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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221119T193000
DTEND;TZID=America/New_York:20221119T220000
DTSTAMP:20260411T014244
CREATED:20240130T163517Z
LAST-MODIFIED:20240130T163517Z
UID:10000510-1668886200-1668895200@vpa.uncg.edu
SUMMARY:Fall Dances 2022
DESCRIPTION:Fall Dances features choreography by UNCG School of Dance faculty and guest artists. Tickets are on sale through go.uncg.edu/dancetix
URL:https://vpa.uncg.edu/single-event/fall-dances-2022-2/
LOCATION:Dance Theatre\, 1408 Walker Avenue\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,Live Streamed Dance,School of Dance
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/fd22-poster_v1-scaled-wQD00K.tmp_.jpg
ORGANIZER;CN="School of Dance":MAILTO:dance@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221119T193000
DTEND;TZID=America/New_York:20221119T210000
DTSTAMP:20260411T014244
CREATED:20240130T163518Z
LAST-MODIFIED:20240130T163518Z
UID:10000511-1668886200-1668891600@vpa.uncg.edu
SUMMARY:Jonathan Simmons\, cello • Graduate Recital
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAM\n\n\n\n\n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.
URL:https://vpa.uncg.edu/single-event/jonathan-simmons-cello-graduate-recital/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:School of Music
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221119T173000
DTEND;TZID=America/New_York:20221119T190000
DTSTAMP:20260411T014244
CREATED:20240130T163525Z
LAST-MODIFIED:20240130T163525Z
UID:10000537-1668879000-1668884400@vpa.uncg.edu
SUMMARY:University Chorale and Chamber Singers
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAMVIEW ON CPVA LIVE\n\n\n\n\n\n\nThe mission of the UNCG Choirs is dedicated to the teaching\, performance\, study and cultivation of choral music of the highest quality representing not just the western choral canon but also choral music of other cultures by a diverse body of historical and new composers. We believe that the UNCG Choirs are a serious and distinctive medium of musical expression\, of vital service and importance to its members and to UNCG. Through ensemble performance\, we strive to create an environment of trust\, communication\, and expressive freedom\, to present outstanding performances throughout the year\, and to enhance the institutional sprit and character of UNCG. To music as an art and a profession\, the UNCG Choirs seek to bring increasing artistry\, understanding\, and respect by efforts within our own immediate sphere and by providing leadership and sponsorship to school choral programs and through cooperation with all other agencies pursuing similar musical goals. \n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.
URL:https://vpa.uncg.edu/single-event/university-chorale-and-chamber-singers-2/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,CVPA Live!,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/Choir-Feature-rN6RTO.tmp_.jpg
ORGANIZER;CN="UNCG Auditorium-1-CVPA &#8211%3B Master (2000)":MAILTO:uncg.edu_3736303334383835333332@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221119T173000
DTEND;TZID=America/New_York:20221119T190000
DTSTAMP:20260411T014244
CREATED:20240130T163517Z
LAST-MODIFIED:20240130T163517Z
UID:10000509-1668879000-1668884400@vpa.uncg.edu
SUMMARY:Claire Haneberg\, viola • Undergraduate Recital
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAM\n\n\n\n\n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.
URL:https://vpa.uncg.edu/single-event/claire-haneberg-viola-undergraduate-recital/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:School of Music
ORGANIZER;CN="Music Bldg-2-CVPA &#8211%3B Organ Hall (125)":MAILTO:uncg.edu_3735333130333732353136@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221118T193000
DTEND;TZID=America/New_York:20221118T220000
DTSTAMP:20260411T014244
CREATED:20240130T163515Z
LAST-MODIFIED:20240130T163515Z
UID:10000508-1668799800-1668808800@vpa.uncg.edu
SUMMARY:Fall Dances 2022
DESCRIPTION:Fall Dances features choreography by UNCG School of Dance faculty and guest artists. Tickets are on sale through go.uncg.edu/dancetix
URL:https://vpa.uncg.edu/single-event/fall-dances-2022/
LOCATION:Dance Theatre\, 1408 Walker Avenue\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Dance
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/fd22-poster_v1-scaled-wQD00K.tmp_.jpg
ORGANIZER;CN="School of Dance":MAILTO:dance@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221118T193000
DTEND;TZID=America/New_York:20221118T210000
DTSTAMP:20260411T014244
CREATED:20240130T163525Z
LAST-MODIFIED:20240130T163525Z
UID:10000536-1668799800-1668805200@vpa.uncg.edu
SUMMARY:University Band
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAMPROGRAM NOTES AND BIOSVIEW ON CPVA LIVE\nKristin Arp\, conductor\nChris Gray\, conductor \n\nDAY\nShimmering Sunshine \nSTUART\nThree Ayres from Gloucester \nBOYSEN\nKirkpatrick Fanfare \nBLACKSHAW\nLessons from Mother Earth \nWITTROCK\nLord Tullamore \n\n\n\n\n\n\n \nThe renowned UNCG Bands are dedicated to the performance\, study\, and cultivation of wind band music of the highest quality\, and are a serious and distinctive medium of musical expression. The UNCG Bands are considered to be among the very finest collegiate band programs in America based upon our active profile of excellence in our performances\, recordings\, tours and convention performances. \nThrough exemplary practices in organization\, training\, and presentation\, the UNCG Bands provide exceptional experiences for our members\, sharing outstanding performances throughout the year and enhancing the institutional spirit and character of UNCG. \nThe UNCG Bands seek to support music education in the state of North Carolina and in our region by providing leadership and sponsorship to secondary school band programs and other organizations. \n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.
URL:https://vpa.uncg.edu/single-event/university-band/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,CVPA Live!,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/bands-header-3FOXQV.tmp_.jpg
ORGANIZER;CN="UNCG Auditorium-1-CVPA &#8211%3B Master (2000)":MAILTO:uncg.edu_3736303334383835333332@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221118T180000
DTEND;TZID=America/New_York:20221118T200000
DTSTAMP:20260411T014244
CREATED:20240130T163514Z
LAST-MODIFIED:20240130T163514Z
UID:10000507-1668794400-1668801600@vpa.uncg.edu
SUMMARY:Closing Reception for “Steisha Pintado MFA Exhibition”
DESCRIPTION:Exhibition on View\nWhen: November 15th – November 19th\, 2022\nClosing Reception: November 18th 6:00pm-8:00pm\nWhere: Greensboro Project Space (111 E February One Place) \nGallery Hours: Tuesdays-Fridays\, 12-5pm; Saturdays\, 2-5pm\nSolo Show\, Featuring: Steisha Pintado \n \nYou Will Be With Me in Paradise is a group of mixed media work that explores my experience of being born and raised in a fundamentalist religious cult\, and the aftermath of leaving the cult.  \nAs a Jehovah’s Witness\, I was taught that Armageddon could come at any moment\, and only the true worshippers of Jehovah would survive and receive everlasting life on a Paradise Earth. This Paradise was so vividly depicted in the Jehovah’s Witnesses’ literature that I never had to spend time imagining my own interpretation. The oppressive life as a Jehovah’s Witness always felt more real to me than their promise of Paradise.    \nThe fabric in my work is a vessel of visual and tactile experience that directly relates to memories of my family and to the experience of being shunned. This choice of materials is in dialogue with the practice of arts and crafts that my mother maintained when I was a little girl\, specifically the fabrics she used to sew my Kingdom Hall dresses and the fake flowers she used to make floral arrangements and bouquets. The installation You Will Be With Me in Paradise is my criticism of the Jehovah’s Witnesses’ promise of Paradise\, depicting it as a landscape of plastic plants and flowers and thereby subverting it into a space that I can accept on my own terms. A mirror mounted in this representation invites viewers to see themselves in this literal and figurative space.  \nStrictly following the Ten Commandments\, the Jehovah’s Witnesses do not allow for any iconic imagery in their worship. In keeping with this convention\, I utilize the accidental iconography of cookie-cutter Kingdom Hall spaces\, such as their literature\, carpets\, chairs\, wallpapers\, platforms\, podiums\, microphones\, preaching practices\, double-speak\, and Paradise Earth imagery. \nThis body of work is a longing for the childhood nostalgia of these spaces\, and for the people I left behind in those spaces. While my work is a definite criticism of an oppressive religious cult\, I do not seek to mock its belief system or the spaces in which its operates\, but rather to provide my own sincere interpretation of each. I believe in the freedom of religion\, but unlike the Jehovah’s Witnesses\, I also believe in the freedom to leave a religion without the fear of estrangement\, harassment\, and coercive control. \n  \nMore About Steisha \nI use my work to explore my personal experience of being born and raised in a fundamentalist religious cult\, and the aftermath of leaving the cult. I was taught that Armageddon could come at any moment\, and only the true worshippers of Jehovah would survive and receive everlasting life on a Paradise Earth. My purpose in life was predetermined and designed around being a Jehovah’s Witness. There was room for very little else. It was a life of isolation\, guilt\, and fear. \nMy practice is interdisciplinary\, using drawing\, painting\, puppetry\, and stop motion animation together to unfold a narrative of indoctrination and liberation. Cultic studies research has become the cornerstone of my practice\, which feels quite necessary in the current political climate and state of insurgency in the United States. Although my experience and focus has religious roots\, my research applies across the different practices of undue influence\, indoctrination\, radicalization\, and extremism. There are many common threads woven through the tactics of extremist cults. \nMy work helps me to confront the fact that I am an apostate\, take back my power and my voice\, and speak out against a system of oppression hiding in plain sight. I make this work for myself\, for others who have also had these experiences\, and to create a public awareness around these issues. I use this work to celebrate how I have forcefully taken the things that I had been denied since birth: an education\, a career\, a voice\, a free life where two plus two always equals four. \n  \nLearn more about Steisha and her work at www.steishapintado.com or follow her @steishapintado \n https://www.greensboroprojectspace.com/blog-post/2022-mfa-thesis-exhibition-steisha-pintado1
URL:https://vpa.uncg.edu/single-event/closing-reception-for-steisha-pintado-mfa-exhibition/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221118T173000
DTEND;TZID=America/New_York:20221118T190000
DTSTAMP:20260411T014244
CREATED:20240130T163514Z
LAST-MODIFIED:20240130T163514Z
UID:10000506-1668792600-1668798000@vpa.uncg.edu
SUMMARY:Gavin Hunter\, viola • Undergraduate Recital
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAM\n\n\n\n\n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.
URL:https://vpa.uncg.edu/single-event/gavin-hunter-viola-undergraduate-recital/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:School of Music
ORGANIZER;CN="Music Bldg-2-CVPA &#8211%3B Organ Hall (125)":MAILTO:uncg.edu_3735333130333732353136@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221117T193000
DTEND;TZID=America/New_York:20221117T210000
DTSTAMP:20260411T014244
CREATED:20240130T163525Z
LAST-MODIFIED:20240130T163525Z
UID:10000534-1668713400-1668718800@vpa.uncg.edu
SUMMARY:Wind Ensemble • Andy Hudson\, clarinet
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAMPROGRAM NOTES AND BIOSVIEW ON CPVA LIVE\nJonathan Caldwell\, conductor\nAndy Hudson\, clarinet\nDarren Lin\, guest conductor \n\nHIGDON\nFanfare Ritmico \nGRADONE\nFrom the Sky Far Whispers (world premiere) \nJOYCE\nAll or Nothing \nSCHWANTNER\nFrom a Dark Millennium \nTHOMAS\nThe Low-Down Brown Get-Down (consortium premiere) \n\n \n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall. \n\n\n\n\n\n\n\nPerformances by Andy Hudson have been hailed as “a treat for the listener” and have been praised for “an uncommon singularity of purpose\, technical virtuosity\, youthful vigor and a mature sensitivity.” He has appeared in Carnegie Hall’s ‘Weill Recital Hall\,’ at Chicago’s ‘Symphony Center\,’ and at the World Congress of the International Alliance for Women in Music\, College Music Society conferences in both Canada and the US\, and gatherings of the International Clarinet Association in Los Angeles\, Orlando\, Knoxville\, and Ostend\, Belgium. Andy won top honors at the 2008 MTNA National Senior Woodwind Competition and has received other prizes in the National Collegiate Solo Competition\, the Vandoren Emerging Artists Competition\, the Luminarts Foundation Fellowship Competition\, and the Ariel Artists ‘Impact Performance’ Competition. Andy has recently performed as guest principal clarinet of the Charlotte Symphony Orchestra and the North Carolina Opera\, and he was appointed Bass Clarinet/III Clarinetist of the Cabrillo Festival Orchestra in 2020. Other festival appearances include the Lucerne\, Bang on a Can\, Sewanee\, Hot Springs\, and Great Lakes Chamber Music festivals. \n\nContinue reading about Andy Hudson\n\nA noted interpreter of contemporary music\, Andy has premiered and commissioned dozens of works to date and has performed with the Chicago Symphony Orchestra on their MusicNOW series\, at the New Music Gathering\, and with Ensemble Dal Niente\, the Chicago Composer’s Orchestra\, and the Chicago Center for Contemporary Composition’s Grossman Ensemble (with whom he is featured on the 2020 release FOUNTAIN OF TIME). In 2018\, he was clarinetist for the workshop performance of Augusta Read Thomas’s opera “Sweet Potato Kicks the Sun\,” sponsored by the Santa Fe Opera. Andy also performs with the Zafa Collective and earspace\, and was a founding member of the trio F-PLUS. Andy is clarinetist with the mixed sextet Latitude 49\, which recently released its sophomore album WAX AND WIRE on New Amsterdam Records. Latitude 49 has held residencies at Princeton University and Baylor University\, and has been the recipient of grants from the Barlow Endowment\, the Fromm Foundation\, Chamber Music America\, and the Aaron Copland Fund. \nAndy is currently Assistant Professor of Clarinet at the University of North Carolina at Greensboro and each summer joins the Artist-Faculty of the Tennessee Valley Music Festival. Previously\, he held teaching positions at Northwestern University and Lake Forest College\, and he has been the North Carolina State Chair for the International Clarinet Association since 2019. Andy earned his DMA in Clarinet Performance with a Cognate Certification in Music Theory from Northwestern University\, where he also earned his Master of Music degree. He earned his Bachelor of Music degree from Columbus State University’s Schwob School of Music. His primary teachers have included Steve Cohen\, J. Lawrie Bloom\, and Lisa Oberlander. Andy is an Artist-Clinician for Buffet Crampon and an Ambassador for Rovner Products. He performs exclusively on Buffet clarinets and Rovner ligatures. \n\n\n\n1st Lieutenant Darren Y. Lin joined “The President’s Own” United States Marine Band in July 2019 as a percussionist. He was appointed Assistant Director in July 2021 and commissioned to his current rank in January 2022. 1st Lt. Lin is a 2009 graduate of Hershey High School in Pennsylvania. He earned a bachelor’s degree in percussion performance and a teacher’s certificate in 2014 from the University of Michigan (U-M) in Ann Arbor; a master’s degree in percussion performance and literature in 2016 from the Eastman School of Music at the University of Rochester in New York; and pursued additional studies at the New England Conservatory in Boston. His principal percussion teachers were J. William Hudgins of the Boston Symphony Orchestra\, Michael Burritt of the Eastman School of Music\, and Joseph Gramley and Jonathan Ovalle of U-M. He also has studied conducting with Christopher James Lees\, Michael Haithcock\, and Rodney Dorsey. \n\nContinue reading about Darren Y. Lin\n\nPrior to joining “The President’s Own\,” 1st Lt. Lin was an active educator and performer. He was the adjunct instructor of percussion at Lebanon Valley College in Annville\, Pa.\, and performed frequently with the Buffalo Philharmonic in Buffalo\, N.Y.\, the New Haven Symphony in Connecticut\, and the New World Symphony in Miami. He has performed under the batons of conductors like Valery Gergiev\, Michael Tilson Thomas\, Andris Nelsons\, and JoAnn Falletta. He is equally at home performing contemporary music\, having performed with the NakedEye Ensemble and both founding and leading the group [sunflower]. He has worked closely with composers Steve Reich and John Luther Adams\, and has premiered works by Dave Hollinden\, Molly Joyce\, Angélica Negrón\, Randall Woolf\, and Chris Vu. \nAs Assistant Director\, 1st Lt. Lin’s responsibilities include conducting the Marine Band and Chamber Orchestra in their winter and spring concert series and summer concerts on the National Mall as well as at ceremonies in the national capital region and at the White House. Additionally\, he serves as a supervisor for the acclaimed fall and winter Chamber Music Series\, which features the virtuoso musicians of “The President’s Own\,” as well as all pre-concert music. \n\n\nThe UNCG Wind Ensemble is a highly select concert band of fifty performers majoring in music at the UNCG School of Music. Performers in the current Wind Ensemble are drawn from sixteen states\, Slovenia\, and Hong Kong. The ensemble has enjoyed a distinguished record of performance throughout its history. In January 1992\, the UNCG Wind Ensemble performed “A Tribute to John Philip Sousa” to a capacity crowd of 2\,700 at the Concert Hall of the John F. Kennedy Center for the Performing Arts in Washington\, D.C. Twice\, the Wind Ensemble earned critical acclaim from The Washington Post following concerts in the nation’s capital. The Wind Ensemble has performed throughout the eastern United States in recent years including the first-ever performance\, in 1987\, by a North Carolina collegiate ensemble in Lincoln Center\, New York City. The Wind Ensemble performed that same year in West Virginia\, Virginia\, Pennsylvania\, and Washington\, D.C. The Wind Ensemble has recorded nineteen commercially-available albums which have received widespread praise. \nIn 1985\, the Wind Ensemble performed a series of concerts with Pulitzer Prize-winning composer-conductor Karel Husa. In 1988\, the UNCG Wind Ensemble performed in New Orleans\, Louisiana by invitation of the College Band Directors National Association for the Southern Division convention. On a number of occasions\, the Wind Ensemble has commissioned and premiered works from leading band composers. In November of 1990\, the Wind Ensemble performed for the Southern Division of MENC convention. In February 1994\, the UNCG Wind Ensemble performed for a convention of the CBDNA and NBA in Williamsburg\, Virginia. In March 1999\, the Wind Ensemble performed for the national convention of the American Bandmasters Association in Melbourne\, Florida. In February 2000\, the Wind Ensemble performed for the CBDNA Southern Division Convention hosted at UNCG. In 2006\, the Wind Ensemble performed in The Music Center at Strathmore in Bethesda\, Maryland\, shared a concert with the United States Army Band “Pershing’s Own” in Arlington\, Virginia\, and collaborated with Karel Husa\, David Dzubay\, and Carter Pann in the performaces of their music\, including two commissions. In 2009\, the Wind Ensemble performed at the CBDNA National Convention at the University of Texas at Austin and performed additional concerts in Georgia\, Alabama\, Louisiana\, and Texas as part of a week-long tour. The Wind Ensemble performed at the 2011 National Convention of the American Bandmasters Association and the 2013 National Conference of the College Band Directors National Association hosted in Greensboro. Most recently\, the UNCG took a twelve day concert tour through the Czech Republic\, Austria\, and Italy\, the highlight of which was a concert in Prague’s famed Dvořák Hall.
URL:https://vpa.uncg.edu/single-event/wind-ensemble-andy-hudson-clarinet/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,CVPA Live!,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/bands-header-3FOXQV.tmp_.jpg
ORGANIZER;CN="UNCG Auditorium-1-CVPA &#8211%3B Master (2000)":MAILTO:uncg.edu_3736303334383835333332@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221117T193000
DTEND;TZID=America/New_York:20221117T210000
DTSTAMP:20260411T014244
CREATED:20240130T163525Z
LAST-MODIFIED:20240130T163525Z
UID:10000535-1668713400-1668718800@vpa.uncg.edu
SUMMARY:Spartan Voices and Coro di Belle Voce
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAMVIEW ON CPVA LIVE\n\n\n\n\nThe mission of the UNCG Choirs is dedicated to the teaching\, performance\, study and cultivation of choral music of the highest quality representing not just the western choral canon but also choral music of other cultures by a diverse body of historical and new composers. We believe that the UNCG Choirs are a serious and distinctive medium of musical expression\, of vital service and importance to its members and to UNCG. Through ensemble performance\, we strive to create an environment of trust\, communication\, and expressive freedom\, to present outstanding performances throughout the year\, and to enhance the institutional sprit and character of UNCG. To music as an art and a profession\, the UNCG Choirs seek to bring increasing artistry\, understanding\, and respect by efforts within our own immediate sphere and by providing leadership and sponsorship to school choral programs and through cooperation with all other agencies pursuing similar musical goals. \n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.
URL:https://vpa.uncg.edu/single-event/spartan-voices-and-coro-di-belle-voce-2/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,CVPA Live!,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/Choir-Feature-rN6RTO.tmp_.jpg
ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221116T193000
DTEND;TZID=America/New_York:20221116T210000
DTSTAMP:20260411T014244
CREATED:20240130T163523Z
LAST-MODIFIED:20240130T163523Z
UID:10000533-1668627000-1668632400@vpa.uncg.edu
SUMMARY:Symphony Orchestra • Schumann’s Fourth
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAMPROGRAM NOTES AND BIOSVIEW ON CPVA LIVE\nRotem Weinberg\, conductor\nLucas Gianini\, clarinet\nKyrese Washington\, flute \n\nVERDI\nOverture to ‘Nabucco’ \nZARE\nfrom Bennu’s Fire \nNIELSEN\nfrom Concerto for Flute and Orchestra\, FS 119 \nSCHUMANN\nSymphony No. 4 in D minor\, op. 120 \n\n \n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall. \n\n\n\n\n\n\n\nLucas Gianini has performed with the Greensboro\, Charlotte\, and Lima Symphony Orchestras\, Greensboro Opera\, Bel Canto Opera Company\, Carolina’s Wind Orchestra and with ensembles across Ohio and North Carolina. An avid performer of contemporary music\, he has taken part in the premiere and commissioning of several pieces for solo clarinet and chamber ensemble. In 2016-2017\, Lucas was a founding member and toured with the Noise to Signal Ensemble\, which premiered works for Reed Quintet and Piano. Lucas was recently a winner of the University of North Carolina at Greensboro’s 2022 Student Artist Competition with John Corigliano’s Concerto for Clarinet and Orchestra. He has received multiple performance invitations from conferences of the International Clarinet Association and the College Music Society. The most recent invitation to the ICA conference (Reno\, NV in 2022) involves the commission and premiere of a piece for solo clarinet that features the rare “fluting” technique by Erin Cameron. In addition\, Lucas was a performer for the ICA’s “New Music Weekend” in 2021 and has regularly performed at the Charlotte New Music Festival as part of their “open mic” concerts. Lucas performed at the 2020 Clarinet Maestro Festival and was invited to be the Bass Clarinet Fellow at the (subsequently-cancelled due to COVID) 2020 Brevard Music Center. \nIn addition to his teaching duties as a Doctoral TA for UNC Greensboro’s clarinet studio\, Lucas currently teaches clarinet\, saxophone\, and flute lessons in the Charlotte\, NC area. He has also taught online lessons to students as far as Texas. He has served as band director for multiple middle school programs in Charlotte\, NC and regularly works with various local schools as a woodwind instructor. For several years Lucas has worked at the UNCG Summer Music Camp as both a counselor and private clarinet lessons instructor. \nLucas is currently working on his Doctor of Musical Arts degree at UNC Greensboro\, where he is a Minerva Scholar and also earned his Bachelor’s degrees in Music Education and Performance. Lucas earned his Master of Music degree from Bowling Green State University. His primary teachers have included Anthony Taylor\, Kelly Burke\, Kevin Schempf\, and Andy Hudson. \n\n \nKyrese Washington is a 2022 graduate of UNCG (BM Flute Performance) where they studied with Dr. Erika Boysen and Dr. Tim Hagen. As a soloist\, Kyrese has appeared on many stages\, such as the SECU Auditorium at the Museum of Art with the Community Music School\, and the Meymandi Concert Hall with Pink Martini and the North Carolina Symphony. As an active student at UNCG\, Kyrese has participated in the UNCG Symphonic Band\, Wind Ensemble\, University Symphony Orchestra\, Opera\, and Casella Sinfonietta. Additionally\, Kyrese has been a winner of the Raleigh Area Flute Association Review and Contest consecutively for the past three years. Recently\, Kyrese has been selected as a participant of the National Flute Association Young Artist Mentorship Program. As a result of all of Kyrese’s hard work and dedicating numerous hours into developing their craft\, they have been selected by the UNCG School of Music faculty as the Presser Scholar of the 2021-2022 school year. Currently\, Kyrese is the principal flutist of the Appalachia Wind Symphony and teaches private lessons at Music & Arts stores in Greensboro and Burlington.
URL:https://vpa.uncg.edu/single-event/symphony-orchestra-schumanns-fourth/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,CVPA Live!,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/symphony-header-22a-scaled-CNgyLW.tmp_.jpg
ORGANIZER;CN="UNCG Auditorium-1-CVPA &#8211%3B Master (2000)":MAILTO:uncg.edu_3736303334383835333332@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221116T173000
DTEND;TZID=America/New_York:20221116T190000
DTSTAMP:20260411T014244
CREATED:20240130T163523Z
LAST-MODIFIED:20240130T163523Z
UID:10000532-1668619800-1668625200@vpa.uncg.edu
SUMMARY:Saxophone Ensemble • Suzanne Polak\, piano
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAMVIEW ON CPVA LIVE\n\n\n\n\n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.
URL:https://vpa.uncg.edu/single-event/saxophone-ensemble-suzanne-polak-piano/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:CVPA Live!,School of Music
ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221116T173000
DTEND;TZID=America/New_York:20221116T190000
DTSTAMP:20260411T014244
CREATED:20240130T163514Z
LAST-MODIFIED:20240130T163514Z
UID:10000505-1668619800-1668625200@vpa.uncg.edu
SUMMARY:Double Bass Studio Recital
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAM\n\n\n\n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.
URL:https://vpa.uncg.edu/single-event/double-bass-studio-recital/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:School of Music
ORGANIZER;CN="Music Bldg-2-CVPA &#8211%3B Organ Hall (125)":MAILTO:uncg.edu_3735333130333732353136@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221115T193000
DTEND;TZID=America/New_York:20221115T210000
DTSTAMP:20260411T014244
CREATED:20240130T163514Z
LAST-MODIFIED:20240130T163514Z
UID:10000504-1668540600-1668546000@vpa.uncg.edu
SUMMARY:Symphonic Band • Ashley Barret\, oboe
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAMPROGRAM NOTES AND BIOSVIEW ON CPVA LIVE\nJonathan Caldwell\, conductor\nAshley Barret\, oboe \n\nSOUSA\nThe Black Horse Troop \nZARE\nNEOWISE \nFRANÇAIX\nL’horloge de flore \nOKOYE\nGrayce and Sickle \nGAILBRAITH\nDanza de los duendes \n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall. \n\n\n\n\n\n\n\nMary Ashley Barret is the Professor of Oboe at the University of North Carolina at Greensboro and has been on the faculty since 1998. A native of North Carolina\, she holds the principal oboe position with the Greensboro Symphony Orchestra in addition to being a frequent performer throughout the southeastern USA. She has appeared as soloist with the Salisbury Symphony\, the Florida State Wind Orchestra\, the UNCG Orchestra\, Symphonic Band\, and Wind Ensemble\, the Pottstown Symphony Orchestra\, and has presented numerous guest recitals and master classes throughout the United States\, Caribbean\, Central America\, Canada\, Germany\, China\, New Zealand and Australia. A chamber music aficionado\, Barret performs regularly with the Cascade Wind Quintet\, the EastWind Trio d’Anches\, the EastWind Ensemble\, and has spent several summers playing chamber music in the Adirondacks of New York. \nSome highlights of her career include co-hosting the International Double Reed Society’s 32nd annual conference in 2003\, a Carnegie-Hall recital debut with the EastWind Trio d’Anches in 2005\, a ten-day recital tour to China with the EastWind Quintette d’Anches in 2008\, and most recently being invited as faculty at the Brevard Music Center for the Summer Festival of 2010. Barret’s degrees include the Doctor of Music from Florida State University\, the Master of Music from Baylor University\, and the Bachelor of Music from the Eastman School of Music. She can be heard on Live from Luzerne recordings with the Luzerne Chamber Players (NY)\, Out of the Woods\, French reed trio music with TreVent\, The Russian Clarinet (with EastWind Trio d’Anches)\, EastWind Trio d’Anches Looks East (Reed Trios of Eastern Europe)\, Chamber Music of Samuel Coleridge-Taylor (pub. by Centaur Records). Barret’s current research focus has been recording music by women composers\, the first CD of which was released Spring 2012\, published by Centaur Records. Barret is an artist/clinician for Buffet Group USA. \n\nThe renowned UNCG Bands are dedicated to the performance\, study\, and cultivation of wind band music of the highest quality\, and are a serious and distinctive medium of musical expression. The UNCG Bands are considered to be among the very finest collegiate band programs in America based upon our active profile of excellence in our performances\, recordings\, tours and convention performances. \nThrough exemplary practices in organization\, training\, and presentation\, the UNCG Bands provide exceptional experiences for our members\, sharing outstanding performances throughout the year and enhancing the institutional spirit and character of UNCG. \nThe UNCG Bands seek to support music education in the state of North Carolina and in our region by providing leadership and sponsorship to secondary school band programs and other organizations.
URL:https://vpa.uncg.edu/single-event/symphonic-band-ashley-barret-oboe/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,CVPA Live!,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/bands-header-3FOXQV.tmp_.jpg
ORGANIZER;CN="UNCG Auditorium-1-CVPA &#8211%3B Master (2000)":MAILTO:uncg.edu_3736303334383835333332@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221115T173000
DTEND;TZID=America/New_York:20221115T190000
DTSTAMP:20260411T014244
CREATED:20240130T163522Z
LAST-MODIFIED:20240130T163522Z
UID:10000531-1668533400-1668538800@vpa.uncg.edu
SUMMARY:Melanie Flowers\, mezzo-soprano • Undergraduate Recital
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAMVIEW ON CPVA LIVE\n\n\n\n\n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.
URL:https://vpa.uncg.edu/single-event/melanie-flowers-mezzo-soprano-undergraduate-recital/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:CVPA Live!,School of Music
ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221115
DTEND;VALUE=DATE:20221120
DTSTAMP:20260411T014244
CREATED:20240130T163514Z
LAST-MODIFIED:20240130T163514Z
UID:10000503-1668470400-1668902399@vpa.uncg.edu
SUMMARY:Steisha Pintado MFA Exhibition @ Greensboro Project Space
DESCRIPTION:Exhibition on View\nWhen: November 15th – November 19th\, 2022\nClosing Reception: November 18th 6:00pm-8:00pm\nWhere: Greensboro Project Space (111 E February One Place) \nGallery Hours: Tuesdays-Fridays\, 12-5pm; Saturdays\, 2-5pm\nSolo Show\, Featuring: Steisha Pintado \n \nYou Will Be With Me in Paradise is a group of mixed media work that explores my experience of being born and raised in a fundamentalist religious cult\, and the aftermath of leaving the cult.  \nAs a Jehovah’s Witness\, I was taught that Armageddon could come at any moment\, and only the true worshippers of Jehovah would survive and receive everlasting life on a Paradise Earth. This Paradise was so vividly depicted in the Jehovah’s Witnesses’ literature that I never had to spend time imagining my own interpretation. The oppressive life as a Jehovah’s Witness always felt more real to me than their promise of Paradise.    \nThe fabric in my work is a vessel of visual and tactile experience that directly relates to memories of my family and to the experience of being shunned. This choice of materials is in dialogue with the practice of arts and crafts that my mother maintained when I was a little girl\, specifically the fabrics she used to sew my Kingdom Hall dresses and the fake flowers she used to make floral arrangements and bouquets. The installation You Will Be With Me in Paradise is my criticism of the Jehovah’s Witnesses’ promise of Paradise\, depicting it as a landscape of plastic plants and flowers and thereby subverting it into a space that I can accept on my own terms. A mirror mounted in this representation invites viewers to see themselves in this literal and figurative space.  \nStrictly following the Ten Commandments\, the Jehovah’s Witnesses do not allow for any iconic imagery in their worship. In keeping with this convention\, I utilize the accidental iconography of cookie-cutter Kingdom Hall spaces\, such as their literature\, carpets\, chairs\, wallpapers\, platforms\, podiums\, microphones\, preaching practices\, double-speak\, and Paradise Earth imagery. \nThis body of work is a longing for the childhood nostalgia of these spaces\, and for the people I left behind in those spaces. While my work is a definite criticism of an oppressive religious cult\, I do not seek to mock its belief system or the spaces in which its operates\, but rather to provide my own sincere interpretation of each. I believe in the freedom of religion\, but unlike the Jehovah’s Witnesses\, I also believe in the freedom to leave a religion without the fear of estrangement\, harassment\, and coercive control. \n  \nMore About Steisha \nI use my work to explore my personal experience of being born and raised in a fundamentalist religious cult\, and the aftermath of leaving the cult. I was taught that Armageddon could come at any moment\, and only the true worshippers of Jehovah would survive and receive everlasting life on a Paradise Earth. My purpose in life was predetermined and designed around being a Jehovah’s Witness. There was room for very little else. It was a life of isolation\, guilt\, and fear. \nMy practice is interdisciplinary\, using drawing\, painting\, puppetry\, and stop motion animation together to unfold a narrative of indoctrination and liberation. Cultic studies research has become the cornerstone of my practice\, which feels quite necessary in the current political climate and state of insurgency in the United States. Although my experience and focus has religious roots\, my research applies across the different practices of undue influence\, indoctrination\, radicalization\, and extremism. There are many common threads woven through the tactics of extremist cults. \nMy work helps me to confront the fact that I am an apostate\, take back my power and my voice\, and speak out against a system of oppression hiding in plain sight. I make this work for myself\, for others who have also had these experiences\, and to create a public awareness around these issues. I use this work to celebrate how I have forcefully taken the things that I had been denied since birth: an education\, a career\, a voice\, a free life where two plus two always equals four. \n  \nLearn more about Steisha and her work at www.steishapintado.com or follow her @steishapintado \n https://www.greensboroprojectspace.com/blog-post/2022-mfa-thesis-exhibition-steisha-pintado1
URL:https://vpa.uncg.edu/single-event/steisha-pintado-mfa-exhibition-greensboro-project-space/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221114T173000
DTEND;TZID=America/New_York:20221114T190000
DTSTAMP:20260411T014244
CREATED:20240130T163522Z
LAST-MODIFIED:20240130T163522Z
UID:10000530-1668447000-1668452400@vpa.uncg.edu
SUMMARY:Studio Voice Recital
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAMVIEW ON CPVA LIVE\n\n   \n\n\n\n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.
URL:https://vpa.uncg.edu/single-event/studio-voice-recital-2/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:CVPA Live!,School of Music
ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221114T173000
DTEND;TZID=America/New_York:20221114T190000
DTSTAMP:20260411T014244
CREATED:20240130T163514Z
LAST-MODIFIED:20240130T163514Z
UID:10000502-1668447000-1668452400@vpa.uncg.edu
SUMMARY:A.J. Lyon\, organ • Undergraduate Recital
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAM\n\n\n\n\n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.
URL:https://vpa.uncg.edu/single-event/a-j-lyon-organ-undergraduate-recital/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:School of Music
ORGANIZER;CN="Music Bldg-2-CVPA &#8211%3B Organ Hall (125)":MAILTO:uncg.edu_3735333130333732353136@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221113T153000
DTEND;TZID=America/New_York:20221113T170000
DTSTAMP:20260411T014244
CREATED:20240130T163522Z
LAST-MODIFIED:20240130T163522Z
UID:10000529-1668353400-1668358800@vpa.uncg.edu
SUMMARY:Greyson Clifton\, piano • Graduate Recital
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAMVIEW ON CPVA LIVE\n\n\n\n\n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall. \n\n\n\n\n\n \n 
URL:https://vpa.uncg.edu/single-event/greyson-clifton-piano-graduate-recital/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:CVPA Live!,School of Music
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221113T153000
DTEND;TZID=America/New_York:20221113T170000
DTSTAMP:20260411T014244
CREATED:20240130T163513Z
LAST-MODIFIED:20240130T163513Z
UID:10000501-1668353400-1668358800@vpa.uncg.edu
SUMMARY:Laurel Meitrodt\, violin • Undergraduate Recital
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAM\n\n\n\n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.
URL:https://vpa.uncg.edu/single-event/laurel-meitrodt-violin-undergraduate-recital/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:School of Music
ORGANIZER;CN="Music Bldg-2-CVPA &#8211%3B Organ Hall (125)":MAILTO:uncg.edu_3735333130333732353136@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221113T133000
DTEND;TZID=America/New_York:20221113T150000
DTSTAMP:20260411T014244
CREATED:20240130T163522Z
LAST-MODIFIED:20240130T163522Z
UID:10000528-1668346200-1668351600@vpa.uncg.edu
SUMMARY:Raven Sizemore and Ka’Shella Sturgis\, trombones • Joint Undergraduate Recital
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAMVIEW ON CPVA LIVE\n\n\n\n\n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.
URL:https://vpa.uncg.edu/single-event/raven-sizemore-and-kashella-sturgis-trombones-joint-undergraduate-recital/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:CVPA Live!,School of Music
ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221112T180000
DTEND;TZID=America/New_York:20221112T200000
DTSTAMP:20260411T014244
CREATED:20240130T163513Z
LAST-MODIFIED:20240130T163513Z
UID:10000500-1668276000-1668283200@vpa.uncg.edu
SUMMARY:Closing Reception for ‘Zaire Miles-Moultrie’
DESCRIPTION:Exhibition on View\nWhen: November 1st – November 12th\, 2022\nClosing Reception: TBD\nWhere: Greensboro Project Space (111 E February One Place) \nGallery Hours: Tuesdays-Fridays\, 12-5pm; Saturdays\, 2-5pm\nSolo Show\, Featuring: Zaire Miles-Moultrie \nMore About The Lion\, The Jackal\, and The Man \nLearning about Africa\, its people\, cultures\, history\, its reach and its effects across the world is not an easy task to do but once you start it’s almost impossible to stop. As an artist it is a wonderland that I enjoy exploring and taking what I learned and transforming it into works of art. This is an experience that I am so glad and appreciative to have however\, while learning about the wonders of Africa I also had learn about the terrible beauties\, misconceptions\, perversions\, abuse\, and other heinous aspects that Africa and its people had to endure from Western Nations /Colonizers  and from within.From this comes The Lion\, The Jackal\, and The Man a solo art exhibition that explores the cultures\, histories\, and peoples within Africa. The works in The Lion\, The Jackal\, and The Man is a direct acknowledgement of the beautiful\, the good\, the bad\, and the inconceivables of the history and cultures within Africa.  \nThe Works within The Lion\, The Jackal\, and The Man comprise of surreal collages\, drawings\, illustrations\, and prints of original art by Zaire Miles-Moultrie. Each piece aims to tackle a wide range of subject matters while also enticing the viewer to come up and look closer at each piece that is on display. Ultimately the aim of this exhibition is to expose the viewer to the many cultures and peoples of Africa while acknowledging and combating their own ideologies\, perceptions\, and biases regarding Africa.  \n  \nMore About Zaire \nZaire Miles-Moultrie was born in the sunny state of California but raised and grown in the old North State of North Carolina. At a young age he was introduced to the world of art through comic books and his love for the arts grew immensely throughout the years. After picking up his first pencil and drawing his very first line he was never able to stop himself from learning more about his passions and himself. Currently Zaire is enrolled at the University of North Carolina at Greensboro (UNCG) pursuing his degrees in Entrepreneurship and a B.F.A. in studio art with a concentration in Printmaking and Drawing. At the moment he has an interest in researching and learning more about modern Afro-Centric artists\, art\, and sustainable art and business practices. \nAs I grow as an artist I always want to continue to grow my sources of inspirations whether it be from paintings\, sculptures\, cultures\, histories\, peoples\, etc. By using printmaking and drawing as my medium of choice I can express myself\, my voice\, and message in a multitude of ways while also paying homage to inspirations. My art\, designs\, drawing\, and prints are collages of the many ideologies that I have come to learn\, accept\, and embody like blackness\, negritude\, intellectualism\, love\, and allyship. This leads me to combat harmful and hateful ideologies that go against my very core as an artist and as a human being.   \nhttps://www.greensboroprojectspace.com/blog-post/the-lion-the-jackal-and-the-man
URL:https://vpa.uncg.edu/single-event/closing-reception-for-zaire-miles-moultrie/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221111T193000
DTEND;TZID=America/New_York:20221111T210000
DTSTAMP:20260411T014244
CREATED:20240130T163522Z
LAST-MODIFIED:20240130T163522Z
UID:10000527-1668195000-1668200400@vpa.uncg.edu
SUMMARY:THE WILD PARTY
DESCRIPTION:Book\, Music\, and Lyrics by Andrew Lippa\nBased on the poem by Joseph Moncure March\nDirected by Jim Wren \nDates:  \nNovember 11 – 12 at 7:30 p.m.\nNovember 12\, 13\, and 19 at 2:00 p.m.\nNovember 16 – 19 at 7:30 p.m. \nTickets: Call the UNCG Theatre Box Office at 336-334-4392 or click on the Etix “website” link below to purchase tickets online. \nAge Rating: PG-13\nRun Time: Approx. 1 hr. and 30 min.\nFrame/Works Discussion via Zoom: November 21 at 7:00 p.m.\nLocation: Pam and David Sprinkle Theatre (Brown Building)\, 402 Tate St\, Greensboro\, NC 27412 \nSummary: \nLovers Queenie and Burrs decide to throw the party-to-end-all-parties in their Manhattan apartment. After the colorful arrival of a slew of guests living life on the edge\, Queenie’s wandering eyes land on a striking man named Black. As the decadence is reaching a climax\, so is Burrs’ jealousy\, which erupts and sends him into a violent rage. Gun in hand and inhibitions abandoned\, Burrs turns on Queenie and Black. The gun gets fired\, but who’s been shot? – Musical Theatre International \n“The Wild Party” is presented through special arrangement with Musical Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com
URL:https://vpa.uncg.edu/single-event/the-wild-party/
LOCATION:Pam and David Sprinkle Theatre\, 402 Tate Street\, Greensboro\, NC\, 27403\, United States
CATEGORIES:College of Visual and Performing Arts,School of Theatre
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221111T193000
DTEND;TZID=America/New_York:20221111T210000
DTSTAMP:20260411T014244
CREATED:20240130T163513Z
LAST-MODIFIED:20240130T163513Z
UID:10000499-1668195000-1668200400@vpa.uncg.edu
SUMMARY:Autumn Paschal\, soprano • Undergraduate Recital
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAM\n\n\n\n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.
URL:https://vpa.uncg.edu/single-event/autumn-paschal-soprano-undergraduate-recital/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:School of Music
ORGANIZER;CN="Music Bldg-2-CVPA &#8211%3B Organ Hall (125)":MAILTO:uncg.edu_3735333130333732353136@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221111T180000
DTEND;TZID=America/New_York:20221111T200000
DTSTAMP:20260411T014244
CREATED:20240130T163513Z
LAST-MODIFIED:20240130T163513Z
UID:10000498-1668189600-1668196800@vpa.uncg.edu
SUMMARY:Closing Reception for ‘Unboxed: an Anti-Exhibit’
DESCRIPTION:Unboxed: an Anti-Exhibit\nA Group Show Featuring UNCG Student Artists\n  \nCurated by GPS Interns Peter Deligdisch and Abby Weatherholtz\nNovember 8 – 12\, 2022\n  \nReception: Friday\, November 11th\, 6-8PM\nwith live demo from artist\, Kristen Dixon\n   \nMore About The Show \n“Unboxed: an Anti-Exhibit” is a collaborative show featuring work by undergraduate CVPA students at UNCG and curated by GPS student interns\, Peter Deligdisch and Abby Weatherholtz. The show challenges the traditional use of gallery space\, bringing into question what type of work “deserves” to be placed in a spotlight and how artwork is “supposed” to be displayed in a professional setting. We use imaginative methods of installation to construct an anti-exhibit that can be experienced in an exciting and unconventional manner. We hope that this show will allow for an accessible experience for everyone who comes to it with an open mind and ready hands to play. \n  \nMore About Abby  \nAbby Weatherholtz is a senior simultaneously pursuing a B.F.A. in Painting and Drawing and a B.S. in Psychology. She is interested in multi-media and textural work such as impasto painting\, paper folding and manipulating\, collage\, textiles\, and others. Her concepts discuss LGBTQIA+ rights\, mental health\, and the intimacy involved in domestic life. \n  \nCuratorial Thoughts from Peter  \nThe struggle of defining art has been going on for as long as anyone can remember. As an undergrad intern at GPS this semester\, I’ve been granted a glimpse at the role that art galleries play in this effort. Contrary to the way we usually interact with art out in the world\, galleries and museums most often display art in a sterile and pristine environment. There are obvious benefits in this kind of presentation\, but after a while it starts to subconsciously enforce an idea of exclusivity. The idea that only that which is exhibited a certain way is art\, and everything else is not. “Unboxed”\, is a small attempt to present art in a more inclusive way that works against that trend. An anti-exhibit. \n  \nFeaturing UNCG Student Artists:\nKyla Fisher  \nKristen Dixon  \nBrenda Fonseca Martinez \nEllison Rauch  \nShayla Scales  \nBjorn Bates  \nCaitlin Parris   \nJoseph Hodge  \nAshe Smith  \nEden Wells  \nAlaina Hooks \nLuna Roberts  \nBeyonce Kee   \nSophia Dominici  \nWesley Durham   \nIris Choi  \nMontana Norman   \nMarvin Cano \n \nhttps://www.greensboroprojectspace.com/blog-post/unboxed-an-anti-exhibit
URL:https://vpa.uncg.edu/single-event/closing-reception-for-unboxed-an-anti-exhibit/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221111T173000
DTEND;TZID=America/New_York:20221111T190000
DTSTAMP:20260411T014244
CREATED:20240130T163521Z
LAST-MODIFIED:20240130T163521Z
UID:10000526-1668187800-1668193200@vpa.uncg.edu
SUMMARY:Nuo Shi\, piano • Undergraduate Recital
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAMVIEW ON CPVA LIVE\n\n\n\n\n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.
URL:https://vpa.uncg.edu/single-event/nuo-shi-piano-undergraduate-recital/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:CVPA Live!,School of Music
ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221111
DTEND;VALUE=DATE:20221119
DTSTAMP:20260411T014244
CREATED:20240130T163512Z
LAST-MODIFIED:20240130T163512Z
UID:10000497-1668124800-1668815999@vpa.uncg.edu
SUMMARY:Deserving Wonderland By Amanda McGowan
DESCRIPTION:A Disciplinary Honors Exhibition by Amanda McGowan \nNovember 11 – 18\, 2022\nGatewood Studio Arts Building
URL:https://vpa.uncg.edu/single-event/deserving-wonderland-by-amanda-mcgowan/
LOCATION:UNCG Gatewood Studio Arts Building\, 527 Highland Ave\, Greensboro\, NC\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/Deserving-Wonderland-Senior-Honors-Project-fPwsKs.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221110T193000
DTEND;TZID=America/New_York:20221110T210000
DTSTAMP:20260411T014244
CREATED:20240130T163512Z
LAST-MODIFIED:20240130T163512Z
UID:10000496-1668108600-1668114000@vpa.uncg.edu
SUMMARY:Jazz Ensemble II: Mingus\, Mingus\, Mingus\, Mingus\, Mingus
DESCRIPTION:Tickets\n\n \n\n\n\nAdults\n$12.00\n\n\nSeniors\, Students\,\nand Military\n$9.00\n\n\n\n\n\nPURCHASE TICKETSDOWNLOAD PROGRAMVIEW ON CPVA LIVE\n\n\n\n\n\nThe Miles Davis Jazz Studies Program at UNCG concludes their semester-long retrospective of the music of Charles Mingus with this explosive big band concert by Jazz Ensemble II\, directed by Chad Eby. Charles Mingus Jr. (1922–1979) was an American jazz bassist\, pianist\, composer\, bandleader\, and author. A major proponent of collective improvisation\, he is considered to be one of the greatest jazz musicians and composers in history\, with a career spanning three decades and collaborations with other jazz musicians such as Louis Armstrong\, Duke Ellington\, Charlie Parker\, Dizzy Gillespie\, and Herbie Hancock. \n\nThe Miles Davis Jazz Studies Program at UNCG is a unique and innovative undergraduate jazz program designed to emulate the traditional process of learning jazz\, through a combination of mentorship\, real-world playing experiences\, and a communal approach to learning. Although the program is housed in one of the largest music schools in the Southeast\, it is kept intentionally small\, resulting in an intensive and highly personalized learning environment. \n\n\n\n\nAudience Note\nWhile masks are still recommended\, they are not required\, and social distancing is encouraged when possible. For details on the Carolina Theatre of Greensboro’s health and safety policies please visit their COVID-19 preparedness page.
URL:https://vpa.uncg.edu/single-event/jazz-ensemble-ii-mingus-mingus-mingus-mingus-mingus/
LOCATION:The Crown at the Carolina Theatre\, 310 S Greene St\, Greensboro\, 27401\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/jazz-header-events-OAN93w.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221110T173000
DTEND;TZID=America/New_York:20221110T190000
DTSTAMP:20260411T014244
CREATED:20240130T163521Z
LAST-MODIFIED:20240130T163521Z
UID:10000525-1668101400-1668106800@vpa.uncg.edu
SUMMARY:Caroline Armfield\, mezzo-soprano • Undergraduate Recital
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAMVIEW ON CPVA LIVE\n\n\n\n\n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.
URL:https://vpa.uncg.edu/single-event/caroline-armfield-mezzo-soprano-undergraduate-recital/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:CVPA Live!,School of Music
ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221110T173000
DTEND;TZID=America/New_York:20221110T190000
DTSTAMP:20260411T014244
CREATED:20240130T163512Z
LAST-MODIFIED:20240130T163512Z
UID:10000495-1668101400-1668106800@vpa.uncg.edu
SUMMARY:Oboe Studio Recital
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAM\n\n\n\n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.
URL:https://vpa.uncg.edu/single-event/oboe-studio-recital/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:School of Music
ORGANIZER;CN="Music Bldg-2-CVPA &#8211%3B Organ Hall (125)":MAILTO:uncg.edu_3735333130333732353136@resource.calendar.google.com
END:VEVENT
END:VCALENDAR