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DTSTART;TZID=America/New_York:20251015T173000
DTEND;TZID=America/New_York:20251015T190000
DTSTAMP:20260411T011851
CREATED:20251010T161518Z
LAST-MODIFIED:20251015T184700Z
UID:10003522-1760549400-1760554800@vpa.uncg.edu
SUMMARY:Owen Kellam\, horn
DESCRIPTION:https://youtube.com/live/l0QiFTHPmnc?feature=share\n\n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/owen-kellam-horn/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/09/student-recital-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251017T200000
DTEND;TZID=America/New_York:20251017T200000
DTSTAMP:20260411T011851
CREATED:20250306T214055Z
LAST-MODIFIED:20250919T143315Z
UID:10003118-1760731200-1760731200@vpa.uncg.edu
SUMMARY:Count Basie Orchestra
DESCRIPTION:In the history of Jazz\, there is only one bandleader that has the distinction of having his orchestra still performing sold-out concerts all over the world\, with members personally chosen by him\, for nearly 40 years after his passing. Pianist and bandleader William James “Count” Basie was and still is an American institution that personifies the grandeur and excellence of Jazz. The Count Basie Orchestra\, today directed by Scotty Barnhart\, has won every respected jazz poll in the world at least once; won 18 Grammy Awards; performed for Kings\, Queens\, and other world Royalty; appeared in several movies and television shows; and at every major jazz festival and major concert hall in the world. \n\n\n\nThe most recent honor is a 2024 Grammy Win of Best Large Jazz Ensemble for Basie Swings the Blues!  Other honors include their 2022 Grammy Nomination for Live at Birdland\, a 2018 Grammy Nomination for All About That Basie\, which features special guests Stevie Wonder\, Jon Faddis\, and Take 6 among others\, and the 2018 Downbeat Readers Poll Award as the #1 Jazz Orchestra in the world. Their critically acclaimed release in 2015 of A Very Swingin’ Basie Christmas! is the very first holiday album in the 80-year history of the orchestra. Released on Concord Music\, it went to #1 on the Jazz charts and sold out on Amazon! Special guests include vocalists Johnny Mathis\, Ledisi\, our own Carmen Bradford\, and pianist Ellis Marsalis. \n\n\n\nA BBC TV-produced documentary on Mr. Basie and the orchestra titled Count Basie: Through His Own Eyes premiered on PBS in the US and UK in 2019 coinciding with the orchestra’s 85th Anniversary. It features interviews by Quincy Jones\, Scotty Barnhart\, Dee Askew\, John Williams\, and several other important members and associates of Mr. Basie and the orchestra.  \n\n\n\n\n\n\n\nOrchestra/MezzBalconyUNCG Students$7.50$7.50UNCG Faculty/Staff$25.00$25.00Adults$65.00$50.00Seniors/Military$55.00$40.00Children (K-12)$30.00$15.00\n\n\n\n\nPURCHASE TICKETS\n\n\n\n\n* Tickets to CVPA and UCLS events are sold exclusively through our box office locations and ETix website\, and nowhere else. Tickets purchased through third-party vendors cannot be honored. \n\n\n\n\n\n\nSome of the greatest soloists\, composers\, arrangers\, and vocalists in jazz history such as Lester Young\, Billie Holiday\, Frank Foster\, Thad Jones\, Sonny Payne\, Freddie Green\, Snooky Young\, Frank Wess\, and Joe Williams\, became international stars once they began working with the legendary Count Basie Orchestra. This great 18-member orchestra is continuing the excellent history started by Basie of stomping and shouting the blues\, as well as refining those musical particulars that allow for the deepest and most moving of swing.  \n\n\n\nCurrent members include one musician hired by Basie himself: trombonist Clarence Banks (1984).  Long-time members include Doug Miller (1989\, formerly w/Lionel Hampton)\, guitarist Will Matthews from Kansas City (1996)\, and members who have 15-25 years of service; trombonist Mark Williams\, trumpeters Shawn Edmonds and Endre Rice\, saxophonists Doug Lawrence (formerly w/Benny Goodman) and returning on lead alto\, David Glasser.  Newer members include bassist Trevor Ware\, lead trumpeter Frank Greene III\, trumpeter Brandon Lee\, pianist Reginald Thomas\, lead trombonist Isrea Butler\, bass trombonist Ronald Wilkins\, alto sax and flute Stantawn Kendrick\, and the youngest members\, drummer Robert Boone and baritone saxophonist Josh Lee.   \n\n\n\n\n\n\n\nIn addition to public presentations\, artists in the UCLS series have important interactions with UNCG students\, such as holding masterclasses\, talkback sessions\, and seminars\, often just hours before performing on stage. Thanks to a grant from The Cemala Foundation\, some of these artists also work with K-12 students in the Guilford County Schools.
URL:https://vpa.uncg.edu/single-event/count-basie-orchestra/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music,UCLS
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/03/Count-Basie-Orchestra-cropped-e1741629073922.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251020T083000
DTEND;TZID=America/New_York:20251020T160000
DTSTAMP:20260411T011851
CREATED:20250808T194202Z
LAST-MODIFIED:20260216T212147Z
UID:10003338-1760949000-1760976000@vpa.uncg.edu
SUMMARY:Open House For Prospective Music Students
DESCRIPTION:
URL:https://vpa.uncg.edu/music/open-house/
LOCATION:UNCG School of Music\, 100 McIver St\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/09/PIC13905-music-aural-skills.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251020T193000
DTEND;TZID=America/New_York:20251020T210000
DTSTAMP:20260411T011851
CREATED:20250812T175332Z
LAST-MODIFIED:20251015T200909Z
UID:10003343-1760988600-1760994000@vpa.uncg.edu
SUMMARY:George Fu\, piano
DESCRIPTION:American pianist George Xiaoyuan Fu is “one of the most exciting pianists of our time… a deep thinker\, thoroughly in command” (The Arts Desk). The winner of BBC Music Magazine’s 2024 Newcomer Award\, he is garnering international acclaim as a fearless and probing interpreter of a wide array of music\, combining “phenomenal technique with a profound sense of interpretative clarity” (Apple Music).   \n\n\n\nHighlights for Fu’s 2025-26 season include his solo debut at the Frick Collection in New York City\, playing the entire cycle of Oliver Messiaen’ Vingt Regards sur l’Enfant-Jésus; as well as a new solo piano commission he is writing for his recital at Wigmore Hall in London. He also appears at the Concertgebuow and with the Chamber Orchestra of Philadelphia with his ensemble\, Trio Zimbalist\, comprised of violinist Josef Špaček and cellist Timotheos Gavriilidis-Petrin.   \n\n\n\nFu has appeared throughout major venues around the world such as the Wigmore Hall\, Carnegie Hall\, 92nd Street Y\, Konzerthaus Berlin\, Kennedy Center\, St Martin In the Fields\, the Southbank Centre\, and Kings Place. As concerto soloist he has performed with National Symphony Orchestra (USA)\, Baltimore Symphony Orchestra\, North Carolina Symphony\, Tanglewood Music Center Orchestra\, and the Curtis Symphony Orchestra\, amongst others. He appears regularly at festivals worldwide such as the Aldeburgh\, Ryedale\, Presteigne\, Tanglewood\, Smetanova Litomyšl\, and the Santa Fe Chamber Music Festivals. His performances and interviews have been featured on broadcasts around the world\, ranging from BBC Radio 3 and National Public Radio\, to appearances on PBS/American Public Television and On Stage At Curtis in Philadelphia. In addition to Trio Zimbalist\, Fu enjoys fruitful collaborations with a wide variety of artists such as Roberto Díaz (viola)\, Dmitri Sitkovetsky (violin)\, Tamsin Waley-Cohen (violin)\, Mika Sasaki (piano)\, Liv Redpath (soprano)\, and Lotte Betts-Dean (mezzo-soprano).   \n\n\n\nAs an emerging composer\, Fu’s growing catalogue of original works and arrangements exhibits fresh imagination and virtuosity\, all the while drawing from a lifetime of studying a vast repertoire spanning several centuries. His Passacaglia on a Theme by Radiohead was recently featured on NPR’s All Songs Considered and hailed as “kind of mind-blowing” by Robin Hilton; while his arrangements of Ravel’s Daphnis et Chloé Suite No. 2 and Smetana’s Dance of the Comedians have seen successful debuts internationally. This year Trio Zimbalist will debut his first Piano Trio throughout concerts in the US.  \n\n\n\nFu’s second studio album\, Colouring Book\, was released with Platoon Classical in March 2025 to international acclaim\, with Gramophone Magazine hailing it as one of the best classical releases of the year: “Fu plays his own music with tremendous authority and colouristic resources\, as he also does with the Cruttwell-Reade and Aucoin selections… As for the Debussy Études\, Fu’s recordings contain some of the most enchantingly characterised interpretations I’ve heard since those of Ju-Ying Song\, Florent Boffard\, Mitsuko Uchida and Jean-Efflam Bavouzet. Yes\, they’re that good!” (Jed Distler) His first solo album\, MIRRORS (Platoon)\, won BBC Music Magazine’s 2024 Newcomer Award for best debut release.  \n\n\n\nFu made his concerto debut with the National Symphony Orchestra at the Kennedy Center at the age of 17. After earning a bachelor’s degree in economics from Harvard University\, Fu studied with Jonathan Biss and Meng-Chieh Liu at the Curtis Institute of Music\, and then with Christopher Elton and the Dame Myra Hess Chair of Piano Joanna MacGregor at the Royal Academy of Music. Additional mentors have included David Ludwig and Pierre-Laurent Aimard. He resides in London.  \n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/george-fu-piano/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/08/fu-george-piano-16-9.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251021T193000
DTEND;TZID=America/New_York:20251021T210000
DTSTAMP:20260411T011851
CREATED:20251002T173139Z
LAST-MODIFIED:20251015T200818Z
UID:10003477-1761075000-1761080400@vpa.uncg.edu
SUMMARY:An Evening with Demeanor
DESCRIPTION:https://youtube.com/live/RXUncMlekYo?feature=share\n\n\n\n\n “Folk music is the music we need to make…”\n\n\n\nThis performance is made possible by generous support from The Robinson Family Fund. \n\n\n\n\n\n\n\n\n\n\n\nJustin Harrington (aka Demeanor) is an MC\, banjo and bones player from Greensboro\, North Carolina. Justin studied at the College Conservatory of Music at University of Cincinnati before leaving school to join his aunt\, Rhiannon Giddens\, as part of her Freedom Highway Tour. He has been playing the banjo for several years\, crafting an unconventional fusion of hip-hop and American roots music in an effort to break down the wall separating black Americans with their own ancestral tradition\, while celebrating American folk music as an African American art form. Justin is dedicated to developing an impactful body of work\, and curating empowering environments\, striving to follow in the footsteps of his predecessors while establishing a new musical legacy. He received a 2020 OneBeat Accelerator Grant to fund his non-profit initiative\, Haus of Lacks\, which aims to connect socially-engaged artists to develop + share strategies for using art and music creation to affect direct and actionable social change in their communities. \n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/an-evening-with-demeanor/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/10/demeanor-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251022T193000
DTEND;TZID=America/New_York:20251022T210000
DTSTAMP:20260411T011852
CREATED:20251007T182413Z
LAST-MODIFIED:20251022T201434Z
UID:10003521-1761161400-1761166800@vpa.uncg.edu
SUMMARY:The Juliet Letters
DESCRIPTION:Lindsay Kesselman\, sopranoMarjorie Bagley\, violinSiana Wong\, violinScott Rawls\, violaCori Trenczer\, violoncello \n\n\n\nProgram\n\n\n\nELVIS COSTELLO and THE BRODSKY QUARTETThe Juliet Letters (1992) \n\n\n\nDeliver UsFor Other EyesSwineExpert RitesDead LetterI Almost Had a WeaknessWhy?Who Do You Think You Are?Taking My Life in Your HandsThis Offer Is UnrepeatableDear Sweet Filthy WorldThe Letter HomeJacksons\, Monk and RoweThis Sad BurlesqueRomeo’s SeanceI Thought I’d Write to JulietLast PostThe First to LeaveDamnation’s CellarThe Birds Will Still Be Singing \n\n\n\n\nAbout the Program\nElvis Costello writes\, “…so there was this professor in Verona who answered letters to Juliet… \n\n\n\nWell\, if that sounds like the start of a tall story I suppose it is. There was a tiny newspaper item about a Veronese academic who had taken on the task of replying to letters addressed to ‘Juliet Capulet.’ \n\n\n\nThis apparently continued for a number of years\, until some gentlemen of the press exposed this secret correspondence. Quite how he came by these letters in the first place remains unclear. We can only make a guess as to their content. After all\, these people were writing to an Imaginary woman\, and a dead imaginary woman at that. Perhaps they were simply scholarly enquiries\, or letters of sympathy from others disappointed in love\, or even a plea from somebody forced into an unhappy arranged marriage. Whatever was contained in these letters and their replies\, the idea of this correspondence provided the initial inspiration” for The Juliet Letters\, a song sequence for string quartet and voice—a collaboration between Elvis Costello and The Brodsky Quartet. \n\n\n\n\nLyrics\nDeliver Us\n\n\n\nInstrumental \n\n\n\nFor Other Eyes\n\n\n\nI don’t know what I would doIf this letter should fall intoOther hands than it should pass throughFor other eyes \n\n\n\nHe said\, “It was nothing… it’s over and done”But the rotten worm was burrowing stillIts spirit invades me bleeding me whiteFor other repliesI searched his pocketsI searched his eyesI searched his wallet for clues and liesAnd I found a number that I somehow dialledA woman answered\, a woman smiledThen she hung up on the silence unperplexedInnocently spun her rolodexI dialled again I could not resistRevealing just the dentist receptionist \n\n\n\nOne day we’lI laugh about it or maybe we’lI curseBut there is one thing that is making it worseAnd it’s the lack of forgiveness that I can’t disguiseNo matter how well he liesNow we don’t know each other anymoreAnd when we touch our lips feel soreI question the longing left in his sighsFor other eyes \n\n\n\nSwine\n\n\n\nYou’re a swine and I’m saying that’s an insult to the pigIn the foul furrow that you digWhy don’t you lay your head downIn that unconsecrated groundWAS she your MOTHER?Or WAS she your brldeTo defile and to blisterTo gnaw at her sideIs this the end of the world?Now that you’ve finished your lifeThis RIDDLE is the work of my little pen-knife \n\n\n\nExpert Rites\n\n\n\nI marvel at the wonder of it in our souless ageFast flow the tears upon the pageDon’t be alarmed I am her friendWill I be excused if I presumeIt’s more than disappointment that we shareYou share the same sorry life\, the families fight\,that unhappy blade you both inviteThis romantic ideal has a lonely appealI once loved someone the way that you doBut I had to let her goI live with my regretDon’t despair my would-be Juliet \n\n\n\nDead Letter\n\n\n\nInstrumental \n\n\n\nI Almost Had a Weakness\n\n\n\nThank you for the flowersI threw them on the fireAnd I burned the photographs that you had enclosedGOD they were ugly childrenSo you’re the little bastard of that brother of mineTrying to trick a poor old woman‘Til I almost had a weaknessLast week Cousin FlorenceBit your Uncle JoeHit him on the forehead with a knife and a fork(She) said that he looked like the devilThen she said… “pass the vinegar\,” I’m beginning to think(That) I’m the only one who hasn’t taken to the drinking of itThough I almost had a weakness \n\n\n\nIt pains me to mentionThese delicate concernsWhile I have to tolerate you family jewelsI really mustn’t grumble(‘Cause) when I die the cats and dogs will jump up and downAnd you little swines will get nothingThough I almost had a weakness \n\n\n\nWhy?\n\n\n\nWhy is Daddy not here?Are you crying?Why?Does he still love me?Will you take care of me?If you both love me soWhy don’t you love each otherMummy’s gone missingDaddy’s on fireDaddy’s on fireDaddy’s on fire \n\n\n\nWho Do You Think You Are?\n\n\n\nThe hunted look\, the haunted graceThe empty laugh that you cultivateYou fall into that false embraceAnd kiss the air about her faceWho do you think you are?The tres bon mots you almost quote from yourQUIVER of literary dartsA thousand or so tuneless violins thrilling your cheaplittle heartWho do you think you are? \n\n\n\nMy cigarette burns right down to the ash\, my coffeecup is unstainedThe waiter hovers close at handHis courtesy strained \n\n\n\nWho do you think you are?I close with my regardsWell I’m the red-face gentlemanCaught in this picture postcardWho do you think you are? \n\n\n\nTrying my best to make the best of your absenceThough the joke gets tired and sordidSea-shell hearts get trampled under footPunchlines unrewarded \n\n\n\nBut even at this distance it’s not easy to acceptThe vision that I chase returns when I least expect itI’ve fallen from your tired embraceI kiss the air around the place that should be your face. \n\n\n\nTaking My Life in Your Hands\n\n\n\nMy dear impulsive darling\, I suspect my letter got to you too lateAnd it’s really just a silly fragment of paperBut it means so much to those who wait \n\n\n\nAll the suffering days and nights ’til I dare dream againThere you suddenly stand and I’ll be damnedIf you didn’t disappear with the dawn \n\n\n\nHours pass and darkness comesSoon I will close my eyesWill you return if you don’t reply? \n\n\n\nYou’ll be taking my life in your handsYou’ll be taking my life in your handsTaking my life in your hands \n\n\n\nI don’t know why my dearest darlingI can’t tell you how I feel when you are nearWhen I see you have returned my letters unopenedI will tear them up\, your voice ringing in my ears \n\n\n\nBut you’re kidding yourselfIf you think this correspondence will endI can always pretend wordsI don’t have the courage to send\, reaching you \n\n\n\nHours pass and darkness comesSoon I will close my eyesWill you return if you don’t reply? \n\n\n\nYou’ll be taking my life in your handsYou’ll be taking my life in your handsTaking my life in your hands \n\n\n\nThis Offer Is Unrepeatable\n\n\n\nDon’t send any money!Your fate has no priceIgnore at your peril this splendid adviceAn invaluable link in an infinite chainAn offer like this will just not come againYou wish you had women to charm and bewitchPower of life and death over the richYoung girls will be swooningbecause you’re exciting themNot only fall at your feet but be biting themGuaranteed\, guaranteed to capture your breathOr just possibly scare you to deathSign it and seal it and send it to friendsDon’t mention my nameDon’t make any long term plansIn thirty-six hours your fortunes will changeYour best friends won’t know youAnd neither will strangersDo not keep this letterIt must leave your handYou have been selected from over five thousandA twister and dupe will bamboozle or hoodwink youI can’t say more it would only confuse youThe wine they will offer will go to your headYou’ll start to see double in fishes and breadGuaranteed\, guaranteed for a lifetime or moreGuaranteed for this world and the nextGuaranteed\, guaranteed for the world and its motherCherish this life as you won’t get another oneUnless you should take up this fabulous offerDon’t leave it too late or you’ll be bound to sufferWoebetide anyone so woebegoneYou won’t know you’re born or about to pass onYou’ll never get tiredYou’ll never get boredBy the way I just hope you’re insuredAnd if you’re not satisfiedIf you want moreWe can always provide an improved overtureGuaranteed at a price that is almost unbeatableThis offer is unrepeatableYour troubles will vanishYour tears will dryYour blessing will just multiplyGuaranteed at a price that is almost unbeatableThis offer is unrepeatableGuaranteed\, guaranteed to bring fortune and favorA riot of colours and flavoursGuaranteed at a price that is almost unbeatableThis offer is unrepeatableWould I lie to you? Would I sell you a dud?Just sign on the line. Could you possibly write it inblood? \n\n\n\nDear Sweet Filthy World\n\n\n\nDear sweet\, filthy world\, my wifeOr whoever reads thisI think that I’ve lived too longWith all of my promise unfulfilledBut there is a veil drawn over all of that \n\n\n\nI know you’ll probably say“Spare us the melodrama”I don’t know how he choseThe pills or the stupid revolver” \n\n\n\nI’m out of luckI’m not that strongMy hands\, your neckI might have wrung \n\n\n\nDon’t try to find meI’m not worth anything anymore \n\n\n\nI am not leaving youWith all of your problems‘Cause the biggest one is meLife is dark and cold as the sea \n\n\n\nEmbrace me in my anguishPut seaweed in my hairAnd vow that you won’t cryBecause I’ve gone\, I can’t go onI can’t go on\, I can’t go onI must close now \n\n\n\nThe Letter Home\n\n\n\nCare of St. Ignatius House\, Willoughby DriveParramatta\, New South Wales\, this fifth day of JulyIn the year of Our LordNineteen hundred and thirty five \n\n\n\nWhy must I always apologizeEvery time that I sit down to writeThrough my own fault I may findYou’re no longer living at this address \n\n\n\nPlease excuse the lack of newsThe feeling of strange privilegeFor the hour of trial in these times of distressMean more than years imprisoned by etiquette \n\n\n\nI can remember when we were childrenThough I could never imagine this dayYour brother told me we’d live forever“I’ll go on better”\, I heard myself say \n\n\n\nAnd it seems so strange\, now that he’s goneTo recall all these gamesThough the years have divided usFriendships have strained and broken \n\n\n\nOh\, by the way\, how’s that girl that you wedI hated you then but I’m over the worst of itI can’t come home\, I might as well sayLife is short\, I shall not write again \n\n\n\nJacksons\, Monk and Rowe\n\n\n\nSister 4 and Brothers 3Hanging off the family treePractising for getting oldDo you want your fortune toldThey’re looking for you high and lowNow there’s nowhere for you to goSo you’ll just have to come out and face the musicJacksons\, Monk and Rowe \n\n\n\nLong ago when we were kids and we cut your hair to bitsAs we carried off like spoils the heads we’d smash right offyour dollsBut the wind is changing you knowAre you sure of your friends and your foeHave you got what it takes to carry it offJacksons\, Monk and Rowe \n\n\n\nAs the sun beats down and life begins to complicateWill we both incinerateIf we touch that brass name-plate \n\n\n\nMessrs. All\, noble SirsHighly paid solicitorsFind enclosed my signed divorceSad proceedings you endorseThe burden of pity will showIn the people we used to knowHave you got enough strength to carry it offJacksons\, Monk and Rowe \n\n\n\nThis Sad Burlesque\n\n\n\nI write in hopeBy the time you get this letterWe may liveTo see a change for the better \n\n\n\nOr are we so devotedTo these wretched selfish motivesWhen the cold facts and figures all add upThey cannot contradict this sad burlesque \n\n\n\nThis sad burlesque with miserable failuresMaking entertainment of our fateLaughter cannot dignify of elevateThis sad burlesque \n\n\n\nNow can they recall being young and idealistic?Before wading knee-deep in hogwash and arithmeticThe pitying smirk\, the argument that runs like clockworkWill run down eventually and splutter to a stop \n\n\n\nP.S. Well\, by now you know the worst of itAnd we’ve heard all the alibis that they’ve rehearsedThe smug predictionsIf it’s not a contradiction \n\n\n\nPlease have faith in human natureAnd have mercy on the creaturesIn this sad burlesque \n\n\n\nThis sad burlesque with miserable failuresMaking entertainment of our fateLaughter cannot dignify of elevateThis sad burlesque \n\n\n\nRomeo’s Seance\n\n\n\nIs anyone there I can talk to?Give us a sign if you’re with meCan’t you see that I’m dying to hear you \n\n\n\nEveryone else has lost interestAnd I’m all alone in this dream houseThough you’re gone\, I don’t feel like crying \n\n\n\nRomeo is calling you \n\n\n\nKnock once or twice if you’re out thereSend me a message\, my sweetheartWhen I’m out and about\, I’ll be coming to see you \n\n\n\nIt isn’t easy to live with this matronly faceAt the window\, try to contact meIf you can see how I’m suffering \n\n\n\nRomeo is calling you \n\n\n\nScatter the paper and thimblesYou can take care of the candlesAn unplugged radio plays\, she is close now \n\n\n\nMe and my hand holdingBaby\, you’re walking the floor and the ceilingAnd this is the song she dictated this evening \n\n\n\nRomeo is callingRomeo is calling you \n\n\n\nI Thought I’d Write to Juliet\n\n\n\nI thought I’d write to JulietFor she would understandAnd when someone is already deadThey can no longer let you down \n\n\n\nInstead I find myself talking to youAs my oldest friendTell me how I can advise someoneThat I don’t even know to welcome death \n\n\n\nFor I received a letter that is worth reportingAnd though it may raise a cynical smileIt leaves a sinking feeling \n\n\n\nLike when a soldier in a story says to the sergeant“Have you seen my pride and joy?” \n\n\n\nYou know the restAnd it’s no jokeForgive me pleaseAs I quote \n\n\n\n“This is a letter of thanksAs I’m so bored herein I can’t say whereSo I’m writing to people that I may never meetAnd I was thinking if something you said” \n\n\n\nI’m a female soldier\, my name is ConstanceI enlisted in the military needing funds for collegeI’m twenty-three years old and if I do get home aliveI imagine I may think again \n\n\n\nI’m sleeping with my eyes open for fear of attackYour words are a comfort\, they’re the best thing that I haveApart from family pictures and of course\, my gas maskI don’t know why I am writing to you \n\n\n\nLast Post\n\n\n\nInstrumental \n\n\n\nThe First to Leave\n\n\n\nI should open with a kissFor if you’re reading thisYou must have opened up your caseAnd found this letter where I placed itIn between the silk and laceThere were other clues\, like your walking shoesBut I still refused to believeThat you were meant to be the first to leaveEverybody here sends you their loveHow can I forget you still walk aboveOrbelowPerhaps you’ll never know this purgatoryWe never could agreeThere’s a thought\, there’s a pauseNo time to repentEternally yoursIn a permanent lent \n\n\n\nBut if I should give you upIf you’re right and life just stopsAnd I never see your face againThen from unearthly pleasures\, proud and plainI shall abstain \n\n\n\nUntil you realise\, my loss is your surpriseUnless you know otherwiseThen don’t grieveYou see I had to be the first to leave \n\n\n\nDamnation’s Cellar\n\n\n\nDid anybody notice\, over marmalade and eggsIn between the princess’ legsWhat with wars and floods and beggarsNot to mention stocks and sharesIf you have a moment to spare \n\n\n\nCan you write and reassure me that I have seenThey’re constructing a time machineAnd there will be no need for the obituary pagesWe can have any hero from the bygone ages‘Til the truth emerges\, the argument rages \n\n\n\nThe major and the minorTurn from tallow into tarShould we leave them in their place?Down in damnation’s cellar \n\n\n\nWhen any form of deity that you might enjoyCan be conjured with a test-tube and a flameIf it’s out there then science can explain itOr at least remove the blameAnd if there’s anyone\, you’d like to see again and speak up quickly \n\n\n\nSend us back Da Vinci then we don’t have to ponderThe maddening smile of La GiacondaThe critics say Nijinsky\, the dancer\, of courseWhile the punters would probably prefer the horseYou’ll find it’s quicker than history\, cheaper than divorce \n\n\n\nThe major and the minorTurn from tallow into tarShould we leave them in their place?Down in damnation’s cellar \n\n\n\nBring back Liberace or Ollie and StanShakespeare will have to wait his turnElvis Presley and Puccini shall return\, I suppose we live and learnThough it’s hard to believe as we cheerfully burnIt’s curious\, some will call for justiceThere are murders to solve \n\n\n\nWhat about Hitler? Or at least Lee Harvey OswaldGive us this day and everything we squanderAnyone beautiful\, somebody blonderThey’ll never please mankind\, so lie back and enjoy itStop press\, they’ve just decided to destroy it \n\n\n\nThe major and the minorTurn from tallow into tarShould we leave them in their place?Down in damnation’s cellar \n\n\n\nThe Birds Will Still Be Singing\n\n\n\nSummertime withers as the sun descendsHe wants to kiss you. Will you condescend?Before you wake and find a chill within your bonesUnder a fine canopy of lover’s dust and humourous bones \n\n\n\nBanish all dismayExtinguish every sorrow \n\n\n\nEternity stinks\, my darling. That’s no jokeDon’t waste your precious timepretending you’re heartbroken \n\n\n\nThere will be tears and candlesPretty words to saySpare me lily-white lilliesWith the awful perfume of decay \n\n\n\nBanish all dismayExtinguish every sorrowIf I’m lost or I’m forgivenThe birds will still be singing \n\n\n\nIt’s so hard to tear myself awayEven when you know it’s overIt’s too much to say. \n\n\n\nBanish all dismayExtinguish every sorrowIf I’m lost or I’m forgivenThe birds will still be singing \n\n\n\n\nAbout the Artists\nLindsay Kesselman\n\n\n\nLindsay Kesselman is a twice GRAMMY®-nominated soprano known for her warm\, collaborative spirit and investment in personal\, intimate communication with audiences. She regularly collaborates with orchestras\, wind symphonies\, chamber ensembles\, opera/theater companies\, and new music ensembles across the United States\, often premiering\, touring and recording new works written for her by living composers. She is a passionate advocate for contemporary music\, and has commissioned/premiered over 100 works to date. \n\n\n\nRecent and upcoming highlights include performances of Darkening\, then Brightening by Christopher Cerrone across the country\, National CBDNA with the UNC Greensboro Wind Ensemble\, premieres of wind transcriptions of Caroline Shaw’s Is a Rose and Maria Schneider’s Winter Morning Walks\, Pierrot Lunairewith Ensemble ATL\, Energy in All Directions by Kenneth Frazelle with Sandbox Percussion at the Saratoga Performing Arts Center\, the role of Anna in Kurt Weill’s The Seven Deadly Sins with the Charlotte Symphony\, Astronautica: Voices of Women in Space with Voices of Ascension\, the John Corigliano 80th birthday celebration at National Sawdust (2018)\, a leading role in Louis Andriessen’s opera Theatre of the World with the Los Angeles Philharmonic and Dutch National Opera and an international tour of Einstein on the Beach with the Philip Glass Ensemble (2012-2015). \n\n\n\nShe is featured on several recent recordings\, including: David Biedenbender’s all we are given we cannot hold (2023\, Blue Griffin)\, Chris Cerrone’s opera In a Grove (2023\, In a Circle Records)\, Caroline Shaw’s Is a Rose (2023\, Blue Griffin)\, Chris Cerrone’s The Arching Path (2021\, In a Circle Records)\, and Louis Andriessen’s Theatre of the World with the Los Angeles Philharmonic (2017\, Nonesuch). \n\n\n\nKesselman is Assistant Professor of Voice and Choral Music at UNC Greensboro and co-directs the Heretic’s Guide to Musicianship with Kevin Noe. She holds degrees in voice performance and music education from Rice University and Michigan State University. She is represented by Trudy Chan at Black Tea Music and lives in Charlotte\, NC with her husband Kevin Noe and son Rowan. \n\n\n\nMarjorie Bagley\n\n\n\nViolinist Marjorie Bagley joined the faculty at UNCG in the Fall of 2009 after teaching violin and chamber music at Ohio University in Athens\, OH. She began her professional career as first violinist and founding member of the Arcata String Quartet upon graduating from the Manhattan School of Music as a student of Pinchas Zukerman. The Arcata Quartet enjoyed nearly a decade of performances around the US and Europe\, including concerts in London’s Wigmore Hall\, Weill Recital Hall at Carnegie\, and their NYC debut in Town Hall. They can be heard in recordings on the VOX label\, alongside members of the Tokyo and American Quartets. Her love of chamber music continues to this day as she performs with colleagues in NC and around the country\, exploring classic and contemporary repertoire. \n\n\n\nBagley is Concertmaster of the Greensboro Symphony under the direction of Christopher Dragon. This season\, she performed as soloist alongside mandolin player Chris Thile\, and next season brings a solo appearance in Vaughn-Williams’ classic Lark Ascending. Bagley performed as both Associate Concertmaster and Principal Second Violin in the ProMusica Chamber Orchestra in Columbus\, OH\, under the direction of Music Director David Danzmayr and Principal Guest Artist Vadim Gluzman. For two decades\, Bagley performed as member of the Berkshire Bach Society with keyboardist Kenneth Cooper. \n\n\n\nSummers have taken Bagley to many festivals as both teacher and performer. The Arcata Quartet performed across Europe over several summers\, including a concert at the Rheingau Music Festival. Her path as a teacher began at the Meadowmount Music School where she was an assistant teacher\, and continued at a variety of summer chamber music festivals for high school  students across the country. For six summers\, Bagley was an assistant teacher at the Perlman Music Program. She has been on faculty at the Kinhaven Music School and the Green Mountain Chamber Music Festival\, and the International Music Academy Plzen in the Czech Republic. Bagley was an artist teacher at the Brevard Music Festival for eleven summers where she frequently served as concertmaster. \n\n\n\nProfessor Bagley continues to give masterclasses and performances at universities around the US. She remains fascinated by the unique qualities of each student she interacts with\, looking to combine an understanding of violin technique and learning strategies to help each student move towards their potential. She also loves to perform and teach works by living composers and works that draw from a variety of musical styles. \n\n\n\nAfter growing up in Wingate\, NC\, she received her BM summa cum laude in Violin Performance from the University of Michigan and an MM from the Manhattan School of Music. Teachers and coaches have included Pinchas Zukerman\, Josef Gingold\, Patinka Kopec\, Isidore Cohen\, and members of the Tokyo and American String Quartets. Three decades of performances have taken her to five continents and led to many inspiring musical collaborations. She can be heard in recordings on the Equilibrium\, Centaur\, Albany\, Summit\, and VOX labels. Bagley’s time away from the violin is filled with family adventures alongside her husband\, physics professor Ian Beatty\, and their three children. \n\n\n\nSiana Wong\n\n\n\nSiana Wong is a native of Greensboro\, North Carolina\, with Malaysian heritage. Before attending college\, she was a member of the Greensboro and Winston-Salem Symphony Youth Orchestras\, winning their concerto competition and performing as a soloist with them. She pursued her Bachelor of Music degree at UNC Chapel Hill under the tutelage of Nicholas DiEugenio\, as well as a BA in biology. During her time at Chapel Hill Siana was also a winner of the concerto competition. Siana is an avid chamber music performer in and out of her home state of NC\, including performances with EMF and UNCG faculty. Siana spent many summers at the Luby Violin Symposium at Chapel Hill\, having the opportunity to learn from first-class violinists from around the globe. She has also attended the Instrumental Program of Chautauqua Institution and participated in master classes with Ana Luque\, Shannon Thomas\, and others. \n\n\n\nSiana is a member of Fayetteville Symphony Orchestra\, Western Piedmont Symphony\, and she has recently been appointed Associate Concertmaster of  Greensboro Symphony Orchestra. In addition to her performing career\, she enjoys teaching in her private studio. \n\n\n\nCurrently\, Siana is extending her studies at UNCG\, pursuing a Post-Baccalaureate Certificate in violin performance with Dr. Fabián López. \n\n\n\nShe plays on a Wojciech Topa violin from 2017. \n\n\n\nScott Rawls\n\n\n\nViolist Scott Rawls has appeared as soloist and chamber musician throughout the United States\, Canada\, Mexico\, Japan\, and Europe.  Recent chamber music endeavors include performances with Dmitry Sitkovetsky\, Branford Marsalis\, Sergey Antonov\, Michelle Cann and the Reynolda Quartet.  With the Nikkanen/Rawls/Bailey string trio\, he has played tours in Alaska\, Washington\, Arizona and Texas.  His solo and chamber music recordings can be heard on the Centaur\, CRI\, Nonesuch\, Capstone\, and Philips labels. \n\n\n\nA strong proponent of new music\, Rawls has premiered dozens of new works by prominentcomposers.  Most notable\, he has toured extensively as a member of Steve Reich and Musicians.  As the violist in this ensemble\, he performed the numerous premieres of Daniel Variations\, The Cave and Three Tales by Steve Reich and Beryl Korot\, videographer. And under the auspices of presenting organizations such as the Wiener Festwochen\, Festival d’Automne a Paris\, Holland Festival\, Berlin Festival\, Spoleto Festival USA and the Lincoln Center Festival\, he has performed in major music centers around the world including London\, Vienna\, Rome\, Milan\, Tokyo\, Prague\, Amsterdam\, Brussels\, Los Angeles\, Chicago and New York. \n\n\n\nUnder the baton of maestro Christopher Dragon\, he plays principal viola in the Greensboro Symphony Orchestra.  During the summer season\, Rawls plays principal in the festival orchestra at Brevard Music Center where he also coordinates the viola program.  He was also appointed principal viola of the Palm Beach Opera orchestra\, David Stern artistic director. \n\n\n\nDr. Rawls currently serves as Marion Stedman Covington Distinguished Professor of Viola and Chamber Music and String Area Chair at The University of North Carolina at Greensboro. He holds a BM degree from Indiana University and a MM and DMA from State University of New York at Stony Brook. His major mentors include Abraham Skernick\, Georges Janzer\, John Graham and Julius Levine. \n\n\n\nCori Trenczer\n\n\n\nCori Trenczer is a cellist\, chamber musician\, and teacher from the Hudson Valley region of New York. Coming from a musical family and a family of educators\, Cori is both an avid performer and a teacher to a robust studio of cello students. Cori has their Bachelor’s Degree in Cello Performance from the Eastman School of Music and they are pursuing a Masters Degree in Cello Performance with Professor Ezerman at the University of North Carolina at Greensboro. \n\n\n\nCori is also a section cellist with the Greensboro Symphony Orchestra\, as well as a substitute cellist with the Winston-Salem Symphony and the South Carolina Philharmonic. A devoted chamber musician\, Cori has furthered their experience with their classmates in the Juniper Quartet\, along with colleagues at summer programs such as the Castleman Quartet Program\, Green Lake Chamber Music Institute\, and Emerald Coast Festival of Music. \n\n\n\nAlso passionate about contemporary music\, Cori has played in various new music ensembles including but not limited to: OSSIA New Music\, Musica Nova\, and Switch~Ensemble. They have worked with several composer colleagues during their undergraduate degree and their masters so far\, and would absolutely love to explore more newly created work. Cori currently has a studio of 11 online cello students\, ranging from age 10 to mid 20s. Cori is on the faculty at Moore Music Company where they teach an additional 5 students in person. Cori also teaches 2 students in person through the UNCG Community Lessons Program. \n\n\n\nCori is in the process of creating and editing a method book called “Smorgasbord for your Fingerboard: Volume One Songs for the Beginning Cellist”. This is a method book full of works by living young composers from many underrepresented groups. \n\n\n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/the-juliet-letters/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2023/10/communitylessons_strings.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251022T193000
DTEND;TZID=America/New_York:20251022T210000
DTSTAMP:20260411T011852
CREATED:20251022T181633Z
LAST-MODIFIED:20251022T181653Z
UID:10003546-1761161400-1761166800@vpa.uncg.edu
SUMMARY:Horn Choir
DESCRIPTION:https://www.youtube.com/live/nlPuH9vHtis?si=AO_p0L7COLJMHj0U\n\n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/horn-choir-6/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/08/studio-recital-feature.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251024T173000
DTEND;TZID=America/New_York:20251024T190000
DTSTAMP:20260411T011852
CREATED:20250926T153206Z
LAST-MODIFIED:20251015T201555Z
UID:10003468-1761327000-1761332400@vpa.uncg.edu
SUMMARY:Emma Saba\, piano
DESCRIPTION:https://youtube.com/live/JotLBw0O6FE?feature=share\n\n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/emma-saba-piano/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/09/student-recital-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251025T193000
DTEND;TZID=America/New_York:20251025T210000
DTSTAMP:20260411T011852
CREATED:20250529T200035Z
LAST-MODIFIED:20250529T200038Z
UID:10003297-1761420600-1761426000@vpa.uncg.edu
SUMMARY:Collage
DESCRIPTION:The UNCG School of Music is proud to present our 18th annual performance of Collage at 7:30 PM on October 25\, 2025! We are excited to welcome audiences back to UNCG Auditorium for our most exciting event of the year! \n\n\n\nCollage is captivating and totally unique\, featuring an incredible range of performers presenting one riveting work after another with special lighting. Join School of Music students and many of our world-class faculty members for this non-stop evening of amazing performances. It’s not to be missed! \n\n\n\nAll ticket proceeds benefit the School of Music Collage Scholarship Fund. \n\n\n\nSectionAdultsSeniorsStudentsSection Afront orchestra\, mezzanine$27$22$17Section Bmiddle and rear orchestra\, lower balcony$20$16$12Section Cupper balcony$15$11$8\n\n\n\n\nPurchase Tickets
URL:https://vpa.uncg.edu/single-event/collage-6/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music,UCLS
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/06/Possible-for-Current-Students-Rectangle.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251027T173000
DTEND;TZID=America/New_York:20251027T190000
DTSTAMP:20260411T011852
CREATED:20251015T205257Z
LAST-MODIFIED:20251015T205453Z
UID:10003528-1761586200-1761591600@vpa.uncg.edu
SUMMARY:Studio Voice Recital
DESCRIPTION:https://youtube.com/live/TdgcI_CwC7M\n\n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/studio-voice-recital-14/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/08/studio-recital-feature.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251027T193000
DTEND;TZID=America/New_York:20251027T210000
DTSTAMP:20260411T011852
CREATED:20251027T021627Z
LAST-MODIFIED:20251027T021630Z
UID:10003558-1761593400-1761598800@vpa.uncg.edu
SUMMARY:Student Composers Concert
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube\n\n\n\n\n\n\n\nhttps://youtube.com/live/Ug0xX986HbM
URL:https://vpa.uncg.edu/single-event/student-composers-concert-4/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/08/studio-recital-feature.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251028T193000
DTEND;TZID=America/New_York:20251028T210000
DTSTAMP:20260411T011852
CREATED:20250929T195432Z
LAST-MODIFIED:20251023T001632Z
UID:10003472-1761679800-1761685200@vpa.uncg.edu
SUMMARY:Halloween Organ Spooktacular
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/halloween-organ-spooktacular-4/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2023/09/halloween-organ-spooktacular.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251028T193000
DTEND;TZID=America/New_York:20251028T210000
DTSTAMP:20260411T011852
CREATED:20251015T205935Z
LAST-MODIFIED:20251016T132359Z
UID:10003529-1761679800-1761685200@vpa.uncg.edu
SUMMARY:Student Composers Concert
DESCRIPTION:https://youtube.com/live/Ug0xX986HbM\n\n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/student-composers-concert-3/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/08/studio-recital-feature.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251029T193000
DTEND;TZID=America/New_York:20251029T210000
DTSTAMP:20260411T011852
CREATED:20251001T155508Z
LAST-MODIFIED:20251001T155513Z
UID:10003473-1761766200-1761771600@vpa.uncg.edu
SUMMARY:Hailey Cohen\, oboe
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/hailey-cohen-oboe/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/09/student-recital-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251029T193000
DTEND;TZID=America/New_York:20251029T210000
DTSTAMP:20260411T011852
CREATED:20251015T201336Z
LAST-MODIFIED:20251015T205311Z
UID:10003527-1761766200-1761771600@vpa.uncg.edu
SUMMARY:OcTUBAfest
DESCRIPTION:https://youtube.com/live/2fHgnWWs_LI\n\n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/horn-choir-5/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/08/studio-recital-feature.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251030T173000
DTEND;TZID=America/New_York:20251030T190000
DTSTAMP:20260411T011852
CREATED:20251020T141328Z
LAST-MODIFIED:20251028T144731Z
UID:10003539-1761845400-1761850800@vpa.uncg.edu
SUMMARY:Angela Moretti\, bassoon
DESCRIPTION:https://youtube.com/live/Dc-lHepU4oY\n\n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/angela-moretti-bassoon/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/09/student-recital-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251030T193000
DTEND;TZID=America/New_York:20251030T210000
DTSTAMP:20260411T011852
CREATED:20250916T155405Z
LAST-MODIFIED:20250926T214005Z
UID:10003446-1761852600-1761858000@vpa.uncg.edu
SUMMARY:Carlos Castilla\, guitar
DESCRIPTION:Lorena Guillén\, voiceAlejandro Rutty\, electric bass\n\n\n\nThis concert is partially funded by the Robinson Family Fund in PopTech and Music Composition. \n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/carlos-castilla-guitar/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/09/guest-artist-recital-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251031T160000
DTEND;TZID=America/New_York:20251031T170000
DTSTAMP:20260411T011852
CREATED:20251023T000345Z
LAST-MODIFIED:20251023T001550Z
UID:10003547-1761926400-1761930000@vpa.uncg.edu
SUMMARY:A Preliminary Canon of Pinball Music (in a Post-Canonic World)
DESCRIPTION:Irna Priore Music and Culture Lecture Series\n\n\n\n\n\n\n\nDr. Neil Lerner J. Estes Millner Professor of Music Chair of Film\, Media\, and Digital Studies Davidson College  \n\n\n\nFor roughly two decades\, scholars have been researching\, writing\, discussing\, and teaching about music in video games. A recent RILM search for the phrase “video game” yielded nearly 1200 hits\, but a search for “pinball” brings a mere 12\, only one of which is an essay focusing on music in pinball machines. Pinball music is then an almost entirely unstudied phenomenon\, despite the foundational role pinball played as an industry for the emergence of the video game industry in the 1970s. Amidst this torrent of dissertations\, journal articles\, monographs\, and essay collections about video game music\, the still-young field has recently and usefully questioned the utility and drawbacks of the canon of video game music that has emerged.  \n\n\n\nA preliminary canon of pinball music risks repeating some of a canon’s elitist and exclusionary impacts; yet for such an unknown and unstudied topic\, a canon may provide benefits by offering potentially illuminating exemplars. Karen Cook’s recent 2020 questioning of video game music canons poses five categories by which a ludomusicological canon might be configured: through a focus on composers\, particular musical works\, consoles/systems\, eras\, and technological capabilities/constraints. Using that framework\, together with research grounded in archival materials from pinball companies\, patent records\, industry periodicals\, as well as composer interviews and recordings of the games themselves\, this presentation will propose a preliminary canon by providing a brief historical overview of sound and music in pinball machines\, and then will focus on some of the most aesthetically and thematically innovative game soundtracks. In so doing\, this talk will bring recognition and attention to the work of groundbreaking composers such as Suzanne Ciani\, Brian Schmidt\, Chris Granner\, and Dave Zabriskie.  \n\n\n\n\n\n\nEvent Details\n\n\n\n\nPriore Music and Culture Lecture Series\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/a-preliminary-canon-of-pinball-music-in-a-post-canonic-world/
LOCATION:Music 221\, 100 McIver St\, Greensboro\, North Carolina\, 27410\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/10/Neil-Lerner-Headshot_Gerardo-Lopez.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251103T173000
DTEND;TZID=America/New_York:20251103T190000
DTSTAMP:20260411T011852
CREATED:20251102T184555Z
LAST-MODIFIED:20251103T214840Z
UID:10003568-1762191000-1762196400@vpa.uncg.edu
SUMMARY:Oboe Studio Recital
DESCRIPTION:https://youtube.com/live/jqEzUVG_DY8?feature=share\n\n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/oboe-studio-first-and-second-year-recital/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/08/studio-recital-feature.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251103T193000
DTEND;TZID=America/New_York:20251103T210000
DTSTAMP:20260411T011852
CREATED:20250910T153832Z
LAST-MODIFIED:20251102T183157Z
UID:10003393-1762198200-1762203600@vpa.uncg.edu
SUMMARY:Alessandra Feris\, piano
DESCRIPTION:Pilgrimage: From Silence to Song \n\n\n\n“I must travel a road\, from which no one has returned.”  \n\n\n\n(The Signpost by Wilhelm Müller\, 1824)  \n\n\n\n\n\n\n\nPraised for her artistry and passion\, Brazilian pianist Alessandra Feris has established a distinguished career as a performer\, pedagogue\, and advocate for Latin-American piano music. She has performed widely across South America\, Central America\, Mexico\, Europe\, and the United States\, with successful solo debuts in major venues including the Theatro São Pedro in Porto Alegre (Brazil)\, the Costa Rican National Theater\, the Steinway Haus in Frankfurt (Germany)\, the Palácio de Bellas Artes (Sala Manuel M. Ponce) in Mexico City\, and the Auditório León de Greiff in Bogotá\, Colombia.  \n\n\n\nAlessandra Feris holds a bachelor’s degree from the Federal University of Rio Grande do Sul in Brazil\, an Artist Diploma from the University of Music Franz Liszt in Germany\, a master’s degree from the University of Iowa\, and a doctoral degree from Florida State University. Her major teachers include Dirce Knijnik\, Thomas Steinhöfel\, Réne Lecuona\, Read Gainsford\, and the legendary Lazar Berman.  \n\n\n\nCommitted to excellence in teaching\, Dr. Feris has received the John Simms Piano Award at the University of Iowa\, the Outstanding Teaching Assistant Award at Florida State University\, and the Mississippi Humanities Council Teacher of the Year Award. A sought-after pedagogue\, she has been a guest adjudicator for various national and international competitions\, including the Lancaster International Piano Competition\, the Hyatt Piano Competition\, the Pianissimo Piano Competition in Colombia\, and the Piano Latinoamericano Competition in Costa Rica. Her students have frequently won piano competitions such as the South Dakota MTNA Young Artist\, SDMTA Collegiate Piano\, Truran Piano Competition\, and the University of South Dakota Concerto Competition.  \n\n\n\nHer guest-artist engagements include masterclasses and performances at universities and conservatories worldwide\, including the Colburn School\, Bowling Green State University\, Purdue University\, University of Nevada-Reno\, Radford University\, Texas Woman’s University\, Goshen College\, Irvine Valley College\, University of Arizona\, Washington State University\, University of Kansas\, University of Central Florida\, Louisiana State University\, Montclair State University\, North Dakota State University\, Auburn University\, University of Southern Mississippi\, Kansas State University\, Huntingdon College\, University of North Dakota\, Chadron State College\, University of South Alabama\, University of Montevallo\, Southern University\, Wayne State University\, University of Costa Rica\, University of Aveiro in Portugal\, University of Buenos Aires in Argentina\, Ionian University in Greece\, Royal Birmingham Conservatory in England\, National University of Music in Peru and several universities in Colombia and Brazil.  \n\n\n\nAlessandra Feris is devoted to the diffusion of Latin-American piano music and has been a guest performer at the Trester Festival for Latin-American Music at the University of Arizona\, the Latin-American Piano Festival at Texas A&M University in Commerce\, the Ibero-American Festival Cinco Sentidos in Jena\, Germany\, and the Brasilien trifft Berlin Festival.  She is a passionate contemporary pianist and is often invited to premiere works by living composers. Recent premieres include Love Letters by Steven Sacco\, Wissenschaftsgläubigkeit by Paul Lombardi\, and Mni Wiconi by Jeffrey Paul.  \n\n\n\nDr. Feris has recently joined the University of North Carolina at Greensboro as Assistant Professor of Piano. She has previously served as Associate Professor of Piano at the University of South Dakota and Piano Faculty/Artist-in-Residence at Mississippi Gulf Coast Community College. She is an artist-teacher at the InterHarmony International Music Festival in Italy and the Lancaster International Piano Festival in Pennsylvania.   \n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/allesandra-feris-piano/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/09/alessandra-feris-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251104T173000
DTEND;TZID=America/New_York:20251104T190000
DTSTAMP:20260411T011852
CREATED:20251016T205346Z
LAST-MODIFIED:20251103T162527Z
UID:10003535-1762277400-1762282800@vpa.uncg.edu
SUMMARY:4th Infantry Division Band Woodwind Quintet
DESCRIPTION:SPC Christian Azarias\, fluteSGT Mary Stahlhuth\, oboeSGT John Stumpff\, clarinetSGT Ryan Valencia\, hornSSG Sonja Larson\, bassoon \n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/4th-infantry-division-band-woodwind-quintet/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/09/guest-artist-recital-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251104T193000
DTEND;TZID=America/New_York:20251104T210000
DTSTAMP:20260411T011852
CREATED:20251102T184801Z
LAST-MODIFIED:20251102T185437Z
UID:10003569-1762284600-1762290000@vpa.uncg.edu
SUMMARY:Trumpet Ensemble
DESCRIPTION:https://youtube.com/live/OQXllV-5aCE\n\n\n\n\n \n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/trumpet-ensemble-4/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/08/studio-recital-feature.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251105T173000
DTEND;TZID=America/New_York:20251105T190000
DTSTAMP:20260411T011852
CREATED:20251020T204725Z
LAST-MODIFIED:20251102T183340Z
UID:10003542-1762363800-1762369200@vpa.uncg.edu
SUMMARY:Jack Fanning\, bassoon
DESCRIPTION:https://youtube.com/live/mHxlOPzLZ6Y?feature=share\n\n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/jack-fanning-bassoon-2/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/09/student-recital-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251105T193000
DTEND;TZID=America/New_York:20251105T210000
DTSTAMP:20260411T011852
CREATED:20251014T191212Z
LAST-MODIFIED:20251106T004501Z
UID:10003525-1762371000-1762376400@vpa.uncg.edu
SUMMARY:Saxophone Chamber Recital
DESCRIPTION:https://youtube.com/live/3tfAlch3_Cc?feature=share\n\n\n\n\nMeraki Saxophone QuartetViridis Saxophone QuartetSaxophone Ensemble \n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/saxophone-chamber-recital/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/08/studio-recital-feature.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251105T193000
DTEND;TZID=America/New_York:20251105T213000
DTSTAMP:20260411T011852
CREATED:20251018T173337Z
LAST-MODIFIED:20251025T022313Z
UID:10003538-1762371000-1762378200@vpa.uncg.edu
SUMMARY:Jazz Ensemble II: A Peanuts Holiday
DESCRIPTION:Jazz Ensemble II celebrates the holiday music of Vince Guaraldi in this special seasonal concert! Go waltzing with “The Great Pumpkin\,” watch a “Little Birdie\,” and go “Skating” with all-new arrangements of these classic\, nostalgic songs.  \n\n\n\n\n\n\n\nThe Miles Davis Jazz Studies Program at UNCG is a unique and innovative undergraduate jazz program designed to emulate the traditional process of learning jazz\, through a combination of mentorship\, real-world playing experiences\, and a communal approach to learning. Although the program is housed in one of the largest music schools in the Southeast\, it is kept intentionally small\, resulting in an intensive and highly personalized learning environment. \n\n\n\n UNCG offers the following degree programs for students interested in studying Jazz: \n\n\n\n\nBachelor of Music (B.M.) – Performance\n\n\n\nPost-Baccalaureate Certificate in Jazz Studies\n\n\n\n\n\n\nTicketPriceAdult$16.20Seniors$10.20Military$10.20Students$10.20Ticket prices include a $3.00 processing fee and applicable sales tax.\n\n\n\n\nPurchase Tickets
URL:https://vpa.uncg.edu/single-event/jazz-ensemble-ii-a-peanuts-holiday-2/
LOCATION:The Crown at the Carolina Theatre\, 310 S Greene St\, Greensboro\, 27401\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/10/jazz-ii-peanuts-holiday-nov-5-25.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251106T173000
DTEND;TZID=America/New_York:20251106T190000
DTSTAMP:20260411T011852
CREATED:20251031T000721Z
LAST-MODIFIED:20251031T000724Z
UID:10003567-1762450200-1762455600@vpa.uncg.edu
SUMMARY:Siana Wong\, violin
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/siana-wong-violin-2/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/09/student-recital-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251106T193000
DTEND;TZID=America/New_York:20251106T210000
DTSTAMP:20260411T011852
CREATED:20251030T140214Z
LAST-MODIFIED:20251030T205124Z
UID:10003563-1762457400-1762462800@vpa.uncg.edu
SUMMARY:Anura Quintet
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/anura-quintet/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/09/student-recital-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251106T193000
DTEND;TZID=America/New_York:20251106T213000
DTSTAMP:20260411T011852
CREATED:20250731T142717Z
LAST-MODIFIED:20251018T173543Z
UID:10003300-1762457400-1762464600@vpa.uncg.edu
SUMMARY:SOLD OUT ∙ Jazz Ensemble II: A Peanuts Holiday
DESCRIPTION:Jazz Ensemble II celebrates the holiday music of Vince Guaraldi in this special seasonal concert! Go waltzing with “The Great Pumpkin\,” watch a “Little Birdie\,” and go “Skating” with all-new arrangements of these classic\, nostalgic songs.  \n\n\n\n\n\n\n\nThe Miles Davis Jazz Studies Program at UNCG is a unique and innovative undergraduate jazz program designed to emulate the traditional process of learning jazz\, through a combination of mentorship\, real-world playing experiences\, and a communal approach to learning. Although the program is housed in one of the largest music schools in the Southeast\, it is kept intentionally small\, resulting in an intensive and highly personalized learning environment. \n\n\n\n UNCG offers the following degree programs for students interested in studying Jazz: \n\n\n\n\nBachelor of Music (B.M.) – Performance\n\n\n\nPost-Baccalaureate Certificate in Jazz Studies\n\n\n\n\n\n\nTicketPriceAdult$16.20Seniors$10.20Military$10.20Students$10.20Ticket prices include a $3.00 processing fee and applicable sales tax.\n\n\n\n\nPurchase Tickets
URL:https://vpa.uncg.edu/single-event/jazz-ensemble-ii-a-peanuts-holiday/
LOCATION:The Crown at the Carolina Theatre\, 310 S Greene St\, Greensboro\, 27401\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/07/jazz-ii-peanuts-holiday-nov-25.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251107T173000
DTEND;TZID=America/New_York:20251107T190000
DTSTAMP:20260411T011852
CREATED:20251027T132750Z
LAST-MODIFIED:20251027T132758Z
UID:10003559-1762536600-1762542000@vpa.uncg.edu
SUMMARY:Gate City Wind Quintet
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/gate-city-wind-quintet/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/09/student-recital-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251107T173000
DTEND;TZID=America/New_York:20251107T190000
DTSTAMP:20260411T011852
CREATED:20251105T163016Z
LAST-MODIFIED:20251105T163253Z
UID:10003573-1762536600-1762542000@vpa.uncg.edu
SUMMARY:Chance Gatewood\, tuba
DESCRIPTION:https://youtube.com/live/n4BkaJEz884?feature=share\n\n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/chance-gatewood-tuba/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/09/student-recital-feature.jpg
END:VEVENT
END:VCALENDAR