A Decade of Darkness
2025-09-09 03:30 - 16:00, 2025-09-08 03:30 - 16:00, 2025-09-05 03:30 - 16:00, 2025-09-04 03:30 - 16:00, 2025-09-03 03:30 - 16:00 (America/New_York) | Gatewood Studio Arts Center, 527 Highland Ave, Greensboro, NC 27412, USA, 527 Highland Ave, Greensboro, 27412, United States
Photographer MJ Sharp is a documentary artist based in Durham, North Carolina. She was a visiting Fulbright Scholar at the University of Exeter, UK, for the 2021/2022 academic year pursuing the art/science collaboration Our Disappearing Darkness and Recreating True Night with nocturnal ecologist Dr. Kevin Gaston.

To learn more about MJ Sharp visit: https://mjsharp.com/

Book of Days
2025-09-07 19:30 - 22:00, 2025-09-07 14:00 - 16:30 | Coleman Theatre, 1408 Walker Ave, Greensboro, North Carolina, 27412, United States
By Lanford WilsonDirected by Jennifer G. Vellenga

Dates:February 6 at 7:30 p.m.February 7 at 2 p.m. & 7:30 p.m.February 8 at 2 p.m. & 7:30 p.m.

Tickets: Call the UNCG Theatre Box Office at 336-334-4392 when classes are in session or click the button below to purchase tickets online.

Purchase Tickets

Age Rating: PG-13Run Time: Approx. 2.5 hrs.Production Location: Coleman Dance Theatre, 1408 Walker Ave, Greensboro, NC 27412

Summary:

In a quiet Missouri town, a storm is brewing—and it’s not just the weather. When a mysterious death shakes the heart of this seemingly peaceful community, Ruth Hoch refuses to accept the official story. Armed with relentless curiosity and a fierce sense of justice, she dives headfirst into a tangled web of small-town secrets—where jealousy simmers, religion casts long shadows, and truth is a dangerous thing to chase. Book of Days is a gripping, fast-paced mystery that unravels like a thriller, pulling you deeper with every twist. In this town, everyone has something to hide—and Ruth is about to uncover it all.

Book of Days is presented by special arrangement with Broadway Licensing, LLC, servicing the Dramatists Play Service collection. (www.dramatists.com)

The last days of the news and record photo exhibition
2025-09-02 12:00 - 2025-09-06 17:00 | Greensboro Project Space, 111 E February 1 Pl, Greensboro, NC 27406, USA
Last Days of the News and Record

Photo Exhibition by Mercer Bufter

September 2 – 6, 2025

Reception: Friday, Sept 5th | 6-8P

More About Last Days of the News and Record

I didn’t think much about the News and Record building until they started knocking it down. Then I got kind of obsessed. I photographed the building and site routinely, mostly while I was doing other things. I used whatever camera and film I was carrying at the moment. In that way, my photos of the News and Record are both intentional and careless, considered and unplanned. All of the stories connected to that site are basically hidden from me. The photographs are simply visual explorations of what it’s like to wonder about a specific place many times over many months. In addition to the prints on the wall, there are two volumes of photos for passers-by to browse. The News and Record site is a small plot and an inherent part of this work is the repetition of views and details as they changed over the months. The interior photos, on the other hand, cannot be updated since the destruction of the building was final. Those images, and the hidden stories connected to them, receded farther and farther into the past as the site was cleared of machinery, cleared of rubble, and filled in with grasses and weeds. They continue to recede, I suppose, as the geese enjoy the new little pond they’ve gained since the demolition of the News and Record.

More About Mercer

Mercer Bufter is a poet and photographer in Greensboro, N.C. His photos of Beef Burger were exhibited in Greensboro Project Space’s 2024 Community Arts Show and his series on the destruction of Henry Louis Smith Homes on Florida Street was shown at Hemphill Branch Library and Vance Chavis Branch Library, both in 2024. He photographs people, places, and things wherever he goes.

To learn more follow Mercer on instagram @ mr._ez_pz

Greensboro Project Space Weekly Gallery Hours:

Tuesday – Friday, 12 -5 PM

Saturday, 2-5PM

Mind's eye art exhibition
2025-09-02 12:00 - 2025-09-06 17:00 | Greensboro Project Space, 111 E February 1 Pl, Greensboro, NC 27406, USA
Mind’s Eye

A journey from illness to healing: A neurodivergent perspective

Painting Exhibition by Anne R. Laperriere

September 2 – 6, 2025

*Reception: Friday, Sept 5th | 6-8P

**Artist Talk: Saturday, Sept 6th | 2:30-3:30P

*live music by Rene El Jaguar

**with Special guest Slam Poet Euridice L. White

More About Mind’s Eye

I had the courage to begin this series of autobiographical acrylic paintings in 2022. The series is made up of bold, figurative works whose characters, mostly self likenesses, show states of mental health and illness I’ve grown into, out of, and lived with during my lifetime. The viewer is taken into scenes expressing feelings and events such as depression, terror, mania, solitude, and thriving experienced during a lifetime of neurodivergent existence. “Mind’s Eye” speaks about mental illness, wellbeing, and the transformation and healing of the human mind and spirit.

Colors in the compositions are either confronting and contrasting, or subdued, foreboding and calm. The paint is layered, creating an obsessive history and rich hue. Animal beings and symbolic images appear intermingled with the figures. Paleolithic and Neolithic pattern and sculpture and hints of ancient mysticism also appear, plumbing the depths of the psyche and communicating in a primal language of emotion and notion. Brushstrokes are broad and emotive or tiny and repetitive. A carefully considered, bold composition of shapes and human/animal bodies is seen from afar, while tedious detail work is enjoyed up close.

More About Anne

Anne Laperriere is a multi-disciplinary artist who grew up in and around Detroit, Michigan. Here, she spent her childhood lost in art making, branching out to other activities such as dissecting deceased birds in the backyard, melting plastic animals in the microwave, and experimenting with her mother’s cosmetics.

Her lifelong obsession with art led her to earn a scholarship for study of sculpture at the Cleveland Institute of Art. She experienced working and interning in the field of museum taxidermy and exhibit creation at the Cleveland Museum of Natural History, and the Smithsonian’s exhibits department. When bouts with undiagnosed bipolar disorder became challenging, Anne relocated away from the harsh winters in Detroit and Cleveland to her current Winston Salem, North Carolina. Here she worked for fifteen years in an operating room, while creating a painting series of inspirations experienced on the job.

In the present, Anne is employed as a faux-finisher, and in her basement studio builds a series of paintings about her experiences through mental illness and wellbeing. She has turned to art making as a therapy, an expression, and a means of communication about her journey as a human being through existence.

Learn more about Anne by visiting her website here and following her in IG: @anne_ruth_laperriere

Greensboro Project Space Weekly Hours:

Tuesday-Friday, 12-5p

Saturday, 2-5p

Fantastic creatures, Beautiful beasts art exhibition
2025-08-26 12:00 - 2025-08-30 17:00 | Greensboro Project Space, 111 E February 1 Pl, Greensboro, NC 27406, USA
Fantastic Creatures, Beautiful Beasts

Exhibition by Paige Cox & Natalie Schorr

August 26 – 30, 2025

Reception: Friday, August 29th | 6-8P

More About Fantastic Creatures, Beautiful Beasts

What if you gave your imagination total freedom?

Strange creatures, imagined worlds, curious hybrids—do they only exist in our minds, or can we bring them to life?

This work lives in that in-between space,where fantasy becomes form and play becomes purpose.

Colors misbehave. Materials mix in unexpected ways.There are no rules about size, shape, or seriousness.

It’s about creating for the sheer joy of it.About letting imagination lead, wherever it wants to go.

Sometimes it’s funny. Sometimes it’s unsettling.Often, it’s both.

Now feels like a good time to escape a little—to let our minds bend toward something beautifully strange.

Enjoy some happiness!

Natalie and Paige

More About Paige Cox

Paige Cox, a fiber artist based in North Carolina, is celebrated for her distinctive textile creations and inventive sculptures using paper mache’ and found objects. Known for her experimentation with various materials and techniques like felting, weaving, tufting, and up-cycled art assembly, Paige currently focuses on creating art to help us escape.

Infusing her work with lively colors and textures, she brings a playful touch and a sense of humor to her pieces. Paige strives to make her art approachable, inviting people to engage with art and enjoy experiencing works made to provoke a smile.

Paige Cox uses fiber like some people use fireworks: loud, unpredictable, and guaranteed to leave an impression. This North Carolina-based artist spins vibrant sculptures from tufted yarn, scrap fabric, and bits of upcycled treasures she finds irresistible. Her art is rooted in whimsy, but her vision is clear: fiber is a tool for connection, not just decoration.

Tufting anchors her process—quick, immersive, and joyfully chaotic. Her pieces vibrate with energy, overflowing with color and touchable texture. There’s a sense of invitation in her work, a wink of mischief that says: come closer, it’s okay to laugh.

Cox doesn’t stay still. She leaps between mediums—felting, weaving, found-object collage—guided by a love of the unexpected. Materials are sourced from anywhere and everywhere, reimagined into forms that feel both familiar and fantastical.

Her goal? To make art that resonates on a gut level—fun to look at, fun to think about, and maybe even fun to hold. She’s not afraid of color, not afraid of play, and definitely not afraid to remind us that art can be strange and sincere at the same time.

To learn more follow Paige on instagram @paigecox_art

More About Natalie Schorr

Born into the waning days of the Eisenhower administration, Natalie’s work is influenced by her memories of the 1960s and 70s, and is usually based on people and emotions rather than places or things.

Natalie Schorr spent 12 years working as an art director and set designer in motion pictures and television before leaving to raise her children. Her early work focused on realistic drawing and watercolor. In 1999, she added printmaking to her skills, experimenting extensively with early photopolymers and other nontoxic methods.

Over time, Natalie’s work has become more focused on analog collage mixed media, frequently employing printmaking as a starting point. Her current work includes old and recycled items, with works primarily relating to memory and social comment arising from past trauma. Natalie believes that in a perfect moment, mixed media brings together all her skills to create something no one skill or medium could possibly express.

After living in several cities over 4 states, Natalie recently returned to Greensboro, NC. She holds a BFA in Costume Design from the University of North Carolina Greensboro, and an MFA in Scene Design from Carnegie Mellon University. Her studio includes a large printing press and an embarrassingly comprehensive supply of old magazines, wallpapers and ephemera.

My work comes from my personal experiences and memories, and it expresses feelings I cannot adequately explain with words. As with most pop surrealism there is usually an element of humor that’s obscure, which helps me cope with life.

To learn more visit her website here and follow her on Instagram @natalieschorrart

Greensboro Project Space Weekly Hours

Tuesday-Friday, 12-5p

Saturday, 2-5p

This black feeling Art exhibition
2025-08-19 12:30 - 2025-08-23 17:00 | Greensboro Project Space, 111 E February 1 Pl, Greensboro, NC 27406, USA
This Black Feeling

Solo Exhibition by Zaire Miles-MoultriE

August 19 – August 23, 2025

Reception: Friday, August 22nd | 6-8P

More About This Black Feeling

This Black Feeling is a culmination of my artistic evolution thus far, bringing together works from ongoing and completed projects, individual pieces, and exploratory sketches. Serving as a window into my visual world, it reveals the techniques, narratives, and emotions that define my practice.

Moving between the surreal and the real, my work is imbued with a recurring sensation of black, but not bleak. A duality of darkness that is rich, not empty, a space of possibility rather than absence. For me black and Blackness (both as a color and a social construct) carries a profound complexity: it is a lived reality, rich with depth, emotion, beauty, a timeless resonance, and so much more. Through this collection of works, I invite viewers to engage with their layered meaning and the enduring power of black both as an aesthetic and a conceptual force.

More About Zaire

Rooted in my Southern upbringing, my work explores Blackness—both a social construct and a lived reality—alongside spirituality and otherness, transforming the familiar into the mystical. Using biblical iconography, antique Black figures, and flora and fauna, I depict the surreal duality of Southern Black existence. My practice lives at the intersection of heritage and imagination, where history meets possibility.

My collages become portals to examine identity and collective memory. Each piece begins with meticulous research into historical figures, objects, and events. I then employ various printmaking techniques to create imagery that I cut, stitch, and layer in a deliberate act of storytelling. Using both analog and digital collage methods, I construct intricate compositions guided by a simple philosophy: If I can’t find it, I’ll make it; if I can’t make it, I’ll find it. The work comes to life through traditional printmaking processes like screen-printing and lithography.

Ultimately, my practice celebrates resilience and the enduring power of printmaking and collage to provoke thought, stir emotion, and ignite change. By embracing their transformative potential, I affirm that every piece carries the power to rewrite history, reclaim agency, and reimagine the world anew—for my nieces and nephews, and for all of us.

To learn more follow Zaire on instagram @that_zaire

Greensboro Project Space Weekly Hours

Tuesday-Friday, 12-5p

Saturday, 2-5p

Summer Studios: Arts on Site! The GPS Student Artist Residency Program
2025-08-04 12:00 - 2025-08-16 17:00 | Greensboro Project Space, 111 E February 1 Pl, Greensboro, NC 27406, USA
Summer Studios: Arts on Site!

The GPS Student Residency Program

August Artists-in-Residence: mckenna jones, Melanie St Clair, Remus Steward, knia Williamson,

August Cohort | August 4 – 16, 2025

Public Open Studio Hours:

Aug 11th | 12-3p

Aug 13th | 2-5p

Aug 15th | 6-8p, Celebratory Reception

Greensboro Project Space is pleased to present its 3rd Annual Summer Studios: Arts on Site! student residency program. This residency program will assist in educating students that GPS can also act as makerspace, where they can play, experiment, take creative risks, and develop their artistic voice.

Designed to support UNCG undergraduate student artists (BA + BFA) striving to develop, adapt, and/or reinvent their creative process and to promote artistic growth and development, artists are afforded two-weeks of uninterrupted research and development, coupled with financial support and public presentational platforms to share their creative work. The residency’s mission is to be an adaptive space to build a sustaining art community for our UNCG students so their creativity and connection to the Greensboro community thrives.

August Cohort

McKenna Jones (BFA Art History, minor Art Administration) plans to investigate the relationship between gender, body image issues, and chronic illness. Drawing from personal, first-hand experience, they want to illustrate these frustrations associated with these issues and analyze the reasons why these issues are connected to each other through their artwork.

Melanie St Clair (BFA Printmaking and Drawing) is heavily inspired by paintings of Kusozu, the nine stages of death, created in the Edo period of Japan by Buddhist artists. She wants to create imagery reminding us of decay through the use of bones, old photos, graves, rot, flowers and love. This will include incorporating photography and digital collage to depict the cycle of decay. These images will be created via cyanotypes and photosensitive emulsions in order to utilize sunlight to shed warmth on such a complicated topic. They will be printed onto recycled paper that will be made in the studio.

Remus Steward (BFA Sculpture and Ceramics) intends to develop an installation with optional participation based on sense and memory. They plan to experiment with soft sculpture, sound and video, tactile and wearable elements. During the Open Artist Studio Hours and Informal Closing Celebration, they plan to give the audience the choice of participating in open and short performance-led engagements with the physical and auditory materials they produce. A main objective is to craft and engage with physical objects that will aid in the explorative process, also acting as manifestations of memory in the real world. Memories can be triggered in a variety of ways, and frequently have ties to specific scents, places, or media. By using physical sensory objects, audio, and projected video they will be creating an environment in which to explore these associations.

Knia Williamson (BFA Sculpture and Ceramics) intends on creating flower vessels inspired by her previous work, Entomophily, a simple form accentuated with floral designs. She specifically wants insight into how material impacts the aesthetic and perception of her work. This will be done with the objective of investigating how the form evolves in size, shape, and style. She proposes using a variety of materials that extend beyond her current use of earthenware clay, experimenting with plaster, fabric, and air-dry clay to allow for discovery of how the materials impact the perception of the vessels. This exploration will allow her to assess if the new materials elevate or challenge the success of her original design.

Bradley Taylor, bassoon
2025-06-30 17:30 - 19:00 | Tew Recital Hall, 100 McIver St, Greensboro, 27412, United States
https://youtube.com/live/LOLR4U217ho?feature=share

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Cloudy Art Exhibition
2025-05-27 12:00 - 2025-05-31 17:00 | Greensboro Project Space, 111 E February 1 Pl, Greensboro, NC 27406, USA
Cloudy

drawing and painting installation

by Les III

May 27 – 31, 2025

Reception: Friday, May 30th | 6-8PM

More About Cloudy

I go for regular bicycle rides scanning the horizon and the road before me. The ever-present sky always has something to show me — as does the roadway. For over a year I have focused on daily sketch studies of clouds, a practice of the fundamentals of artmaking as a way of welcoming a renewed concept of flow. I meditate on how to represent the clouds with making marks on collected bits of paper. The challenge is to use what is before me — foreign & familiar, in a way new & known to share a way of upliftingly seeing through challenges inside and outside. It is a Cloudy departure from my normal way of practice, yet informs everything I do.

This project is funded in part by the 2025 Forsyth County Regional Artist Support Grant and the North Carolina Arts Council.

More about Les III

Les Caison III is an award-winning NC homegrown visual artist. He prefers mixed media layers of expressive realism, often utilizing an illustrative, narrative approach — fashioning quirky, heartfelt tales among images of people, places, and things just waiting to connect with you time and again. His creative can-do is often seen as drawings on found paper and paintings on panel. They find their way into storied solo & group shows all over the southeastern U.S.. Peppered among his prolific 25+ year career are numerous curatorial stints, art project manager posts, residencies, commissions, and adventures too thick to mention. Les is more. His work has been exhibited in regional galleries including Asheville, Greensboro, and Raleigh; museums including the Black Mountain College Museum + Arts Center, Turchin Center for Visual Arts in Boone, and The Hickory Museum of Art; and is included in numerous private collections. Les recently completed an impressive 11 quick study portrait project during his two-week Artist-In-Residency at GreenHill’s ArtQuest. He currently represented by Winston-Salem’s Visual Index Gallery and can be found pedaling about on his bicycle under the clouds.

To learn more, visit: www.LesIII.com or follow Les on Instagram @LesThreee #LesIII

Greensboro Project Space Open Hours:

Tuesday – Friday, 12-5p

Saturday, 2-5p

Quan Cheng, collaborative piano
2025-05-20 17:30 - 19:00 | Tew Recital Hall, 100 McIver St, Greensboro, 27412, United States
https://youtube.com/live/7kba6sZnh40?feature=share

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Linxi Zhao, collaborative piano
2025-05-19 17:30 - 19:00 | Tew Recital Hall, 100 McIver St, Greensboro, 27412, United States
https://youtube.com/live/L0DF8dwqlWY?feature=share

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Summer Studios: Arts on Site! The GPS Student Artist Residency Program
2025-05-12 12:00 - 2025-05-24 17:00 | Greensboro Project Space, 111 E February 1 Pl, Greensboro, NC 27406, USA
Summer Studios: Arts on Site!

The GPS Student Residency Program

May Artists-in-Residence: Linda Boike, Morgan Hesse, Melanie McAllister, Jalen Williams

May Cohort | May 12 – 24, 2025

Public Open Studio Hours:

May 19th | 12-3p

May 21st | 2-5p

May 23rd | 6-8p, Celebratory Reception

Greensboro Project Space is pleased to present its 3rd Annual Summer Studios: Arts on Site! student residency program. This residency program will assist in educating students that GPS can also act as makerspace, where they can play, experiment, take creative risks, and develop their artistic voice.

Designed to support UNCG undergraduate student artists (BA + BFA) striving to develop, adapt, and/or reinvent their creative process and to promote artistic growth and development, artists are afforded two-weeks of uninterrupted research and development, coupled with financial support and public presentational platforms to share their creative work. The residency’s mission is to be an adaptive space to build a sustaining art community for our UNCG students so their creativity and connection to the Greensboro community thrives.

May Cohort

Linda Boike (BA Printmaking and Drawing) intends to investigate her repeatable processes by setting up stations for herself that will serve to keep her busy. She wants to reap and sow. She has more recently been marrying her artistic process with her writing process, which she would like to incorporate into the residency with hopes of involving other participating artists in doing pass around poems for basic idea generation. She also has a desire to expand on previous work themes and make more worms, creatures, and color/darkness poems. Spending time in one place will always cause accumulation.

Melanie McAllister’s (BFA Painting) artistic practice is rooted in the sensual and tactile nature of oil painting, which she uses as a means of catharsis and personal reflection. Primarily focused on figurative oil paintings, she explores themes of vulnerability, spirituality, and the formative experiences that have shaped her identity. She aims to create a visual language that reaches beyond her individual experience and resonates with those who view it. She intends to experiment with different paint application methods and processes to help push her approach to these thematic elements and push her work to larger scales.

Jalen Williams (BFA Printmaking and Drawing) plans to explore alternative forms of printmaking and drawing practices. This includes methods such as monoprinting, gelli plate printing, and kitchen lithography. He wants to investigate what are the most portable and easily accessible ways of doing printmaking practices on the go. When viewing most printmaking techniques, most require a sum of items and accessible studio space, such as press machines, various chemicals, and tools. With the residency, he will propose ways both himself and others can explore the world of printmaking on a smaller scale with more accessibility.

Morgan Hesse (BFA Photography) plans to deepen her exploration into experimental alternative photographic processes, building upon previous work with cyanotypes. Her goal is to venture into new territories by experimenting with lumens, anthotypes, and other unconventional techniques. The intended project will culminate in a series of unique images, each capturing the dynamic interplay between light, chemicals, and natural materials. A central component of her plan involves constructing a custom UV light box. This tool will allow her to control exposure precisely while experimenting with various materials such as water, dirt, salt, and other substances directly on the surfaces.

School of Music Degree Recognition Ceremony
2025-05-09 15:00 - 17:00 | First Baptist Church, 1000 W Friendly Ave, Greensboro, North Carolina, 27401, United States
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Livestream

School of Art Degree Recognition Ceremony
2025-05-09 14:00 - 15:00 | Tew Recital Hall, 100 McIver St, Greensboro, 27412, United States
Join the School of Art as we recognize the 2025 Spring graduates. The recognition ceremony will be held in the Tew Recital Hall from 2:00 – 3:00pm followed by a reception and viewing of the BFA Exhibition in the Gatewood Studio Arts Building.

Third Annual BA ART Exhibition
2025-05-06 12:00 - 2025-05-10 20:00 | Greensboro Project Space, 111 E February 1 Pl, Greensboro, NC 27406, USA
Third Annual BA Art Exhibition 2025

Curated by UNCG Students Sarah Dawkins & Beyonce Kee

Exhibition: May 6 – 10, 2025

Reception: Saturday, May 10th, 6-8p

This is the third annual instillation of the Bachelor of Arts Student Art Exhibition. This exhibition is rooted in giving BA majors a space to exhibit the work they’ve been working on throughout their degree. BA students approached Greensboro Project Space to open an exhibition to celebrate graduating BA students. Many students had compiled work throughout their degree and wanted to share. Pursuing a BA gives students a wide net to cast into creative waters as we pursue academia in the arts. Having a collaged community of artists studying in this context gives us creative exposure to each other’s making practices as we share our work within and outside of that community.

More About Curator, Sarah Dawkins

As my art studies have altered during my time at UNCG my love and admiration for the study of art and the space has only grown as this expansion is embedded in my practice. Being exposed and encouraged to a range of materials and methodology through study of art history and portfolio building early on with peers specifically has been so broadening for my psyche and life. I’m taking away creative broadening treasures with me, passed down from well versed faculty that I will use throughout my practice.

More About Curator, Beyonce Kee

As a BA student and student curator, I co-curated this exhibition not just to uplift our peers but because curating became an unexpected passion that grew from my love of building artistic community. My first experiences organizing shows revealed how powerful it is to create space for others, and this exhibition continues that mission. With no set theme, the work on display reflects the individuality, experimentation, and vision of each artist. This show is both a celebration and a declaration: that our voices matter, and that curatorial work can be an act of care, advocacy, and joy.

Featuring Student Artists

Alexis Guieb-AlimbuyuguenBeyonce KeeJadeja GainesJordan VadenLinda Parker BoikeMegan DeetsMorgan JarczaszekRachel WitzelSarah DawkinsSarah HinesSparrow Ussery IntintoloThea NettletonZainab Adamou-Mohamed

Greensboro Project Space Open Hours:

Tuesday – Friday, 12-5p

Saturday, 2-5p

A UNCG Student Cupola Team ARt Exhibition
2025-05-06 12:00 - 2025-05-10 20:00 | Greensboro Project Space, 111 E February 1 Pl, Greensboro, NC 27406, USA
The UNCG Student Cupola Team Exhibition

May 6 – 10, 2025

Reception: Saturday, May 10th, 6-8PM

Come see works made by UNCG’s Student Cupola Team! Work inspired by time spent in the Foundry internship, including pieces casted from the furnace students built named “Clank the Skank.”

Featuring UNCG Student Artists & Alumni:

Nailah Brewer

Sammi Eady

Sara Griffin

“AJ” Alexis Guieb-Alimbuyuguen

Ashley Halpren

Joseph Hodge

El King

Claire Lewis

Aryana Norris (alumna)

Jonathan Reed

Constantine Sotos Schuster

Myles Wilder

Greensboro Project Space Open Hours:

Tuesday – Friday, 12-5p

Saturday, 2-5p

Mycah Johnson, drumset
2025-05-04 19:30 - 21:00 | Music 110, 100 McIver St, Greensboro, NC, 27412, United States
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North Carolina All-State Honors Bands
2025-05-04 13:00 - 17:00 | UNCG Auditorium, 408 Tate Street, Greensboro, NC, 27412, United States

Alyssa Faith Hall, harp
2025-05-03 19:30 - 21:00 | Tew Recital Hall, 100 McIver St, Greensboro, 27412, United States
https://youtube.com/live/eLc4SxlFemM?feature=share

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Cole Agostinelli, horn
2025-05-02 19:30 - 21:00 | Tew Recital Hall, 100 McIver St, Greensboro, 27412, United States
https://youtube.com/live/SoJqkUgT5uk?feature=share

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Shelby Perez-Hendricks, percussion
2025-05-02 17:30 - 19:00 | Tew Recital Hall, 100 McIver St, Greensboro, 27412, United States
https://youtube.com/live/e03ZZ4pPjm0?feature=share

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Alan Cota-Leija, percussion
2025-05-02 15:30 - 17:00 | Tew Recital Hall, 100 McIver St, Greensboro, 27412, United States
https://youtube.com/live/uIjGCUL5k7o?feature=share

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Jasper Sonkiss, bassoon
2025-05-01 19:30 - 21:00 | Organ Hall, 100 McIver St, Greensboro, 27412, United States

Albert Lau, percussion
2025-05-01 19:30 - 21:00 | Tew Recital Hall, 100 McIver St, Greensboro, 27412, United States
https://youtube.com/live/BY01kMDltHc

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Davis Lingner, cello
2025-05-01 17:30 - 19:00 | Organ Hall, 100 McIver St, Greensboro, 27412, United States
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Parking
