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X-WR-CALDESC:Events for College of Visual and Performing Arts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230321T120000
DTEND;TZID=America/New_York:20230325T170000
DTSTAMP:20260412T043328
CREATED:20240130T164034Z
LAST-MODIFIED:20240130T164034Z
UID:10000642-1679400000-1679763600@vpa.uncg.edu
SUMMARY:Crystallization
DESCRIPTION:Crystallization\nA UNCG Student Exhibition of\nSculpture & Ceramics\n\nOn View: March 21 – 25\, 2023\nReception: Friday\, March 24th\, 6-8PM\n\nUNCG students\, under the guidance of Professors Nikki Blair\, Kate Robinson\,  \nKevin Vanek\, and Pat Wasserboehr\, present a collection of ceramics and sculpture.  \n  \nTo learn more visit our website here \n  \nGreensboro Project Space Weekly Gallery Hours: \nTuesday – Friday\, 12 -5 PM \nSaturday\, 2-5PM \n 
URL:https://vpa.uncg.edu/single-event/crystallization/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:College of Visual and Performing Arts,Greensboro Project Space,School of Art
ATTACH;FMTTYPE=image/png:https://vpa.uncg.edu/wp-content/uploads/2024/01/crystallization-poster-ZFgND1.tmp_.png
ORGANIZER;CN="Greensboro Project Space":MAILTO:greensboroprojectspace@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230321
DTEND;VALUE=DATE:20230326
DTSTAMP:20260412T043328
CREATED:20240130T164026Z
LAST-MODIFIED:20240130T164026Z
UID:10000619-1679356800-1679788799@vpa.uncg.edu
SUMMARY:Crystallization: An Exhibition of Student Ceramics and Sculpture
DESCRIPTION:March 21 – 25\, 2023\nReception: Friday\, March 24th\, 6-8PM\nUNCG students\, under the guidance of Professors Nikki Blair\, Kate Robinson\, Kevin Vanek\, and Pat Wasserboehr\, present a collection of ceramics and sculpture.  
URL:https://vpa.uncg.edu/single-event/crystallization-an-exhibition-of-student-ceramics-and-sculpture/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230307T120000
DTEND;TZID=America/New_York:20230318T170000
DTSTAMP:20260412T043328
CREATED:20240130T164022Z
LAST-MODIFIED:20240130T164022Z
UID:10000613-1678190400-1679158800@vpa.uncg.edu
SUMMARY:Transmission
DESCRIPTION:Transmission\nArt by Bjorn Bates\nOn View: March 7 – 18\, 2023\nReception: Tuesday\, March 14th\, 6-8PM\n\nExploring memory\, identity\, photography\, and thermal prints\n  \nTo learn more about the artist\, visit our website here \n  \nGreensboro Project Space Weekly Gallery Hours: \nTuesday – Friday\, 12 -5 PM \nSaturday\, 2-5PM \n 
URL:https://vpa.uncg.edu/single-event/transmission-2/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:College of Visual and Performing Arts,Greensboro Project Space,School of Art
ATTACH;FMTTYPE=image/png:https://vpa.uncg.edu/wp-content/uploads/2024/01/transmission-16x9-flyer-5th-draft-f0amvW.tmp_.png
ORGANIZER;CN="Greensboro Project Space":MAILTO:greensboroprojectspace@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230307
DTEND;VALUE=DATE:20230319
DTSTAMP:20260412T043328
CREATED:20240130T164021Z
LAST-MODIFIED:20240130T164021Z
UID:10000612-1678147200-1679183999@vpa.uncg.edu
SUMMARY:Transmission
DESCRIPTION:Art by Bjorn BatesExploring memory\, identity\, photography\, and thermal prints  March 8 – 18\, 2023 \nReception: Tuesday\, March 14th | 6-8PM \nMore Info
URL:https://vpa.uncg.edu/single-event/transmission/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230303T180000
DTEND;TZID=America/New_York:20230303T190000
DTSTAMP:20260412T043328
CREATED:20240130T163929Z
LAST-MODIFIED:20240130T164021Z
UID:10000582-1677866400-1677870000@vpa.uncg.edu
SUMMARY:Friday POP Music Performance – James Gilmore
DESCRIPTION:Live music by James Gilmore
URL:https://vpa.uncg.edu/single-event/friday-pop-music-performance-james-gilmore/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230302T090000
DTEND;TZID=America/New_York:20230302T160000
DTSTAMP:20260412T043328
CREATED:20240130T163928Z
LAST-MODIFIED:20240130T164021Z
UID:10000581-1677747600-1677772800@vpa.uncg.edu
SUMMARY:Gatewood Gallery: Artist Dawn Surratt
DESCRIPTION:Dawn Surratt earned a B.A. in Studio Arts from the University of North Carolina in Greensboro and a Master’s Degree in Social Work from the University of Georgia. Her years of work with dying patients in hospice settings is the backbone of her imagery combining photographs with photography based book structures\, installations\, and objects as visual\nmeditations exploring concepts of grief\, transition\, healing and spirituality. \nHer work has been shown and is held in private an permanent collections across the United States. She is a 2016 and 2020 Critical Mass Finalist and a 2018 nominee for the Royal Photography Society’s 100 Heroines. \nThis exhibition runs Monday – Friday\, March 2 – 29\, 2023
URL:https://vpa.uncg.edu/single-event/gatewood-gallery-artist-dawn-surratt/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230216T190000
DTEND;TZID=America/New_York:20230216T210000
DTSTAMP:20260412T043328
CREATED:20240130T163919Z
LAST-MODIFIED:20240130T163919Z
UID:10000575-1676574000-1676581200@vpa.uncg.edu
SUMMARY:I Got Five On It
DESCRIPTION:I Got Five On It celebrates the fifth year of The Clarice Young Project paying tribute to Black History Month at Greensboro Project Space. Through Black dance and culture this year’s theme yields itself to reflection. \nReflection on the past years.\nReflection on influences concealed within our personal history.\nReflection on the perception and idea of what it means to be/feel home. \nMay all of these reflections create an intentional amount of space for the hope we know that lies ahead.
URL:https://vpa.uncg.edu/single-event/i-got-five-on-it/
LOCATION:202A Coleman Building in the School of Dance\, 1408 Walker Avenue\, Greensboro\, NC\, United States
CATEGORIES:College of Visual and Performing Arts,Greensboro Project Space,School of Dance
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/20220224_ClariceYoungProject_GPS_HannahLong-8347-scaled-e1axGj.tmp_.jpg
ORGANIZER;CN="School of Dance":MAILTO:dance@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230206T120000
DTEND;TZID=America/New_York:20230210T200000
DTSTAMP:20260412T043328
CREATED:20240130T164012Z
LAST-MODIFIED:20240130T164012Z
UID:10000587-1675684800-1676059200@vpa.uncg.edu
SUMMARY:3D II Classes: Installation Project Featuring UNCG Students
DESCRIPTION:3D II Classes: Installation Project\nFeaturing UNCG Students\nFebruary 6 – 10\, 2023\nReception: Friday\, February 10th\, 6-8PM\n  \nThree-Dimensional Foundations II classes (sections 2\, 3 and 4)\, under the guidance of Professor Kate Robinson\, will be doing collaborative installations experimenting with the transformation of materials and space through expressive constructed lines.\n\nTo learn more visit our website here\n\nStudents will be in the space installing throughout the week\, with a public opening on Friday evening to celebrate their discoveries.\n\n\nPlease note\, GPS will only be open for limited gallery hours the week of February 6th: \nTuesday + Thursday\, 12 -5 PM \nFriday\, 6-8 PM
URL:https://vpa.uncg.edu/single-event/3d-ii-classes-installation-project-featuring-uncg-students-2/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:Greensboro Project Space,School of Art
ATTACH;FMTTYPE=image/png:https://vpa.uncg.edu/wp-content/uploads/2024/01/3d-II-installation-flyer-16x9-first-draft-GwB7JG.tmp_.png
ORGANIZER;CN="Greensboro Project Space":MAILTO:greensboroprojectspace@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230206
DTEND;VALUE=DATE:20230211
DTSTAMP:20260412T043328
CREATED:20240130T163919Z
LAST-MODIFIED:20240130T163919Z
UID:10000573-1675641600-1676073599@vpa.uncg.edu
SUMMARY:3D II Classes: Installation Project Featuring UNCG Students
DESCRIPTION:February 6 – 10\, 2023\nReception: Friday\, February 10th\, 6-8PM\nThree-Dimensional Foundations II classes (sections 2\, 3 and 4)\, under the guidance of Professor Kate Robinson\, will be doing collaborative installations experimenting with the transformation of materials and space through expressive constructed lines.  \nMORE INFO
URL:https://vpa.uncg.edu/single-event/3d-ii-classes-installation-project-featuring-uncg-students/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230205T180000
DTEND;TZID=America/New_York:20230205T190000
DTSTAMP:20260412T043328
CREATED:20240130T164001Z
LAST-MODIFIED:20240130T164001Z
UID:10000586-1675620000-1675623600@vpa.uncg.edu
SUMMARY:Love Notes by JOYEMOVEMENT
DESCRIPTION:JOYEMOVEMENT Presents\nLOVE NOTES\nFebruary 5\, 2023 | 6PM\n(Doors open at 5:30pm) \nThis is a ticketed event – for more information\, see below \n\nJOYEMOVEMENT dance company brings live dance performance to Greensboro Project Space with a world premiere of their new project Love Notes. \nLove Notes choreographed by Alexandra Joye Warren\, in collaboration with poet Lavinia Jackson and others explores human connection through movement. \nJOYEMOVEMENT dance company is based in Greensboro and Alexandra Joye Warren is a year long Artist- In-Residence 2022-2023 for the North Carolina Dance Festival as well as an Assistant Professor of Performing Arts at Elon University. The company centers their contemporary dance around topics that explore social justice and artistic activism. \nTicket price ranges from $10 to $45. \nFor tickets via Eventbrite \nFor more information on JOYEMOVEMENT\, visit joyemovement.com \nThis performance is suitable for all audiences. \n\nTo learn more about the event\, visit our website here \n 
URL:https://vpa.uncg.edu/single-event/love-notes-by-joyemovement/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:Greensboro Project Space,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/DSC04163-Edit-scaled-S70YNJ.tmp_.jpg
ORGANIZER;CN="Greensboro Project Space":MAILTO:greensboroprojectspace@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230204T190000
DTEND;TZID=America/New_York:20230204T200000
DTSTAMP:20260412T043328
CREATED:20240130T164000Z
LAST-MODIFIED:20240130T164000Z
UID:10000584-1675537200-1675540800@vpa.uncg.edu
SUMMARY:@ the intersection | MFA Thesis in Dance
DESCRIPTION:@ the intersection\nby Emmalee Bradley\nMFA Dance Thesis\nPerformance + Reception: February 3rd + 4th\, 2023 | 7-8PM\n  \nCome enjoy this FREE immersive event featuring live music by Del Ward and food/beverages sponsored by Charbar7. \nMore About @ the intersection \n@ the intersection is an immersive art installation that showcases the convergence of digital media\, dance\, and visual art. Through collaboration between the dancing body with projections and film\, @ the intersection investigates the conceptual boundaries of the mediated body and visual art. @ the intersection invites the audience to break the fourth wall and experience the possibilities of collaborative and interactive art-making. \n  \nMore About Emmalee \nEmmalee Bradley is a dance artist\, choreographer\, and educator originally from South Carolina. Currently\, she is an MFA Candidate in Dance (Choreography) and Graduate Teaching Associate in the School of Dance at the University of North Carolina Greensboro. She holds a BA in Dance (with K-12 Teaching Certification) from Winthrop University where she graduated Magna Cum Laude. Most recently\, Emmalee has performed in work by B.J. Sullivan (You’ll Move Forward…Fast)\, and worked professionally with Robin Gee\, Clarice Young\, Teresa Heiland\, Lee Walton\, Duane Cyrus and Ana Paula Höfling. Prior to moving to North Carolina\, Emmalee performed\, choreographed\, and taught pre-professionally across the East Coast and Mid-West. She was a member of multiple traveling performance ensembles and heavily involved in performance at Winthrop. Emmalee has performed in various works by Maria Caruso\, Lauren Skrabalak\, Mia Cunningham\, Julianna Hane\, Ben Kubie\, Meg Schriffen\, Kelly Ozust\, Bethany Tuffy\, Brian Winn\, Renay Aumiller\, Brady Sanders\, and Michael Rosales\, among many others. Her teaching and choreographic style is informed by release techniques (most notably Safety Release Technique)\, contemporary ballet and modern dance practices\, and her love for visual and digital art\, and interdisciplinary collaboration. Emmalee’s choreographic work is situated in the postmodern/contemporary genre with a focus on process\, experimentation\, improvisation\, and abstraction. Her concert and screen dance choreography has been presented at the American College Dance Association Southeast and Mid-Atlantic Conferences (Bizarre!\, Evocation). Emmalee is immersed in creative and scholarly research at the intersection of art making and pedagogical practice. Her choreographic research focuses on interdisciplinary collaboration with other dancers\, composers\, and multimedia artists. In addition\, Emmalee’s endeavors in both concert and screen dance emphasize her goal to create visually pleasing and experimental art that fosters collaboration and is a catalyst for cognitive thinking. Her recent awards include the Kristina Larson Graduate Dance Fund and the Dean’s Research/Creative Initiative Fund.
URL:https://vpa.uncg.edu/single-event/the-intersection-mfa-thesis-in-dance-2/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/ebradley-mfa-poster-final-scaled-3wUHDx.tmp_.jpg
ORGANIZER;CN="Greensboro Project Space":MAILTO:greensboroprojectspace@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230203T190000
DTEND;TZID=America/New_York:20230203T200000
DTSTAMP:20260412T043328
CREATED:20240130T163918Z
LAST-MODIFIED:20240130T163918Z
UID:10000571-1675450800-1675454400@vpa.uncg.edu
SUMMARY:@ the intersection | MFA Thesis in Dance
DESCRIPTION:@ the intersection\nby Emmalee Bradley\nMFA Dance Thesis\nPerformance + Reception: February 3rd + 4th\, 2023 | 7-8PM\n  \nCome enjoy this FREE immersive event featuring live music by Del Ward and food/beverages sponsored by Charbar7. \nMore About @ the intersection \n@ the intersection is an immersive art installation that showcases the convergence of digital media\, dance\, and visual art. Through collaboration between the dancing body with projections and film\, @ the intersection investigates the conceptual boundaries of the mediated body and visual art. @ the intersection invites the audience to break the fourth wall and experience the possibilities of collaborative and interactive art-making. \n  \nMore About Emmalee \nEmmalee Bradley is a dance artist\, choreographer\, and educator originally from South Carolina. Currently\, she is an MFA Candidate in Dance (Choreography) and Graduate Teaching Associate in the School of Dance at the University of North Carolina Greensboro. She holds a BA in Dance (with K-12 Teaching Certification) from Winthrop University where she graduated Magna Cum Laude. Most recently\, Emmalee has performed in work by B.J. Sullivan (You’ll Move Forward…Fast)\, and worked professionally with Robin Gee\, Clarice Young\, Teresa Heiland\, Lee Walton\, Duane Cyrus and Ana Paula Höfling. Prior to moving to North Carolina\, Emmalee performed\, choreographed\, and taught pre-professionally across the East Coast and Mid-West. She was a member of multiple traveling performance ensembles and heavily involved in performance at Winthrop. Emmalee has performed in various works by Maria Caruso\, Lauren Skrabalak\, Mia Cunningham\, Julianna Hane\, Ben Kubie\, Meg Schriffen\, Kelly Ozust\, Bethany Tuffy\, Brian Winn\, Renay Aumiller\, Brady Sanders\, and Michael Rosales\, among many others. Her teaching and choreographic style is informed by release techniques (most notably Safety Release Technique)\, contemporary ballet and modern dance practices\, and her love for visual and digital art\, and interdisciplinary collaboration. Emmalee’s choreographic work is situated in the postmodern/contemporary genre with a focus on process\, experimentation\, improvisation\, and abstraction. Her concert and screen dance choreography has been presented at the American College Dance Association Southeast and Mid-Atlantic Conferences (Bizarre!\, Evocation). Emmalee is immersed in creative and scholarly research at the intersection of art making and pedagogical practice. Her choreographic research focuses on interdisciplinary collaboration with other dancers\, composers\, and multimedia artists. In addition\, Emmalee’s endeavors in both concert and screen dance emphasize her goal to create visually pleasing and experimental art that fosters collaboration and is a catalyst for cognitive thinking. Her recent awards include the Kristina Larson Graduate Dance Fund and the Dean’s Research/Creative Initiative Fund.
URL:https://vpa.uncg.edu/single-event/the-intersection-mfa-thesis-in-dance/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/ebradley-mfa-poster-final-scaled-3wUHDx.tmp_.jpg
ORGANIZER;CN="Greensboro Project Space":MAILTO:greensboroprojectspace@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230203T190000
DTEND;TZID=America/New_York:20230203T200000
DTSTAMP:20260412T043328
CREATED:20240130T163915Z
LAST-MODIFIED:20240130T163915Z
UID:10000570-1675450800-1675454400@vpa.uncg.edu
SUMMARY:“@ the intersection” Emmalee Bradley MFA Thesis
DESCRIPTION:Dance MFA Candidate Emmalee Bradley will present original choreographic work during an immersive experience. This production is a reflection of the culminating project for MFA Candidacy. It is free and open to the public. 
URL:https://vpa.uncg.edu/single-event/the-intersection-emmalee-bradley-mfa-thesis/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:College of Visual and Performing Arts,Greensboro Project Space,School of Dance
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/ebradley-mfa-poster-final-scaled-3wUHDx.tmp_.jpg
ORGANIZER;CN="School of Dance":MAILTO:dance@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230126T090000
DTEND;TZID=America/New_York:20230126T160000
DTSTAMP:20260412T043328
CREATED:20240130T163836Z
LAST-MODIFIED:20240130T163836Z
UID:10000561-1674723600-1674748800@vpa.uncg.edu
SUMMARY:William Paul Thomas – Both Things Are True
DESCRIPTION:The Gatewood Gallery is pleased to present William Paul Thomas and his exhibition Both Things Are True January 26 – February 26\, 2023. A reception and a talk on his work will be held Wednesday\, February 1 from 4:00 – 6:00pm. \n  \nWilliam Paul Thomas and his paintings
URL:https://vpa.uncg.edu/single-event/william-paul-thomas-both-things-are-true/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230120T180000
DTEND;TZID=America/New_York:20230120T200000
DTSTAMP:20260412T043328
CREATED:20240130T163836Z
LAST-MODIFIED:20240130T163836Z
UID:10000559-1674237600-1674244800@vpa.uncg.edu
SUMMARY:Assemblage Reception
DESCRIPTION:Reception with a live\, virtual interactive installation by Roni Baker\, Sydney Hall\, Jocelyn Marencik\, and Triston Mullis
URL:https://vpa.uncg.edu/single-event/assemblage-reception/
LOCATION:North Carolina
CATEGORIES:School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230117T120000
DTEND;TZID=America/New_York:20230128T170000
DTSTAMP:20260412T043328
CREATED:20240130T163827Z
LAST-MODIFIED:20240130T163827Z
UID:10000557-1673956800-1674925200@vpa.uncg.edu
SUMMARY:Assemblage
DESCRIPTION:Assemblage\nA UNCG Student Installation Show\nOn View: January 17 – 28\, 2023\n*Reception: Friday\, January 20th\, 6-8PM\n*with a live\, virtual interactive installation by\nRoni Baker\, Sydney Hall\, Jocelyn Marencik\, and Triston Mullis\n  \nAssemblage acts as a gathering place for a collection of seven distinct artists whose artistic processes and exploratory themes interconnect in a symbiotic way\, forming a holistic aesthetic idea – like several unlike objects that fit together as one\, an assemblage. The works in the show allow one to look through a kaleidoscope that represent the webs that weave us all together – a representative patchwork of grief\, trauma\, violence\, rebirth\, memory\, mystery\, knowledge\, play\, and the hope that exists through collective support. Featuring UNCG undergraduate students\, Assemblage invites an art experience through both physical and digital/interactive installation works. The artists investigate concepts through visual\, digital\, and/or textile manipulations in hopes to articulate the interconnectedness of unrelated ideas; we are all more alike than it seems.  \n  \nFeaturing UNCG Student Artists:\nMelanie Antle \nPeter Deligdisch \nBrenda Fonseca- Martinez \nViveka Krumm Castaneda \nTriston Mullis \nDaniel Rogers \nMia Zabala \n  \nTo learn more about the individual artists\, visit our website here \n\nGreensboro Project Space Weekly Gallery Hours: \nTuesday – Friday\, 12 -5 PM \nSaturday\, 2-5PM
URL:https://vpa.uncg.edu/single-event/assemblage/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:Greensboro Project Space,School of Art
ATTACH;FMTTYPE=image/png:https://vpa.uncg.edu/wp-content/uploads/2024/01/Assemplag-flier-tv-display-second-draft-1-HTegf2.tmp_.png
ORGANIZER;CN="Greensboro Project Space":MAILTO:greensboroprojectspace@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230117
DTEND;VALUE=DATE:20230129
DTSTAMP:20260412T043328
CREATED:20240130T163826Z
LAST-MODIFIED:20240130T163826Z
UID:10000556-1673913600-1674950399@vpa.uncg.edu
SUMMARY:Assemblage – UNCG Student Installation Show
DESCRIPTION:A Group Show featuring UNCG Students: Melanie Antle\, Peter Deligdisch\, Brenda Fonseca- Martinez\, Viveka Krumm Castaneda\, Triston Mullis\, Daniel Rogers\, Mia Zabala
URL:https://vpa.uncg.edu/single-event/assemblage-uncg-student-installation-show/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221209T170000
DTEND;TZID=America/New_York:20221209T190000
DTSTAMP:20260412T043328
CREATED:20240130T163626Z
LAST-MODIFIED:20240130T163626Z
UID:10000549-1670605200-1670612400@vpa.uncg.edu
SUMMARY:Closing Reception for “Inter\, Intra\, Intro-Spection” UNCG Painting Exhibition
DESCRIPTION:Exhibition on View\nWhen: December 6th – December 10th\, 2022\nClosing Reception: Friday\, Dec 9th 5-7pm\nWhere: Greensboro Project Space (111 E February One Place) \nGallery Hours: Tuesdays-Fridays\, 12-5pm; Saturdays\, 2-5pm\nGroup Show\, Featuring works by Professor Jen Meanley’s Painting Class 
URL:https://vpa.uncg.edu/single-event/closing-reception-for-inter-intra-intro-spection-uncg-painting-exhibition/
LOCATION:North Carolina
CATEGORIES:School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221206
DTEND;VALUE=DATE:20221211
DTSTAMP:20260412T043328
CREATED:20240130T163626Z
LAST-MODIFIED:20240130T163626Z
UID:10000548-1670284800-1670716799@vpa.uncg.edu
SUMMARY:Painting Student Exhibition @ Greensboro Project Space
DESCRIPTION:Exhibition on View\nWhen: December 6th – December 10th\, 2022\nClosing Reception: Friday\, Dec 9th 5-7pm\nWhere: Greensboro Project Space (111 E February One Place) \nGallery Hours: Tuesdays-Fridays\, 12-5pm; Saturdays\, 2-5pm\nGroup Show\, Featuring works by Professor Jen Meanley’s Painting Class 
URL:https://vpa.uncg.edu/single-event/painting-student-exhibition-greensboro-project-space/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221202T180000
DTEND;TZID=America/New_York:20221202T200000
DTSTAMP:20260412T043328
CREATED:20240130T163626Z
LAST-MODIFIED:20240130T163626Z
UID:10000546-1670004000-1670011200@vpa.uncg.edu
SUMMARY:Closing Reception for “Fall BFA Exhibition”
DESCRIPTION:Exhibition on View\nWhen: November 22nd – December 3rd\, 2022\nClosing Reception: December 2nd\, 6pm-8pm \nWhere: Greensboro Project Space (111 E February One Place) \nGallery Hours: Tuesdays-Fridays\, 12-5pm; Saturdays\, 2-5pm\nGroup Show\, Featuring: Fall BFA Graduates 
URL:https://vpa.uncg.edu/single-event/closing-reception-for-fall-bfa-exhibition/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221118T180000
DTEND;TZID=America/New_York:20221118T200000
DTSTAMP:20260412T043328
CREATED:20240130T163514Z
LAST-MODIFIED:20240130T163514Z
UID:10000507-1668794400-1668801600@vpa.uncg.edu
SUMMARY:Closing Reception for “Steisha Pintado MFA Exhibition”
DESCRIPTION:Exhibition on View\nWhen: November 15th – November 19th\, 2022\nClosing Reception: November 18th 6:00pm-8:00pm\nWhere: Greensboro Project Space (111 E February One Place) \nGallery Hours: Tuesdays-Fridays\, 12-5pm; Saturdays\, 2-5pm\nSolo Show\, Featuring: Steisha Pintado \n \nYou Will Be With Me in Paradise is a group of mixed media work that explores my experience of being born and raised in a fundamentalist religious cult\, and the aftermath of leaving the cult.  \nAs a Jehovah’s Witness\, I was taught that Armageddon could come at any moment\, and only the true worshippers of Jehovah would survive and receive everlasting life on a Paradise Earth. This Paradise was so vividly depicted in the Jehovah’s Witnesses’ literature that I never had to spend time imagining my own interpretation. The oppressive life as a Jehovah’s Witness always felt more real to me than their promise of Paradise.    \nThe fabric in my work is a vessel of visual and tactile experience that directly relates to memories of my family and to the experience of being shunned. This choice of materials is in dialogue with the practice of arts and crafts that my mother maintained when I was a little girl\, specifically the fabrics she used to sew my Kingdom Hall dresses and the fake flowers she used to make floral arrangements and bouquets. The installation You Will Be With Me in Paradise is my criticism of the Jehovah’s Witnesses’ promise of Paradise\, depicting it as a landscape of plastic plants and flowers and thereby subverting it into a space that I can accept on my own terms. A mirror mounted in this representation invites viewers to see themselves in this literal and figurative space.  \nStrictly following the Ten Commandments\, the Jehovah’s Witnesses do not allow for any iconic imagery in their worship. In keeping with this convention\, I utilize the accidental iconography of cookie-cutter Kingdom Hall spaces\, such as their literature\, carpets\, chairs\, wallpapers\, platforms\, podiums\, microphones\, preaching practices\, double-speak\, and Paradise Earth imagery. \nThis body of work is a longing for the childhood nostalgia of these spaces\, and for the people I left behind in those spaces. While my work is a definite criticism of an oppressive religious cult\, I do not seek to mock its belief system or the spaces in which its operates\, but rather to provide my own sincere interpretation of each. I believe in the freedom of religion\, but unlike the Jehovah’s Witnesses\, I also believe in the freedom to leave a religion without the fear of estrangement\, harassment\, and coercive control. \n  \nMore About Steisha \nI use my work to explore my personal experience of being born and raised in a fundamentalist religious cult\, and the aftermath of leaving the cult. I was taught that Armageddon could come at any moment\, and only the true worshippers of Jehovah would survive and receive everlasting life on a Paradise Earth. My purpose in life was predetermined and designed around being a Jehovah’s Witness. There was room for very little else. It was a life of isolation\, guilt\, and fear. \nMy practice is interdisciplinary\, using drawing\, painting\, puppetry\, and stop motion animation together to unfold a narrative of indoctrination and liberation. Cultic studies research has become the cornerstone of my practice\, which feels quite necessary in the current political climate and state of insurgency in the United States. Although my experience and focus has religious roots\, my research applies across the different practices of undue influence\, indoctrination\, radicalization\, and extremism. There are many common threads woven through the tactics of extremist cults. \nMy work helps me to confront the fact that I am an apostate\, take back my power and my voice\, and speak out against a system of oppression hiding in plain sight. I make this work for myself\, for others who have also had these experiences\, and to create a public awareness around these issues. I use this work to celebrate how I have forcefully taken the things that I had been denied since birth: an education\, a career\, a voice\, a free life where two plus two always equals four. \n  \nLearn more about Steisha and her work at www.steishapintado.com or follow her @steishapintado \n https://www.greensboroprojectspace.com/blog-post/2022-mfa-thesis-exhibition-steisha-pintado1
URL:https://vpa.uncg.edu/single-event/closing-reception-for-steisha-pintado-mfa-exhibition/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221115
DTEND;VALUE=DATE:20221120
DTSTAMP:20260412T043328
CREATED:20240130T163514Z
LAST-MODIFIED:20240130T163514Z
UID:10000503-1668470400-1668902399@vpa.uncg.edu
SUMMARY:Steisha Pintado MFA Exhibition @ Greensboro Project Space
DESCRIPTION:Exhibition on View\nWhen: November 15th – November 19th\, 2022\nClosing Reception: November 18th 6:00pm-8:00pm\nWhere: Greensboro Project Space (111 E February One Place) \nGallery Hours: Tuesdays-Fridays\, 12-5pm; Saturdays\, 2-5pm\nSolo Show\, Featuring: Steisha Pintado \n \nYou Will Be With Me in Paradise is a group of mixed media work that explores my experience of being born and raised in a fundamentalist religious cult\, and the aftermath of leaving the cult.  \nAs a Jehovah’s Witness\, I was taught that Armageddon could come at any moment\, and only the true worshippers of Jehovah would survive and receive everlasting life on a Paradise Earth. This Paradise was so vividly depicted in the Jehovah’s Witnesses’ literature that I never had to spend time imagining my own interpretation. The oppressive life as a Jehovah’s Witness always felt more real to me than their promise of Paradise.    \nThe fabric in my work is a vessel of visual and tactile experience that directly relates to memories of my family and to the experience of being shunned. This choice of materials is in dialogue with the practice of arts and crafts that my mother maintained when I was a little girl\, specifically the fabrics she used to sew my Kingdom Hall dresses and the fake flowers she used to make floral arrangements and bouquets. The installation You Will Be With Me in Paradise is my criticism of the Jehovah’s Witnesses’ promise of Paradise\, depicting it as a landscape of plastic plants and flowers and thereby subverting it into a space that I can accept on my own terms. A mirror mounted in this representation invites viewers to see themselves in this literal and figurative space.  \nStrictly following the Ten Commandments\, the Jehovah’s Witnesses do not allow for any iconic imagery in their worship. In keeping with this convention\, I utilize the accidental iconography of cookie-cutter Kingdom Hall spaces\, such as their literature\, carpets\, chairs\, wallpapers\, platforms\, podiums\, microphones\, preaching practices\, double-speak\, and Paradise Earth imagery. \nThis body of work is a longing for the childhood nostalgia of these spaces\, and for the people I left behind in those spaces. While my work is a definite criticism of an oppressive religious cult\, I do not seek to mock its belief system or the spaces in which its operates\, but rather to provide my own sincere interpretation of each. I believe in the freedom of religion\, but unlike the Jehovah’s Witnesses\, I also believe in the freedom to leave a religion without the fear of estrangement\, harassment\, and coercive control. \n  \nMore About Steisha \nI use my work to explore my personal experience of being born and raised in a fundamentalist religious cult\, and the aftermath of leaving the cult. I was taught that Armageddon could come at any moment\, and only the true worshippers of Jehovah would survive and receive everlasting life on a Paradise Earth. My purpose in life was predetermined and designed around being a Jehovah’s Witness. There was room for very little else. It was a life of isolation\, guilt\, and fear. \nMy practice is interdisciplinary\, using drawing\, painting\, puppetry\, and stop motion animation together to unfold a narrative of indoctrination and liberation. Cultic studies research has become the cornerstone of my practice\, which feels quite necessary in the current political climate and state of insurgency in the United States. Although my experience and focus has religious roots\, my research applies across the different practices of undue influence\, indoctrination\, radicalization\, and extremism. There are many common threads woven through the tactics of extremist cults. \nMy work helps me to confront the fact that I am an apostate\, take back my power and my voice\, and speak out against a system of oppression hiding in plain sight. I make this work for myself\, for others who have also had these experiences\, and to create a public awareness around these issues. I use this work to celebrate how I have forcefully taken the things that I had been denied since birth: an education\, a career\, a voice\, a free life where two plus two always equals four. \n  \nLearn more about Steisha and her work at www.steishapintado.com or follow her @steishapintado \n https://www.greensboroprojectspace.com/blog-post/2022-mfa-thesis-exhibition-steisha-pintado1
URL:https://vpa.uncg.edu/single-event/steisha-pintado-mfa-exhibition-greensboro-project-space/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221112T180000
DTEND;TZID=America/New_York:20221112T200000
DTSTAMP:20260412T043328
CREATED:20240130T163513Z
LAST-MODIFIED:20240130T163513Z
UID:10000500-1668276000-1668283200@vpa.uncg.edu
SUMMARY:Closing Reception for ‘Zaire Miles-Moultrie’
DESCRIPTION:Exhibition on View\nWhen: November 1st – November 12th\, 2022\nClosing Reception: TBD\nWhere: Greensboro Project Space (111 E February One Place) \nGallery Hours: Tuesdays-Fridays\, 12-5pm; Saturdays\, 2-5pm\nSolo Show\, Featuring: Zaire Miles-Moultrie \nMore About The Lion\, The Jackal\, and The Man \nLearning about Africa\, its people\, cultures\, history\, its reach and its effects across the world is not an easy task to do but once you start it’s almost impossible to stop. As an artist it is a wonderland that I enjoy exploring and taking what I learned and transforming it into works of art. This is an experience that I am so glad and appreciative to have however\, while learning about the wonders of Africa I also had learn about the terrible beauties\, misconceptions\, perversions\, abuse\, and other heinous aspects that Africa and its people had to endure from Western Nations /Colonizers  and from within.From this comes The Lion\, The Jackal\, and The Man a solo art exhibition that explores the cultures\, histories\, and peoples within Africa. The works in The Lion\, The Jackal\, and The Man is a direct acknowledgement of the beautiful\, the good\, the bad\, and the inconceivables of the history and cultures within Africa.  \nThe Works within The Lion\, The Jackal\, and The Man comprise of surreal collages\, drawings\, illustrations\, and prints of original art by Zaire Miles-Moultrie. Each piece aims to tackle a wide range of subject matters while also enticing the viewer to come up and look closer at each piece that is on display. Ultimately the aim of this exhibition is to expose the viewer to the many cultures and peoples of Africa while acknowledging and combating their own ideologies\, perceptions\, and biases regarding Africa.  \n  \nMore About Zaire \nZaire Miles-Moultrie was born in the sunny state of California but raised and grown in the old North State of North Carolina. At a young age he was introduced to the world of art through comic books and his love for the arts grew immensely throughout the years. After picking up his first pencil and drawing his very first line he was never able to stop himself from learning more about his passions and himself. Currently Zaire is enrolled at the University of North Carolina at Greensboro (UNCG) pursuing his degrees in Entrepreneurship and a B.F.A. in studio art with a concentration in Printmaking and Drawing. At the moment he has an interest in researching and learning more about modern Afro-Centric artists\, art\, and sustainable art and business practices. \nAs I grow as an artist I always want to continue to grow my sources of inspirations whether it be from paintings\, sculptures\, cultures\, histories\, peoples\, etc. By using printmaking and drawing as my medium of choice I can express myself\, my voice\, and message in a multitude of ways while also paying homage to inspirations. My art\, designs\, drawing\, and prints are collages of the many ideologies that I have come to learn\, accept\, and embody like blackness\, negritude\, intellectualism\, love\, and allyship. This leads me to combat harmful and hateful ideologies that go against my very core as an artist and as a human being.   \nhttps://www.greensboroprojectspace.com/blog-post/the-lion-the-jackal-and-the-man
URL:https://vpa.uncg.edu/single-event/closing-reception-for-zaire-miles-moultrie/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221111T180000
DTEND;TZID=America/New_York:20221111T200000
DTSTAMP:20260412T043328
CREATED:20240130T163513Z
LAST-MODIFIED:20240130T163513Z
UID:10000498-1668189600-1668196800@vpa.uncg.edu
SUMMARY:Closing Reception for ‘Unboxed: an Anti-Exhibit’
DESCRIPTION:Unboxed: an Anti-Exhibit\nA Group Show Featuring UNCG Student Artists\n  \nCurated by GPS Interns Peter Deligdisch and Abby Weatherholtz\nNovember 8 – 12\, 2022\n  \nReception: Friday\, November 11th\, 6-8PM\nwith live demo from artist\, Kristen Dixon\n   \nMore About The Show \n“Unboxed: an Anti-Exhibit” is a collaborative show featuring work by undergraduate CVPA students at UNCG and curated by GPS student interns\, Peter Deligdisch and Abby Weatherholtz. The show challenges the traditional use of gallery space\, bringing into question what type of work “deserves” to be placed in a spotlight and how artwork is “supposed” to be displayed in a professional setting. We use imaginative methods of installation to construct an anti-exhibit that can be experienced in an exciting and unconventional manner. We hope that this show will allow for an accessible experience for everyone who comes to it with an open mind and ready hands to play. \n  \nMore About Abby  \nAbby Weatherholtz is a senior simultaneously pursuing a B.F.A. in Painting and Drawing and a B.S. in Psychology. She is interested in multi-media and textural work such as impasto painting\, paper folding and manipulating\, collage\, textiles\, and others. Her concepts discuss LGBTQIA+ rights\, mental health\, and the intimacy involved in domestic life. \n  \nCuratorial Thoughts from Peter  \nThe struggle of defining art has been going on for as long as anyone can remember. As an undergrad intern at GPS this semester\, I’ve been granted a glimpse at the role that art galleries play in this effort. Contrary to the way we usually interact with art out in the world\, galleries and museums most often display art in a sterile and pristine environment. There are obvious benefits in this kind of presentation\, but after a while it starts to subconsciously enforce an idea of exclusivity. The idea that only that which is exhibited a certain way is art\, and everything else is not. “Unboxed”\, is a small attempt to present art in a more inclusive way that works against that trend. An anti-exhibit. \n  \nFeaturing UNCG Student Artists:\nKyla Fisher  \nKristen Dixon  \nBrenda Fonseca Martinez \nEllison Rauch  \nShayla Scales  \nBjorn Bates  \nCaitlin Parris   \nJoseph Hodge  \nAshe Smith  \nEden Wells  \nAlaina Hooks \nLuna Roberts  \nBeyonce Kee   \nSophia Dominici  \nWesley Durham   \nIris Choi  \nMontana Norman   \nMarvin Cano \n \nhttps://www.greensboroprojectspace.com/blog-post/unboxed-an-anti-exhibit
URL:https://vpa.uncg.edu/single-event/closing-reception-for-unboxed-an-anti-exhibit/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221111
DTEND;VALUE=DATE:20221119
DTSTAMP:20260412T043328
CREATED:20240130T163512Z
LAST-MODIFIED:20240130T163512Z
UID:10000497-1668124800-1668815999@vpa.uncg.edu
SUMMARY:Deserving Wonderland By Amanda McGowan
DESCRIPTION:A Disciplinary Honors Exhibition by Amanda McGowan \nNovember 11 – 18\, 2022\nGatewood Studio Arts Building
URL:https://vpa.uncg.edu/single-event/deserving-wonderland-by-amanda-mcgowan/
LOCATION:UNCG Gatewood Studio Arts Building\, 527 Highland Ave\, Greensboro\, NC\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/Deserving-Wonderland-Senior-Honors-Project-fPwsKs.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221108
DTEND;VALUE=DATE:20221113
DTSTAMP:20260412T043328
CREATED:20240130T163512Z
LAST-MODIFIED:20240130T163512Z
UID:10000494-1667865600-1668297599@vpa.uncg.edu
SUMMARY:Unboxed: an Anti-Exhibit
DESCRIPTION:Unboxed: an Anti-Exhibit\nA Group Show Featuring UNCG Student Artists\n  \nCurated by GPS Interns Peter Deligdisch and Abby Weatherholtz\nNovember 8 – 12\, 2022\n  \nReception: Friday\, November 11th\, 6-8PM\nwith live demo from artist\, Kristen Dixon\n   \nMore About The Show \n“Unboxed: an Anti-Exhibit” is a collaborative show featuring work by undergraduate CVPA students at UNCG and curated by GPS student interns\, Peter Deligdisch and Abby Weatherholtz. The show challenges the traditional use of gallery space\, bringing into question what type of work “deserves” to be placed in a spotlight and how artwork is “supposed” to be displayed in a professional setting. We use imaginative methods of installation to construct an anti-exhibit that can be experienced in an exciting and unconventional manner. We hope that this show will allow for an accessible experience for everyone who comes to it with an open mind and ready hands to play. \n  \nMore About Abby  \nAbby Weatherholtz is a senior simultaneously pursuing a B.F.A. in Painting and Drawing and a B.S. in Psychology. She is interested in multi-media and textural work such as impasto painting\, paper folding and manipulating\, collage\, textiles\, and others. Her concepts discuss LGBTQIA+ rights\, mental health\, and the intimacy involved in domestic life. \n  \nCuratorial Thoughts from Peter  \nThe struggle of defining art has been going on for as long as anyone can remember. As an undergrad intern at GPS this semester\, I’ve been granted a glimpse at the role that art galleries play in this effort. Contrary to the way we usually interact with art out in the world\, galleries and museums most often display art in a sterile and pristine environment. There are obvious benefits in this kind of presentation\, but after a while it starts to subconsciously enforce an idea of exclusivity. The idea that only that which is exhibited a certain way is art\, and everything else is not. “Unboxed”\, is a small attempt to present art in a more inclusive way that works against that trend. An anti-exhibit. \n  \nFeaturing UNCG Student Artists:\nKyla Fisher  \nKristen Dixon  \nBrenda Fonseca Martinez \nEllison Rauch  \nShayla Scales  \nBjorn Bates  \nCaitlin Parris   \nJoseph Hodge  \nAshe Smith  \nEden Wells  \nAlaina Hooks \nLuna Roberts  \nBeyonce Kee   \nSophia Dominici  \nWesley Durham   \nIris Choi  \nMontana Norman   \nMarvin Cano \n \nhttps://www.greensboroprojectspace.com/blog-post/unboxed-an-anti-exhibit
URL:https://vpa.uncg.edu/single-event/unboxed-an-anti-exhibit/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221101
DTEND;VALUE=DATE:20221113
DTSTAMP:20260412T043328
CREATED:20240130T163506Z
LAST-MODIFIED:20240130T163506Z
UID:10000484-1667260800-1668297599@vpa.uncg.edu
SUMMARY:Zaire Miles-Moultrie Exhibition @ Greensboro Project Space
DESCRIPTION:Exhibition on View\nWhen: November 1st – November 12th\, 2022\nClosing Reception: TBD\nWhere: Greensboro Project Space (111 E February One Place) \nGallery Hours: Tuesdays-Fridays\, 12-5pm; Saturdays\, 2-5pm\nSolo Show\, Featuring: Zaire Miles-Moultrie \nMore About The Lion\, The Jackal\, and The Man \nLearning about Africa\, its people\, cultures\, history\, its reach and its effects across the world is not an easy task to do but once you start it’s almost impossible to stop. As an artist it is a wonderland that I enjoy exploring and taking what I learned and transforming it into works of art. This is an experience that I am so glad and appreciative to have however\, while learning about the wonders of Africa I also had learn about the terrible beauties\, misconceptions\, perversions\, abuse\, and other heinous aspects that Africa and its people had to endure from Western Nations /Colonizers  and from within.From this comes The Lion\, The Jackal\, and The Man a solo art exhibition that explores the cultures\, histories\, and peoples within Africa. The works in The Lion\, The Jackal\, and The Man is a direct acknowledgement of the beautiful\, the good\, the bad\, and the inconceivables of the history and cultures within Africa.  \nThe Works within The Lion\, The Jackal\, and The Man comprise of surreal collages\, drawings\, illustrations\, and prints of original art by Zaire Miles-Moultrie. Each piece aims to tackle a wide range of subject matters while also enticing the viewer to come up and look closer at each piece that is on display. Ultimately the aim of this exhibition is to expose the viewer to the many cultures and peoples of Africa while acknowledging and combating their own ideologies\, perceptions\, and biases regarding Africa.  \n  \nMore About Zaire \nZaire Miles-Moultrie was born in the sunny state of California but raised and grown in the old North State of North Carolina. At a young age he was introduced to the world of art through comic books and his love for the arts grew immensely throughout the years. After picking up his first pencil and drawing his very first line he was never able to stop himself from learning more about his passions and himself. Currently Zaire is enrolled at the University of North Carolina at Greensboro (UNCG) pursuing his degrees in Entrepreneurship and a B.F.A. in studio art with a concentration in Printmaking and Drawing. At the moment he has an interest in researching and learning more about modern Afro-Centric artists\, art\, and sustainable art and business practices. \nAs I grow as an artist I always want to continue to grow my sources of inspirations whether it be from paintings\, sculptures\, cultures\, histories\, peoples\, etc. By using printmaking and drawing as my medium of choice I can express myself\, my voice\, and message in a multitude of ways while also paying homage to inspirations. My art\, designs\, drawing\, and prints are collages of the many ideologies that I have come to learn\, accept\, and embody like blackness\, negritude\, intellectualism\, love\, and allyship. This leads me to combat harmful and hateful ideologies that go against my very core as an artist and as a human being.   \nhttps://www.greensboroprojectspace.com/blog-post/the-lion-the-jackal-and-the-man
URL:https://vpa.uncg.edu/single-event/zaire-miles-moultrie-exhibition-greensboro-project-space/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221028T180000
DTEND;TZID=America/New_York:20221028T200000
DTSTAMP:20260412T043328
CREATED:20240130T163318Z
LAST-MODIFIED:20240130T163318Z
UID:10000455-1666980000-1666987200@vpa.uncg.edu
SUMMARY:Closing Reception for “William Suits”
DESCRIPTION:Exhibition on View\nWhen: October 25th- October 29th\, 2022\nClosing Reception: October 28th 6:00pm-8:00pm\nWhere: Greensboro Project Space (111 E February One Place) \nGallery Hours: Tuesdays-Fridays\, 12-5pm; Saturdays\, 2-5pm\nSolo Show\, Featuring: William Mangum (William Mangum Awardee)  
URL:https://vpa.uncg.edu/single-event/closing-reception-for-william-suits/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221025
DTEND;VALUE=DATE:20221030
DTSTAMP:20260412T043328
CREATED:20240130T163318Z
LAST-MODIFIED:20240130T163318Z
UID:10000452-1666656000-1667087999@vpa.uncg.edu
SUMMARY:William Suits Exhibition @ Greensboro Project Space
DESCRIPTION:Exhibition on View\nWhen: October 25th- October 29th\, 2022\nClosing Reception: October 28th 6:00pm-8:00pm\nWhere: Greensboro Project Space (111 E February One Place) \nGallery Hours: Tuesdays-Fridays\, 12-5pm; Saturdays\, 2-5pm\nSolo Show\, Featuring: William Mangum (William Mangum Awardee)   \nMore About Lindwyrm  \nLindwyrm is a series of digital prints to be viewed in sequential order. The series was conceived as a comic book adaptation of the Scandinavian fairy tale “Prince Lindworm.” Inspired by the works of Neil Gaiman and Tsutomu Nihei\, this series tells the story of a young woman thrust into a deadly marriage arraignment\, with only her wits and the wisdom of an old crone to save her. \nIn adapting a fairy tale for a modern audience\, the opportunity for change is opened up. It allows for the artist to internalize the original story and restructure it to better suit their own values and views on the world. When adapting “Prince Lindworm” I took a story that makes moral statements on chastity and turned it into one that celebrates the love between mother and child and displays the struggles of revealing one’s most intimate self in a new romance. \n  \nMore About William  \nAs an artist I think of myself firstly as a storyteller. I believe that stories are the lifeblood of our society. They teach us to think beyond ourselves and imagine countless unseen worlds. We find comfort in the knowledge that the hero will save the day or that the romantic leads will find happiness together. They connect us together\, as we spend hours theorizing what will come next in our favorite series. It was because of such stories that I was first drawn to art. As a teenager I would spend hours inventing worlds and characters with a close group of friends. We created without shame or concerns of originality. I try to recapture that freedom to create without restriction in my artistic practice. I constantly work to abandon thoughts of what others might think and simply create something that I will enjoy. \nhttps://www.greensboroprojectspace.com/blog-post/lindwyrm
URL:https://vpa.uncg.edu/single-event/william-suits-exhibition-greensboro-project-space/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221021T180000
DTEND;TZID=America/New_York:20221021T200000
DTSTAMP:20260412T043328
CREATED:20240130T163317Z
LAST-MODIFIED:20240130T163317Z
UID:10000449-1666375200-1666382400@vpa.uncg.edu
SUMMARY:Closing Reception for “23 Chunks of Being”
DESCRIPTION:Exhibition on View\nWhen: October 11th- October 22nd\, 2022\nClosing Reception: October 21st 6:00pm-8:00pm\nWhere: Greensboro Project Space (111 E February One Place) \nGallery Hours: Tuesdays-Fridays\, 12-5pm; Saturdays\, 2-5pm\nSolo Show\, Featuring: Greg Grieve \n23 Chunks of Being – A Retrospective  \nThe Dungeon Master ofMeanings \nAs a major contributor to the emerging study of religion andvideo games\, Gregory Price Grieve\, Head of the Religious Studies Department atThe University of North Carolina at Greensboro\, researches and teaches Asianreligions and popular culture. His retrospective of photo-collages\, paintings\,sculptures\, videos\, and installations spans almost forty years\, with many showntogether for the first time. His artistic expression explores the ideasconnecting his research interests without having to resort to the fixedmeanings required in academic language.  \nGrieve uses collage\, assemblage\, montage\, andinstallation–techniques originally employed by the early 20thcentury avant-guard movements. The Dadaists\, Surrealists\, and earlyConceptualists reinvented the role of artist with strategies to battle ossifiedinstitutions. Their materials and techniques could satirize social conventions\,undermine the certainty of rationality\, or embody the sensory and informationaloverload that was part of modernization. Similarly\, Grieve uses found photographic images\, many from the Library of Congress\,and found objects\, combining them to create apersonal language. Their layering\,superimposition\, transparency\, and montage unify his source materials with a new logic. The resulting aestheticis one of free-associative flows\, lucid dreaming\, and humor with titles thatplay with etymology\, imply conceptual readings\, or make cross-disciplinaryreferences to add an additional layer of interpretation. \n In this electric moment\, as thephysical atomizes into data and perception into pixels\, Grieve’s retrospective isnot just a collection of objects. It’s an archive of a life understanding itself. The artist becomesa dungeon master\, the viewer a willing player\, andthe artworks in ’23 Chunks of Being’ componentsin a game of embracing the groundlessness we navigate.  \n(Ryan Hill\, Professor and Directorof Sculpture Tucson)
URL:https://vpa.uncg.edu/single-event/closing-reception-for-23-chunks-of-being/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
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