BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//College of Visual and Performing Arts - ECPv6.15.19//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://vpa.uncg.edu
X-WR-CALDESC:Events for College of Visual and Performing Arts
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20220313T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20221106T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20230312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20231105T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20240310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20241103T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230905T120000
DTEND;TZID=America/New_York:20230909T200000
DTSTAMP:20260410T091944
CREATED:20240130T164444Z
LAST-MODIFIED:20240130T164444Z
UID:10000789-1693915200-1694289600@vpa.uncg.edu
SUMMARY:Color\, Cloth\, & Chaos Art Exhibition
DESCRIPTION:Color\, Cloth\, & Chaos\nby Greg Hausler (Wonky Star Studios)\nSeptember 5 – 9\, 2023\nReception: Saturday\, September 9th | 6-8P\n\nLocal artist\, Greg Hausler\, owner of Wonky Star Studios will be debuting his first solo show\, Color\, Cloth & Chaos. The exhibit will be held during the NC Folk Festival\, so you can enjoy both visual and performing arts. \nHausler creates paintings by combining clothing\, fabric scraps\, found objects\, and profuse amounts of paint into thought-provoking works of art. He has been refining this unique technique for decades and is excited to share over thirty of his works with people as they take in the festivities downtown.  \nIn addition to the artists’ work\, the exhibition will also broadcast a live interview on the EyesClosed Podcast\, music by DJFM on Thursday\, September 7 from 5:30 PM to 8:00 PM and Friday & Saturday\, September 8 & 9\, from 5:30 PM to 9:00 PM. Plus\, a few more surprises throughout the exhibit! \nFor a sneak peek of Hausler’s work\, visit www.wonkystarstudios.com or follow him on Instagram @WonkyStarStudios. \n  \nTo learn more\, visit our website here \nGreensboro Project Space Weekly Gallery Hours: \nTuesday – Thursday\, 12 -5 PM \nSpecial Friday + Saturday hours during NC Folk Festival Weekend: Sept 8th + 9th |  12-8PM \n 
URL:https://vpa.uncg.edu/single-event/color-cloth-chaos-art-exhibition/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:College of Visual and Performing Arts,Greensboro Project Space,School of Art
ATTACH;FMTTYPE=image/png:https://vpa.uncg.edu/wp-content/uploads/2024/01/Color-Cloth-and-Chaos-8.5-x14-Landscape-Poster-OQLE0f.tmp_.png
ORGANIZER;CN="Greensboro Project Space":MAILTO:greensboroprojectspace@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230906T193000
DTEND;TZID=America/New_York:20230906T210000
DTSTAMP:20260410T091944
CREATED:20240130T164445Z
LAST-MODIFIED:20240130T164445Z
UID:10000790-1694028600-1694034000@vpa.uncg.edu
SUMMARY:1919 Viola Celebration • Faculty and Guest Artist Recital
DESCRIPTION:DOWNLOAD PROGRAM\nJonathan Bagg\, viola\nSamuel Gold\, viola\nScott Rawls\, viola\nSuzanne Rousso\, viola\nAnnie Jeng\, piano\nTeddy Robie\, piano\nJungho Kim\, conductor \n  \n \n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n   \n\n\n\n\n\nThis concert was made possible with the generous support of The Gertrude Burke Endowment & Mallarmé Music. \n\nJonathan Bagg is Professor of the Practice at Duke University and violist with the Ciompi String Quartet. His career with the Ciompi includes hundreds of concerts across the U.S. and around the world\, as well as dozens of recordings. He is a founding Artistic Director of Electric Earth Concerts in New Hampshire\, and he directed the Monadnock Music festival from 2007-2011. As an orchestral player he appeared often with the Boston Symphony\, Boston’s Handel and Haydn Society Orchestra\, the New Haven Symphony\, and the New Hampshire Symphony\, where he was principal viola. Currently Chair in the Department of Music\, Bagg has directed the chamber music program at Duke\, and he has served as Director of Undergraduate Studies and Director of Performance. \nSamuel Gold began studying the viola at the age of four with Sherida Josephson of the Des Moines Symphony. He is a graduate of the New England Conservatory\, where he studied primarily with Martha Strongin Katz and Roger Tapping\, and the University of Iowa\, where he studied with Christine Rutledge and Elizabeth Oakes. Gold is currently the principal violist with the North Carolina Symphony. He has performed at the Aspen Music Festival and School\, the Taos School of Music\, and the Montreal International String Quartet Academy. \nScott Rawls has appeared as soloist and chamber musician throughout the United States\, Canada\, Mexico\, Japan\, and Europe. His solo and chamber music recordings can be heard on the Centaur\, CRI\, Nonesuch\, Capstone\, and Philips labels. A strong proponent of new music\, Rawls has premiered dozens of new works by prominent composers. Most notable\, he has toured extensively as a member of Steve Reich and Musicians. During the summer season\, Rawls plays principal in the festival orchestra at Brevard Music Center where he also coordinates the viola program. He was also recently appointed principal viola of the Palm Beach Opera orchestra\, David Stern artistic director. Dr. Rawls currently serves as Professor of Viola and Chamber Music at The University of North Carolina at Greensboro. He holds a BM degree from Indiana University and a MM and DMA from State University of New York at Stony Brook. \nViolist Suzanne Rousso serves as artistic and the executive leader of Mallarmé Music\, based in Durham. The ensemble is known as one of the region’s most diverse collective of musicians.\nHer previous administrative and educational engagements included service as Director of Operations and Education of the Portland (Maine) Symphony and Director of Education for the North Carolina Symphony. In 2009\, she received a Regional Artist grant from the United Arts Council of Raleigh and Wake County and later a Durham Arts Council’s Emerging Artist grant that enabled her to acquire a baroque viola and enter into the field of historically-informed performance. She has participated in both Boston and Berkeley Early Music Festivals\, is a member of the North Carolina Baroque Orchestra and a regular player with Duke Chapel’s Bach Cantata Series in which Mallarmé is a musical partner. Her service to the arts extends beyond performance and administration. She has served on the boards of the American Federation of Musicians Local #500 and Arts North Carolina\, an advocacy organization for arts and arts education in NC.
URL:https://vpa.uncg.edu/single-event/1919-viola-celebration-faculty-and-guest-artist-recital/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,CVPA Live!,School of Music
ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230909T173000
DTEND;TZID=America/New_York:20230909T190000
DTSTAMP:20260410T091944
CREATED:20240130T164450Z
LAST-MODIFIED:20240130T164450Z
UID:10000794-1694280600-1694286000@vpa.uncg.edu
SUMMARY:Strings Alumni Concert
DESCRIPTION:DOWNLOAD PROGRAMINTEREST FORM\n  \n \n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n   \n\n\n\n\n\n \nString alumni\, come visit and play with us! We are having an alumni concert on Saturday\, September 9 and want everyone to join in the fun! The day will start at 10:00 am\, and be done by 6:30 pm\, with plenty of time for catching up with friends over lunch and coffee. \nAll players will have the opportunity to play in a string orchestra conducted by our new Director of Orchestras\, Dr. Jungho Kim. We hope you’ll attend and bring a friend or ten! The more the merrier!
URL:https://vpa.uncg.edu/single-event/strings-alumni-concert/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/string-faculty-area-photo-2KsTVC.tmp_.jpg
ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230914T120000
DTEND;TZID=America/New_York:20230916T170000
DTSTAMP:20260410T091944
CREATED:20240130T164451Z
LAST-MODIFIED:20240130T164451Z
UID:10000795-1694692800-1694883600@vpa.uncg.edu
SUMMARY:Animation Art Show and Dance Party
DESCRIPTION:Animation Art Show and Dance Party\nLife Size Animated Dancers\nby UNCG Animation Students\n\n\nSeptember 14th – 16th\, 2023\nDance Party Celebration:Friday\, September 15th | 6-8P\n\nJoin us for an Animation Art Show and Dance Party on Friday September 15th at Greensboro Project Space! The show will feature storyboarding work inspired by the current Weatherspoon exhibition\, A Golden Age: Original Animation Art from the Walt Disney Studios\, 1937-42. Life sized student 2D animations will also be on display in a virtual dance hall where you’re invited to join in and dance the night away\n\n\n\nTo learn more\, visit our website here \nGreensboro Project Space Weekly Gallery Hours: \nTuesday – Friday\, 12 -5 PM \nSaturday\, 2-5PM
URL:https://vpa.uncg.edu/single-event/animation-art-show-and-dance-party/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:College of Visual and Performing Arts,Greensboro Project Space,School of Art
ATTACH;FMTTYPE=image/png:https://vpa.uncg.edu/wp-content/uploads/2024/01/DancePartyPromo-8huBFJ.tmp_.png
ORGANIZER;CN="Greensboro Project Space":MAILTO:greensboroprojectspace@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230914T193000
DTEND;TZID=America/New_York:20230914T210000
DTSTAMP:20260410T091944
CREATED:20240130T164455Z
LAST-MODIFIED:20240130T164455Z
UID:10000796-1694719800-1694725200@vpa.uncg.edu
SUMMARY:The Wind Music of Louis Ballard • Faculty/Student Side-by-Side
DESCRIPTION:DOWNLOAD PROGRAMPROGRAM NOTES\nJonathan Caldwell\, conductor \n\nBALLARD\nRitmo Indio: A Study in American Indian\n Rhythms\nSiouxiana\nDesert Trilogy \n  \n \n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n \n   \n\n\n\n\n\n\n \nLouis Ballard (1931–2007)\, in full Louis Wayne Ballard\, Quapaw name Honganózhe (“Grand Eagle”or “Stands With Eagles”)\, was an American composer and music educator best known for compositions that synthesize elements of Native American and Western classical music. \nBallard experienced—and indeed oscillated between—Native American and Western (or Euro-American) musical worlds from an early age. His Quapaw mother and Cherokee father divorced when he was a young boy\, after which Ballard lived alternately with his grandmother on Quapaw tribal territory in northeastern Oklahoma and with his mother and non-Native stepfather in southeastern Michigan. While staying with his grandmother\, he was an active member of the War Dance Society of the Quapaw and participated in powwows and other events in the Native American community. Meanwhile\, his grandmother obtained a piano for him by leasing mineral rights on her Oklahoma property\, and she supported his piano and voice lessons in the Western tradition. \nBallard continued to play the piano while a student in the high-school division of Bacone College in Muskogee\, Oklahoma. By his sophomore year he had mastered some challenging classical repertoire and had begun to perform in public. After graduating from high school in 1949\, he briefly attended the University of Oklahoma (1949–50) and Northeastern Oklahoma A&M College (1950–51) before enrolling in the music program at the University of Tulsa. Ballard sang with the campus Radio Choir throughout his undergraduate studies at Tulsa\, and in 1954 he graduated with two bachelor’s degrees—one in music and the other\, more specifically\, in music education. He then worked as a music director at churches and schools in Tulsa\, Osage\, and Pawhuska\, Oklahoma. In 1959 Ballard returned to the University of Tulsa for graduate study in music composition and received a master’s degree in the discipline in 1962. Following his graduate work\, he studied privately with composers Darius Milhaud\, Mario Castelnuovo-Tedesco\, Carlos Surinach\, and Felix Labunski. \nWhen the Institute of American Indian Arts (IAIA) opened in 1962\, Ballard joined the staff and directed the organization’s music and performing arts programs through the remainder of the decade. During his time at the IAIA\, he composed prolifically and debuted a number of works that were based on Native American themes. Notable among these were the ballets Koshare (c. 1965)\, which made use of a Hopi creation story\, and The Four Moons (1967)\, which was intended to revive the spirits of four tribes that had come back to Earth. \nFrom his position at the IAIA\, Ballard went on to become a curriculum specialist for the Bureau of Indian Affairs (1969–79). Compositions from this period include Ritmo Indio (1969)\, a woodwind quintet featuring a Native American flute; the highly regarded Desert Trilogy (1971)\, an octet for woodwinds\, strings\, and percussion; and Incident at Wounded Knee (1974)\, a four-movement work for chamber orchestra commemorating the 1890 massacre of the Oglala Sioux at Wounded Knee\, South Dakota\, and the symbolic occupation of the town by members of the American Indian Movement in 1973. Aside from his music compositions\, Ballard published American Indian Music for the Classroom (1973)\, a boxed set of instructional materials that included recordings of Native American music\, music scores\, and a teacher’s guide. \nBallard ultimately developed a national presence\, primarily through concert premieres across the United States. He also achieved international recognition\, most notably through performances of his work at the Beethovenhalle in Bonn\, West Germany (1989)\, and the Salzburg Mozarteum in Austria (2000). Ballard received numerous awards during the course of his career\, not only for his compositions but also for his accomplishments as an educator. In addition\, he was honoured for his contributions to the Native American community and to society as a whole; in 2002 he was awarded a Cherokee Medal of Honor for his service in that capacity.
URL:https://vpa.uncg.edu/single-event/the-wind-music-of-louis-ballard-faculty-student-side-by-side/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:CVPA Live!,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/ballard-header-qtuZiz.tmp_.jpg
ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230915T193000
DTEND;TZID=America/New_York:20230915T210000
DTSTAMP:20260410T091944
CREATED:20240130T164455Z
LAST-MODIFIED:20240130T164455Z
UID:10000797-1694806200-1694811600@vpa.uncg.edu
SUMMARY:Hispanic Heritage Month Celebration Concert
DESCRIPTION:DOWNLOAD PROGRAM\n  \n\n \n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n \n   \n\n\n\n\n\n\nIn honor of Hispanic Heritage Month\, Patricia Garcia Gil and Angelita Berdiales Juscamaita will celebrate with a free concert of works by Hispanic and Latin American composers on Friday\, September 15 at 7:30 pm in Tew Recital Hall. After the concert\, the audience will be invited to take part in a Salsa workshop! \nThis recital is funded by the Equity\, Diversity\, Inclusion\, and Access Awards.
URL:https://vpa.uncg.edu/single-event/hispanic-heritage-month-celebration-concert/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:School of Music
ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230919T120000
DTEND;TZID=America/New_York:20230923T170000
DTSTAMP:20260410T091944
CREATED:20240130T164456Z
LAST-MODIFIED:20240130T164456Z
UID:10000798-1695124800-1695488400@vpa.uncg.edu
SUMMARY:Drawing Marathon MFA Student Exhibition
DESCRIPTION:Drawing Marathon MFA Exhibition\nBy UNG MFA in Art Students\nSeptember 19 – 23\, 2023\n  \n  \nFeatured Artists\nCelena Amburgey\nErin Fei\nKarrington Gardner\nJason Lord\nPaul Stanley Mensah\nNill Smith\n\n  \n  \nDrawing Marathon is a foundational course in the MFA Studio Arts program at UNCG. Through a four-week intensive course that meets for 14+ hours every weekend\, students work through preconceived notions about their own image-making and artistic practices\, spending large blocks of time drawing in response to prompts or guidelines and then discussing the learning process with peers and this year’s Drawing Marathon instructor\, Mariam Stephan. This exhibition is the culmination of the work produced during these four weeks by the graduate students\, including a range of drawings from quick experimentations to fully resolved drawings. \n\n  \n  \n  \nTo learn more\, visit our website here \nGreensboro Project Space Weekly Gallery Hours: \nTuesday – Friday\, 12 -5 PM \nSaturday\, 2-5PM \n 
URL:https://vpa.uncg.edu/single-event/drawing-marathon-mfa-student-exhibition/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:College of Visual and Performing Arts,Greensboro Project Space,School of Art
ATTACH;FMTTYPE=image/png:https://vpa.uncg.edu/wp-content/uploads/2024/01/Drawing-Marathon-Square-01-FilRdZ.tmp_.png
ORGANIZER;CN="Greensboro Project Space":MAILTO:greensboroprojectspace@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230920T160000
DTEND;TZID=America/New_York:20230920T180000
DTSTAMP:20260410T091944
CREATED:20240130T164445Z
LAST-MODIFIED:20240130T164445Z
UID:10000791-1695225600-1695232800@vpa.uncg.edu
SUMMARY:Reception for Sarah Sudhoff – Not a Drill
DESCRIPTION:Sarah Sudhoff will give a talk about her exhibition “Not A Drill” in the School of Art’s Gatewood Gallery\nWednesday\, September 20\, from 4:00 – 6:00pm \nFor more information on Sarah’s work please visit www.sarahsudhoff.com
URL:https://vpa.uncg.edu/single-event/reception-for-sarah-sudhoff-not-a-drill/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/sudhoffposter_socialIG-scaled-QLqvZ7.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230922T160000
DTEND;TZID=America/New_York:20230922T170000
DTSTAMP:20260410T091944
CREATED:20240130T164449Z
LAST-MODIFIED:20240130T164449Z
UID:10000792-1695398400-1695402000@vpa.uncg.edu
SUMMARY:“Elements of Soneo Theory: Vocal Improvisation Strategies in Salsa Music” • Irna Priore Music and Culture Lecture Series
DESCRIPTION:IRNA PRIORE LECTURE SERIES\n \n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n \n   \n\n\n\n\n\nSalsa music’s soneos are improvisatory spaces in which lead singers (soneros) perform impressive feats of vocal pyrotechnics in cyclic alteration with a choral refrain. This paper develops a set of tools for interpreting soneos\, inviting analysts to examine the sung stories of salsa music as a multivalent tapestry woven of sound\, language\, and gesture. Centering venerated soneros like Benny More\, Celia Cruz\, and Ismael River\, Dr. Mitchell explores standard ways of manipulating vocal styles\, melodic shapes\, rhythmic gestures\, and ensemble relationships on the fly during a soneo improvisation. These techniques combine with the cyclic repetition schemes and linear intensification processes scripted by the arrangement\, giving rise to unique energetic shapes\, which an analyst may then bring into expressive dialogue with the song’s gestural and linguistic media. \n\nDr. Nathaniel Mitchell is Lecturer of Music Theory at the UNC Greensboro School of Music. He comes to the School of Music from Temple University where he was Adjunct Professor of Music Theory. He has also held professional appointments at the University of Delaware and Princeton University in the area of Music Theory. \nMitchell’s research focuses on the cognitive foundations of musical creativity in a variety of genres\, including opera\, bluegrass\, and video games. His research has appeared in Music Theory Spectrum (“The Volta: A Galant Gesture of Culmination”)\, the Oxford Handbook of Public Music Theory (“/r/musictheory: Making Music Theory on Reddit.com”)\, and SMT-Pod (“Moderating Musical Discussions on Reddit: An Interdisciplinary Conversation”)\, and a video essay on the Animal Crossing video game series is forthcoming in SMT-V. \nMitchell received his PhD in Music from Princeton University\, where his dissertation on musical form in eighteenth-century opera was awarded the Holmes/ D’Accone Dissertation Fellowship from the American Musicological Society. He also holds an MM in Music Theory from Indiana University as well as a BM in Piano Performance and Music Theory from Furman University.
URL:https://vpa.uncg.edu/single-event/elements-of-soneo-theory-vocal-improvisation-strategies-in-salsa-music-irna-priore-music-and-culture-lecture-series/
LOCATION:Collins Lecture Hall (Music 217)\, 100 McIver St\, Greensboro\, NC\, 27412\, United States
CATEGORIES:School of Music
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230924T193000
DTEND;TZID=America/New_York:20230924T210000
DTSTAMP:20260410T091944
CREATED:20240130T164537Z
LAST-MODIFIED:20240130T164537Z
UID:10000799-1695583800-1695589200@vpa.uncg.edu
SUMMARY:Jacqueline Wilson\, bassoon • Guest Artist Recital
DESCRIPTION:DOWNLOAD PROGRAM\nJacqueline Wilson\, bassoon\nSophia Tegart\, flute\nFabio Mescetti\, piano \n \n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n \n   \n\n\n\n\n\n\n \nBassoonist Dr. Jacqueline Wilson is an active performer\, pedagogue\, collaborator\, and advocate. She currently serves as Principal Bassoonist of the Washington Idaho Symphony and Assistant Professor of Bassoon at Washington State University where she performs with the Solstice Faculty Wind Quintet. As an active soloist and chamber musician\, she regularly presents recitals\, masterclasses\, and clinics including engagements at the International Double Reed Society Conference (Boulder\, CO\, Tampa\, FL\, Columbus\, GA\,)\, the International Alliance for Women in Music Conference (Corvallis\, OR)\, the Meg Quigley Bassoon Symposium (Tucson\, AZ\, Los Angeles\, CA)\, and the Whitney Museum of American Art (New York\, NY). She is also a founding member of Ensemble 337\, an innovative bassoon and marimba duo with percussionist Dr. Christopher Wilson. An eager contributor to the double reed community\, Dr. Wilson currently serves as Vice President of the International Double Reed Society\, a Co-Executive Director of the Meg Quigley Vivaldi Competition and Bassoon Symposium\, and co-hosts the Double Reed Dish podcast with oboist Dr. Galit Kaunitz. \nAs an avid supporter of new music\, Dr. Wilson (Yakama) frequently collaborates with composers on the creation of new works to expand the repertoire of the bassoon. She is especially passionate about embracing diversity in her performances by elevating music featuring underrepresented perspectives and lived experiences\, with a special focus on collaborating with Indigenous composers. In this capacity\, she has premiered\, commissioned\, and recorded works by composers Juantio Becenti\, Connor Chee\, Louis W. Ballard\, and Raven Chacon\, among others. These efforts can be heard on her debut album\, Works for the Bassoon by Native American Composers (WSU Recordings). Expansion of this work was supported by a WSU New Faculty Seed Grant in the form of an international Indigenous artistic collaboration with Māori composers\, as well as an Artist Trust Fellowship to fund the commissioning of a concerto for bassoon and strings by Connor Chee. She also actively composes new pieces and creates resources that facilitate the performance of works from the 20th century and beyond. Wilson’s composition Dance Suite for Solo Bassoon was awarded the 2022 PatsyLu Prize for outstanding work by a BIPOC composer in the 41st Search for New Music Competition by the International Alliance for Women in Music. Her article\, “Strategies for Learning Luciano Berio’s Sequenza XII\,” co-authored with Dr. Christin Schillinger (Ithaca College)\, has been published in The Double Reed and the Journal de L’Association Bassons (France). Similarly\, her dissertation\, an analysis and performance guide of Sofia Gubaidulina’s Concerto for Bassoon and Low Strings\, has been utilized by noteworthy bassoonists worldwide. \nDr. Wilson holds a Doctor of Musical Arts degree in Bassoon Performance and Pedagogy from the University of Iowa. She is also a graduate of Boston University’s College of Fine Arts and Eastern Washington University. Her principal teachers include Benjamin Coelho\, Matthew Ruggiero\, and Lynne Feller-Marshall.
URL:https://vpa.uncg.edu/single-event/jacqueline-wilson-bassoon-guest-artist-recital/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:CVPA Live!,School of Music
ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230926T193000
DTEND;TZID=America/New_York:20230926T210000
DTSTAMP:20260410T091944
CREATED:20240130T164537Z
LAST-MODIFIED:20240130T164537Z
UID:10000800-1695756600-1695762000@vpa.uncg.edu
SUMMARY:Sinfonia
DESCRIPTION:DOWNLOAD PROGRAMPROGRAM NOTES AND BIOS\nRebecca MacLeod\, conductor\nWilliam Dowell\, graduate conductor \n\nPIAZZOLLA\nOblivion \nWHITACRE\nOctober \nVIVALDI\nTeuzzone \nHOLST\nMarch from A Moorside Suite \n  \n \n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n \n   \n  \n\n\n\n\n\n\n \nThe vibrant UNCG Orchestra program has long been recognized for performance excellence\, adventurous programming\, and high artistic standards. A diversity of offerings allow students the opportunity to perform repertoire for ensembles ranging from the largest cornerstone and contemporary works for full orchestra\, to intimate pieces for chamber orchestra\, to string orchestra. \nStudents in the UNCG Orchestra program are dedicated to the performance\, study and cultivation of orchestral music of the highest quality. The UNCG Orchestras offer outstanding performances throughout the year and enhance the institutional spirit and community of UNCG. We seek to promote music education in the state of North Carolina and in our region by supporting secondary school orchestra programs and other organizations through our outreach activities and other annual events on campus.
URL:https://vpa.uncg.edu/single-event/sinfonia-4/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:CVPA Live!,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/sinfonia-feature-lDG6QG.tmp_.jpg
ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230927T193000
DTEND;TZID=America/New_York:20230927T213000
DTSTAMP:20260410T091944
CREATED:20240130T164538Z
LAST-MODIFIED:20240130T164538Z
UID:10000801-1695843000-1695850200@vpa.uncg.edu
SUMMARY:Jazz Ensembles I and II
DESCRIPTION:Tickets\n\n \n\n\n\nAdults\n$12.00\n\n\nSeniors\n$9.00\n\n\nStudents\n$6.00\n\n\n\n\n\nPURCHASE TICKETSDOWNLOAD PROGRAM\nChad Eby\, director\nThomas Heflin\, director \n  \n \n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n \n   \n\n\n\n\n\n\nThe Miles Davis Jazz Studies Program at UNCG is a unique and innovative undergraduate jazz program designed to emulate the traditional process of learning jazz\, through a combination of mentorship\, real-world playing experiences\, and a communal approach to learning. Although the program is housed in one of the largest music schools in the Southeast\, it is kept intentionally small\, resulting in an intensive and highly personalized learning environment. \n 
URL:https://vpa.uncg.edu/single-event/jazz-ensembles-i-and-ii-2/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,CVPA Live!,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/jazz-header-events-OAN93w.tmp_.jpg
ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230928T193000
DTEND;TZID=America/New_York:20230928T210000
DTSTAMP:20260410T091944
CREATED:20240130T164538Z
LAST-MODIFIED:20240130T164538Z
UID:10000802-1695929400-1695934800@vpa.uncg.edu
SUMMARY:Sara Davis Buechner\, piano • Daniel Ericourt Artist Residency
DESCRIPTION:DOWNLOAD PROGRAM\n\n\nAdditional Events\n \nMonday 9/25\n2:00–4:00 p.m.\nOrgan Hall\nMasterclass for UNCG piano students \nTuesday 9/26\n10:00 a.m.–12:00 p.m.\nOrgan Hall\nMasterclass for UNCG piano students \nWednesday 9/27 \n2:00–4:00 p.m.\nTew Recital Hall\nMasterclass for UNCG piano students \nThursday 9/28\n11:00 a.m.–12:00 p.m.\nOrgan Hall\nLecture on piano technique \n\n\n \n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n \n   \n\n\n\n\n\n \n \nNoted for her musical command\, cosmopolitan artistry\, and visionary independence\, Sara Davis Buechner is one of the most original concert pianists of our time. Lauded for her “intelligence\, integrity and all-encompassing technical prowess” (New York Times)\, “thoughtful artistry in the full service of music” (Washington Post)\, and “astounding virtuosity” (Philippine Star)\, Japan’s InTune magazine sums up: “Buechner has no superior.” \nIn her twenties Ms. Buechner earned a bouquet of top prizes at the world’s premiere international piano competitions — Queen Elisabeth (Brussels)\, Leeds\, Mozart (Salzburg)\, Beethoven (Vienna)\, and Sydney. She was a Bronze Medalist of the 1986 Tschaikowsky Competition in Moscow and the Gold Medalist of the 1984 Gina Bachauer International Piano Competition. Ms. Buechner has performed in every state and province of North America as recitalist\, chamber musician and soloist with top orchestras. Her career has spanned North and South America\, Europe\, Asia\, and Australia. \nSara Davis Buechner joined the faculty of Temple University’s Boyer College of Music and Dance in 2016\, after previously teaching at the Manhattan School of Music\, New York University and the University of British Columbia. As a proud transgender woman\, Ms. Buechner also appears as a speaker and performer at important LGBTQ events and has contributed interviews and articles about her own experience to numerous media outlets worldwide. \n\nThe Daniel Ericourt Artist Residency in Piano at the UNC Greensboro School of Music honors the legacy of the great French pianist Daniel Ericourt (1903-1998)\, who was Artist-in-Residence at the UNC Greensboro School of Music from 1963 through 1976. The Ericourt Residency has brought many renowned artists to UNCG\, including José Feghali\, Jon Nakamatsu\, Jacques Despres\, Pascal Rogé\, David Owen Norris\, Charles Richard-Hamelin\, Daria Rabotkina\, Craig Sheppard\, and Lydia Artymiw. Superlative performers and teachers like these bring inspiration\, new insights\, and joy to students\, faculty\, and audiences alike.
URL:https://vpa.uncg.edu/single-event/sara-davis-buechner-piano-daniel-ericourt-artist-residency/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,CVPA Live!,School of Music
ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230929T193000
DTEND;TZID=America/New_York:20230929T223000
DTSTAMP:20260410T091944
CREATED:20240130T164450Z
LAST-MODIFIED:20240130T164450Z
UID:10000793-1696015800-1696026600@vpa.uncg.edu
SUMMARY:Into The Woods
DESCRIPTION:Music and Lyrics by Stephen Sondheim\nBook by James Lapine\nOriginally Directed on Broadway by James Lapine\nOrchestrations by Jonathan Tunick\nDirected by Sarah Hankins \nDates: \nSept. 29 at 7:30 p.m.\nSept. 30 at 2:00 p.m. & 7:30 p.m.\nOct. 1 at 2:00 p.m. \nTickets: Call the UNCG Theatre Box Office at 336-334-4392 or click on the “website” link below to purchase tickets online. \nAge Rating: PG\nRun Time: Approx. 2 hr. and 45 min.\nFrame/Works Discussion via Zoom: Oct. 2 at 7:00 p.m.\nLocation: UNCG Auditorium\, 408 Tate St\, Greensboro\, NC 27403 \nSummary: \nJames Lapine and Stephen Sondheim take everyone’s favorite storybook characters and bring them together for a timeless\, yet relevant\, piece… and a rare modern classic. The Tony Award-winning book and score are both enchanting and touching. \nThe story follows a Baker and his wife\, who wish to have a child; Cinderella\, who wishes to attend the King’s Festival; and Jack\, who wishes his cow would give milk. When the Baker and his wife learn that they cannot have a child because of a Witch’s curse\, the two set off on a journey to break the curse. Everyone’s wish is granted\, but the consequences of their actions return to haunt them later with disastrous results. \nOne of Sondheim’s most popular works\, Into the Woods is a musically sophisticated show with the opportunity to feature actors adept at dark comedy. Designers will especially enjoy highlighting the fantastical elements of this magical word. – Musical Theatre International \n“Into the Woods” is presented through special arrangement with Musical Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com
URL:https://vpa.uncg.edu/single-event/into-the-woods/
LOCATION:UNCG Auditorium\, 408 Tate St\, Greensboro\, NC 27403\, USA\, 408 Tate St\, NC\, United States
CATEGORIES:College of Visual and Performing Arts,School of Theatre
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230930T193000
DTEND;TZID=America/New_York:20230930T210000
DTSTAMP:20260410T091944
CREATED:20240130T164539Z
LAST-MODIFIED:20240130T164539Z
UID:10000803-1696102200-1696107600@vpa.uncg.edu
SUMMARY:Spartan Voices and University Chorale
DESCRIPTION:DOWNLOAD PROGRAM\nBrett Nolker\, conductor\nCarole Ott Coelho\, conductor \n  \n \n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n \n   \n  \n\n\n\n\n\n\n \nThe mission of the UNCG Choirs is dedicated to the teaching\, performance\, study and cultivation of choral music of the highest quality representing not just the western choral canon but also choral music of other cultures by a diverse body of historical and new composers. We believe that the UNCG Choirs are a serious and distinctive medium of musical expression\, of vital service and importance to its members and to UNCG. Through ensemble performance\, we strive to create an environment of trust\, communication\, and expressive freedom\, to present outstanding performances throughout the year\, and to enhance the institutional sprit and character of UNCG. To music as an art and a profession\, the UNCG Choirs seek to bring increasing artistry\, understanding\, and respect by efforts within our own immediate sphere and by providing leadership and sponsorship to school choral programs and through cooperation with all other agencies pursuing similar musical goals.
URL:https://vpa.uncg.edu/single-event/spartan-voices-and-university-chorale/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:CVPA Live!,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/Choir-Feature-rN6RTO.tmp_.jpg
ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
END:VEVENT
END:VCALENDAR