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DTSTART;VALUE=DATE:20220920
DTEND;VALUE=DATE:20221002
DTSTAMP:20260516T015908
CREATED:20240130T163217Z
LAST-MODIFIED:20240130T163217Z
UID:10000420-1663632000-1664668799@vpa.uncg.edu
SUMMARY:“Coming Soon?” Exhibition @ Greensboro Project Space
DESCRIPTION:Exhibition on View\nWhen: September 20th- October 1st\, 2022\nClosing Reception: September 22nd 6:00pm-8:00pm\nWhere: Greensboro Project Space (111 E February One Place) \nGallery Hours: Tuesdays-Fridays\, 12-5pm; Saturdays\, 2-5pm\nGroup Show\, Featuring: Adam Carlin with Derek ToomesMore About Coming Soon? \nComing Soon? is a socially engaged art project that uses techniques in speculative and science fiction for diverse communities in Greensboro\, North Carolina to imagine how empty storefronts and uninhabited commercial properties could serve their communities. During collaborative visioning sessions with the artist Adam Carlin\, graphic designer Irvin Maldonado\, and students in Derek Toomes’ Interior Architecture Department at UNC Greensboro\, each community will design a pseudo institution that could or should exist in Downtown Greensboro.Coming soon signs for these fictionalized spaces will then be installed on vacant properties as temporary public art pieces\, publicly projecting a potential future that is inclusive and accessible for those who are often under-represented. These ambiguous yet thought-provoking installations will allow the public to pause and contemplate who our current city is truly for\, and will empower the constituents of a city to own a future that is often prescribed rather than collectively created. \nAdam CarlinAdam Carlin is a curator\, educator\, administrator and social practice artist. He is currently the Director of Learning & Engagement at the Everson Museum of Art in Syracuse\, NY. He is also co-Director of the artist project\, the Greensboro Contemporary Jewish Museum\, a decentralized museum that explores the intersections between contemporary art practices and southern Jewish life. Carlin was previously the Director of Community Engagement for UNC Greensboro’s College of Visual and Performing Arts and Director of UNCG’s off-campus contemporary art center Greensboro Project Space. Other notable projects Carlin co-Founded and co-Directed include Creek Colleges\, an organization that created schools on the banks of rivers\, lakes\, and creeks that are going through active restoration and Some Thing Spacious\, an experimental project space in Oakland\, CA that focused on participatory art practices. He received a BFA from California College of the Arts and an MFA in Art and Social Practice from Portland State University.Carlin’s practice draws from a variety of histories and lineages. From community organizing principles defined in the civil rights era; to the expanded field of sculpture; to the contemporary canon of socially engaged arts. But first and foremost his practice draws from that which is right in front of him. He makes both permanent and ephemeral projects that are created in context to the external environment\, be that a community\, a history\, a situation\, a place\, or a person. The projects act as platforms for these constituents to tell their stories\, to express their own creativity\, and to contribute to a collective idea or action. Some of his personal works often take the form of institutes as artworks which grants artists the power to not only create institutions of their own but to radically reimagine institutional practices in order to counter systemic inequalities that are embedded into the tradition of the arts. Working simultaneously as a curator\, educator\, administrator\, and socially engaged artist\, Carlin’s artistic projects have taken the forms of schools\, colleges\, museums\, departments\, and various other institutions whose qualities he has co-opted as a container for participatory projects for the public. \nDerek ToomesDerek Toomes is an artist based in Greensboro and Raleigh\, NC. Derek is drawn to the iconic imagery of popular culture\, as he is equally interested in societal location as a culture inundated by imagery. His sourcing as well as appropriation of images allows Derek to create work that is aesthetically and anthropologically situated within culture\, while also commenting on that culture.He is currently an Assistant Professor in the Department of Interior Architecture at the University of North Carolina at Greensboro. \nIrvin MaldonadoIrvin Maldonado is a Latine artist currently based in Greensboro\, North Carolina\, passionate about the creative process and visualizing communication. With an educational background specializing in fine arts\, he employs photography\, graphic design\, and video to produce work that inspires viewers.https://www.greensboroprojectspace.com/blog-post/coming-soon
URL:https://vpa.uncg.edu/single-event/coming-soon-exhibition-greensboro-project-space/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220920
DTEND;VALUE=DATE:20221002
DTSTAMP:20260516T015908
CREATED:20240130T163217Z
LAST-MODIFIED:20240130T163217Z
UID:10000421-1663632000-1664668799@vpa.uncg.edu
SUMMARY:“EYE SITE” Exhibition @ Greensboro Project Space
DESCRIPTION:Exhibition on View\nWhen: September 20th – October 1st\, 2022 \nClosing Reception: September 30th 6-8pm\nWhere: Greensboro Project Space (111 E February One Place) \nGallery Hours: Tuesdays-Fridays\, 12-5pm; Saturdays\, 2-5pm\nMore About EYE SITE \nEYE SITE is a selection of recent works by Greensboro native James Clemmons. The works elected here are exemplary moments of an ongoing investigation of symbol and form derived from the language of everyday life\, developed from a vested interest in the visually syntactic language of the varied printmaking processes. The work is the direct result of not only the deconstruction of language but also an inquiry of symbols. \nThese works exist between domains: not quite drawing\, printed matter\, or painting in the traditional sense. There is an aesthetic thread present linking the work\, but the inherent textual information displayed within the works is so deeply embedded and\, in some cases\, altogether hidden from view. \nThe intense obfuscation of language and image present in these works can create unique moments where one may be forced into suspending that inescapable desire to make sense of words and phrases\, and instead take notice of the formal elements of the pictorial imagery.  \nMore About James  \nJames Clemmons is a multidisciplinary artist and North Carolina native\, based in Greensboro\, NC. Formally equipped with an educational background situated within traditional printmaking and drawing\, his approach to the two-dimensional discipline of painting exhibits less classical language and representation. Instead\, the formal aspect of the work has more to do with the endless prose of daily life. \nJames’ work is a fighting combination of poetic references and interwoven fields of form and color. The effort of his work magnifies the unlimited idiosyncrasies of text and symbols that\, often overlooked\, await activation. His impulse is an attempt to reveal the beautiful\, chaotic\, and puzzling qualities somewhat hidden within the otherwise arbitrary forms of the spoken and visual language systems that we all take part in. \n \nhttps://www.greensboroprojectspace.com/blog-post/eye-site
URL:https://vpa.uncg.edu/single-event/eye-site-exhibition-greensboro-project-space/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220930T180000
DTEND;TZID=America/New_York:20220930T200000
DTSTAMP:20260516T015908
CREATED:20240130T163219Z
LAST-MODIFIED:20240130T163219Z
UID:10000430-1664560800-1664568000@vpa.uncg.edu
SUMMARY:Closing Reception for “EYE SITE”
DESCRIPTION:Exhibition on View\nWhen: September 20th – October 1st\, 2022 \nClosing Reception: September 30th 6-8pm\nWhere: Greensboro Project Space (111 E February One Place) \nGallery Hours: Tuesdays-Fridays\, 12-5pm; Saturdays\, 2-5pm\nMore About EYE SITE \nEYE SITE is a selection of recent works by Greensboro native James Clemmons. The works elected here are exemplary moments of an ongoing investigation of symbol and form derived from the language of everyday life\, developed from a vested interest in the visually syntactic language of the varied printmaking processes. The work is the direct result of not only the deconstruction of language but also an inquiry of symbols. \nThese works exist between domains: not quite drawing\, printed matter\, or painting in the traditional sense. There is an aesthetic thread present linking the work\, but the inherent textual information displayed within the works is so deeply embedded and\, in some cases\, altogether hidden from view. \nThe intense obfuscation of language and image present in these works can create unique moments where one may be forced into suspending that inescapable desire to make sense of words and phrases\, and instead take notice of the formal elements of the pictorial imagery.  \nMore About James  \nJames Clemmons is a multidisciplinary artist and North Carolina native\, based in Greensboro\, NC. Formally equipped with an educational background situated within traditional printmaking and drawing\, his approach to the two-dimensional discipline of painting exhibits less classical language and representation. Instead\, the formal aspect of the work has more to do with the endless prose of daily life. \nJames’ work is a fighting combination of poetic references and interwoven fields of form and color. The effort of his work magnifies the unlimited idiosyncrasies of text and symbols that\, often overlooked\, await activation. His impulse is an attempt to reveal the beautiful\, chaotic\, and puzzling qualities somewhat hidden within the otherwise arbitrary forms of the spoken and visual language systems that we all take part in. \n \nhttps://www.greensboroprojectspace.com/blog-post/eye-site
URL:https://vpa.uncg.edu/single-event/closing-reception-for-eye-site/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220930T193000
DTEND;TZID=America/New_York:20220930T220000
DTSTAMP:20260516T015908
CREATED:20240130T163228Z
LAST-MODIFIED:20240130T163228Z
UID:10000439-1664566200-1664575200@vpa.uncg.edu
SUMMARY:A Midsummer Night’s Dream
DESCRIPTION:By William Shakespeare\nDirected by Mya Brown \nDates:  \nSeptember 30 – October 1 at 7:30 p.m.\nOctober 2 at 2:00 p.m.\nOctober 12 – 15 at 7:30 p.m.\n \nTickets: Call the UNCG Theatre Box Office at 336-334-4392 or click on the Etix “website” link below to purchase tickets online. \nAge Rating: PG\nRun Time: Approx. 2 hr. and 30 min.\nFrame/Works discussion on Monday\, Sept. 26 at 7:00 p.m.\nLocation: Taylor Theatre\, 406 Tate St.\, Greensboro\, NC 27412 \nSummary: \nOn a Midsummer’s night\, four young lovers find themselves wrapped in the dream-like arms of an enchanted forest where sprites lurk and fairies rule. While a feuding Fairy King and Queen are at war\, their paths are crossed by Bottom\, Quince and their friends presenting a play within a play. Chief mischief-maker Puck is on-hand to ensure that the course of true love is anything but smooth\, and games of fantasy\, love and dreams ensue in Shakespeare’s most beguiling comedy. \n–Royal Shakespeare Company
URL:https://vpa.uncg.edu/single-event/a-midsummer-nights-dream/
LOCATION:UNCG Taylor Theatre\, 406 Tate St\, Greensboro\, NC 27403\, USA\, 406 Tate St\, Greensboro\, NC\, 27403\, United States
CATEGORIES:College of Visual and Performing Arts,School of Theatre
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221002T193000
DTEND;TZID=America/New_York:20221002T210000
DTSTAMP:20260516T015908
CREATED:20240130T163310Z
LAST-MODIFIED:20240130T163310Z
UID:10000440-1664739000-1664744400@vpa.uncg.edu
SUMMARY:Jazz Ensembles I and II with special guest Jocelyn Gould
DESCRIPTION:TICKETS\n\n\n\nAdults\n$12.00\n\n\nSeniors\n$9.00\n\n\nStudents\n$6.00\n\n\n\n\n\nPURCHASE TICKETSDOWNLOAD PROGRAMVIEW ON CPVA LIVE\n   \n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.\n\n\n\n\n\n \nJocelyn Gould has been called “a leader in the next generation of great mainstream jazz guitarists” by Howard Paul\, CEO of Benedetto Guitars. Her joyful energy has captivated audiences around the world and her passion for music is infectious. She has absorbed the influences of the jazz guitar greats and has woven them into an exciting personal sound. Her unique ability to connect with audiences always leaves them wanting more. \nJocelyn Gould has performed internationally in the groups of Grammy nominated vocalist Freddy Cole\, Trumpeter Etienne Charles and DownBeat Rising Star trombonist Michael Dease. She can be heard on albums lead by Michael Dease\, Jon Gordon\, Diego Rivera\, Randy Napoleon and Will Bonness. She is the 1st place winner of the 2018 Wilson Centre International Jazz Guitar competition. \nJocelyn’s debut release as a leader\, ‘Elegant Traveler’\, was nominated for “Jazz Album of the Year” in the 2021 JUNO awards. Elegant Traveler showcases Jocelyn’s warm and inviting sound and melodic compositions with an all star band. \nJocelyn is a professor and Head of Guitar Department at Humber College in Toronto. \n\nThe Miles Davis Jazz Studies Program at UNCG is a unique and innovative undergraduate jazz program designed to emulate the traditional process of learning jazz\, through a combination of mentorship\, real-world playing experiences\, and a communal approach to learning. Although the program is housed in one of the largest music schools in the Southeast\, it is kept intentionally small\, resulting in an intensive and highly personalized learning environment.
URL:https://vpa.uncg.edu/single-event/jazz-ensembles-i-and-ii-with-special-guest-jocelyn-gould/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,CVPA Live!,School of Music
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ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221003T090000
DTEND;TZID=America/New_York:20221003T160000
DTSTAMP:20260516T015908
CREATED:20240130T163312Z
LAST-MODIFIED:20240130T163312Z
UID:10000441-1664787600-1664812800@vpa.uncg.edu
SUMMARY:Kaylan Buteyn: “Careworn/Carefree”
DESCRIPTION:Kaylan Buteyn holds an MFA from the New Hampshire Institute of Art. Her work investigates physical representations of generational care through paintings\, quilts\, domestic textiles\, abstraction and collage. She has exhibited in galleries and community spaces internationally. \n \nExhibition Opens October 1 and runs through December 1.\nThe Gatewood Gallery is open Monday – Friday 9:00 – 4:00pm \nA Reception will be held October 26\, from 3:00 – 5:00pm
URL:https://vpa.uncg.edu/single-event/kaylan-buteyn-careworn-carefree/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221003T173000
DTEND;TZID=America/New_York:20221003T190000
DTSTAMP:20260516T015908
CREATED:20240130T163312Z
LAST-MODIFIED:20240130T163312Z
UID:10000442-1664818200-1664823600@vpa.uncg.edu
SUMMARY:Steven Stusek\, saxophone • Artist Faculty Recital
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAM\nSteven Stusek\, saxophone\nSuzanne Polak\, piano\nAshley Barret\, oboe\nTaylor Schmidt\, voice\nStephanie Foley Davis\, voice\nEl Rich\, guitar\nAlejandro Rutty\, bass \n\n   \n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.\n\n\n\n\n\nSteve Stusek\, saxophone\, is Associate Professor of Music at the University of North Carolina Greensboro\, where he is a member of the Eastwind Quintette d’Anches and the Red Clay Saxophone Quartet. Originally from Oshkosh\, Wisconsin\, he received his Bachelor’s degree in saxophone performance from Indiana University. Before beginning a Master’s degree in saxophone and chamber music at Arizona State University\, Steve spent a year in Paris studying at the Paris Conservatory (Conservatoire Nationale Superior de Musique de Paris) and the Conservatoire de le Région de Paris\, where he was awarded the Prix d’Or à l’Unanimité in Saxophone Performance. After living in the Netherlands for almost eight years he returned to Indiana University and was awarded a DMA in Saxophone in 2001. He has served on the faculties of Ball State University\, Middlebury College\, the Cincinnati Conservatory of Music. He has been on the UNCG faculty since 1999. As a soloist\, Steve has appeared with the Eastern Music Festival and more recently with the University of South Carolina Wind Ensemble as part of the North American Saxophone Alliance Biennial conference. He has been the principal saxophonist for the Eastern Music Festival and the Greensboro Symphony for the past ten years. In 2000\, he won the prestigious Dutch Chamber Music Competition as part of the saxophone-accordion duo 2Track with accordion virtuoso Otine van Erp. Together they have performed throughout the Netherlands\, the US and on Dutch radio. Steve teamed up with pianist Inara Zandmane and saxophonist Susan Fancher to produce the critically acclaimed recording Louder than Words – music for two saxophones and piano. Steve’s teachers have included Eugene Rousseau\, Joseph Wytko\, David Baker\, Larry Teal\, Daniel Deffayet\, Jean-Yves Formeau\, and Leroy Wolter. Steve is the Past-President of the North American Saxophone Alliance. \n 
URL:https://vpa.uncg.edu/single-event/steven-stusek-saxophone-artist-faculty-recital/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,CVPA Live!,School of Music
ORGANIZER;CN="Music Bldg-2-CVPA &#8211%3B Organ Hall (125)":MAILTO:uncg.edu_3735333130333732353136@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221003T200000
DTEND;TZID=America/New_York:20221003T200000
DTSTAMP:20260516T015908
CREATED:20240130T163312Z
LAST-MODIFIED:20240130T163312Z
UID:10000443-1664827200-1664827200@vpa.uncg.edu
SUMMARY:Joshua Bell\, violin & Peter Dugan\, piano
DESCRIPTION:With a career spanning almost four decades\, GRAMMY® Award-winning violinist Joshua Bell is one of the most celebrated artists of his era. Having performed with virtually every major orchestra in the world\, Bell continues to maintain engagements as soloist\, recitalist\, chamber musician\, conductor\, and Music Director of the Academy of St Martin in the Fields. \nBell’s highlights in the 2021–22 season include leading the Academy of St Martin in the Fields at the 2021 BBC Proms\, throughout Europe\, and the United States on tour; returning with the Philadelphia Orchestra for a play/conduct program\, to the Verbier Festival\, the Minnesota Orchestra\, and the New York Philharmonic; and tours with the Israel Philharmonic and NDR Elbphilharmonie Orchestra as soloist. Additional 2021–22 performances to be announced. \nDuring the COVID-19 pandemic\, Bell joined the classical music world in bringing world-class performances online. In summer 2020\, PBS presented Joshua Bell: At Home With Music\, a nationwide broadcast directed by Tony and Emmy award winner Dori Berinstein\, produced entirely in lockdown. The program included core classical repertoire as well as new arrangements of beloved works\, including a West Side Story medley. The special featured guest artists Larisa Martínez\, Jeremy Denk\, Peter Dugan\, and Kamal Khan. In August 2020\, Sony Classical released the companion album to the special\, Joshua Bell: At Home With Music. \n\n\n \n\n\n\n\nOrchestra/Mezz\nBalconies\n\n\nUNCG Students\n$5\n$5\n\n\nNon-UNCG Students\n$10\n$10\n\n\nSingle\n$75\n$70\n\n\nSeniors/Military\nFaculty/Staff/Retirees\n$65\n$60\n\n\nPurchase Tickets\n* Tickets to CVPA and UCLS events are sold exclusively through our box office locations and ETix website\, and nowhere else. Tickets purchased through third-party vendors cannot be honored. \n\n\n\n \nIn 2011\, Bell was named Music Director of the Academy of St Martin in the Fields\, succeeding Sir Neville Marriner\, who formed the orchestra in 1959. Bell’s history with the Academy dates back to 1986 when he first recorded the Bruch and Mendelsohn concertos with Mariner and the orchestra. Bell has since directed the orchestra on several albums including Vivaldi’s Four Seasons\, Voice of the Violin\, For the Love of Brahms\, and most recently\, Bruch: Scottish Fantasy\, which was nominated for a 2019 GRAMMY® Award. \nBell has performed for three American presidents and the sitting justices of the Supreme Court of the United States. He participated in former president Barack Obama’s Committee on the Arts and Humanities’ first cultural mission to Cuba\, joining Cuban and American musicians on a 2017 Live from Lincoln Center Emmy nominated PBS special\, Joshua Bell: Seasons of Cuba\, celebrating renewed cultural diplomacy between Cuba and the United States. \nBorn in Bloomington\, Indiana\, Bell began the violin at age four\, and at age twelve\, began studies with his mentor\, Josef Gingold. At age 14\, Bell debuted with Riccardo Muti and the Philadelphia Orchestra\, and made his Carnegie Hall debut at age 17 with the St. Louis Symphony. At age 18\, Bell signed with his first label\, London Decca\, and received the Avery Fisher Career Grant. In the years following\, Bell has been named 2010 “Instrumentalist of the Year” by Musical America\, a 2007 “Young Global Leader” by the World Economic Forum\, nominated for six GRAMMY® awards\, and received the 2007 Avery Fisher Prize. He has also received the 2003 Indiana Governor’s Arts Award and a Distinguished Alumni Service Award in 1991 from the Jacobs School of Music. In 2000\, he was named an “Indiana Living Legend.” \n\n \nPianist Peter Dugan’s debut performances with Michael Tilson Thomas and the San Francisco Symphony were described by the Los Angeles Times as “stunning” and by the SF Chronicle as “fearlessly athletic.” He is heard every week across America as the host of National Public Radio’s beloved program From the Top. Mr. Dugan has appeared as a soloist\, recitalist\, and chamber musician across North America and abroad. In 2020\, he joined acclaimed violinist Joshua Bell for At Home With Music\, a national PBS broadcast and live album release on Sony Classical. This season Mr. Dugan continues his collaboration with Bell\, touring internationally with recitals at London’s Wigmore Hall\, Taipei’s National Theater and Concert Hall\, and the Kennedy Center in Washington\, DC. \nPrizing stylistic versatility as the hallmark of a 21st century musician\, Mr. Dugan is equally at home in classical\, jazz\, and pop idioms\, and has collaborated with artists ranging from Jesse Colin Young\, to Renee Fleming\, to Paquito D’Rivera. Mr. Dugan performs regularly in partnership with friends and artists who share a passion for expanding the world of classical music. The Wall Street Journal described Mr. Dugan’s collaboration with violinist and vocalist Charles Yang as a “classical-meets-rockstar duo.” In Mr. Dugan’s performances with his wife\, mezzo-soprano Kara Dugan\, repertoire ranges from art song\, to American Songbook\, to original songs and world premieres. The Dugans have appeared at Boston’s Isabella Stewart Gardner Museum\, WQXR’s Greene Space\, and on PBS Great Performances’ Now Hear This. \nMr. Dugan’s latest album with baritone John Brancy – The Journey Home: Live from the Kennedy Center – was released on Avie Records in 2021 along with an accompanying documentary film from WNET’s AllArts. Brancy and Dugan have given recitals at Alice Tully Hall\, Carnegie Hall\, and the Kennedy Center\, and together won first prize at the 2018 Montreal International Music Competition. Mr. Dugan’s latest project with violinist Sean Lee was PaganiniXSchumann\, a digital EP release that accompanied a live performance at Chamber Music Society of Lincoln Center of all 24 Paganini Caprices with piano parts written by Robert Schumann. Mr. Dugan appeared as the piano soloist in Charles Ives’ 4th Symphony with the Houston Symphony\, the San Francisco Symphony\, and on an album with Michael Tilson Thomas and the SFS. \nMr. Dugan advocates for a classical music culture that is inclusive and welcoming to all\, from a community’s concert halls and theaters\, to its schools and hospitals. As a founding creator of Operation Superpower\, a superhero opera for children\, he has travelled to dozens of schools in the greater New York area\, performing for students and encouraging them to use their talents – their superpowers – for good. He is head of the Artist in Residence program at pianoSonoma and a founding faculty member of the Resonance and Soundboard Institutes at Honeywell Arts Academy. \nMr. Dugan holds Bachelor’s and Master’s degrees from The Juilliard School\, where he studied under Matti Raekallio. He resides in New York City and is a Yamaha Artist. \n\nIn addition to public presentations\, every artist in the UCLS series does important work with UNCG students\, such as holding masterclasses and seminars\, often just hours before performing on stage. Thanks to The Cemala Foundation\, some of these artists also work with K-12 students in the Guilford County Schools.
URL:https://vpa.uncg.edu/single-event/joshua-bell-violin-peter-dugan-piano/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,UCLS
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221004T173000
DTEND;TZID=America/New_York:20221004T190000
DTSTAMP:20260516T015908
CREATED:20240130T163319Z
LAST-MODIFIED:20240130T163319Z
UID:10000459-1664904600-1664910000@vpa.uncg.edu
SUMMARY:Studio Voice Recital
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAM\n\n   \n\n\n\n\n\n \n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.
URL:https://vpa.uncg.edu/single-event/studio-voice-recital/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:School of Music
ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221004T193000
DTEND;TZID=America/New_York:20221004T210000
DTSTAMP:20260516T015908
CREATED:20240130T163319Z
LAST-MODIFIED:20240130T163319Z
UID:10000460-1664911800-1664917200@vpa.uncg.edu
SUMMARY:University Chorale and Chamber Singers
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAMVIEW ON CPVA LIVE\nWelborn Young\, conductor\nCarole Ott\, conductor\nBrittany Kaehler\, assistant conductor\nNancy Davis\, accompanist \n\n   \n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall. \n\n\n\n\n\nThe mission of the UNCG Choirs is dedicated to the teaching\, performance\, study and cultivation of choral music of the highest quality representing not just the western choral canon but also choral music of other cultures by a diverse body of historical and new composers. We believe that the UNCG Choirs are a serious and distinctive medium of musical expression\, of vital service and importance to its members and to UNCG. Through ensemble performance\, we strive to create an environment of trust\, communication\, and expressive freedom\, to present outstanding performances throughout the year\, and to enhance the institutional sprit and character of UNCG. To music as an art and a profession\, the UNCG Choirs seek to bring increasing artistry\, understanding\, and respect by efforts within our own immediate sphere and by providing leadership and sponsorship to school choral programs and through cooperation with all other agencies pursuing similar musical goals.
URL:https://vpa.uncg.edu/single-event/university-chorale-and-chamber-singers/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,CVPA Live!,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/Choir-Feature-rN6RTO.tmp_.jpg
ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221005T173000
DTEND;TZID=America/New_York:20221005T190000
DTSTAMP:20260516T015908
CREATED:20240130T163320Z
LAST-MODIFIED:20240130T163320Z
UID:10000461-1664991000-1664996400@vpa.uncg.edu
SUMMARY:Ziyi Wang\, piano • Graduate Recital
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAM\n\n   \n\n\n\n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.
URL:https://vpa.uncg.edu/single-event/ziyi-wang-piano-graduate-recital/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:School of Music
ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221006
DTEND;VALUE=DATE:20221008
DTSTAMP:20260516T015908
CREATED:20240130T163314Z
LAST-MODIFIED:20240130T163314Z
UID:10000444-1665014400-1665187199@vpa.uncg.edu
SUMMARY:North Carolina Dance Festival Performance @ Greensboro Project Space
DESCRIPTION:Intimate Performance by NC Dance Festival Trailblazer Awardee Tommy Noonan of Culture Mill as he presents the US premiere of “Assembly”.\nWhen: October 6th – October 7th\, 2022\, 7pm \nWhere: Greensboro Project Space (111 E February One Place)  \nNCDF Trailblazer Awardee Tommy Noonan of Culture Mill presents the US premiere of “Assembly.” “Assembly” derives from Noonan’s work with NC-based artists\, activists and Restorative Justice specialists\, and exists in ongoing conversation with 5 other socially engaged dance artists from 5 other countries around the world\, all tied together by a single performance score from Norwegian/Israeli Artist/Activist Mia Habib.  As a hybrid installation\, performance and social practice\, “Assembly” invites audiences to consider the land where they gather: all that is not named in the past\, all that might come to pass in the future\, and all the ways in which distributive power exists differently in each present moment when bodies assemble. “Assembly” is a production of Culture Mill with support from Mia Habib Productions and Dance Project\, also supported by The Norwegian Arts Council and Nordic Culture Fund – Globus Opstart. \n \nhttps://danceproject.org/ncdf/
URL:https://vpa.uncg.edu/single-event/north-carolina-dance-festival-performance-greensboro-project-space/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221006T173000
DTEND;TZID=America/New_York:20221006T190000
DTSTAMP:20260516T015908
CREATED:20240130T163314Z
LAST-MODIFIED:20240130T163314Z
UID:10000445-1665077400-1665082800@vpa.uncg.edu
SUMMARY:Brad Ulrich and Garrett Klein\, trumpets • Faculty and Guest Artist Recital
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAM\n\n   \n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.\n\n\n\n\n\nDr. Brad Ulrich has been the trumpet professor at Western Carolina University since 1989. He received his Bachelor of Music Degree in Trumpet Performance from the Florida State University where he studied with Bryan Goff. His Master of Music and Doctor of Musical Arts degrees in Trumpet Performance and Literature were awarded from the University of Illinois\, Champaign-Urbana\, where he studied with Ray Sasaki and Michael Tunnell. He has had additional lessons with Raymond Mase\, George Vosburgh\, Adolphe Herseth\, James Thompson\, Vincent DiMartino\, and Chrispian Steele Perkins. \nMaintaining an active performing career\, Dr. Ulrich currently performs with the Asheville Symphony Orchestra\, the Asheville Symphony Brass Quintet\, the Fortress Brass Quintet\, and the System 5 Brass Quintet. He has performed as an Extra Trumpet with the Montreal Symphony and has formerly held positions in the Hendersonville Symphony Orchestra\, Greenville Symphony Orchestra (SC)\, Brevard Chamber Orchestra the Springfield Symphony Orchestra (IL)\, the Champaign-Urbana Symphony (IL)\, Sinfonia da Camera (IL)\, and the Cedar Falls Waterloo Symphony (IA). \nDr. Ulrich has performed countless recitals both as a soloist and in brass quintets. He has performed and taught across the United States and in Russia\, Canada\, England\, Ireland\, Wales\, St. Barths\, Italy\, China\, Germany\, Jamaica\, Hungary\, Romania\, Greece\, the Czech Republic\, Costa Rica\, Mexico\, South Africa\, Belgium\, and France. \nFor 30 years\, Dr. Ulrich was the Artistic Director/First Trumpet of the Smoky Mountain Brass Quintet\, which gave its New York debut at the Weill Recital Hall at Carnegie Hall in June 2007. He is also a founding member of the Fortress Brass Quintet and System 5 Brass Quintet\, which tour nationally and internationally each year. The Fortress Brass Quintet is comprised of five university brass professors from five different universities across the United States. System 5 Brass is made up of five top brass players/teachers from five different universities in the State of North Carolina. \nOver the years Dr. Ulrich has published over a dozen articles in the International Trumpet Guild’s Journal. He was for 10 years Public Relations Director for ITG and the Competition Page Editor for the ITG Youth Website. He has also served on the Membership Development Committee for ITG. \nDr. Ulrich is the Executive Director of the Trumpet Festival of the Southeast and is an Artist/Clinician for XO Professional Trumpets. Dr. Ulrich has three won the James Dooley Award for Excellence in Teaching Music (2002\, 2008\, 2015) and in 2013 he was awarded the prestigious University Scholar Award from Western Carolina University. \n\nTrumpet artist Garrett Klein has performed across the United States and Asia as a soloist\, chamber player\, and orchestral musician. He is currently serving as Assistant Professor of Trumpet at UNC Greensboro where he leads the Trumpet Studio\, coaches the Graduate Brass Quintet\, and directs the Trumpet Ensemble. Previously Garrett served on the faculties of St. Olaf College and Gustavus Adolphus College. \nGarrett is a member of the Dallas Brass\, an internationally recognized touring ensemble. Dallas Brass has a legacy of presenting uplifting performances\, which span a wide array of musical styles. In addition to performing shows across the country\, Dallas Brass demonstrates a steadfast commitment to music education by working to inspire students of all ages while on tour. \nOutside of touring with Dallas Brass\, Garrett has performed with the Charlotte Symphony\, Winston-Salem Symphony\, the North Carolina Brass Band\, and the Carolina Brass. He has also appeared as a guest musician with The Phoenix Symphony\, the Tucson Symphony Orchestra\, the New World Symphony\, the Singapore Symphony Orchestra\, and the Malaysian Philharmonic Orchestra. Additionally\, Garrett is an Associate Artist with the Rodney Marsalis Philadelphia Big Brass. A new music advocate\, Garrett has worked with composers to commission new works for trumpet\, presenting newly composed works at International Trumpet Guild Conferences. \nGarrett earned his DMA and MM degrees at Arizona State University\, along with a Certificate in Music Theory Pedagogy. Prior to ASU\, he studied at the prestigious Yong Siew Toh Conservatory of Music in Singapore and St. Olaf College in Minnesota. Garrett Klein is an endorsing artist for Conn-Selmer and proudly performs on Vincent Bach trumpets.
URL:https://vpa.uncg.edu/single-event/brad-ulrich-and-garrett-klein-trumpets-faculty-and-guest-artist-recital/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ORGANIZER;CN="Music Bldg-2-CVPA &#8211%3B Organ Hall (125)":MAILTO:uncg.edu_3735333130333732353136@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221006T193000
DTEND;TZID=America/New_York:20221006T210000
DTSTAMP:20260516T015908
CREATED:20240130T163320Z
LAST-MODIFIED:20240130T163320Z
UID:10000462-1665084600-1665090000@vpa.uncg.edu
SUMMARY:Sinfonia
DESCRIPTION:TICKETSDOWNLOAD PROGRAMPROGRAM NOTES AND BIOSVIEW ON CPVA LIVE\nRotem Weinberg\, conductor\nAmber Svetik\, graduate conductor \n\nST. GEORGE\nSinfonia in D \nVIVALDI\nSinfonia in C\, RV719 \nKALINNIKOV\nSerenade \nELIZONDO\nfrom Estampas Mexicanas \nDUCASSE\nLakay \n\nPROGRAM NOTES\n\n   \n\n\n\n\n \nIsraeli conductor Rotem Weinberg is known for his profound musicality\, creative programming\, and polished performances. He is a cross-genre musician\, at home in classical\, operatic\, and pops repertoires alike. In the fall of 2022 he will assume the position of Visiting Assistant Professor of Conducting and Director of Orchestras at the University of North Carolina at Greensboro\, where he will conduct orchestras\, opera\, and teach conducting. \nRotem began his conducting studies at the age of seventeen\, under the guidance of Vag Papian. Before starting his academic studies\, he served in the Israel Defense Forces military band as head librarian and assistant conductor. He earned a BM in orchestral conducting from the Buchmann-Mehta School of Music of Tel-Aviv University\, where he studied with Prof. Yoav Talmi\, Yi-an Xu\, and Ronen Borshevsky. His graduate studies took him to The University of Michigan\, where he earned both MM and DMA degrees in orchestral conducting\, studying with the renowned conductor and pedagogue Kenneth Kiesler. \nAt the University of Michigan\, Rotem served as Music Director of the Campus Symphony Orchestra and the Michigan Pops Orchestra\, bringing these ensembles to new musical heights. He also filled the role of assistant conductor to the prestigious orchestra program\, supporting the work of four student orchestras. As cover conductor of the University of Michigan Opera Theater\, he conducted operas such as Puccini’s La bohème\, Handel’s Alcina\, and William Bolcom’s Dinner at Eight. In February 2018 he served as the first assistant conductor for the ground-breaking test performance of Gershwin’s Porgy and Bess’ new critical edition. Following his studies\, Rotem served as Music Director of Spectrum Orchestra in Birmingham\, Michigan\, Associate Conductor of the Michigan Youth Symphony Orchestra\, and Cover Conductor for the Detroit Symphony Orchestra. \nRotem participated in workshops and masterclasses with world renowned orchestral conductors\, including Simon Rattle\, Zubin Mehta\, Zsolt Nagy and Christopher Lyndon Gee. He participated in additional conducting workshops with Joseph Missal\, Felix Hauswirth\, and Laszlo Marosi. \nIn his native Israel\, Rotem led several orchestral\, wind\, and vocal ensembles\, achieving national acclaim as a conductor and educator. He received frequent honors and awards for his conducting and musicianship\, including the America-Israel Cultural Foundation Excellence Grant in orchestral conducting\, the Buchmann-Mehta School of Music Excellence Scholarship\, and the Tel Aviv University Dean of Arts Excellence Award for his outstanding musical and academic achievements. \nAn advocate of contemporary music\, Rotem has collaborated and premiered work by composers Nina Shekhar\, Natalie Moller\, Tyler Arnold\, Sawyer Denton\, and Samuel Sussman. \n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.
URL:https://vpa.uncg.edu/single-event/sinfonia/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,CVPA Live!,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/sinfonia-feature-lDG6QG.tmp_.jpg
ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221012
DTEND;VALUE=DATE:20221023
DTSTAMP:20260516T015908
CREATED:20240130T163314Z
LAST-MODIFIED:20240130T163314Z
UID:10000446-1665532800-1666483199@vpa.uncg.edu
SUMMARY:23 Chunks of Being Exhibition @ Greensboro Project Space
DESCRIPTION:Exhibition on View\nWhen: October 11th- October 22nd\, 2022\nClosing Reception: October 21st 6:00pm-8:00pm\nWhere: Greensboro Project Space (111 E February One Place) \nGallery Hours: Tuesdays-Fridays\, 12-5pm; Saturdays\, 2-5pm\nSolo Show\, Featuring: Greg Grieve \n23 Chunks of Being – A Retrospective  \nThe Dungeon Master ofMeanings \nAs a major contributor to the emerging study of religion andvideo games\, Gregory Price Grieve\, Head of the Religious Studies Department atThe University of North Carolina at Greensboro\, researches and teaches Asianreligions and popular culture. His retrospective of photo-collages\, paintings\,sculptures\, videos\, and installations spans almost forty years\, with many showntogether for the first time. His artistic expression explores the ideasconnecting his research interests without having to resort to the fixedmeanings required in academic language.  \nGrieve uses collage\, assemblage\, montage\, andinstallation–techniques originally employed by the early 20thcentury avant-guard movements. The Dadaists\, Surrealists\, and earlyConceptualists reinvented the role of artist with strategies to battle ossifiedinstitutions. Their materials and techniques could satirize social conventions\,undermine the certainty of rationality\, or embody the sensory and informationaloverload that was part of modernization. Similarly\, Grieve uses found photographic images\, many from the Library of Congress\,and found objects\, combining them to create apersonal language. Their layering\,superimposition\, transparency\, and montage unify his source materials with a new logic. The resulting aestheticis one of free-associative flows\, lucid dreaming\, and humor with titles thatplay with etymology\, imply conceptual readings\, or make cross-disciplinaryreferences to add an additional layer of interpretation. \n In this electric moment\, as thephysical atomizes into data and perception into pixels\, Grieve’s retrospective isnot just a collection of objects. It’s an archive of a life understanding itself. The artist becomesa dungeon master\, the viewer a willing player\, andthe artworks in ’23 Chunks of Being’ componentsin a game of embracing the groundlessness we navigate.  \n(Ryan Hill\, Professor and Directorof Sculpture Tucson)
URL:https://vpa.uncg.edu/single-event/23-chunks-of-being-exhibition-greensboro-project-space/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221012T193000
DTEND;TZID=America/New_York:20221012T210000
DTSTAMP:20260516T015908
CREATED:20240130T163321Z
LAST-MODIFIED:20240130T163321Z
UID:10000463-1665603000-1665608400@vpa.uncg.edu
SUMMARY:Alex Ezerman\, cello • Artist Faculty Recital
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAMVIEW ON CPVA LIVE\nAlex Ezerman\, cello\nInara Zandmane\, piano \n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.\n\n\n\n\n\n \nAlexander Ezerman\, cello\, comes from a family where the cello runs four generations deep\, including two former associate principals of the Philadelphia Orchestra. A prize winner in national and international competition\, he has appeared as a soloist and chamber musician across North America\, South America\, and Europe. An active advocate and performer of new music\, he has been involved in numerous premiers\, and has performed all twelve of the “Sacher” pieces for solo cello in a single recital. He has recorded on the New World\, Centaur and Innova Labels. In the summer\, he is on the faculty of the Green Mountain Chamber Music Festival in Burlington Vermont. He has previously been on the faculties of the Brevard Music Center and the Killington Music Festival and Texas Tech University\, where he was a founding member of the Botticelli String Quartet. Ezerman holds a BM degree from Oberlin College Conservatory and a Master of Music and Doctorate of Musical Arts from the State University of New York at Stony Brook. His primary mentors include Timothy Eddy\, Norman Fischer\, David Wells and his grandmother Elsa Hilger.
URL:https://vpa.uncg.edu/single-event/alex-ezerman-cello-artist-faculty-recital/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,CVPA Live!,School of Music
ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221013T180000
DTEND;TZID=America/New_York:20221013T180000
DTSTAMP:20260516T015908
CREATED:20240130T163315Z
LAST-MODIFIED:20240130T163315Z
UID:10000447-1665684000-1665684000@vpa.uncg.edu
SUMMARY:Shaun Leonardo
DESCRIPTION:Shaun Leonardo’s performance practice\, anchored by his work in Assembly—a diversion program for court-involved youth at the Brooklyn-based arts nonprofit Recess—is participatory and invested in a process of embodiment. \nLeonardo is a Brooklyn-based artist from Queens\, New York City. His work has been featured at the Guggenheim Museum\, the High Line\, and New Museum\, and recently profiled in the New York Times and CNN. His solo exhibition\, The Breath of Empty Space\, was recently presented at MICA\, MASS MoCA\, and The Bronx Museum. And his first major public art commission\, Between Four Freedoms\, recently premiered at Four Freedoms Park Conservancy. \n\n\n \n\nReserve Tickets\n\n\n\n \nLeonardo recently joined Recess as Co-Director\, helping guide the organization’s continuous evolution as an engine of social change. \n\nIn addition to public presentations\, every artist in the UCLS series does important work with UNCG students\, such as holding masterclasses and seminars\, often just hours before performing on stage. Thanks to The Cemala Foundation\, some of these artists also work with K-12 students in the Guilford County Schools.
URL:https://vpa.uncg.edu/single-event/shaun-leonardo/
LOCATION:Weatherspoon Art Museum\, 500 Tate St\, Greensboro\, NC\, United States
CATEGORIES:College of Visual and Performing Arts,UCLS
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/shaun_leonardo_banner-A5Auog.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221014T173000
DTEND;TZID=America/New_York:20221014T190000
DTSTAMP:20260516T015908
CREATED:20240130T163321Z
LAST-MODIFIED:20240130T163321Z
UID:10000464-1665768600-1665774000@vpa.uncg.edu
SUMMARY:Ming Kong\, violin • Undergraduate Recital
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAMVIEW ON CPVA LIVE\n\n\n\n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.
URL:https://vpa.uncg.edu/single-event/ming-kong-violin-undergraduate-recital/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:CVPA Live!,School of Music
ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221014T200000
DTEND;TZID=America/New_York:20221014T200000
DTSTAMP:20260516T015908
CREATED:20240130T163322Z
LAST-MODIFIED:20240130T163322Z
UID:10000465-1665777600-1665777600@vpa.uncg.edu
SUMMARY:Urban Bush Women
DESCRIPTION:Urban Bush Women (UBW) burst onto the dance scene in 1984 with bold\, demanding\, and exciting works which brought under-told stories to life through the art and vision of its award-winning Founder\, Jawole Willa Jo Zollar. The Company weaves contemporary dance\, music\, and text with the history\, culture\, and spiritual traditions of the African Diaspora under the artistic direction of Chanon Judson and Samantha Speis. \nOff the concert stage\, UBW has developed an extensive community engagement program\, BOLD (Builders\, Organizers\, and Leaders through Dance). UBW’s largest community engagement project is its Summer Leadership Institute (SLI). This 10-day intensive training program connects dance professionals with community-based artists/activists in a learning experience to leverage the arts as a vehicle for civic engagement. \nUBW launched the Choreographic Center Initiative (CCI) in January 2016. The CCI supports the development of women choreographers of color and other under-heard voices. \n\n\n \n\n\n\n\nOrchestra/Mezz\nBalconies\n\n\nUNCG Students\n$5\n\n\n\nNon-UNCG Students\n$10\n\n\n\nSingle\n$50\n\n\n\nSeniors/Military\nFaculty/Staff/Retirees\n$45\n\n\n\nPurchase Tickets\n* Tickets to CVPA and UCLS events are sold exclusively through our box office locations and ETix website\, and nowhere else. Tickets purchased through third-party vendors cannot be honored. \n\n\n\n \n\nIn addition to public presentations\, every artist in the UCLS series does important work with UNCG students\, such as holding masterclasses and seminars\, often just hours before performing on stage. Thanks to The Cemala Foundation\, some of these artists also work with K-12 students in the Guilford County Schools.
URL:https://vpa.uncg.edu/single-event/urban-bush-women/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,UCLS
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/urban_bush_women_banner-9O7jQB.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221015T153000
DTEND;TZID=America/New_York:20221015T170000
DTSTAMP:20260516T015908
CREATED:20240130T163325Z
LAST-MODIFIED:20240130T163325Z
UID:10000466-1665847800-1665853200@vpa.uncg.edu
SUMMARY:Spartan Voices and Coro di Belle Voce
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAMVIEW ON CPVA LIVE\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall. \n\n\n\n\n\n \nThe mission of the UNCG Choirs is dedicated to the teaching\, performance\, study and cultivation of choral music of the highest quality representing not just the western choral canon but also choral music of other cultures by a diverse body of historical and new composers. We believe that the UNCG Choirs are a serious and distinctive medium of musical expression\, of vital service and importance to its members and to UNCG. Through ensemble performance\, we strive to create an environment of trust\, communication\, and expressive freedom\, to present outstanding performances throughout the year\, and to enhance the institutional sprit and character of UNCG. To music as an art and a profession\, the UNCG Choirs seek to bring increasing artistry\, understanding\, and respect by efforts within our own immediate sphere and by providing leadership and sponsorship to school choral programs and through cooperation with all other agencies pursuing similar musical goals.
URL:https://vpa.uncg.edu/single-event/spartan-voices-and-coro-di-belle-voce/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/Choir-Feature-rN6RTO.tmp_.jpg
ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221015T173000
DTEND;TZID=America/New_York:20221015T203000
DTSTAMP:20260516T015908
CREATED:20240130T163317Z
LAST-MODIFIED:20240130T163317Z
UID:10000448-1665855000-1665865800@vpa.uncg.edu
SUMMARY:AGSD (Association of Graduate Students in Dance) Improv Crawl Event @ Greensboro Project Space
DESCRIPTION:Event\nWhen: October 15th 5:30pm-8:30pm\nWhere: Greensboro Project Space (111 E February One Place)
URL:https://vpa.uncg.edu/single-event/agsd-association-of-graduate-students-in-dance-improv-crawl-event-greensboro-project-space/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221018T173000
DTEND;TZID=America/New_York:20221018T190000
DTSTAMP:20260516T015908
CREATED:20240130T163326Z
LAST-MODIFIED:20240130T163326Z
UID:10000467-1666114200-1666119600@vpa.uncg.edu
SUMMARY:Grace Nelson Poe\, flute • Graduate Recital
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAM\n\n   \n\n\n\n\n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.
URL:https://vpa.uncg.edu/single-event/grace-nelson-poe-flute-graduate-recital/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:School of Music
ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221018T193000
DTEND;TZID=America/New_York:20221018T210000
DTSTAMP:20260516T015908
CREATED:20240130T163326Z
LAST-MODIFIED:20240130T163326Z
UID:10000468-1666121400-1666126800@vpa.uncg.edu
SUMMARY:Taylor Stirm\, clarinet • Graduate Recital
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAMVIEW ON CPVA LIVE\n\n\n\n\n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.
URL:https://vpa.uncg.edu/single-event/taylor-stirm-clarinet-graduate-recital/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,CVPA Live!,School of Music
ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221019T193000
DTEND;TZID=America/New_York:20221019T210000
DTSTAMP:20260516T015908
CREATED:20240130T163326Z
LAST-MODIFIED:20240130T163326Z
UID:10000469-1666207800-1666213200@vpa.uncg.edu
SUMMARY:Patricia Garcia Gil\, fortepiano • Graduate Recital
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAM\n\n   \n\n\n\n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.
URL:https://vpa.uncg.edu/single-event/patricia-garcia-gil-fortepiano-graduate-recital/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:School of Music
ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221020T193000
DTEND;TZID=America/New_York:20221020T210000
DTSTAMP:20260516T015908
CREATED:20240130T163326Z
LAST-MODIFIED:20240130T163326Z
UID:10000470-1666294200-1666299600@vpa.uncg.edu
SUMMARY:Roderick Andrew Terrell II\, clarinet • Graduate Recital
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAMVIEW ON CPVA LIVE\n\n\n\n\n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.
URL:https://vpa.uncg.edu/single-event/roderick-andrew-terrell-ii-clarinet-graduate-recital/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:CVPA Live!,School of Music
ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221021T180000
DTEND;TZID=America/New_York:20221021T200000
DTSTAMP:20260516T015908
CREATED:20240130T163317Z
LAST-MODIFIED:20240130T163317Z
UID:10000449-1666375200-1666382400@vpa.uncg.edu
SUMMARY:Closing Reception for “23 Chunks of Being”
DESCRIPTION:Exhibition on View\nWhen: October 11th- October 22nd\, 2022\nClosing Reception: October 21st 6:00pm-8:00pm\nWhere: Greensboro Project Space (111 E February One Place) \nGallery Hours: Tuesdays-Fridays\, 12-5pm; Saturdays\, 2-5pm\nSolo Show\, Featuring: Greg Grieve \n23 Chunks of Being – A Retrospective  \nThe Dungeon Master ofMeanings \nAs a major contributor to the emerging study of religion andvideo games\, Gregory Price Grieve\, Head of the Religious Studies Department atThe University of North Carolina at Greensboro\, researches and teaches Asianreligions and popular culture. His retrospective of photo-collages\, paintings\,sculptures\, videos\, and installations spans almost forty years\, with many showntogether for the first time. His artistic expression explores the ideasconnecting his research interests without having to resort to the fixedmeanings required in academic language.  \nGrieve uses collage\, assemblage\, montage\, andinstallation–techniques originally employed by the early 20thcentury avant-guard movements. The Dadaists\, Surrealists\, and earlyConceptualists reinvented the role of artist with strategies to battle ossifiedinstitutions. Their materials and techniques could satirize social conventions\,undermine the certainty of rationality\, or embody the sensory and informationaloverload that was part of modernization. Similarly\, Grieve uses found photographic images\, many from the Library of Congress\,and found objects\, combining them to create apersonal language. Their layering\,superimposition\, transparency\, and montage unify his source materials with a new logic. The resulting aestheticis one of free-associative flows\, lucid dreaming\, and humor with titles thatplay with etymology\, imply conceptual readings\, or make cross-disciplinaryreferences to add an additional layer of interpretation. \n In this electric moment\, as thephysical atomizes into data and perception into pixels\, Grieve’s retrospective isnot just a collection of objects. It’s an archive of a life understanding itself. The artist becomesa dungeon master\, the viewer a willing player\, andthe artworks in ’23 Chunks of Being’ componentsin a game of embracing the groundlessness we navigate.  \n(Ryan Hill\, Professor and Directorof Sculpture Tucson)
URL:https://vpa.uncg.edu/single-event/closing-reception-for-23-chunks-of-being/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221021T193000
DTEND;TZID=America/New_York:20221021T210000
DTSTAMP:20260516T015908
CREATED:20240130T163329Z
LAST-MODIFIED:20240130T163329Z
UID:10000472-1666380600-1666386000@vpa.uncg.edu
SUMMARY:Clay Blankenship presents ENOCH • Undergraduate Recital
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAM\n\n   \n\n\n\n\n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.
URL:https://vpa.uncg.edu/single-event/clay-blankenship-presents-enoch-undergraduate-recital/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:School of Music
ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221021T193000
DTEND;TZID=America/New_York:20221021T213000
DTSTAMP:20260516T015908
CREATED:20240130T163326Z
LAST-MODIFIED:20240130T163326Z
UID:10000471-1666380600-1666387800@vpa.uncg.edu
SUMMARY:Humperdinck’s ‘Hansel and Gretel’ and Fall Scenes • Opera Theatre
DESCRIPTION:Tickets\n \n\n\n\nAdults\n$10.00\n\n\nStudents (any institution)\n$5.00\n\n\n\n\n\nPURCHASE TICKETSDOWNLOAD PROGRAM\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.\n\n\n\n\nSYNOPSIS\nAct I (Peter’s House) \nAs the curtain rises\, Hansel and Gretel are busy working. They soon become distracted and resort to dancing and playing games. At the height of their frivolity\, their mother (Gertrude) returns and discovers their laziness. In her anger\, she accidentally knocks a pitcher of milk to the floor\, shattering it and spilling its contents. She blames the children and banishes them to the woods to pick strawberries\, after which she collapses in frustration and exhaustion. Her husband and the father of the children (Peter) returns home after an exceptionally successful afternoon of selling the brooms\, which he makes for a living. When he inquires as to the whereabouts of the children\, she tells him of their fate. He is horrified\, since the forest is the dwelling place of the evil Witch who entices children and bakes them into gingerbread cookies. Both parents rush out to rescue them. \nAct II (The Forest) \nAs the children pick strawberries and collect flowers in the forest\, they begin to play games again. Before they realize it\, they devour all the berries they have picked\, and it has grown too dark to collect any more. Hansel confesses that he has lost the way\, and Gretel begins to panic. The Sandman sprinkles sand into their eyes\, causing them to fall into a deep sleep\, during which angels appear and protect them. \nAct III (The Witch’s House) \nThe next morning\, the Dew Fairy wakes the children. They describe to each other a wondrous dream that each had\, after which they discover the Witch’s candy house. When they try to flee\, she casts a spell on them\, locks Hansel in a cage\, and turns her attention to the oven. Gretel speaks the magic words\, freeing Hansel from the spell. When the Witch invites her to look in the oven\, Gretel plays dumb and asks her to show her how. The Witch bends over to demonstrate and Hansel and Gretel push her into the oven\, breaking the spell that has been cast on all of the gingerbread children. Father and Mother appear\, and all rejoice in a hymn of Thanksgiving.
URL:https://vpa.uncg.edu/single-event/humperdincks-hansel-and-gretel-and-fall-scenes-opera-theatre/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/hansel-and-gretel-header-scaled-l4pLYh.tmp_.jpg
ORGANIZER;CN="SMTD &#8211%3B UNCG Auditorium (Master)":MAILTO:uncg.edu_3736303334383835333332@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221022T140000
DTEND;TZID=America/New_York:20221022T160000
DTSTAMP:20260516T015908
CREATED:20240130T163329Z
LAST-MODIFIED:20240130T163329Z
UID:10000473-1666447200-1666454400@vpa.uncg.edu
SUMMARY:Humperdinck’s ‘Hansel and Gretel’ and Fall Scenes • Opera Theatre
DESCRIPTION:Tickets\n \n\n\n\nAdults\n$10.00\n\n\nStudents (any institution)\n$5.00\n\n\n\n\n\nPURCHASE TICKETSDOWNLOAD PROGRAM\n \n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.\n\n\n\n \n \nSYNOPSIS\nAct I (Peter’s House) \nAs the curtain rises\, Hansel and Gretel are busy working. They soon become distracted and resort to dancing and playing games. At the height of their frivolity\, their mother (Gertrude) returns and discovers their laziness. In her anger\, she accidentally knocks a pitcher of milk to the floor\, shattering it and spilling its contents. She blames the children and banishes them to the woods to pick strawberries\, after which she collapses in frustration and exhaustion. Her husband and the father of the children (Peter) returns home after an exceptionally successful afternoon of selling the brooms\, which he makes for a living. When he inquires as to the whereabouts of the children\, she tells him of their fate. He is horrified\, since the forest is the dwelling place of the evil Witch who entices children and bakes them into gingerbread cookies. Both parents rush out to rescue them. \nAct II (The Forest) \nAs the children pick strawberries and collect flowers in the forest\, they begin to play games again. Before they realize it\, they devour all the berries they have picked\, and it has grown too dark to collect any more. Hansel confesses that he has lost the way\, and Gretel begins to panic. The Sandman sprinkles sand into their eyes\, causing them to fall into a deep sleep\, during which angels appear and protect them. \nAct III (The Witch’s House) \nThe next morning\, the Dew Fairy wakes the children. They describe to each other a wondrous dream that each had\, after which they discover the Witch’s candy house. When they try to flee\, she casts a spell on them\, locks Hansel in a cage\, and turns her attention to the oven. Gretel speaks the magic words\, freeing Hansel from the spell. When the Witch invites her to look in the oven\, Gretel plays dumb and asks her to show her how. The Witch bends over to demonstrate and Hansel and Gretel push her into the oven\, breaking the spell that has been cast on all of the gingerbread children. Father and Mother appear\, and all rejoice in a hymn of Thanksgiving.
URL:https://vpa.uncg.edu/single-event/humperdincks-hansel-and-gretel-and-fall-scenes-opera-theatre-2/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/hansel-and-gretel-header-scaled-l4pLYh.tmp_.jpg
ORGANIZER;CN="UNCG Auditorium-1-CVPA &#8211%3B Master (2000)":MAILTO:uncg.edu_3736303334383835333332@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221023T133000
DTEND;TZID=America/New_York:20221023T150000
DTSTAMP:20260516T015908
CREATED:20240130T163329Z
LAST-MODIFIED:20240130T163329Z
UID:10000474-1666531800-1666537200@vpa.uncg.edu
SUMMARY:David Song\, saxophone • Undergraduate Recital
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAMVIEW ON CPVA LIVE\n\n\n\n\n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.
URL:https://vpa.uncg.edu/single-event/david-song-saxophone-undergraduate-recital/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:CVPA Live!,School of Music
ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
END:VEVENT
END:VCALENDAR