n\n\nDead Letter\n\n\n\nInstrumental \n\n\n\nI Almost Had a Weakness\n\n\n\nThank you for the flowersI threw them on the fireAnd I burned the photographs that you had enclosedGOD they were ugly childrenSo you’re the little bastard of that brother of mineTrying to trick a poor old woman‘Til I almost had a weaknessLast week Cousin FlorenceBit your Uncle JoeHit him on the forehead with a knife and a fork(She) said that he looked like the devilThen she said… “pass the vinegar\,” I’m beginning to think(That) I’m the only one who hasn’t taken to the drinking of itThough I almost had a weakness \n\n\n\nIt pains me to mentionThese delicate concernsWhile I have to tolerate you family jewelsI really mustn’t grumble(‘Cause) when I die the cats and dogs will jump up and downAnd you little swines will get nothingThough I almost had a weakness \n\n\n\nWhy?\n\n\n\nWhy is Daddy not here?Are you crying?Why?Does he still love me?Will you take care of me?If you both love me soWhy don’t you love each otherMummy’s gone missingDaddy’s on fireDaddy’s on fireDaddy’s on fire \n\n\n\nWho Do You Think You Are?\n\n\n\nThe hunted look\, the haunted graceThe empty laugh that you cultivateYou fall into that false embraceAnd kiss the air about her faceWho do you think you are?The tres bon mots you almost quote from yourQUIVER of literary dartsA thousand or so tuneless violins thrilling your cheaplittle heartWho do you think you are? \n\n\n\nMy cigarette burns right down to the ash\, my coffeecup is unstainedThe waiter hovers close at handHis courtesy strained \n\n\n\nWho do you think you are?I close with my regardsWell I’m the red-face gentlemanCaught in this picture postcardWho do you think you are? \n\n\n\nTrying my best to make the best of your absenceThough the joke gets tired and sordidSea-shell hearts get trampled under footPunchlines unrewarded \n\n\n\nBut even at this distance it’s not easy to acceptThe vision that I chase returns when I least expect itI’ve fallen from your tired embraceI kiss the air around the place that should be your face. \n\n\n\nTaking My Life in Your Hands\n\n\n\nMy dear impulsive darling\, I suspect my letter got to you too lateAnd it’s really just a silly fragment of paperBut it means so much to those who wait \n\n\n\nAll the suffering days and nights ’til I dare dream againThere you suddenly stand and I’ll be damnedIf you didn’t disappear with the dawn \n\n\n\nHours pass and darkness comesSoon I will close my eyesWill you return if you don’t reply? \n\n\n\nYou’ll be taking my life in your handsYou’ll be taking my life in your handsTaking my life in your hands \n\n\n\nI don’t know why my dearest darlingI can’t tell you how I feel when you are nearWhen I see you have returned my letters unopenedI will tear them up\, your voice ringing in my ears \n\n\n\nBut you’re kidding yourselfIf you think this correspondence will endI can always pretend wordsI don’t have the courage to send\, reaching you \n\n\n\nHours pass and darkness comesSoon I will close my eyesWill you return if you don’t reply? \n\n\n\nYou’ll be taking my life in your handsYou’ll be taking my life in your handsTaking my life in your hands \n\n\n\nThis Offer Is Unrepeatable\n\n\n\nDon’t send any money!Your fate has no priceIgnore at your peril this splendid adviceAn invaluable link in an infinite chainAn offer like this will just not come againYou wish you had women to charm and bewitchPower of life and death over the richYoung girls will be swooningbecause you’re exciting themNot only fall at your feet but be biting themGuaranteed\, guaranteed to capture your breathOr just possibly scare you to deathSign it and seal it and send it to friendsDon’t mention my nameDon’t make any long term plansIn thirty-six hours your fortunes will changeYour best friends won’t know youAnd neither will strangersDo not keep this letterIt must leave your handYou have been selected from over five thousandA twister and dupe will bamboozle or hoodwink youI can’t say more it would only confuse youThe wine they will offer will go to your headYou’ll start to see double in fishes and breadGuaranteed\, guaranteed for a lifetime or moreGuaranteed for this world and the nextGuaranteed\, guaranteed for the world and its motherCherish this life as you won’t get another oneUnless you should take up this fabulous offerDon’t leave it too late or you’ll be bound to sufferWoebetide anyone so woebegoneYou won’t know you’re born or about to pass onYou’ll never get tiredYou’ll never get boredBy the way I just hope you’re insuredAnd if you’re not satisfiedIf you want moreWe can always provide an improved overtureGuaranteed at a price that is almost unbeatableThis offer is unrepeatableYour troubles will vanishYour tears will dryYour blessing will just multiplyGuaranteed at a price that is almost unbeatableThis offer is unrepeatableGuaranteed\, guaranteed to bring fortune and favorA riot of colours and flavoursGuaranteed at a price that is almost unbeatableThis offer is unrepeatableWould I lie to you? Would I sell you a dud?Just sign on the line. Could you possibly write it inblood? \n\n\n\nDear Sweet Filthy World\n\n\n\nDear sweet\, filthy world\, my wifeOr whoever reads thisI think that I’ve lived too longWith all of my promise unfulfilledBut there is a veil drawn over all of that \n\n\n\nI know you’ll probably say“Spare us the melodrama”I don’t know how he choseThe pills or the stupid revolver” \n\n\n\nI’m out of luckI’m not that strongMy hands\, your neckI might have wrung \n\n\n\nDon’t try to find meI’m not worth anything anymore \n\n\n\nI am not leaving youWith all of your problems‘Cause the biggest one is meLife is dark and cold as the sea \n\n\n\nEmbrace me in my anguishPut seaweed in my hairAnd vow that you won’t cryBecause I’ve gone\, I can’t go onI can’t go on\, I can’t go onI must close now \n\n\n\nThe Letter Home\n\n\n\nCare of St. Ignatius House\, Willoughby DriveParramatta\, New South Wales\, this fifth day of JulyIn the year of Our LordNineteen hundred and thirty five \n\n\n\nWhy must I always apologizeEvery time that I sit down to writeThrough my own fault I may findYou’re no longer living at this address \n\n\n\nPlease excuse the lack of newsThe feeling of strange privilegeFor the hour of trial in these times of distressMean more than years imprisoned by etiquette \n\n\n\nI can remember when we were childrenThough I could never imagine this dayYour brother told me we’d live forever“I’ll go on better”\, I heard myself say \n\n\n\nAnd it seems so strange\, now that he’s goneTo recall all these gamesThough the years have divided usFriendships have strained and broken \n\n\n\nOh\, by the way\, how’s that girl that you wedI hated you then but I’m over the worst of itI can’t come home\, I might as well sayLife is short\, I shall not write again \n\n\n\nJacksons\, Monk and Rowe\n\n\n\nSister 4 and Brothers 3Hanging off the family treePractising for getting oldDo you want your fortune toldThey’re looking for you high and lowNow there’s nowhere for you to goSo you’ll just have to come out and face the musicJacksons\, Monk and Rowe \n\n\n\nLong ago when we were kids and we cut your hair to bitsAs we carried off like spoils the heads we’d smash right offyour dollsBut the wind is changing you knowAre you sure of your friends and your foeHave you got what it takes to carry it offJacksons\, Monk and Rowe \n\n\n\nAs the sun beats down and life begins to complicateWill we both incinerateIf we touch that brass name-plate \n\n\n\nMessrs. All\, noble SirsHighly paid solicitorsFind enclosed my signed divorceSad proceedings you endorseThe burden of pity will showIn the people we used to knowHave you got enough strength to carry it offJacksons\, Monk and Rowe \n\n\n\nThis Sad Burlesque\n\n\n\nI write in hopeBy the time you get this letterWe may liveTo see a change for the better \n\n\n\nOr are we so devotedTo these wretched selfish motivesWhen the cold facts and figures all add upThey cannot contradict this sad burlesque \n\n\n\nThis sad burlesque with miserable failuresMaking entertainment of our fateLaughter cannot dignify of elevateThis sad burlesque \n\n\n\nNow can they recall being young and idealistic?Before wading knee-deep in hogwash and arithmeticThe pitying smirk\, the argument that runs like clockworkWill run down eventually and splutter to a stop \n\n\n\nP.S. Well\, by now you know the worst of itAnd we’ve heard all the alibis that they’ve rehearsedThe smug predictionsIf it’s not a contradiction \n\n\n\nPlease have faith in human natureAnd have mercy on the creaturesIn this sad burlesque \n\n\n\nThis sad burlesque with miserable failuresMaking entertainment of our fateLaughter cannot dignify of elevateThis sad burlesque \n\n\n\nRomeo’s Seance\n\n\n\nIs anyone there I can talk to?Give us a sign if you’re with meCan’t you see that I’m dying to hear you \n\n\n\nEveryone else has lost interestAnd I’m all alone in this dream houseThough you’re gone\, I don’t feel like crying \n\n\n\nRomeo is calling you \n\n\n\nKnock once or twice if you’re out thereSend me a message\, my sweetheartWhen I’m out and about\, I’ll be coming to see you \n\n\n\nIt isn’t easy to live with this matronly faceAt the window\, try to contact meIf you can see how I’m suffering \n\n\n\nRomeo is calling you \n\n\n\nScatter the paper and thimblesYou can take care of the candlesAn unplugged radio plays\, she is close now \n\n\n\nMe and my hand holdingBaby\, you’re walking the floor and the ceilingAnd this is the song she dictated this evening \n\n\n\nRomeo is callingRomeo is calling you \n\n\n\nI Thought I’d Write to Juliet\n\n\n\nI thought I’d write to JulietFor she would understandAnd when someone is already deadThey can no longer let you down \n\n\n\nInstead I find myself talking to youAs my oldest friendTell me how I can advise someoneThat I don’t even know to welcome death \n\n\n\nFor I received a letter that is worth reportingAnd though it may raise a cynical smileIt leaves a sinking feeling \n\n\n\nLike when a soldier in a story says to the sergeant“Have you seen my pride and joy?” \n\n\n\nYou know the restAnd it’s no jokeForgive me pleaseAs I quote \n\n\n\n“This is a letter of thanksAs I’m so bored herein I can’t say whereSo I’m writing to people that I may never meetAnd I was thinking if something you said” \n\n\n\nI’m a female soldier\, my name is ConstanceI enlisted in the military needing funds for collegeI’m twenty-three years old and if I do get home aliveI imagine I may think again \n\n\n\nI’m sleeping with my eyes open for fear of attackYour words are a comfort\, they’re the best thing that I haveApart from family pictures and of course\, my gas maskI don’t know why I am writing to you \n\n\n\nLast Post\n\n\n\nInstrumental \n\n\n\nThe First to Leave\n\n\n\nI should open with a kissFor if you’re reading thisYou must have opened up your caseAnd found this letter where I placed itIn between the silk and laceThere were other clues\, like your walking shoesBut I still refused to believeThat you were meant to be the first to leaveEverybody here sends you their loveHow can I forget you still walk aboveOrbelowPerhaps you’ll never know this purgatoryWe never could agreeThere’s a thought\, there’s a pauseNo time to repentEternally yoursIn a permanent lent \n\n\n\nBut if I should give you upIf you’re right and life just stopsAnd I never see your face againThen from unearthly pleasures\, proud and plainI shall abstain \n\n\n\nUntil you realise\, my loss is your surpriseUnless you know otherwiseThen don’t grieveYou see I had to be the first to leave \n\n\n\nDamnation’s Cellar\n\n\n\nDid anybody notice\, over marmalade and eggsIn between the princess’ legsWhat with wars and floods and beggarsNot to mention stocks and sharesIf you have a moment to spare \n\n\n\nCan you write and reassure me that I have seenThey’re constructing a time machineAnd there will be no need for the obituary pagesWe can have any hero from the bygone ages‘Til the truth emerges\, the argument rages \n\n\n\nThe major and the minorTurn from tallow into tarShould we leave them in their place?Down in damnation’s cellar \n\n\n\nWhen any form of deity that you might enjoyCan be conjured with a test-tube and a flameIf it’s out there then science can explain itOr at least remove the blameAnd if there’s anyone\, you’d like to see again and speak up quickly \n\n\n\nSend us back Da Vinci then we don’t have to ponderThe maddening smile of La GiacondaThe critics say Nijinsky\, the dancer\, of courseWhile the punters would probably prefer the horseYou’ll find it’s quicker than history\, cheaper than divorce \n\n\n\nThe major and the minorTurn from tallow into tarShould we leave them in their place?Down in damnation’s cellar \n\n\n\nBring back Liberace or Ollie and StanShakespeare will have to wait his turnElvis Presley and Puccini shall return\, I suppose we live and learnThough it’s hard to believe as we cheerfully burnIt’s curious\, some will call for justiceThere are murders to solve \n\n\n\nWhat about Hitler? Or at least Lee Harvey OswaldGive us this day and everything we squanderAnyone beautiful\, somebody blonderThey’ll never please mankind\, so lie back and enjoy itStop press\, they’ve just decided to destroy it \n\n\n\nThe major and the minorTurn from tallow into tarShould we leave them in their place?Down in damnation’s cellar \n\n\n\nThe Birds Will Still Be Singing\n\n\n\nSummertime withers as the sun descendsHe wants to kiss you. Will you condescend?Before you wake and find a chill within your bonesUnder a fine canopy of lover’s dust and humourous bones \n\n\n\nBanish all dismayExtinguish every sorrow \n\n\n\nEternity stinks\, my darling. That’s no jokeDon’t waste your precious timepretending you’re heartbroken \n\n\n\nThere will be tears and candlesPretty words to saySpare me lily-white lilliesWith the awful perfume of decay \n\n\n\nBanish all dismayExtinguish every sorrowIf I’m lost or I’m forgivenThe birds will still be singing \n\n\n\nIt’s so hard to tear myself awayEven when you know it’s overIt’s too much to say. \n\n\n\nBanish all dismayExtinguish every sorrowIf I’m lost or I’m forgivenThe birds will still be singing \n\n\n\n\nAbout the Artists\nLindsay Kesselman\n\n\n\nLindsay Kesselman is a twice GRAMMY®-nominated soprano known for her warm\, collaborative spirit and investment in personal\, intimate communication with audiences. She regularly collaborates with orchestras\, wind symphonies\, chamber ensembles\, opera/theater companies\, and new music ensembles across the United States\, often premiering\, touring and recording new works written for her by living composers. She is a passionate advocate for contemporary music\, and has commissioned/premiered over 100 works to date. \n\n\n\nRecent and upcoming highlights include performances of Darkening\, then Brightening by Christopher Cerrone across the country\, National CBDNA with the UNC Greensboro Wind Ensemble\, premieres of wind transcriptions of Caroline Shaw’s Is a Rose and Maria Schneider’s Winter Morning Walks\, Pierrot Lunairewith Ensemble ATL\, Energy in All Directions by Kenneth Frazelle with Sandbox Percussion at the Saratoga Performing Arts Center\, the role of Anna in Kurt Weill’s The Seven Deadly Sins with the Charlotte Symphony\, Astronautica: Voices of Women in Space with Voices of Ascension\, the John Corigliano 80th birthday celebration at National Sawdust (2018)\, a leading role in Louis Andriessen’s opera Theatre of the World with the Los Angeles Philharmonic and Dutch National Opera and an international tour of Einstein on the Beach with the Philip Glass Ensemble (2012-2015). \n\n\n\nShe is featured on several recent recordings\, including: David Biedenbender’s all we are given we cannot hold (2023\, Blue Griffin)\, Chris Cerrone’s opera In a Grove (2023\, In a Circle Records)\, Caroline Shaw’s Is a Rose (2023\, Blue Griffin)\, Chris Cerrone’s The Arching Path (2021\, In a Circle Records)\, and Louis Andriessen’s Theatre of the World with the Los Angeles Philharmonic (2017\, Nonesuch). \n\n\n\nKesselman is Assistant Professor of Voice and Choral Music at UNC Greensboro and co-directs the Heretic’s Guide to Musicianship with Kevin Noe. She holds degrees in voice performance and music education from Rice University and Michigan State University. She is represented by Trudy Chan at Black Tea Music and lives in Charlotte\, NC with her husband Kevin Noe and son Rowan. \n\n\n\nMarjorie Bagley\n\n\n\nViolinist Marjorie Bagley joined the faculty at UNCG in the Fall of 2009 after teaching violin and chamber music at Ohio University in Athens\, OH. She began her professional career as first violinist and founding member of the Arcata String Quartet upon graduating from the Manhattan School of Music as a student of Pinchas Zukerman. The Arcata Quartet enjoyed nearly a decade of performances around the US and Europe\, including concerts in London’s Wigmore Hall\, Weill Recital Hall at Carnegie\, and their NYC debut in Town Hall. They can be heard in recordings on the VOX label\, alongside members of the Tokyo and American Quartets. Her love of chamber music continues to this day as she performs with colleagues in NC and around the country\, exploring classic and contemporary repertoire. \n\n\n\nBagley is Concertmaster of the Greensboro Symphony under the direction of Christopher Dragon. This season\, she performed as soloist alongside mandolin player Chris Thile\, and next season brings a solo appearance in Vaughn-Williams’ classic Lark Ascending. Bagley performed as both Associate Concertmaster and Principal Second Violin in the ProMusica Chamber Orchestra in Columbus\, OH\, under the direction of Music Director David Danzmayr and Principal Guest Artist Vadim Gluzman. For two decades\, Bagley performed as member of the Berkshire Bach Society with keyboardist Kenneth Cooper. \n\n\n\nSummers have taken Bagley to many festivals as both teacher and performer. The Arcata Quartet performed across Europe over several summers\, including a concert at the Rheingau Music Festival. Her path as a teacher began at the Meadowmount Music School where she was an assistant teacher\, and continued at a variety of summer chamber music festivals for high school  students across the country. For six summers\, Bagley was an assistant teacher at the Perlman Music Program. She has been on faculty at the Kinhaven Music School and the Green Mountain Chamber Music Festival\, and the International Music Academy Plzen in the Czech Republic. Bagley was an artist teacher at the Brevard Music Festival for eleven summers where she frequently served as concertmaster. \n\n\n\nProfessor Bagley continues to give masterclasses and performances at universities around the US. She remains fascinated by the unique qualities of each student she interacts with\, looking to combine an understanding of violin technique and learning strategies to help each student move towards their potential. She also loves to perform and teach works by living composers and works that draw from a variety of musical styles. \n\n\n\nAfter growing up in Wingate\, NC\, she received her BM summa cum laude in Violin Performance from the University of Michigan and an MM from the Manhattan School of Music. Teachers and coaches have included Pinchas Zukerman\, Josef Gingold\, Patinka Kopec\, Isidore Cohen\, and members of the Tokyo and American String Quartets. Three decades of performances have taken her to five continents and led to many inspiring musical collaborations. She can be heard in recordings on the Equilibrium\, Centaur\, Albany\, Summit\, and VOX labels. Bagley’s time away from the violin is filled with family adventures alongside her husband\, physics professor Ian Beatty\, and their three children. \n\n\n\nSiana Wong\n\n\n\nSiana Wong is a native of Greensboro\, North Carolina\, with Malaysian heritage. Before attending college\, she was a member of the Greensboro and Winston-Salem Symphony Youth Orchestras\, winning their concerto competition and performing as a soloist with them. She pursued her Bachelor of Music degree at UNC Chapel Hill under the tutelage of Nicholas DiEugenio\, as well as a BA in biology. During her time at Chapel Hill Siana was also a winner of the concerto competition. Siana is an avid chamber music performer in and out of her home state of NC\, including performances with EMF and UNCG faculty. Siana spent many summers at the Luby Violin Symposium at Chapel Hill\, having the opportunity to learn from first-class violinists from around the globe. She has also attended the Instrumental Program of Chautauqua Institution and participated in master classes with Ana Luque\, Shannon Thomas\, and others. \n\n\n\nSiana is a member of Fayetteville Symphony Orchestra\, Western Piedmont Symphony\, and she has recently been appointed Associate Concertmaster of  Greensboro Symphony Orchestra. In addition to her performing career\, she enjoys teaching in her private studio. \n\n\n\nCurrently\, Siana is extending her studies at UNCG\, pursuing a Post-Baccalaureate Certificate in violin performance with Dr. Fabián López. \n\n\n\nShe plays on a Wojciech Topa violin from 2017. \n\n\n\nScott Rawls\n\n\n\nViolist Scott Rawls has appeared as soloist and chamber musician throughout the United States\, Canada\, Mexico\, Japan\, and Europe.  Recent chamber music endeavors include performances with Dmitry Sitkovetsky\, Branford Marsalis\, Sergey Antonov\, Michelle Cann and the Reynolda Quartet.  With the Nikkanen/Rawls/Bailey string trio\, he has played tours in Alaska\, Washington\, Arizona and Texas.  His solo and chamber music recordings can be heard on the Centaur\, CRI\, Nonesuch\, Capstone\, and Philips labels. \n\n\n\nA strong proponent of new music\, Rawls has premiered dozens of new works by prominentcomposers.  Most notable\, he has toured extensively as a member of Steve Reich and Musicians.  As the violist in this ensemble\, he performed the numerous premieres of Daniel Variations\, The Cave and Three Tales by Steve Reich and Beryl Korot\, videographer. And under the auspices of presenting organizations such as the Wiener Festwochen\, Festival d’Automne a Paris\, Holland Festival\, Berlin Festival\, Spoleto Festival USA and the Lincoln Center Festival\, he has performed in major music centers around the world including London\, Vienna\, Rome\, Milan\, Tokyo\, Prague\, Amsterdam\, Brussels\, Los Angeles\, Chicago and New York. \n\n\n\nUnder the baton of maestro Christopher Dragon\, he plays principal viola in the Greensboro Symphony Orchestra.  During the summer season\, Rawls plays principal in the festival orchestra at Brevard Music Center where he also coordinates the viola program.  He was also appointed principal viola of the Palm Beach Opera orchestra\, David Stern artistic director. \n\n\n\nDr. Rawls currently serves as Marion Stedman Covington Distinguished Professor of Viola and Chamber Music and String Area Chair at The University of North Carolina at Greensboro. He holds a BM degree from Indiana University and a MM and DMA from State University of New York at Stony Brook. His major mentors include Abraham Skernick\, Georges Janzer\, John Graham and Julius Levine. \n\n\n\nCori Trenczer\n\n\n\nCori Trenczer is a cellist\, chamber musician\, and teacher from the Hudson Valley region of New York. Coming from a musical family and a family of educators\, Cori is both an avid performer and a teacher to a robust studio of cello students. Cori has their Bachelor’s Degree in Cello Performance from the Eastman School of Music and they are pursuing a Masters Degree in Cello Performance with Professor Ezerman at the University of North Carolina at Greensboro. \n\n\n\nCori is also a section cellist with the Greensboro Symphony Orchestra\, as well as a substitute cellist with the Winston-Salem Symphony and the South Carolina Philharmonic. A devoted chamber musician\, Cori has furthered their experience with their classmates in the Juniper Quartet\, along with colleagues at summer programs such as the Castleman Quartet Program\, Green Lake Chamber Music Institute\, and Emerald Coast Festival of Music. \n\n\n\nAlso passionate about contemporary music\, Cori has played in various new music ensembles including but not limited to: OSSIA New Music\, Musica Nova\, and Switch~Ensemble. They have worked with several composer colleagues during their undergraduate degree and their masters so far\, and would absolutely love to explore more newly created work. Cori currently has a studio of 11 online cello students\, ranging from age 10 to mid 20s. Cori is on the faculty at Moore Music Company where they teach an additional 5 students in person. Cori also teaches 2 students in person through the UNCG Community Lessons Program. \n\n\n\nCori is in the process of creating and editing a method book called “Smorgasbord for your Fingerboard: Volume One Songs for the Beginning Cellist”. This is a method book full of works by living young composers from many underrepresented groups. \n\n\n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nkeyboard\, music\, piano\, student recital\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/the-juliet-letters/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2023/10/communitylessons_strings.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251022T193000
DTEND;TZID=America/New_York:20251022T210000
DTSTAMP:20260411T005007
CREATED:20251022T181633Z
LAST-MODIFIED:20251022T181653Z
UID:10003546-1761161400-1761166800@vpa.uncg.edu
SUMMARY:Horn Choir
DESCRIPTION:https://www.youtube.com/live/nlPuH9vHtis?si=AO_p0L7COLJMHj0U\n\n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nkeyboard\, music\, piano\, student recital\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/horn-choir-6/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/08/studio-recital-feature.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251023T090000
DTEND;TZID=America/New_York:20251023T160000
DTSTAMP:20260411T005007
CREATED:20251003T150323Z
LAST-MODIFIED:20251003T150327Z
UID:10003483-1761210000-1761235200@vpa.uncg.edu
SUMMARY:Crossing the Coulee
DESCRIPTION:Kate Gordon’s studio practice focuses on painting in the expanded field\, sourcing inspiration from pop-up books\, dioramas\, and collage. The dream imagery that Gordon mines aims to capture the strangeness of the waking world\, which is often not as logical as it might at first appear. Gordon has shown her paintings\, collages\, and video works nationally; exhibitions include a site-specific installation “Alligator Naps” at the Hilliard Art Museum\, curation into the Weatherspoon Art Museum’s “Art on Paper” exhibition\, and an invitation to create a public video installation at Block 2\, a visual platform for new media artists in Raleigh\, NC. Most recent professional accomplishments include participation in Kolaj Institute’s Artist Residency in Scotland\, curation into “Is This Too Much?”\, a maximalist exhibition at Le Mieux Galleries\, and inclusion in the “Louisiana Contemporary” exhibition at the Ogden Museum of Southern Art. Gordon currently holds the position of Associate Professor of Figure Drawing & Foundations at the University of Louisiana at Lafayette. She earned an M.F.A. from the University of North Carolina at Greensboro and a B.F.A. from Pratt Institute. \n\n\n\nExhibition runs October 16 – December 5\, 2025 Monday – Friday\, 8am – 4pmArtist Talk and Reception October 16\, 4:30pm
URL:https://vpa.uncg.edu/single-event/crossing-the-coulee-2/2025-10-23/
LOCATION:UNCG Gatewood Studio Arts Building\, 527 Highland Ave\, Greensboro\, NC\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/10/KateGordonPoster_V5-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251024T090000
DTEND;TZID=America/New_York:20251024T160000
DTSTAMP:20260411T005007
CREATED:20251003T150323Z
LAST-MODIFIED:20251003T150327Z
UID:10003484-1761296400-1761321600@vpa.uncg.edu
SUMMARY:Crossing the Coulee
DESCRIPTION:Kate Gordon’s studio practice focuses on painting in the expanded field\, sourcing inspiration from pop-up books\, dioramas\, and collage. The dream imagery that Gordon mines aims to capture the strangeness of the waking world\, which is often not as logical as it might at first appear. Gordon has shown her paintings\, collages\, and video works nationally; exhibitions include a site-specific installation “Alligator Naps” at the Hilliard Art Museum\, curation into the Weatherspoon Art Museum’s “Art on Paper” exhibition\, and an invitation to create a public video installation at Block 2\, a visual platform for new media artists in Raleigh\, NC. Most recent professional accomplishments include participation in Kolaj Institute’s Artist Residency in Scotland\, curation into “Is This Too Much?”\, a maximalist exhibition at Le Mieux Galleries\, and inclusion in the “Louisiana Contemporary” exhibition at the Ogden Museum of Southern Art. Gordon currently holds the position of Associate Professor of Figure Drawing & Foundations at the University of Louisiana at Lafayette. She earned an M.F.A. from the University of North Carolina at Greensboro and a B.F.A. from Pratt Institute. \n\n\n\nExhibition runs October 16 – December 5\, 2025 Monday – Friday\, 8am – 4pmArtist Talk and Reception October 16\, 4:30pm
URL:https://vpa.uncg.edu/single-event/crossing-the-coulee-2/2025-10-24/
LOCATION:UNCG Gatewood Studio Arts Building\, 527 Highland Ave\, Greensboro\, NC\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/10/KateGordonPoster_V5-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251024T173000
DTEND;TZID=America/New_York:20251024T190000
DTSTAMP:20260411T005007
CREATED:20250926T153206Z
LAST-MODIFIED:20251015T201555Z
UID:10003468-1761327000-1761332400@vpa.uncg.edu
SUMMARY:Emma Saba\, piano
DESCRIPTION:https://youtube.com/live/JotLBw0O6FE?feature=share\n\n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nkeyboard\, music\, piano\, student recital\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/emma-saba-piano/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/09/student-recital-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251024T193000
DTEND;TZID=America/New_York:20251024T193000
DTSTAMP:20260411T005007
CREATED:20250820T205645Z
LAST-MODIFIED:20250820T205648Z
UID:10003365-1761334200-1761334200@vpa.uncg.edu
SUMMARY:Prime Movers Concert
DESCRIPTION:The student group Prime Movers will host their annual Concert featuring adjudicated undergraduate student work.   \n\n\n\nThe event takes place at 7:30pm in Coleman Theatre (306)
URL:https://vpa.uncg.edu/single-event/prime-movers-concert-6/
LOCATION:Coleman Theatre\, 1408 Walker Ave\, Greensboro\, North Carolina\, 27412\, United States
CATEGORIES:School of Dance
ORGANIZER;CN="School of Dance":MAILTO:dance@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251025T193000
DTEND;TZID=America/New_York:20251025T193000
DTSTAMP:20260411T005007
CREATED:20250821T153212Z
LAST-MODIFIED:20250821T153214Z
UID:10003366-1761420600-1761420600@vpa.uncg.edu
SUMMARY:Prime Movers Concert
DESCRIPTION:The student group Prime Movers will host their annual Concert featuring adjudicated undergraduate student work.   \n\n\n\nThe event takes place at 7:30pm in Coleman Theatre (306)
URL:https://vpa.uncg.edu/single-event/prime-movers-concert-5/
LOCATION:Coleman Theatre\, 1408 Walker Ave\, Greensboro\, North Carolina\, 27412\, United States
CATEGORIES:School of Dance
ORGANIZER;CN="School of Dance":MAILTO:dance@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251025T193000
DTEND;TZID=America/New_York:20251025T210000
DTSTAMP:20260411T005007
CREATED:20250529T200035Z
LAST-MODIFIED:20250529T200038Z
UID:10003297-1761420600-1761426000@vpa.uncg.edu
SUMMARY:Collage
DESCRIPTION:The UNCG School of Music is proud to present our 18th annual performance of Collage at 7:30 PM on October 25\, 2025! We are excited to welcome audiences back to UNCG Auditorium for our most exciting event of the year! \n\n\n\nCollage is captivating and totally unique\, featuring an incredible range of performers presenting one riveting work after another with special lighting. Join School of Music students and many of our world-class faculty members for this non-stop evening of amazing performances. It’s not to be missed! \n\n\n\nAll ticket proceeds benefit the School of Music Collage Scholarship Fund. \n\n\n\nSectionAdultsSeniorsStudentsSection Afront orchestra\, mezzanine$27$22$17Section Bmiddle and rear orchestra\, lower balcony$20$16$12Section Cupper balcony$15$11$8\n\n\n\n\nPurchase Tickets
URL:https://vpa.uncg.edu/single-event/collage-6/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music,UCLS
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/06/Possible-for-Current-Students-Rectangle.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251027T090000
DTEND;TZID=America/New_York:20251027T160000
DTSTAMP:20260411T005007
CREATED:20251003T150323Z
LAST-MODIFIED:20251003T150327Z
UID:10003485-1761555600-1761580800@vpa.uncg.edu
SUMMARY:Crossing the Coulee
DESCRIPTION:Kate Gordon’s studio practice focuses on painting in the expanded field\, sourcing inspiration from pop-up books\, dioramas\, and collage. The dream imagery that Gordon mines aims to capture the strangeness of the waking world\, which is often not as logical as it might at first appear. Gordon has shown her paintings\, collages\, and video works nationally; exhibitions include a site-specific installation “Alligator Naps” at the Hilliard Art Museum\, curation into the Weatherspoon Art Museum’s “Art on Paper” exhibition\, and an invitation to create a public video installation at Block 2\, a visual platform for new media artists in Raleigh\, NC. Most recent professional accomplishments include participation in Kolaj Institute’s Artist Residency in Scotland\, curation into “Is This Too Much?”\, a maximalist exhibition at Le Mieux Galleries\, and inclusion in the “Louisiana Contemporary” exhibition at the Ogden Museum of Southern Art. Gordon currently holds the position of Associate Professor of Figure Drawing & Foundations at the University of Louisiana at Lafayette. She earned an M.F.A. from the University of North Carolina at Greensboro and a B.F.A. from Pratt Institute. \n\n\n\nExhibition runs October 16 – December 5\, 2025 Monday – Friday\, 8am – 4pmArtist Talk and Reception October 16\, 4:30pm
URL:https://vpa.uncg.edu/single-event/crossing-the-coulee-2/2025-10-27/
LOCATION:UNCG Gatewood Studio Arts Building\, 527 Highland Ave\, Greensboro\, NC\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/10/KateGordonPoster_V5-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251027T173000
DTEND;TZID=America/New_York:20251027T190000
DTSTAMP:20260411T005007
CREATED:20251015T205257Z
LAST-MODIFIED:20251015T205453Z
UID:10003528-1761586200-1761591600@vpa.uncg.edu
SUMMARY:Studio Voice Recital
DESCRIPTION:https://youtube.com/live/TdgcI_CwC7M\n\n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nkeyboard\, music\, piano\, student recital\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/studio-voice-recital-14/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/08/studio-recital-feature.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251027T193000
DTEND;TZID=America/New_York:20251027T210000
DTSTAMP:20260411T005007
CREATED:20251027T021627Z
LAST-MODIFIED:20251027T021630Z
UID:10003558-1761593400-1761598800@vpa.uncg.edu
SUMMARY:Student Composers Concert
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nkeyboard\, music\, piano\, student recital\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube\n\n\n\n\n\n\n\nhttps://youtube.com/live/Ug0xX986HbM
URL:https://vpa.uncg.edu/single-event/student-composers-concert-4/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/08/studio-recital-feature.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251028T090000
DTEND;TZID=America/New_York:20251028T160000
DTSTAMP:20260411T005007
CREATED:20251003T150323Z
LAST-MODIFIED:20251003T150327Z
UID:10003486-1761642000-1761667200@vpa.uncg.edu
SUMMARY:Crossing the Coulee
DESCRIPTION:Kate Gordon’s studio practice focuses on painting in the expanded field\, sourcing inspiration from pop-up books\, dioramas\, and collage. The dream imagery that Gordon mines aims to capture the strangeness of the waking world\, which is often not as logical as it might at first appear. Gordon has shown her paintings\, collages\, and video works nationally; exhibitions include a site-specific installation “Alligator Naps” at the Hilliard Art Museum\, curation into the Weatherspoon Art Museum’s “Art on Paper” exhibition\, and an invitation to create a public video installation at Block 2\, a visual platform for new media artists in Raleigh\, NC. Most recent professional accomplishments include participation in Kolaj Institute’s Artist Residency in Scotland\, curation into “Is This Too Much?”\, a maximalist exhibition at Le Mieux Galleries\, and inclusion in the “Louisiana Contemporary” exhibition at the Ogden Museum of Southern Art. Gordon currently holds the position of Associate Professor of Figure Drawing & Foundations at the University of Louisiana at Lafayette. She earned an M.F.A. from the University of North Carolina at Greensboro and a B.F.A. from Pratt Institute. \n\n\n\nExhibition runs October 16 – December 5\, 2025 Monday – Friday\, 8am – 4pmArtist Talk and Reception October 16\, 4:30pm
URL:https://vpa.uncg.edu/single-event/crossing-the-coulee-2/2025-10-28/
LOCATION:UNCG Gatewood Studio Arts Building\, 527 Highland Ave\, Greensboro\, NC\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/10/KateGordonPoster_V5-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251028T120000
DTEND;TZID=America/New_York:20251101T170000
DTSTAMP:20260411T005007
CREATED:20250929T033657Z
LAST-MODIFIED:20250929T033701Z
UID:10003471-1761652800-1762016400@vpa.uncg.edu
SUMMARY:A Foundations Yearbook\, Art exhibition
DESCRIPTION:Embody: A Foundations Yearbook\n\n\n\nFeaturing Self Portraits by over 100 First-Year School of Art Students  \n\n\n\n\n\n\n\nOctober 28 – November 1\, 2025\n\n\n\nReception: Friday\, October 31st | 5-7P\n\n\n\nMore About Embody: A Foundations Yearbook  \n\n\n\nEmbody: A Foundations Yearbook is a self-portrait exhibition featuring new art majors in a new place through self-reflection and a show of community. Over 100 first-year\, first semester students will be presented as part of the First-Year Foundations course led by Professor Christopher Thomas.  \n\n\n\n \n\n\n\nGreensboro Project Space Weekly Gallery Hours: \n\n\n\nTuesday – Friday\, 12 -5 PM \n\n\n\nSaturday\, 2-5PM
URL:https://vpa.uncg.edu/single-event/a-foundations-yearbook-art-exhibition/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:College of Visual and Performing Arts,Greensboro Project Space,School of Art
ATTACH;FMTTYPE=image/png:https://vpa.uncg.edu/wp-content/uploads/2025/09/Foundations-YB_8.5x11_FINAL-scaled.png
ORGANIZER;CN="Greensboro Project Space":MAILTO:greensboroprojectspace@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251028T193000
DTEND;TZID=America/New_York:20251028T210000
DTSTAMP:20260411T005007
CREATED:20250929T195432Z
LAST-MODIFIED:20251023T001632Z
UID:10003472-1761679800-1761685200@vpa.uncg.edu
SUMMARY:Halloween Organ Spooktacular
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nkeyboard\, music\, piano\, student recital\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/halloween-organ-spooktacular-4/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2023/09/halloween-organ-spooktacular.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251028T193000
DTEND;TZID=America/New_York:20251028T210000
DTSTAMP:20260411T005007
CREATED:20251015T205935Z
LAST-MODIFIED:20251016T132359Z
UID:10003529-1761679800-1761685200@vpa.uncg.edu
SUMMARY:Student Composers Concert
DESCRIPTION:https://youtube.com/live/Ug0xX986HbM\n\n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nkeyboard\, music\, piano\, student recital\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/student-composers-concert-3/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/08/studio-recital-feature.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251029T090000
DTEND;TZID=America/New_York:20251029T160000
DTSTAMP:20260411T005007
CREATED:20251003T150323Z
LAST-MODIFIED:20251003T150327Z
UID:10003487-1761728400-1761753600@vpa.uncg.edu
SUMMARY:Crossing the Coulee
DESCRIPTION:Kate Gordon’s studio practice focuses on painting in the expanded field\, sourcing inspiration from pop-up books\, dioramas\, and collage. The dream imagery that Gordon mines aims to capture the strangeness of the waking world\, which is often not as logical as it might at first appear. Gordon has shown her paintings\, collages\, and video works nationally; exhibitions include a site-specific installation “Alligator Naps” at the Hilliard Art Museum\, curation into the Weatherspoon Art Museum’s “Art on Paper” exhibition\, and an invitation to create a public video installation at Block 2\, a visual platform for new media artists in Raleigh\, NC. Most recent professional accomplishments include participation in Kolaj Institute’s Artist Residency in Scotland\, curation into “Is This Too Much?”\, a maximalist exhibition at Le Mieux Galleries\, and inclusion in the “Louisiana Contemporary” exhibition at the Ogden Museum of Southern Art. Gordon currently holds the position of Associate Professor of Figure Drawing & Foundations at the University of Louisiana at Lafayette. She earned an M.F.A. from the University of North Carolina at Greensboro and a B.F.A. from Pratt Institute. \n\n\n\nExhibition runs October 16 – December 5\, 2025 Monday – Friday\, 8am – 4pmArtist Talk and Reception October 16\, 4:30pm
URL:https://vpa.uncg.edu/single-event/crossing-the-coulee-2/2025-10-29/
LOCATION:UNCG Gatewood Studio Arts Building\, 527 Highland Ave\, Greensboro\, NC\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/10/KateGordonPoster_V5-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251029T193000
DTEND;TZID=America/New_York:20251029T210000
DTSTAMP:20260411T005007
CREATED:20251001T155508Z
LAST-MODIFIED:20251001T155513Z
UID:10003473-1761766200-1761771600@vpa.uncg.edu
SUMMARY:Hailey Cohen\, oboe
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nkeyboard\, music\, piano\, student recital\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/hailey-cohen-oboe/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/09/student-recital-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251029T193000
DTEND;TZID=America/New_York:20251029T210000
DTSTAMP:20260411T005007
CREATED:20251015T201336Z
LAST-MODIFIED:20251015T205311Z
UID:10003527-1761766200-1761771600@vpa.uncg.edu
SUMMARY:OcTUBAfest
DESCRIPTION:https://youtube.com/live/2fHgnWWs_LI\n\n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nkeyboard\, music\, piano\, student recital\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/horn-choir-5/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/08/studio-recital-feature.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251030T090000
DTEND;TZID=America/New_York:20251030T160000
DTSTAMP:20260411T005007
CREATED:20251003T150323Z
LAST-MODIFIED:20251003T150327Z
UID:10003488-1761814800-1761840000@vpa.uncg.edu
SUMMARY:Crossing the Coulee
DESCRIPTION:Kate Gordon’s studio practice focuses on painting in the expanded field\, sourcing inspiration from pop-up books\, dioramas\, and collage. The dream imagery that Gordon mines aims to capture the strangeness of the waking world\, which is often not as logical as it might at first appear. Gordon has shown her paintings\, collages\, and video works nationally; exhibitions include a site-specific installation “Alligator Naps” at the Hilliard Art Museum\, curation into the Weatherspoon Art Museum’s “Art on Paper” exhibition\, and an invitation to create a public video installation at Block 2\, a visual platform for new media artists in Raleigh\, NC. Most recent professional accomplishments include participation in Kolaj Institute’s Artist Residency in Scotland\, curation into “Is This Too Much?”\, a maximalist exhibition at Le Mieux Galleries\, and inclusion in the “Louisiana Contemporary” exhibition at the Ogden Museum of Southern Art. Gordon currently holds the position of Associate Professor of Figure Drawing & Foundations at the University of Louisiana at Lafayette. She earned an M.F.A. from the University of North Carolina at Greensboro and a B.F.A. from Pratt Institute. \n\n\n\nExhibition runs October 16 – December 5\, 2025 Monday – Friday\, 8am – 4pmArtist Talk and Reception October 16\, 4:30pm
URL:https://vpa.uncg.edu/single-event/crossing-the-coulee-2/2025-10-30/
LOCATION:UNCG Gatewood Studio Arts Building\, 527 Highland Ave\, Greensboro\, NC\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/10/KateGordonPoster_V5-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251030T173000
DTEND;TZID=America/New_York:20251030T190000
DTSTAMP:20260411T005007
CREATED:20251020T141328Z
LAST-MODIFIED:20251028T144731Z
UID:10003539-1761845400-1761850800@vpa.uncg.edu
SUMMARY:Angela Moretti\, bassoon
DESCRIPTION:https://youtube.com/live/Dc-lHepU4oY\n\n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nkeyboard\, music\, piano\, student recital\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/angela-moretti-bassoon/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/09/student-recital-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251030T193000
DTEND;TZID=America/New_York:20251030T210000
DTSTAMP:20260411T005007
CREATED:20250916T155405Z
LAST-MODIFIED:20250926T214005Z
UID:10003446-1761852600-1761858000@vpa.uncg.edu
SUMMARY:Carlos Castilla\, guitar
DESCRIPTION:Lorena Guillén\, voiceAlejandro Rutty\, electric bass\n\n\n\nThis concert is partially funded by the Robinson Family Fund in PopTech and Music Composition. \n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nkeyboard\, music\, piano\, student recital\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/carlos-castilla-guitar/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/09/guest-artist-recital-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251031T010000
DTEND;TZID=America/New_York:20251031T030000
DTSTAMP:20260411T005007
CREATED:20250731T184229Z
LAST-MODIFIED:20251016T200632Z
UID:10003531-1761872400-1761879600@vpa.uncg.edu
SUMMARY:Rough Magic
DESCRIPTION:By Roberto Aguirre-SacasaDirected by Aaron Sparks \n\n\n\nDates:Oct. 31 at 7:30 p.m.Nov. 1 at 2 p.m. & 7:30 p.m.Nov. 2 at 2 pm & 7:30 p.m. \n\n\n\nTickets: Call the UNCG Theatre Box Office at 336-334-4392 or click the button below to purchase tickets online. \n\n\n\nPurchase Tickets \n\n\n\nAge Rating: PGRun Time: Approx. 2 hrs.Production Location: Pam and David Sprinkle Theatre (Brown Building)\, 402 Tate St\, Greensboro\, NC 27412Frame/Works Discussion via Teams and in Person: Nov. 3 at 7:00 p.m.To attend Frame/Works in person\, please visit room 130 in the Moore Nursing Building located at 318 McIver St. \n\n\n\nSummary: \n\n\n\nWhat happens when Shakespeare collides with superheroes in the heart of New York City? Pure magical mayhem. In Rough Magic\, characters from The Tempest are hurled into modern-day Manhattan in a high-stakes\, spell-slinging adventure where the fate of the city hangs in the balance. The villain? Prospero—an exiled sorcerer hellbent on reclaiming his stolen book of magic\, even if it means unleashing chaos and destroying the city. Standing in his way? A hilariously mismatched band of heroes: Melanie Porter\, a sharp-tongued dramaturg who can pull characters out of plays; Caliban\, Prospero’s muscle-bound (and slightly clueless) son; Tisiphone\, a vengeful Fury with a flair for the dramatic; and Chet Baxter\, a teenage lifeguard with more guts than sense. Think Harry Potter meets the X-Men\, with a dash of Shakespearean swagger. The magic is real. The danger is epic. And the drama? Off the charts.
URL:https://vpa.uncg.edu/single-event/rough-magic/2025-10-31/
LOCATION:Pam and David Sprinkle Theatre\, 402 Tate Street\, Greensboro\, NC\, 27403\, United States
CATEGORIES:College of Visual and Performing Arts,School of Theatre
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/07/SoT_rough-magic_program-cover.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251031T090000
DTEND;TZID=America/New_York:20251031T160000
DTSTAMP:20260411T005007
CREATED:20251003T150323Z
LAST-MODIFIED:20251003T150327Z
UID:10003489-1761901200-1761926400@vpa.uncg.edu
SUMMARY:Crossing the Coulee
DESCRIPTION:Kate Gordon’s studio practice focuses on painting in the expanded field\, sourcing inspiration from pop-up books\, dioramas\, and collage. The dream imagery that Gordon mines aims to capture the strangeness of the waking world\, which is often not as logical as it might at first appear. Gordon has shown her paintings\, collages\, and video works nationally; exhibitions include a site-specific installation “Alligator Naps” at the Hilliard Art Museum\, curation into the Weatherspoon Art Museum’s “Art on Paper” exhibition\, and an invitation to create a public video installation at Block 2\, a visual platform for new media artists in Raleigh\, NC. Most recent professional accomplishments include participation in Kolaj Institute’s Artist Residency in Scotland\, curation into “Is This Too Much?”\, a maximalist exhibition at Le Mieux Galleries\, and inclusion in the “Louisiana Contemporary” exhibition at the Ogden Museum of Southern Art. Gordon currently holds the position of Associate Professor of Figure Drawing & Foundations at the University of Louisiana at Lafayette. She earned an M.F.A. from the University of North Carolina at Greensboro and a B.F.A. from Pratt Institute. \n\n\n\nExhibition runs October 16 – December 5\, 2025 Monday – Friday\, 8am – 4pmArtist Talk and Reception October 16\, 4:30pm
URL:https://vpa.uncg.edu/single-event/crossing-the-coulee-2/2025-10-31/
LOCATION:UNCG Gatewood Studio Arts Building\, 527 Highland Ave\, Greensboro\, NC\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/10/KateGordonPoster_V5-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251031T160000
DTEND;TZID=America/New_York:20251031T170000
DTSTAMP:20260411T005007
CREATED:20251023T000345Z
LAST-MODIFIED:20251023T001550Z
UID:10003547-1761926400-1761930000@vpa.uncg.edu
SUMMARY:A Preliminary Canon of Pinball Music (in a Post-Canonic World)
DESCRIPTION:Irna Priore Music and Culture Lecture Series\n\n\n\n\n\n\n\nDr. Neil Lerner J. Estes Millner Professor of Music Chair of Film\, Media\, and Digital Studies Davidson College  \n\n\n\nFor roughly two decades\, scholars have been researching\, writing\, discussing\, and teaching about music in video games. A recent RILM search for the phrase “video game” yielded nearly 1200 hits\, but a search for “pinball” brings a mere 12\, only one of which is an essay focusing on music in pinball machines. Pinball music is then an almost entirely unstudied phenomenon\, despite the foundational role pinball played as an industry for the emergence of the video game industry in the 1970s. Amidst this torrent of dissertations\, journal articles\, monographs\, and essay collections about video game music\, the still-young field has recently and usefully questioned the utility and drawbacks of the canon of video game music that has emerged.  \n\n\n\nA preliminary canon of pinball music risks repeating some of a canon’s elitist and exclusionary impacts; yet for such an unknown and unstudied topic\, a canon may provide benefits by offering potentially illuminating exemplars. Karen Cook’s recent 2020 questioning of video game music canons poses five categories by which a ludomusicological canon might be configured: through a focus on composers\, particular musical works\, consoles/systems\, eras\, and technological capabilities/constraints. Using that framework\, together with research grounded in archival materials from pinball companies\, patent records\, industry periodicals\, as well as composer interviews and recordings of the games themselves\, this presentation will propose a preliminary canon by providing a brief historical overview of sound and music in pinball machines\, and then will focus on some of the most aesthetically and thematically innovative game soundtracks. In so doing\, this talk will bring recognition and attention to the work of groundbreaking composers such as Suzanne Ciani\, Brian Schmidt\, Chris Granner\, and Dave Zabriskie.  \n\n\n\n\n\n\nEvent Details\n\n\n\n\nPriore Music and Culture Lecture Series\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nkeyboard\, music\, piano\, student recital\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/a-preliminary-canon-of-pinball-music-in-a-post-canonic-world/
LOCATION:Music 221\, 100 McIver St\, Greensboro\, North Carolina\, 27410\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/10/Neil-Lerner-Headshot_Gerardo-Lopez.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251101T010000
DTEND;TZID=America/New_York:20251101T030000
DTSTAMP:20260411T005007
CREATED:20250731T184229Z
LAST-MODIFIED:20251016T200632Z
UID:10003532-1761958800-1761966000@vpa.uncg.edu
SUMMARY:Rough Magic
DESCRIPTION:By Roberto Aguirre-SacasaDirected by Aaron Sparks \n\n\n\nDates:Oct. 31 at 7:30 p.m.Nov. 1 at 2 p.m. & 7:30 p.m.Nov. 2 at 2 pm & 7:30 p.m. \n\n\n\nTickets: Call the UNCG Theatre Box Office at 336-334-4392 or click the button below to purchase tickets online. \n\n\n\nPurchase Tickets \n\n\n\nAge Rating: PGRun Time: Approx. 2 hrs.Production Location: Pam and David Sprinkle Theatre (Brown Building)\, 402 Tate St\, Greensboro\, NC 27412Frame/Works Discussion via Teams and in Person: Nov. 3 at 7:00 p.m.To attend Frame/Works in person\, please visit room 130 in the Moore Nursing Building located at 318 McIver St. \n\n\n\nSummary: \n\n\n\nWhat happens when Shakespeare collides with superheroes in the heart of New York City? Pure magical mayhem. In Rough Magic\, characters from The Tempest are hurled into modern-day Manhattan in a high-stakes\, spell-slinging adventure where the fate of the city hangs in the balance. The villain? Prospero—an exiled sorcerer hellbent on reclaiming his stolen book of magic\, even if it means unleashing chaos and destroying the city. Standing in his way? A hilariously mismatched band of heroes: Melanie Porter\, a sharp-tongued dramaturg who can pull characters out of plays; Caliban\, Prospero’s muscle-bound (and slightly clueless) son; Tisiphone\, a vengeful Fury with a flair for the dramatic; and Chet Baxter\, a teenage lifeguard with more guts than sense. Think Harry Potter meets the X-Men\, with a dash of Shakespearean swagger. The magic is real. The danger is epic. And the drama? Off the charts.
URL:https://vpa.uncg.edu/single-event/rough-magic/2025-11-01/3/
LOCATION:Pam and David Sprinkle Theatre\, 402 Tate Street\, Greensboro\, NC\, 27403\, United States
CATEGORIES:College of Visual and Performing Arts,School of Theatre
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/07/SoT_rough-magic_program-cover.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251101T100000
DTEND;TZID=America/New_York:20251101T100000
DTSTAMP:20260411T005007
CREATED:20250821T153918Z
LAST-MODIFIED:20250821T153921Z
UID:10003369-1761991200-1761991200@vpa.uncg.edu
SUMMARY:School of Dance Auditions
DESCRIPTION:The school of dance will be hosting auditions for potential undergraduate students.   \n\n\n\n10:00am start Coleman Building Lobby  
URL:https://vpa.uncg.edu/single-event/school-of-dance-auditions/
LOCATION:Coleman Building\, 1408 Walker Ave\, Greensboro\, North Carolina\, 27412\, United States
CATEGORIES:School of Dance
ORGANIZER;CN="School of Dance":MAILTO:dance@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251101T140000
DTEND;TZID=America/New_York:20251101T160000
DTSTAMP:20260411T005007
CREATED:20250731T184229Z
LAST-MODIFIED:20251016T200632Z
UID:10003350-1762005600-1762012800@vpa.uncg.edu
SUMMARY:Rough Magic
DESCRIPTION:By Roberto Aguirre-SacasaDirected by Aaron Sparks \n\n\n\nDates:Oct. 31 at 7:30 p.m.Nov. 1 at 2 p.m. & 7:30 p.m.Nov. 2 at 2 pm & 7:30 p.m. \n\n\n\nTickets: Call the UNCG Theatre Box Office at 336-334-4392 or click the button below to purchase tickets online. \n\n\n\nPurchase Tickets \n\n\n\nAge Rating: PGRun Time: Approx. 2 hrs.Production Location: Pam and David Sprinkle Theatre (Brown Building)\, 402 Tate St\, Greensboro\, NC 27412Frame/Works Discussion via Teams and in Person: Nov. 3 at 7:00 p.m.To attend Frame/Works in person\, please visit room 130 in the Moore Nursing Building located at 318 McIver St. \n\n\n\nSummary: \n\n\n\nWhat happens when Shakespeare collides with superheroes in the heart of New York City? Pure magical mayhem. In Rough Magic\, characters from The Tempest are hurled into modern-day Manhattan in a high-stakes\, spell-slinging adventure where the fate of the city hangs in the balance. The villain? Prospero—an exiled sorcerer hellbent on reclaiming his stolen book of magic\, even if it means unleashing chaos and destroying the city. Standing in his way? A hilariously mismatched band of heroes: Melanie Porter\, a sharp-tongued dramaturg who can pull characters out of plays; Caliban\, Prospero’s muscle-bound (and slightly clueless) son; Tisiphone\, a vengeful Fury with a flair for the dramatic; and Chet Baxter\, a teenage lifeguard with more guts than sense. Think Harry Potter meets the X-Men\, with a dash of Shakespearean swagger. The magic is real. The danger is epic. And the drama? Off the charts.
URL:https://vpa.uncg.edu/single-event/rough-magic/2025-11-01/1/
LOCATION:Pam and David Sprinkle Theatre\, 402 Tate Street\, Greensboro\, NC\, 27403\, United States
CATEGORIES:College of Visual and Performing Arts,School of Theatre
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/07/SoT_rough-magic_program-cover.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251101T200000
DTEND;TZID=America/New_York:20251101T200000
DTSTAMP:20260411T005007
CREATED:20250316T155148Z
LAST-MODIFIED:20250815T143650Z
UID:10003119-1762027200-1762027200@vpa.uncg.edu
SUMMARY:Ephrat Asherie Dance
DESCRIPTION:Ephrat “Bounce” Asherie is a New York City-based choreographer\, performer\, and b-girl and a 2016 Bessie Award Winner for Innovative Achievement in Dance. Asherie has received numerous awards to support her work including Dance Magazine’s Inaugural Harkness Promise Award and two National Dance Project Awards. In 2019 she was the recipient of a NYFA Fellowship and is currently a Jerome Hill Artist Fellow. \n\n\n\nAs Artistic Director of Ephrat Asherie Dance\, Asherie’s work has been presented nationally and internationally with commissions from companies including Malpaso and Parsons Contemporary Dance and additional commissions from Vail Dance Festival\, Fall for Dance\, River to River\, Firatatrrega\, and Works & Process at the Guggenheim. Her latest work\, UNDERSCORED—awarded a 2019 Creation and Development Award from the National Performance Network and a 2022 National Dance Project—premiered in November 2022 at Works & Process at the Guggenheim. \n\n\n\nAsherie is honored to have been mentored by Richard Santiago (a.k.a. Break Easy) and to have worked and collaborated with Michelle Dorrance\, Doug Elkins\, Rennie Harris\, Bill Irwin\, Gus Solomons\, Jr. and Buddha Stretch\, among others. Asherie earned her BA from Barnard College\, Columbia University in Italian and her MFA from the University of Wisconsin Milwaukee where she researched the vernacular jazz dance roots of contemporary street and club dances. She is a co-founding member of the all-female house dance collective MAWU and is forever grateful to NYC’s underground dance community for inspiring her to pursue a life as an artist. \n\n\n\n\n\n\n\nOrchestra/MezzBalconyUNCG Students$7.50$7.50UNCG Faculty/Staff$25.00$25.00Adults$45.00$30.00Seniors/Military$35.00$20.00Children (K-12)$10.00$10.00\n\n\n\n\nPURCHASE TICKETS\n\n\n\n\n* Tickets to CVPA and UCLS events are sold exclusively through our box office locations and ETix website\, and nowhere else. Tickets purchased through third-party vendors cannot be honored. \n\n\n\n\n\n\n\n\n\n\nIn addition to public presentations\, artists in the UCLS series have important interactions with UNCG students\, such as holding masterclasses\, talkback sessions\, and seminars\, often just hours before performing on stage. Thanks to a grant from The Cemala Foundation\, some of these artists also work with K-12 students in the Guilford County Schools.
URL:https://vpa.uncg.edu/single-event/ephrat-asherie-dance/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,UCLS
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/03/UNDERSCORED_Lafotographeuse_Pictured_Archie-Burnett_Bravo-Brahms-LaFortune_cropped-scaled.jpg
END:VEVENT
END:VCALENDAR