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DTSTART;TZID=America/New_York:20240215T193000
DTEND;TZID=America/New_York:20240215T210000
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SUMMARY:Red Clay Goes to the Opera! • Red Clay Saxophone Quartet with Lindsay Kesselman\, soprano • Faculty and Guest Artist Recital
DESCRIPTION:DOWNLOAD PROGRAM\nLindsay Kesselman\, soprano\nSusan Fancher\, soprano saxophone\nLaurent Estoppey\, alto saxophone\nSteven Stusek\, tenor saxophone\nMark Engebreston\, baritone saxophone \n\nMOZART\nOverture to The Marriage of Figaro \nPUCCINI\nCrisantemi (Chrysanthemums)\n“Quando m’en vo” from La Bohème\n \nHANDEL\n“Tornami a vagghegiar” from Alcina \nROSSINI\nRossini Medley \nBERNSTEIN\nOverture to Candide\n“There is a Garden” from Trouble in Tahiti \nBOLCOM\nAmor \n  \n \n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n \n   \n\n\n\n\n\nThe Red Clay Saxophone Quartet was formed in 2003 when the fates conspired to bring four internationally recognized saxophonists (Susan Fancher\, Robert Faub\, Steven Stusek and Mark Engebretson) together in Greensboro\, North Carolina. In January 2022\, Laurent Estoppey joined the quartet on alto saxophone. The RCSQ takes its name from the area’s luscious red soil. The Quartet presents a varied repertoire from classical to jazz to new music to tango\, featuring music by composers such as Chen Yi\, Ben Johnston\, James Paul Sain\, György Ligeti\, Guillermo Lago\, Francis Poulenc\, Alejandro Rutty\, Steve Reich\, Mark Engebretson\, David Maslanka\, Martin Bresnick\, Burton Beerman\, and Gavin Bryars. \n\n\nLindsay Kesselman is a two time GRAMMY-nominated soprano known for her warm\, collaborative spirit and investment in personal\, intimate communication with audiences. She regularly collaborates with orchestras\, wind symphonies\, chamber ensembles\, opera/theater companies\, and new music ensembles across the United States\, often premiering\, touring and recording new works written for her by living composers. She is a passionate advocate for contemporary music\, and has commissioned/premiered over 100 works to date. \nRecent and upcoming highlights include the premiere of the wind transcription of Caroline Shaw’s Is a Rose\, Energy in All Directions by Kenneth Frazelle with Sandbox Percussion at the Saratoga Performing Arts Center\, the role of Anna in Kurt Weill’s The Seven Deadly Sins with the Charlotte Symphony\, the role of Ada Lovelace in a new opera\, Galaxies in Her Eyes by Mark Lanz Weiser and Amy Punt\, Astronautica: Voices of Women in Space with Voices of Ascension\, ongoing performances of two works written for Kesselman by John Mackey with orchestras and wind symphonies across the country\, the John Corigliano 80th birthday celebration at National Sawdust (2018)\, Quixote (Amy Beth Kirsten and Mark DeChiazza) with Peak Performances at Montclair State University (2017)\, a leading role in Louis Andriessen’s opera Theatre of the World with the Los Angeles Philharmonic and Dutch National Opera and an international tour of Einstein on the Beach with the Philip Glass Ensemble (2012-2015). \n\n\nShe is featured on several recent recordings: David Biedenbender’s all we are given we cannot hold (2023\, Blue Griffin)\, Chris Cerrone’s opera In a Grove (2023\, In a Circle Records)\, Caroline Shaw’s Is a Rose (2023\, Blue Griffin)\, Chris Cerrone’s The Arching Path (2021\, In a Circle Records)\, Russell Hartenberger’s Requiem for Percussion and Voices (2019\, Nexus Records)\, Chris Cerrone’s The Pieces That Fall to Earth with Wild Up (2019\, New Amsterdam Records)\, Mathew Rosenblum’s Lament/Witches’ Sabbath with the Pittsburgh New Music Ensemble (2018\, New Focus Recordings)\, Louis Andriessen’s Theatre of the World with the Los Angeles Philharmonic (2017\, Nonesuch)\, and Jon Magnussen’s Twinge with HAVEN (2016\, Blue Griffin). \n\n\nKesselman has been the resident soprano of the Pittsburgh New Music Ensemble for 12 seasons\, and Haven\, Kesselman’s trio with Kimberly Cole Luevano\, clarinet and Midori Koga\, piano (www.haventrio.com) actively commissions and tours throughout North America. Haven is the recipient of a 2021 Barlow Endowment for Music Composition award with composer David Biedenbender and a 2021 Chamber Music America Classical Commissioning Grant with composer Ivette Herryman Rodriguez. \n\n\nShe is a dedicated teacher\, currently serving as Visiting Assistant Professor of Voice at UNC Greensboro. A frequent guest clinician at colleges and universities across the United States\, Kesselman specializes in voice teaching\, leadership\, entrepreneurship\, musicianship\, young composer mentoring\, chamber music\, audience development\, programming\, interdisciplinary collaboration\, harnessing vulnerability in performance\, and community engagement.  This season she is an adjudicator for student composer competitions through North Star Music\, LLC and Connecticut Summerfest\, and she co-teaches the Heretic’s Guide to Score Study and Interpretation with Kevin Noe. \nKesselman holds degrees in voice performance and music education from Rice University and Michigan State University. She is represented by Trudy Chan at Black Tea Music and lives in Charlotte\, NC with her fiancé Kevin and son Rowan.
URL:https://vpa.uncg.edu/single-event/red-clay-goes-to-the-opera-red-clay-saxophone-quartet-with-lindsay-kesselman-soprano-faculty-and-guest-artist-recital/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,CVPA Live!,School of Music
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DTSTART;TZID=America/New_York:20240223T193000
DTEND;TZID=America/New_York:20240223T210000
DTSTAMP:20260404T194829
CREATED:20240130T164901Z
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SUMMARY:Wind Ensemble • Stephanie Ycaza\, tuba
DESCRIPTION:DOWNLOAD PROGRAMPROGRAM NOTES AND BIOS\n34th Annual\nCarolina Band Festival\nand Conductors Conference \n\nJonathan Caldwell\, conductor\nStephanie Ycaza\, tuba\nLaToya Webb\, guest conductor\nCourtney Snyder\, guest conductor\nKevin Sedatole\, guest conductor \n\nBOULANGER\nD’un matin de printemps \nETEZADY\nAgainst the Rain \nBROUWER\nPulse \nZIEK\nConcerto for Tuba and Wind Ensemble \nPEGRAM\nL.A.tudes (consortium premiere) \n  \n \n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n \n   \n\n\n\n\n \nDr. Stephanie Ycaza is Professor of Tuba and Euphonium at the UNC Greensboro School of Music. Prior to her appointment at UNCG\, Dr. Ycaza served as Instructor of Tuba and Euphonium at the University of Northern Iowa. She has also served on the music faculties of Virginia Commonwealth University\, Virginia State University\, Longwood University\, and the University of Richmond. \nDr. Ycaza is a founding member of Calypsus Brass\, a brass quintet dedicated to performing new works and providing recordings for composers. Calypsus is committed to promoting the works of composers from historically marginalized groups and serves as an Ensemble-in-Residence for Rising Tide Music Press. Dr. Ycaza is active as an orchestral musician and currently serves as Principal Tuba of the Waterloo-Cedar Falls Symphony. Her recent solo performances have focused on music for low brass with electronic accompaniment\, music by women composers\, and her own transcriptions and arrangements for tuba and euphonium. She has performed as a soloist\, offered masterclasses\, and presented on the topic of mindfulness in music around the United States and in South America. \nDr. Ycaza holds a Doctor of Musical Arts degree from Shenandoah University\, a Master of Music degree and Artist Diploma from Yale University\, and a Bachelor of Music degree from Virginia Commonwealth University. She has studied with Ross Walter\, Toby Hanks\, Mike Roylance\, Andrew Hitz\, and Michael Bunn. Dr. Ycaza is a Miraphone Tuba Artist. \n\nThe UNCG Wind Ensemble is a highly select concert band of fifty performers majoring in music at the UNCG School of Music. Performers in the current Wind Ensemble are drawn from sixteen states\, Slovenia\, and Hong Kong. The ensemble has enjoyed a distinguished record of performance throughout its history. In January 1992\, the UNCG Wind Ensemble performed “A Tribute to John Philip Sousa” to a capacity crowd of 2\,700 at the Concert Hall of the John F. Kennedy Center for the Performing Arts in Washington\, D.C. Twice\, the Wind Ensemble earned critical acclaim from The Washington Post following concerts in the nation’s capital. The Wind Ensemble has performed throughout the eastern United States in recent years including the first-ever performance\, in 1987\, by a North Carolina collegiate ensemble in Lincoln Center\, New York City. The Wind Ensemble performed that same year in West Virginia\, Virginia\, Pennsylvania\, and Washington\, D.C. The Wind Ensemble has recorded nineteen commercially-available albums which have received widespread praise. \nIn 1985\, the Wind Ensemble performed a series of concerts with Pulitzer Prize-winning composer-conductor Karel Husa. In 1988\, the UNCG Wind Ensemble performed in New Orleans\, Louisiana by invitation of the College Band Directors National Association for the Southern Division convention. On a number of occasions\, the Wind Ensemble has commissioned and premiered works from leading band composers. In November of 1990\, the Wind Ensemble performed for the Southern Division of MENC convention. In February 1994\, the UNCG Wind Ensemble performed for a convention of the CBDNA and NBA in Williamsburg\, Virginia. In March 1999\, the Wind Ensemble performed for the national convention of the American Bandmasters Association in Melbourne\, Florida. In February 2000\, the Wind Ensemble performed for the CBDNA Southern Division Convention hosted at UNCG. In 2006\, the Wind Ensemble performed in The Music Center at Strathmore in Bethesda\, Maryland\, shared a concert with the United States Army Band “Pershing’s Own” in Arlington\, Virginia\, and collaborated with Karel Husa\, David Dzubay\, and Carter Pann in the performaces of their music\, including two commissions. In 2009\, the Wind Ensemble performed at the CBDNA National Convention at the University of Texas at Austin and performed additional concerts in Georgia\, Alabama\, Louisiana\, and Texas as part of a week-long tour. The Wind Ensemble performed at the 2011 National Convention of the American Bandmasters Association and the 2013 National Conference of the College Band Directors National Association hosted in Greensboro. Most recently\, the UNCG took a twelve day concert tour through the Czech Republic\, Austria\, and Italy\, the highlight of which was a concert in Prague’s famed Dvořák Hall.
URL:https://vpa.uncg.edu/single-event/wind-ensemble-stephanie-ycaza-tuba/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,CVPA Live!,School of Music
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DTSTART;TZID=America/New_York:20240225T193000
DTEND;TZID=America/New_York:20240225T210000
DTSTAMP:20260404T194829
CREATED:20240130T164913Z
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SUMMARY:Susan Fancher and Branford Marsalis\, saxophones • Guest Artist Recital
DESCRIPTION:DOWNLOAD PROGRAM\nSusan Fancher\, soprano and alto saxophones\nBranford Marsalis\, alto saxophone\nInara Zandmane\, piano \n\nROGERS\nLessons of the Sky \nPOLAK\nLargo et Allegro \nSTEINKE\nStrange Lights \nENGEBRETSON\nDuo Concertante \n  \n \n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n \n   \n\n\n\n\n\nSusan Fancher is an internationally recognized classical saxophonist known for her expressive tone and poetic musical interpretations. She has inspired and premiered over 100 new compositions and continues to collaborate with composers both young and more established to create new\, vibrant repertoire for the saxophone. Audiences and critics praise her ability to fill even the most complex notation with life\, a trademark of her work as a champion of new music. Susan Fancher is an active performer appearing in concerts as a concerto soloist\, with pianist Ināra Zandmane\, with the Red Clay Saxophone Quartet\, performing music with electronics\, in sacred settings\, and with the band The Difficulties. She is the former soprano saxophonist of the Amherst\, Vienna\, and Rollin’ Phones saxophone quartets.  \nRecent and upcoming performances of new compositions include Scott Lindroth’s Schley Road together with the Ciompi String Quartet\, Glory by Harriet Steinke with the Women’s Wind Ensemble\, Men’s Culture by Stuart Saunders Smith with percussionist Joseph Van Hassel\, Hedera by James Paul Sain\, and Mending Time by Martin Bresnick with the Red Clay Saxophone Quartet\, Enveloped by Jenni Watson for solo saxophone\, new music by Shar Joyner\, Indiria Everett\, and Suzanne Polak for saxophone and piano\, and Not The End and other new music created and performed by The Difficulties.  \n\nContinue reading about Susan Fancher\nAs a concerto soloist\, Susan Fancher has championed concertos for soprano saxophone by Mark Engebretson\, David Kirkland Garner\, Hilary Tann\, and Michael Torke. Susan Fancher’s discography lists over twenty CDs on Arizona University Records\, Philips\, New World\, Lotus Records Salzburg\, Parma\, Mark Records\, Extraplatte\, and Innova Records. Her CD release “Of Erthe and Air: Susan Fancher and friends play music of Hilary Tann” on Arizona University Records features a live performance of Tann’s soprano saxophone concerto Shakkei with the Thailand Philharmonic Orchestra\, performed at the World Saxophone Congress in Bangkok. \nShe has performed in many of the world’s leading venues including Sala São Paulo\, Carnegie Hall’s Weill Recital Hall\, London’s Queen Elizabeth Hall\, Vienna’s Konzerthaus\, Filharmonia Hall in Warsaw\, and the Krannert Center for the Performing Arts\, and has appeared in concert in Albania\, Austria\, Brazil\, Bulgaria\, Canada\, China\, Finland\, France\, Germany\, Ireland\, Italy\, Lithuania\, Luxembourg\, Norway\, Spain\, Sweden\, Thailand\, and throughout the US. \nBorn and raised in Albion\, New York\, Susan Fancher earned undergraduate degrees in both saxophone performance and mathematics\, as well as her Doctor of Music\, from Northwestern University\, where she was a student of Dr. Frederick Hemke. She was awarded the Médaille d’Or (Gold Medal) from the conservatory in Bordeaux\, France\, where she studied with Monsieur Jean-Marie Londeix. Susan Fancher is a Lecturing Fellow at Duke University where she teaches saxophone and entrepreneurship\, and coaches chamber music.  She is an artist clinician for the Vandoren/DANSR and Selmer companies. \n\n\nGrowing up in the rich environment of New Orleans as the oldest son of pianist and educator Ellis Marsalis\, Branford Marsalis was drawn to music along with siblings Wynton\, Delfeayo\, and Jason.  His first instrument\, the clarinet\, gave way to the alto and then the tenor and soprano saxophones when the teenage Branford began working in local bands.  A growing fascination with jazz as he entered college gave him the basic tools to obtain his first major jobs\, with trumpet legend Clark Terry and alongside Wynton in Art Blakey’s legendary Jazz Messengers.  When the brothers left to form the Wynton Marsalis Quintet\, the world of uncompromising acoustic jazz was invigorated.  Branford formed his own quartet in 1986 and\, with a few minor interruptions in the early years\, has sustained the unit as his primary means of expression.  Known for the telepathic communication among its uncommonly consistent personnel\, its deep book of original music replete with expressive melodies and provocative forms\, and an unrivaled spirit in both live and recorded performances\, the Branford Marsalis Quartet has long been recognized as the standard to which other ensembles of its kind must be measured.  \nClassical music inhabits a growing portion of Branford’s musical universe. A frequent soloist with classical ensembles\, Branford has become increasingly sought after as a featured soloist with such acclaimed orchestras as the Chicago\, Detroit\, Düsseldorf\, and North Carolina Symphonies and the Boston Pops\, with a growing repertoire that includes compositions by Debussy\, Glazunov\, Ibert\, Mahler\, Milhaud\, Rorem and Vaughn Williams.   \n\nContinue reading about Branford Marsalis\nUnder the direction of conductor Gil Jardim\, Branford Marsalis and members of the Philharmonia Brasileira toured the United States in the Fall of 2008\, performing works by Brazilian composer Heitor Villa-Lobos in commemoration of the 50th Anniversary of the revered Brazilian composer’s death. Making his first appearance with the New York Philharmonic in the summer of 2010\, Marsalis was invited to join them again as soloist in their 2010‐2011 concert series\, where he demonstrated his versatility and prowess\, bringing “a gracious poise and supple tone… and an insouciant swagger” (New York Times) to the repertoire. In 2013\, Branford served as Creative Director for the Ascent Series of the Cincinnati Symphony Orchestra\, which included two week-long residencies as well as several concerts with the CSO.   \nIn Fall of 2014\, Branford joined the highly-celebrated Chamber Orchestra of Philadelphia in Marsalis “Well-Tempered” on a 20-city US tour\, performing Baroque masterpieces by Albinoni\, Bach\, Handel\, Vivaldi\, and others. In October 2015\, Branford took on the challenging Saxophone Concerto by composer John Adams\, performing the piece with the Tokyo Metropolitan Symphony Orchestra. In 2016\, he traveled to Germany for a concert with the Bayerische Staatsoper at the National Theatre in Munich\, performing an array of selections including Jacob Ter Veldhuis’ Tallahatchie Concerto\, and then returned to Asia twice more that year\, first for his debut collaboration with the City Chamber Orchestra of Hong Kong\, followed by a trip to Kuala Lumpur where he performed two concerts with the Malaysian Philharmonic Orchestra at the Petronas Twin Towers. In Fall 2016\, he returned to his home state of Louisiana where he was invited to be a guest soloist with the Baton Rouge Symphony Orchestra\, presenting works by John Williams and Heitor Villa Lobos. \nAs for other public stages\, Branford spent a period touring with Sting\, collaborated with the Grateful Dead and Bruce Hornsby\, served as Musical Director of The Tonight Show Starring Jay Leno\, and hosted National Public Radio’s widely syndicated Jazz Set.  The range and quality of these diverse activities established Branford Marsalis as a familiar presence beyond the worlds of jazz and classical music\, while his efforts to help heal and rebuild New Orleans in the wake of Hurricane Katrina mark him as an artist with an uncommonly effective social vision.  Together with Harry Connick\, Jr. and New Orleans Habitat for Humanity\, Branford conceived and helped to realize The Musicians’ Village\, a community in the Upper Ninth Ward that provides homes to the displaced families of musicians and other local residents.  At the heart of The Musicians’ Village stands the Ellis Marsalis Center for Music\, a community center dedicated to preserving the rich New Orleans musical legacy containing state-of-the art spaces for performance\, instruction\, and recording.  \nSome might gauge Branford Marsalis’s success by his numerous awards\, including three Grammys and his citation as a Jazz Master by the National Endowment for the Arts.  To Branford\, however\, these are only way stations along what continues to be one of the most fascinating and rewarding journeys in the world of music.\n\n\nInāra Zandmane is one of the leading collaborative pianists of North Carolina. She has performed with such artists as Dmitry Sitkovetsky\, Augustin Hadelich\, Ray Chen\, Sergei Antonov\, Yura Lee\, Martin Storey\, Paul Coletti\, Ian Clarke\, and Branford Marsalis\, in addition to regularly performing with Blue Mountain Ensemble and in duos with saxophonist Susan Fancher and violinist Fabián López. In 2008\, Ināra teamed up with Latvian violinist Vineta Sareika on a tour leading them to Boston\, Cleveland\, and Toronto\, before culminating in an invitation-only performance at the Kennedy Center arranged by the Latvian Embassy in the United States. In 2012\, Ināra stepped in on a short notice to perform with violinist Ray Chen at the Aspen Music Festival\, followed by a recital in Lima\, Peru. In 2014\, she was invited to the International Saxophone Symposium and Competition in Columbus\, Georgia to present a recital with Vincent David.  \nMs. Zandmane is frequently invited to serve as an official accompanist at national conferences and competitions\, among them the North American Saxophone Alliance conference and MTNA National competition since 2005. She is the accompanist in residence for the Southeastern Piano Festival that takes place in Columbia\, SC every June. Ināra Zandmane is the staff accompanist at the University of North Carolina at Greensboro where she performs with students and faculty more than fifty different programs per year.  \nInāra Zandmane’s solo recordings include the piano works by Maurice Ravel\, recorded together with her husband Vincent van Gelder\, and the complete piano sonatas by Alexander Scriabin. Ināra Zandmane has collaborated with leading Latvian composer Pēteris Vasks\, giving Latvian premieres of his piano works The Spring Music and Landscapes of the Burnt-out Earth and recording the latter one on the Conifer Classics label. She also can be heard in various chamber music collaborations on Navona Records and Centaur Records. 
URL:https://vpa.uncg.edu/single-event/susan-fancher-and-branford-marsalis-saxophones-guest-artist-recital/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
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DTSTART;TZID=America/New_York:20240227T193000
DTEND;TZID=America/New_York:20240227T210000
DTSTAMP:20260404T194829
CREATED:20240130T164913Z
LAST-MODIFIED:20240130T164913Z
UID:10000967-1709062200-1709067600@vpa.uncg.edu
SUMMARY:Symphonic Band • Eric Willie\, percussion
DESCRIPTION:DOWNLOAD PROGRAMPROGRAM NOTES AND BIOS\nJonathan Caldwell\, conductor\nEric Willie\, percussion\nEric Laprade\, guest conductor\nKristin Arp\, graduate conductor \n\nRAUM\n100 Years of Fanfares \nCOPLEY\nIn Living Color \nBALLARD\nScenes from Indian Life \nJACOB\nWilliam Byrd Suite \nSÉJOURNÉ\nConcerto for Marimba and Wind Orchestra \nTICHELI\nBlue Shades \n  \n \n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n \n   \n  \n\n\n\n\n\n \nDescribed as a “true musical talent and professional” Eric Willie has a varied career as a percussion soloist\, chamber musician\, orchestral player\, and teacher. \nHaving performed on three continents\, Eric has presented solo performances throughout the United States\, Russia\, Brasil\, and Colombia. Most recently\, Eric performed as soloist with the Tamborimba Ensamble in Cali\, Colombia\, and conducted Edgard Varese’s “Ionisation” at the III Encontro Percussivo in Recife\, Pernambuco Brasil. In the United States\, Eric has performed or conducted at ten Percussive Arts Society’s International Conventions (PASIC)\, presented at the Midwest Clinic\, as well as several state days of percussion and music educator conventions. \nAs a chamber musician\, Eric performs with the Nief-Norf Project and the Legal Wood Project. As well\, as an avid promoter of new music for percussion\, Eric has commissioned and/or premiered works by Christopher Adler\, Michael Burritt\, Doug Bristol\, Eric Cha-Beach\, Elliott Cole\, Greg Danner\, Christopher Deane\, Paul Lansky\, Anna Meadors\, Marc Mellits\, Leroy Osmon\, John Psathas\, Josh Quillen\, Baljinder Sekhon\, Adam Silverman\, D.J. Sparr\, Jason Treuting\, Blake Tyson\, Alejandro Viñao\, Matt Walker\, Jamie Whitmarsh\, and James Wood. \nActive within the Percussive Arts Society (PAS)\, Eric previously served as Chair of the International Percussion Ensemble Committee\, President of the Tennessee Chapter\, as a New Literature and Recordings Reviewer for Percussive Notes journal\, and now serves as Vice President for the North Carolina Chapter of the Society. His percussion ensembles have been named winners of the 2015 and 2020 PAS International Percussion Ensemble Competition. \nIn addition to his talents as a classical percussionist\, Eric is known for his marching percussion arranging and teaching experience. He has served on staff with the Cavaliers Drum and Bugle Corps\, served as a Percussion Consultant with the Phantom Regiment Drum and Bugle Corps (2012-2013)\, and instructor and/or arranger for the Spirit\, Southwind\, Carolina Crown\, and the Madison Scouts drum and bugle corps. He has also instructed for the University of North Texas “A” Line\, Music City Mystique\, and as Faculty for the Music for All World Percussion Symposium. \nAs an author and composer\, his books and solo have been published by Innovative Percussion\, TapSpace\, and Row-Loff. The latter\, his coauthored “All-Inclusive Audition Etudes” book\, has been adopted for use by the North Carolina and Tennessee Music Educator’s Associations. \nCurrently\, Eric serves as Professor of Percussion Studies at the University of North Carolina at Greensboro\, where he directs a comprehensive percussion program. In addition to his teaching opportunities\, Eric has served as Chair of the School of Music Faculty\, as Chair of the Brass and Percussion Area\, as well as a member of the Strategic Planning Committee. \nEric and his wife\, Rebecca (Executive Director\, Music for a Great Space)\, reside in Greensboro\, NC\, with their children Aiden and Elina. \n\nThe renowned UNCG Bands are dedicated to the performance\, study\, and cultivation of wind band music of the highest quality\, and are a serious and distinctive medium of musical expression. The UNCG Bands are considered to be among the very finest collegiate band programs in America based upon our active profile of excellence in our performances\, recordings\, tours and convention performances. \nThrough exemplary practices in organization\, training\, and presentation\, the UNCG Bands provide exceptional experiences for our members\, sharing outstanding performances throughout the year and enhancing the institutional spirit and character of UNCG. \nThe UNCG Bands seek to support music education in the state of North Carolina and in our region by providing leadership and sponsorship to secondary school band programs and other organizations.
URL:https://vpa.uncg.edu/single-event/symphonic-band-eric-willie-percussion/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:CVPA Live!,School of Music
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END:VEVENT
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DTSTART;TZID=America/New_York:20240229T193000
DTEND;TZID=America/New_York:20240229T210000
DTSTAMP:20260404T194829
CREATED:20240130T164913Z
LAST-MODIFIED:20240130T164913Z
UID:10000972-1709235000-1709240400@vpa.uncg.edu
SUMMARY:Sinfonia
DESCRIPTION:DOWNLOAD PROGRAMPROGRAM NOTES AND BIOS\nRebecca MacLeod\, conductor \n\nELGAR\nSerenade for Strings \nWILLIAMS\nPrayer for Peace \nDUCASSE\nLakay (Home) \nGETZ\nI Remember When\nNight Rider \n  \n \n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n \n   \n  \n\n\n\n\n\nThe vibrant UNCG Orchestra program has long been recognized for performance excellence\, adventurous programming\, and high artistic standards. A diversity of offerings allow students the opportunity to perform repertoire for ensembles ranging from the largest cornerstone and contemporary works for full orchestra\, to intimate pieces for chamber orchestra\, to string orchestra. \nStudents in the UNCG Orchestra program are dedicated to the performance\, study and cultivation of orchestral music of the highest quality. The UNCG Orchestras offer outstanding performances throughout the year and enhance the institutional spirit and community of UNCG. We seek to promote music education in the state of North Carolina and in our region by supporting secondary school orchestra programs and other organizations through our outreach activities and other annual events on campus.
URL:https://vpa.uncg.edu/single-event/sinfonia-6/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,CVPA Live!,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/sinfonia-feature-lDG6QG.tmp_.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240325T193000
DTEND;TZID=America/New_York:20240325T210000
DTSTAMP:20260404T194829
CREATED:20240130T164925Z
LAST-MODIFIED:20240130T164925Z
UID:10001021-1711395000-1711400400@vpa.uncg.edu
SUMMARY:Luke Ellard\, clarinet • Artist Faculty Recital
DESCRIPTION:DOWNLOAD PROGRAM\n  \n \n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n \n   \n\n\n\n\n\nClarinetist\, composer\, educator\, and new music collaborator Luke Ellard strives for art that continually reaches out\, valuing a relational spirit\, informed engagement\, and unapologetic authenticity. \nFor Luke\, collaboration is what gives music life. As clarinetist\, they have performed with members of Bang On a Can All Stars\, Eighth Blackbird\, International Contemporary Ensemble\, Fifth House Ensemble\, Arkansas Symphony\, and Lone Star Wind Orchestra. Their current performance projects center around their self-produced solo cross-genre/electronic band LE\, and commissioning new exciting works for the clarinet. \nTheir collaborative spirit is reflected in their life as a composer as well\, drawing inspiration from a personal and communicative place. Their music has been performed by groups such as New Trombone Collective (Blue Interjections\, finalist in the 2013 Slide Factory International Composition Contest)\, the North Texas Wind Symphony (The Seer\, concerto for Bassoon and Wind Ensemble)\, HOCKET (someone else’s days\, #What2020SoundsLike)\, the University of Texas Symphony Band (Shifting Tides)\, Michigan State University Concert Band\, Barkada Quartet (threads of execution)\, the Mother Falcon String Quartet (all I’m feeling right now\, winner of Golden Hornet Composer Lab’s String Quartet Smackdown III)\, and in collaboration with cellist Nick Photinos (haven’t yet\, Bang on a Can Summer Festival). \nDr. Ellard joined the faculty at the University of North Carolina at Greensboro in the Fall of 2023 as Visiting Assistant Professor of Clarinet\, having previously served on faculty at the University of Oklahoma and Midwestern State University while teaching privately and performing in the Dallas-Fort Worth area. Luke earned their Doctor of Musical Arts in Clarinet Performance with related studies in Contemporary Music and Music Entrepreneurship at the University of North Texas\, studying under Kimberly Cole Luevano. Additionally\, Luke has earned degrees from Indiana University Jacobs School of Music (James Campbell & Eric Hoeprich)\, the University of Texas at Austin (Yevgeniy Sharlat\, Dan Welcher\, & Donald Grantham)\, and Louisiana Tech University (Lawrence Gibbs\, Joe L. Alexander).
URL:https://vpa.uncg.edu/single-event/luke-ellard-clarinet-artist-faculty-recital/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,CVPA Live!,School of Music
ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240405T200000
DTEND;TZID=America/New_York:20240405T200000
DTSTAMP:20260404T194829
CREATED:20240130T165017Z
LAST-MODIFIED:20240130T165017Z
UID:10001026-1712347200-1712347200@vpa.uncg.edu
SUMMARY:Garth Fagan Dance Company
DESCRIPTION:Garth Fagan Dance is rooted in African traditions\, Caribbean stories\, and the Black dance vocabulary Fagan Technique™. Garth Fagan Dance is founded by the man who taught more than a 100 million audience members to move as one global community through Disney’s The Lion King on Broadway!  \nOver decades\, Garth used Fagan Technique to build a platform of social justice\, creative leadership\, and innovation to build community engagement and unique partnerships that reach audiences.  \nCelebrating 52 years in 2022\, the company recently being welcomed into the “Archives of the Library of Congress”\, has been referred to as a 20th Century dance treasure\, and Garth as the longest running Black Choreographer on Broadway! \n\n\n\n\n\n\n\nOrchestra/Mezz\nBalconies\n\n\n(All) Students\n$7.50\n$7.50\n\n\nUNCG Faculty/Staff\n$25.00\n$25.00\n\n\nSingle\n$50.00 \n$45.00 \n\n\nSeniors/Military\n$40.00\n$35.00\n\n\nPurchase Tickets\n* Tickets to CVPA and UCLS events are sold exclusively through our box office locations and ETix website\, and nowhere else. Tickets purchased through third-party vendors cannot be honored. \n\n\n\n \n\n\nSpecial Spring Bundle\nPurchase tickets to all three of the Spring UCLS events in the UNCG Auditorium:  Jewel\, Garth Fagan\, and Tim Warfield and receive 20% off your total purchase. Offer available until January 12\, 2024. \nPurchase Spring Bundle\n\n\n\nIn addition to public presentations\, every artist in the UCLS series does important work with UNCG students\, such as holding masterclasses and seminars\, often just hours before performing on stage. Thanks to The Cemala Foundation\, some of these artists also work with K-12 students in the Guilford County Schools.
URL:https://vpa.uncg.edu/single-event/garth-fagan-dance-company/
LOCATION:UNCG Auditorium\, 408 Tate St\, Greensboro\, NC 27403\, USA\, 408 Tate St\, NC\, United States
CATEGORIES:College of Visual and Performing Arts,UCLS
ATTACH;FMTTYPE=image/png:https://vpa.uncg.edu/wp-content/uploads/2024/01/garthfagandance-j3KHCC.tmp_.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240415T193000
DTEND;TZID=America/New_York:20240415T210000
DTSTAMP:20260404T194829
CREATED:20240130T165047Z
LAST-MODIFIED:20240130T165047Z
UID:10001059-1713209400-1713214800@vpa.uncg.edu
SUMMARY:Symphony Orchestra\, Sinfonia\, and University Choirs
DESCRIPTION:DOWNLOAD PROGRAMPROGRAM NOTES AND BIOS\n\n\nAdditional Event\nPre-Concert Talk\n7:00 pm\, Auditorium Stage \nJoin us before the concert for a conversation with our msucisians about the program. \n\n\nJungho Kim\, conductor\nRebecca MacLeod\, conductor \n  \n \n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n \n   \n  \n\n\n\n\n\nThe vibrant UNCG Orchestra program has long been recognized for performance excellence\, adventurous programming\, and high artistic standards. A diversity of offerings allow students the opportunity to perform repertoire for ensembles ranging from the largest cornerstone and contemporary works for full orchestra\, to intimate pieces for chamber orchestra\, to string orchestra. \nStudents in the UNCG Orchestra program are dedicated to the performance\, study and cultivation of orchestral music of the highest quality. The UNCG Orchestras offer outstanding performances throughout the year and enhance the institutional spirit and community of UNCG. We seek to promote music education in the state of North Carolina and in our region by supporting secondary school orchestra programs and other organizations through our outreach activities and other annual events on campus.
URL:https://vpa.uncg.edu/single-event/symphony-orchestra-sinfonia-and-university-choirs/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/symphony-header-22a-scaled-CNgyLW.tmp_.jpg
ORGANIZER;CN="UNCG Auditorium-1-CVPA &#8211%3B Master (2000)":MAILTO:uncg.edu_3736303334383835333332@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240416T193000
DTEND;TZID=America/New_York:20240416T210000
DTSTAMP:20260404T194829
CREATED:20240130T165047Z
LAST-MODIFIED:20240130T165047Z
UID:10001061-1713295800-1713301200@vpa.uncg.edu
SUMMARY:Symphonic Band • Abigail Pack\, horn
DESCRIPTION:DOWNLOAD PROGRAMPROGRAM NOTES AND BIOS\nJonathan Caldwell\, conductor\nAbigail Pack\, horn\n \n\nGALBRAITH\nFebris ver \nNEWMAN\nAs the scent of spring rain \nLIKHUTA\nVivid Dreams \nDELLO JOIO\nScenes from The Louvre \nTCHAIKOVSKY\nDance of the Jesters \n  \n \n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n   \n\n\n\n\nAbigail Pack\, Professor of Horn at UNCG and native of Roanoke\, Virginia\, received her training from East Carolina University (BMA)\, University of Iowa (MM)\, and University of Wisconsin-Madison (DMA) where she was a Bolz Teaching Fellow. Before assuming her current position at UNCG she was Horn Faculty at James Madison University from 2001 to 2008. She has also been on faculty at Knox College in Galesburg\, IL; Western State College in Gunnison\, CO; and taught in the Gunnison Watershed School District. An avid symphony player\, Dr. Pack has held positions with the Barton Symphony Orchestra\, Quad Cities Symphony Orchestra\, Des Moines Symphony Orchestra\, the Wisconsin Chamber Orchestra\, and currently performs with the Roanoke Symphony Orchestra\, the Wintergreen Summer Music Festival Orchestra\, the Southwest Chamber Orchestra\, and the Opera Roanoke Orchestra. Other venues have included performances with the Iowa Brass Quintet\, Western Slope Brass Band\, and Massanutten Brass Band. Recent performance and presentation highlights include the National Flute Association (Washington D.C. with the Montpelier Winds)\, the International Horn Symposium (University of Cape Town\, South Africa)\, the International Midwest Band and Orchestra Conference (Chicago)\, and the Kennedy Center of The Performing Arts (Washington). \n\nThe renowned UNCG Bands are dedicated to the performance\, study\, and cultivation of wind band music of the highest quality\, and are a serious and distinctive medium of musical expression. The UNCG Bands are considered to be among the very finest collegiate band programs in America based upon our active profile of excellence in our performances\, recordings\, tours and convention performances. \nThrough exemplary practices in organization\, training\, and presentation\, the UNCG Bands provide exceptional experiences for our members\, sharing outstanding performances throughout the year and enhancing the institutional spirit and character of UNCG. \nThe UNCG Bands seek to support music education in the state of North Carolina and in our region by providing leadership and sponsorship to secondary school band programs and other organizations.
URL:https://vpa.uncg.edu/single-event/symphonic-band-abigail-pack-horn/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:CVPA Live!,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/bands-header-3FOXQV.tmp_.jpg
ORGANIZER;CN="UNCG Auditorium-1-CVPA &#8211%3B Master (2000)":MAILTO:uncg.edu_3736303334383835333332@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240418T193000
DTEND;TZID=America/New_York:20240418T210000
DTSTAMP:20260404T194829
CREATED:20240130T165049Z
LAST-MODIFIED:20240627T120823Z
UID:10001064-1713468600-1713474000@vpa.uncg.edu
SUMMARY:Wind Ensemble • Courtney Miller\, oboe
DESCRIPTION:DOWNLOAD PROGRAMPROGRAM NOTES AND BIOS\nJonathan Caldwell\, conductor\nCourtney Miller\, oboe\nDustin Barr\, guest conductor\nKristin Arp\, graduate conductor \n\nSCHUMAN\nChester \nCONTRERAS\nMariachitlán \nZARE\nOcean of Undiscovered Truth (consortium premiere) \nBALLARD\nDances of the Nighthawk Keetowah \nSHOSTAKOVICH\nFolk Dances \n  \n \n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n   \n\n\n\n\n \nDr. Courtney Miller is the oboe professor at UNC Greensboro where she teaches oboe\, chamber music\, and reed classes. Prior to her position at the UNCG\, she served on faculty at the University of Iowa\, Boston College in Massachusetts\, and Ashland University in Ohio. During the summers Dr. Miller performs and teaches at Lutheran Summer Music in Indiana and the UNCG Summer Music Camp.  \nA highly regarded performer and pedagogue\, Dr. Miller tours as a soloist\, chamber musician\, and teacher throughout the United States\, Europe\, Asia\, and South America. An experienced orchestral musician\, Miller has performed in many orchestras up-and-down the east coast of the United States from the Jacksonville Symphony in Florida to the Portland Symphony in Maine. She now performs regularly with Orchestra Iowa\, the Quad City Symphony Orchestra\, Waterloo-Cedar Falls Symphony\, and the Dubuque Symphony Orchestra. \nDr. Miller is a versatile artist devoted to performing established repertoire as well as new compositions and lesser-known works. Her 2019 album Portuguese Perspectives introduces a collection of world-premiere recordings for the oboe by Portuguese composers and includes several new commissions by Miller. This album and her 2015 release Modern Fairy Tales are readily available on iTunes\, Amazon\, and Spotify. American Record Guide praises her “seamless consistency in the various registers of the oboe…and sensitive phrasing and articulation.” Fanfare Magazine hails Courtney Miller as “a performer of considerable skill\, with an unfailingly lovely sound\, abundant technical ability\, and a special gift for turning notes into poetry.”   \nIn addition to collaborations within the field of music\, Dr Miller has a flair for interdisciplinary work. She has collaborated with hip-hop dancer Ernest “EKnock” Phillips; belly-dancer Janelle Issis; and most recently choreographer and dancer Kristin Marrs at University of Iowa. Since 2016\, Marrs and Miller have performed in many concerts featuring oboe and dancer and have toured together throughout the United States. Perhaps her most daring collaboration yet is Psionic\, which explores interactive movement data between oboist and computer through a live stream of EEG data with composer Christopher Jette; printmaker Terry Conrad; and digital media designer Daniel Fine.  \nDr. Miller has authored scholarly articles pertaining to the English horn’s role in the orchestra and Charles Loeffler’s Deux Rhapsodies for oboe\, viola and piano published respectively in the Double Reed Journal and the Journal of the American Viola Society. She has also presented recitals and papers at the College Music Society’s Northeast Regional Conference. Dr. Miller performs recitals regularly at the International Double Reed Society’s annual conferences. In 2017 she was a featured artist at the first international conference of the Associação Brasileira de Palhetas Duplas (Brazilian Double Reed Society or ABPD). \nCourtney Miller has a Doctor of Musical Arts from Boston University\, a Master of Music from Cleveland Institute of Music\, and a Bachelor of Music from Florida State University. Her primary teachers include John Ferrillo\, John Mack\, and Eric Ohlsson.  \nDr. Miller serves as 1st Vice President of the Midwest Double Reed Society and is a member of the International Double Reed Society\, the College Music Society\, and Sigma Alpha Iota. Courtney Miller is a Lorée Artist.
URL:https://vpa.uncg.edu/single-event/wind-ensemble-courtney-miller-oboe/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:CVPA Live!,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/01/wind-ensemble-header-1lZH0v.tmp_.jpg
ORGANIZER;CN="UNCG Auditorium-1-CVPA &#8211%3B Master (2000)":MAILTO:uncg.edu_3736303334383835333332@resource.calendar.google.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240419T133000
DTEND;TZID=America/New_York:20240419T133000
DTSTAMP:20260404T194829
CREATED:20240130T165032Z
LAST-MODIFIED:20240627T120822Z
UID:10001035-1713533400-1713533400@vpa.uncg.edu
SUMMARY:Tim Warfield
DESCRIPTION:Tim Warfield\, saxophone with UNCG Jazz Ensemble I\nTim Warfield\, Jr.\, a native of York\, Pennsylvania\, began studying the alto saxophone at age nine. He switched to tenor saxophone during his first year at William Penn Sr. High School where he participated in various musical ensembles and won many jazz soloist awards\, including second out of forty competitors at the Montréal Festival of Music. After high school\, Warfield attended Howard University in Washington\, DC for two years before leaving to lead and co-lead groups in the Central Pennsylvania and Baltimore/Washington areas. In 1991 Warfield placed third at the Thelonious Monk International Jazz Saxophone Competition held at the Smithsonian Institution. \n\n\n\n\n\n\n\nOrchestra/Mezz\nBalconies\n\n\nStudents\n$6.00\n\n\n\nAdults\n$12.00\n\n\n\nSeniors\n$9.00\n\n\n\nPurchase Tickets\n* Tickets to CVPA and UCLS events are sold exclusively through our box office locations and ETix website\, and nowhere else. Tickets purchased through third-party vendors cannot be honored. \n\n\n\n \nWarfield has made several television appearances including the Today Show\, Bill Cosby’s You Bet Your Life (where he was a member of the house band until 1992)\, and Ted Turner’s 1998 Trumpet Awards. Additionally\, he has made numerous stage appearances with Donald Byrd\, Michelle Rosewoman\, Marcus Miller\, Marlon Jordan\, James Williams\, Christian McBride\, Winard Harper\, Dizzy Gillespie\, Larry Coryell\, Dakota Staton\, Johnny Coles\, Leslie Burrs\, Isaac Hayes\, Peter Nero\, Shirley Scott\, Jimmy Smith\, Billy Paul\, Kenny Barron\, Nicholas Payton\, Charles Fambrough\, Eric Reed\, Carl Allen\, Terell Stafford\, Stefon Harris\, Orrin Evans\, The Newport Millennium All Stars\, “Papa” John Defrancesco\, Edgar Bateman\, Joey Defrancesco\, Claudio Raggazzi\, Derrick Gardner and the Jazz Prophets\, Trudy Pitts\, Dana Hall\, and others. \n\n\nSpecial Spring Bundle\nPurchase tickets to all three of the Spring UCLS events in the UNCG Auditorium:  Jewel\, Garth Fagan\, and Tim Warfield and receive 20% off your total purchase. Offer available until January 12\, 2024. \nPurchase Spring Bundle\n\n\n\nRobinson Family Visiting Jazz Artists\nA residency made possible by the Robinson Family Fund\, established by Ward Robinson (’19 PBC Jazz\, ’10 MPH) and Pamela Pittman\, is bringing three jazz luminaries to UNCG’s School of Music this year. Saxophonist Julieta Eugenio\, Trumpeter Marcus Printup\, and Saxophonist Tim Warfield will come to Greensboro for residencies with students and concerts which will be open to the public.
URL:https://vpa.uncg.edu/single-event/tim-warfield/
CATEGORIES:College of Visual and Performing Arts,UCLS
ATTACH;FMTTYPE=image/png:https://vpa.uncg.edu/wp-content/uploads/2024/01/tim_warfield_banner-OVXLCm.tmp_.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240906T200000
DTEND;TZID=America/New_York:20240906T200000
DTSTAMP:20260404T194829
CREATED:20240702T164801Z
LAST-MODIFIED:20240703T212638Z
UID:10001073-1725652800-1725652800@vpa.uncg.edu
SUMMARY:Brandy Clark
DESCRIPTION:Brandy Clark\n\n\n\nA GRAMMY- and CMA-winner\, Brandy Clark is one of her generation’s most esteemed songwriters and musicians. Amid yet another landmark year\, Clark won Best Americana Performance at this year’s 66th GRAMMY Awards for her song “Dear Insecurity\,” featuring eleven-time GRAMMY-winner Brandi Carlile —Clark’s first GRAMMY win. The song is from Clark’s self-titled album\, produced by Carlile\, and features Clark’s most personal songwriting to date. \n\n\n\nReleased to overwhelming critical acclaim\, Brandy Clark landed on several “Best of 2023” lists including NPR Music\, Billboard\, Rolling Stone\, Variety\, Los Angeles Times\, and Forbes\, which called the album “an Americana Masterpiece.” Additionally\, Variety praised\, “further clarifies that she’s one of America’s treasures\,” and Billboard declared\, “Clark continues to convey her inexorable talents as both a song-crafter and vocal interpreter.” In addition to her work as a solo artist\, Clark has written songs such as “A Beautiful Noise\,” the GRAMMY-nominated duet performed by Brandi Carlile and Alicia Keys\, and Kacey Musgraves’s “Follow Your Arrow.” \n\n\n\n\n\n\n\nOrchestra/MezzBalconiesUNCG Students$7.50$7.50UNCG Faculty/Staff$25.00$25.00Adults$75.00$70.00Seniors/Military$65.00$60.00Children (K-12)$40.00$30.00\n\n\n\n\nPURCHASE TICKETS\n\n\n\n\n* Tickets to CVPA and UCLS events are sold exclusively through our box office locations and ETix website\, and nowhere else. Tickets purchased through third-party vendors cannot be honored. \n\n\n\n\n\n\nClark also composed the music and lyrics for the hit musical comedy Shucked alongside her longtime collaborator\, Shane McAnally. With the show\, she won Outstanding Music at the 67th Drama Desk Awards and was nominated for Best Original Score at the 76th Tony Awards\, with Shucked receiving nine Tony nominations overall last year. \n\n\n\n\n\n\n\nIn addition to public presentations\, artists in the UCLS series have important interactions with UNCG students\, such as holding masterclasses\, talkback sessions\, and seminars\, often just hours before performing on stage. Thanks to a grant from The Cemala Foundation\, some of these artists also work with K-12 students in the Guilford County Schools.
URL:https://vpa.uncg.edu/single-event/brandy-clark/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,UCLS
ATTACH;FMTTYPE=image/png:https://vpa.uncg.edu/wp-content/uploads/2024/04/brandyclark_banner-copy-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240909T193000
DTEND;TZID=America/New_York:20240909T210000
DTSTAMP:20260404T194829
CREATED:20240816T145318Z
LAST-MODIFIED:20240909T135345Z
UID:10001139-1725910200-1725915600@vpa.uncg.edu
SUMMARY:Courtney Miller\, oboe
DESCRIPTION:“On Love and Longing”\n\n\n\n\nhttps://youtube.com/live/kCMRuXe1Tro\n\n\n\n\n\nDownload Program\n\n\n\n\n\n\n\n\n\nDr. Courtney Miller is the oboe professor at the University of North Carolina at Greensboro\, where she teaches oboe\, chamber music\, and reed making. Before coming to UNC Greensboro\, she served on faculty at the University of Iowa in Iowa\, Boston College in Massachusetts\, and Ashland University in Ohio. \n\n\n\nA highly regarded performer and pedagogue\, Dr. Miller tours as a soloist\, chamber musician\, and teacher throughout the United States\, Europe\, Asia\, and South America. Her 2023 tour in Thailand promoted her newest album collaboration\, “Hans Gál: Works for Viola\, Piano\, Violin & Oboe\,” released in 2022 on Centaur Records. Also an experienced orchestral musician\, Miller has performed in many orchestras in the United States\, such as the Chicago Symphony\, Orchestra Iowa\, Quad Cities Symphony\, Jacksonville Symphony\, Portland Symphony\, Akron Symphony\, and the Cleveland Opera. She will perform with the North Carolina Opera in 2023-2024. \n\n\n\nDr. Miller is a versatile artist devoted to performing established repertoire\, new compositions\, and lesser-known works. Her 2019 album Portuguese Perspectives introduces a collection of world-premiere recordings for the oboe by Portuguese composers and includes several new commissions by Miller. This album and her 2015 release\, Modern Fairy Tales\, are available on iTunes\, Amazon\, and Spotify. American Record Guide praises her “seamless consistency in the various registers of the oboe…and sensitive phrasing and articulation.” Fanfare Magazine hails Courtney Miller as “a performer of considerable skill\, with an unfailingly lovely sound\, abundant technical ability\, and a special gift for turning notes into poetry.”   \n\n\n\nIn addition to collaborations within the field of music\, Dr. Miller has a flair for interdisciplinary work. She has collaborated with hip-hop dancer Ernest “EKnock” Phillips\, belly dancer Janelle Issis\, and most recently\, choreographer and dancer Kristin Marrs. Since 2016\, Marrs and Miller have performed in many concerts featuring oboe and dancer and have toured together throughout the United States. Perhaps her most daring collaboration yet is Psionic\, which explores interactive movement data between oboist and computer through a live stream of EEG data with composer Christopher Jette\, printmaker Terry Conrad\, and digital media designer Daniel Fine.  \n\n\n\nDr. Miller has authored articles published in the Double Reed Journal and the Journal of the American Viola Society. She has also presented recitals and papers at the College Music Society’s Northeast Regional Conference. Dr. Miller performs recitals regularly at the International Double Reed Society’s annual conferences. In 2017\, she was a featured artist at the first international conference of the Associação Brasileira de Palhetas Duplas (Brazilian Double Reed Society or ABPD). \n\n\n\nCourtney Miller has a Doctor of Musical Arts from Boston University\, a Master of Music from Cleveland Institute of Music\, and a Bachelor of Music from Florida State University. Her primary teachers include John Ferrillo\, John Mack\, and Eric Ohlsson.  \n\n\n\nDr. Miller is a member of the International Double Reed Society\, the College Music Society\, and Sigma Alpha Iota. Courtney Miller is a Lorée Artist. 
URL:https://vpa.uncg.edu/single-event/courtney-miller-oboe-artist-faculty-recital-2/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2023/03/courtney-oboe.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240918T173000
DTEND;TZID=America/New_York:20240918T190000
DTSTAMP:20260404T194829
CREATED:20240909T141248Z
LAST-MODIFIED:20240909T143559Z
UID:10001584-1726680600-1726686000@vpa.uncg.edu
SUMMARY:Paul Nolen\, soprano and alto saxophones
DESCRIPTION:Paul Nolen\, soprano and alto saxophonesGeoffrey Duce\, piano \n\n\n\n\n\n\nDownload Program\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPaul Nolen currently serves as Professor of Saxophone at Illinois State University where he has taught for the past 16 years. Paul has appeared as soloist\, chamber musician\, and jazz artist throughout the United States\, Canada\, Puerto Rico\, and the United Kingdom.  \n\n\n\nDr. Nolen appeared as concerto soloist at the 2012 World Saxophone Congress in Scotland with the Royal Northern College of Music Wind Ensemble\, where he premiered Dr. Roy Magnuson’s Concerto for Saxophone and Wind Ensemble. He has soloed with the San Francisco Wind Ensemble at the World Association of Symphonic Bands and Ensembles\, and the University of New Mexico Wind Ensemble at the Robb Symposium. In 2018\, he gave a consortium premiere of William Bolcom’s Concerto for Soprano Saxophone with the ISU Wind Symphony. Dr. Nolen has recorded two CD’s of Davis Maslanka’s music on Albany Records with ISU Wind Bands. They include a 2012 recording of David Maslanka’s Concerto for Alto Saxophone and Wind Ensemble and a 2018 release\, entitled Saxophone Concertos: Maslanka/Magnuson\, with the premiere recording of David Maslanka’s Concerto for Saxophone Quartet and Wind Ensemble.  \n\n\n\nDr. Nolen is also well known for his work with the award winning Iridium Quartet\, with whom he has traveled and performed across North American for ten years\, and recorded two CD’s of American music for saxophone quartet: Into Xylonia\, and Skylines\, both available on the Blue Griffin Record Label. Paul is a staunch advocate of new music and has commissioned works by composers such as William Bolcom\, Roy Magnuson\, Joshua Keeling\, David Kirkland Garner\, Peter Gilbert\, Peter Lieuwen\, Roy Magnuson\, Marcus Maroney\, David Maslanka\, Sonia Morales\, Karola Obermüller\, David Rakowski\, Ben Stonaker\, and Carl Schimmel. \n\n\n\nDr. Nolen performs regularly with the Iridium Quartet\, Peoria Symphony Orchestra\, and the Heartland Festival Orchestras. He has given numerous masterclasses and lectures throughout the United States\, including classes at the Brevard Music Festival\, and has twice led an International Saxophone Course at the Aberystwyth MusicFest in Wales\, UK. He received his Doctorate of Musical Arts and Master of Music degrees from Michigan State University with Joseph Lulloff\, and his undergraduate degree in saxophone performances from the UMKC Conservatory of Music with Tim Timmons. \n\n\n\n\n\n\n\n\n\n\n\nGeoffrey Duce is Coordinator of the Piano Area at Illinois State University. His pianism was described by Fanfare as “revelatory and a joy to listen to\,” possessing “ferocious intellect as well as technique.” He has performed in Carnegie Hall\, the Berlin Philharmonie\, the Wigmore Hall\, Manchester’s Bridgewater Hall\, Edinburgh’s Queens Hall\, and many other venues across North America and Europe\, as well as in Japan\, Hong Kong\, and Taiwan. In 2022\, he gave a solo recital debut at Ravinia. As a concerto soloist\, his appearances have included the Sinfonie Orchester Berlin in Germany\, the Chattanooga Symphony Orchestra\, Olympia Symphony Orchestra\, and New York Sinfonietta in the USA\, and the Scottish Sinfonia\, Edinburgh Philharmonic\, and Dundee Symphony Orchestra in the UK. During the 2018-19 season\, he was the first Artist in Residence with the Peoria Symphony Orchestra\, with which he performed concertos by Duke Ellington and Edward MacDowell\, among others.His solo CD of Fantasies and Rhapsodies by CPE Bach\, Schubert\, John McCabe\, and Dohnanyi was released in 2023 on Albany Records. He has appeared at contemporary music festivals\, including a solo recital as the opening concert of the Dialogues Experimental Music Festival in Edinburgh\, and numerous performances of solo and chamber works at the RedNote New Music Festival in Illinois\, for example by Steven Stucky\, Eric Moe\, Steven Hartke\, and George Tsontakis. A winner of the Making Music Award from Britain’s National Federation of Music Societies and the Prix de Piano at the American Conservatory in Fontainebleau\, France\, Geoffrey Duce is also a passionate chamber musician and accompanist\, his appearances including performing at the Library of Congress in Washington\, DC\, recording for BBC Radio 3\, and previous album releases with partners including double bassist Nicholas Bayley\, the disk described by MusicWeb International as “expertly played … a truly satisfying chamber collaboration” and named their Recording of the Month\, and with tenor Justin Vickers\, Fanfare commenting “It is difficult to imagine a finer performance than this.” Originally from Edinburgh\, Scotland\, he initially studied at the Royal Northern College of Music and Manchester University before receiving a DAAD scholarship to attend the Universität der Künste Berlin\, and earned his doctorate at Manhattan School of Music. His teachers have included Sheila Desson\, Renna Kellaway\, Klaus Hellwig\, Ferenc Rados\, Solomon Mikowsky\, Nina Svetlanova\, and Phillip Kawin.He has previously served on the faculty at Manhattan School of Music\, the State University of New York (Westchester Community College)\, and Indiana University South Bend. He has given masterclasses for the Orquesta Filarmónica in Bogotá\, Colombia\, and at such institutions as the University of Hawaii\, the City of Edinburgh Music School\, St. Thomas University in New Brunswick\, Canada\, and Seattle’s Academy of Music Northwest\, as well as at colleges in Tennessee\, Michigan\, Wisconsin\, and throughout Illinois. He served as a resident international visiting faculty member at the University of Taipei\, has taught at Tunghai University in Taichung\, Taiwan\, was a faculty member of the inaugural Global Immersion Program at SouthWest University in Chongqing\, China\, and was a juror at the American Classical Pianist International Competition in Hangzhou and the Asia Youth Piano Festival\, based in Shanghai. He has also taught at the Chicago Chamber Music Festival and the Fischoff Chamber Music Summer Intensive.
URL:https://vpa.uncg.edu/single-event/paul-nolen-saxophone/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241001T193000
DTEND;TZID=America/New_York:20241001T210000
DTSTAMP:20260404T194829
CREATED:20240724T145150Z
LAST-MODIFIED:20241001T191525Z
UID:10001129-1727811000-1727816400@vpa.uncg.edu
SUMMARY:Sinfonia
DESCRIPTION:Download Program\n\n\n\n\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\nhttps://youtube.com/live/IbNrrhjGsCk?feature=share\n\n\n\n\nThe vibrant UNCG Orchestra program has long been recognized for performance excellence\, adventurous programming\, and high artistic standards. A diversity of offerings allow students the opportunity to perform repertoire for ensembles ranging from the largest cornerstone and contemporary works for full orchestra\, to intimate pieces for chamber orchestra\, to string orchestra. \n\n\n\nStudents in the UNCG Orchestra program are dedicated to the performance\, study and cultivation of orchestral music of the highest quality. The UNCG Orchestras offer outstanding performances throughout the year and enhance the institutional spirit and community of UNCG. We seek to promote music education in the state of North Carolina and in our region by supporting secondary school orchestra programs and other organizations through our outreach activities and other annual events on campus.
URL:https://vpa.uncg.edu/single-event/sinfonia-8/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241003T193000
DTEND;TZID=America/New_York:20241003T210000
DTSTAMP:20260404T194829
CREATED:20240815T131706Z
LAST-MODIFIED:20241003T170837Z
UID:10001135-1727983800-1727989200@vpa.uncg.edu
SUMMARY:Coro di Belle Voci
DESCRIPTION:Download Program\n\n\n\n\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\nhttps://youtube.com/live/G21a8eJc72I?feature=share\n\n\n\n\n\n\n\n\nThe UNCG Choral program is recognized for excellence\, creative performances\, and high artistic standards. The UNCG Choirs are comprised of four ensembles: University Chamber Singers\, University Chorale\, Coro di Belle Voci\, and Spartan Voices. These diverse offerings allow students the opportunity to experience a wide range of stylistic ideas through the exploration of music from various time periods and various cultures\, including major choral-orchestral works as well as smaller chamber pieces. The UNCG Choirs have performed at state\, regional\, national and international conferences.  \n\n\n\nThe mission of the UNCG Choirs is dedicated to the teaching\, performance\, study and cultivation of choral music of the highest quality representing not just the western choral canon but also choral music of other cultures by a diverse body of historical and new composers. We believe that the UNCG Choirs are a serious and distinctive medium of musical expression\, of vital service and importance to its members and to UNCG. Through ensemble performance\, we strive to create an environment of trust\, communication\, and expressive freedom\, to present outstanding performances throughout the year\, and to enhance the institutional sprit and character of UNCG. To music as an art and a profession\, the UNCG Choirs seek to bring increasing artistry\, understanding\, and respect by efforts within our own immediate sphere and by providing leadership and sponsorship to school choral programs and through cooperation with all other agencies pursuing similar musical goals.
URL:https://vpa.uncg.edu/single-event/coro-di-belle-voce/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,College of Visual and Performing Arts,School of Music
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241004T173000
DTEND;TZID=America/New_York:20241004T190000
DTSTAMP:20260404T194830
CREATED:20240916T135541Z
LAST-MODIFIED:20240930T161114Z
UID:10001592-1728063000-1728068400@vpa.uncg.edu
SUMMARY:Heidi Radtke\, saxophones
DESCRIPTION:Download Program\n\n\n\n\n\n\n\n\nA passionate teacher\, Dr. Radtke has held teaching positions at Butler University in Indianapolis and was a private instructor for the Carmel High School Band Program. An active clinician\, she has served on the faculties of the Illinois Summer Youth Music Pre-College Saxophone Camp\, the Indiana University Summer Saxophone Academy\, and Blue Lake Fine Arts Camp. Dr. Radtke currently holds the position of Lecturer of Saxophone at the University of North Carolina Chapel Hill\, where she co-teaches the saxophone studio alongside Rahsaan Barber. She also serves on the North American Saxophone Alliance Committee for Gender Equity and has been the leader of the Women+’s Mentoring Program since 2021. \n\n\n\nAs a soloist\, Dr. Radtke has performed throughout the United States\, giving recent appearances in Washington\, D.C. and soloing with the UNC Wind Ensemble and Symphony Band. She gave a premiere performance of Stacy Garrop’s concerto Alpenglow with tubist Anthony Kniffen and the Butler University Wind Ensemble at the 2022 American Bandmasters Association Convention and performed Garrop’s concerto Quicksilver at Butler University in the spring of 2018. Since arriving in Chapel Hill in 2022\, Dr. Radtke has performed with the North Carolina Symphony Orchestra\, Winston-Salem Symphony\, and Charlotte Symphony Orchestra. Her debut solo album\, Convergence\, was released in March 2024 on Navona Records. Dr. Radtke holds undergraduate and graduate degrees from the University of Illinois Urbana-Champaign and a Doctor of Music degree from Indiana University. She is a Conn-Selmer Artist/Clinician and Vandoren Artist/Clinician.
URL:https://vpa.uncg.edu/single-event/heidi-radtke-saxophones/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241004T193000
DTEND;TZID=America/New_York:20241004T210000
DTSTAMP:20260404T194830
CREATED:20240815T145159Z
LAST-MODIFIED:20240913T204406Z
UID:10001136-1728070200-1728075600@vpa.uncg.edu
SUMMARY:University Chorale
DESCRIPTION:Program\n\n\n\nCarole Ott Coelho\, conductorInspiroBaker Lawrimore\, conductorMarques L.A. Garrett\, guest conductor \n\n\n\nWALKER An Acquaintance with Nature \n\n\n\nGARRETT Five Songs for Laurence Hope \n\n\n\nGARRETT Your Hand and Mine \n\n\n\n\n\n\n\n\nDownload Program\n\n\n\n\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\nhttps://youtube.com/live/Pi6jx3-YxhM?feature=share\n\n\n\n\nThe UNCG Choral program is recognized for excellence\, creative performances\, and high artistic standards. The UNCG Choirs are comprised of four ensembles: University Chamber Singers\, University Chorale\, Coro di Belle Voci\, and Spartan Voices. These diverse offerings allow students the opportunity to experience a wide range of stylistic ideas through the exploration of music from various time periods and various cultures\, including major choral-orchestral works as well as smaller chamber pieces. The UNCG Choirs have performed at state\, regional\, national and international conferences. Dr. Carole Ott serves as Director of Choral Activities and conductor of Chamber Singers and Chorale. Prof. Lindsay Kesselman is conductor of Coro di Belle Voci. Dr. Brett Nolker is conductor of Spartan Voices.  \n\n\n\nThe mission of the UNCG Choirs is dedicated to the teaching\, performance\, study and cultivation of choral music of the highest quality representing not just the western choral canon but also choral music of other cultures by a diverse body of historical and new composers. We believe that the UNCG Choirs are a serious and distinctive medium of musical expression\, of vital service and importance to its members and to UNCG. Through ensemble performance\, we strive to create an environment of trust\, communication\, and expressive freedom\, to present outstanding performances throughout the year\, and to enhance the institutional sprit and character of UNCG. To music as an art and a profession\, the UNCG Choirs seek to bring increasing artistry\, understanding\, and respect by efforts within our own immediate sphere and by providing leadership and sponsorship to school choral programs and through cooperation with all other agencies pursuing similar musical goals.
URL:https://vpa.uncg.edu/single-event/university-chorale/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241006T173000
DTEND;TZID=America/New_York:20241006T190000
DTSTAMP:20260404T194830
CREATED:20240815T171437Z
LAST-MODIFIED:20240915T172823Z
UID:10001137-1728235800-1728241200@vpa.uncg.edu
SUMMARY:Spartan Voices
DESCRIPTION:Download Program\n\n\n\n\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\nhttps://youtube.com/live/YOj3uNdTkOw?feature=share\n\n\n\n\nThe UNCG Choral program is recognized for excellence\, creative performances\, and high artistic standards. The UNCG Choirs are comprised of four ensembles: University Chamber Singers\, University Chorale\, Coro di Belle Voci\, and Spartan Voices. These diverse offerings allow students the opportunity to experience a wide range of stylistic ideas through the exploration of music from various time periods and various cultures\, including major choral-orchestral works as well as smaller chamber pieces. The UNCG Choirs have performed at state\, regional\, national and international conferences. Dr. Carole Ott serves as Director of Choral Activities and conductor of Chamber Singers and Chorale. Prof. Lindsay Kesselman is conductor of Coro di Belle Voci. Dr. Brett Nolker is conductor of Spartan Voices.  \n\n\n\nThe mission of the UNCG Choirs is dedicated to the teaching\, performance\, study and cultivation of choral music of the highest quality representing not just the western choral canon but also choral music of other cultures by a diverse body of historical and new composers. We believe that the UNCG Choirs are a serious and distinctive medium of musical expression\, of vital service and importance to its members and to UNCG. Through ensemble performance\, we strive to create an environment of trust\, communication\, and expressive freedom\, to present outstanding performances throughout the year\, and to enhance the institutional sprit and character of UNCG. To music as an art and a profession\, the UNCG Choirs seek to bring increasing artistry\, understanding\, and respect by efforts within our own immediate sphere and by providing leadership and sponsorship to school choral programs and through cooperation with all other agencies pursuing similar musical goals.
URL:https://vpa.uncg.edu/single-event/spartan-voices/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,College of Visual and Performing Arts,School of Music
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241007T193000
DTEND;TZID=America/New_York:20241007T210000
DTSTAMP:20260404T194830
CREATED:20240815T172917Z
LAST-MODIFIED:20240915T173950Z
UID:10001138-1728329400-1728334800@vpa.uncg.edu
SUMMARY:Chamber Singers
DESCRIPTION:Program\n\n\n\nCarole Ott Coelho\, conductorLindsay Kesselman\, sopranoJaninah Burnett\, soprano \n\n\n\nTRÁN Tupelo Poems \n\n\n\nBRAHMS Vier Quartette\, op. 92 \n\n\n\nJANËEVSKIS Atsalums \n\n\n\nLEONARDA Dixit DominusAd Arma \n\n\n\n\n\n\n\n\nDownload Program\n\n\n\n\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\nhttps://youtube.com/live/huyGLVEk0PE?feature=share\n\n\n\n\n\nAbout the Artists\n\n\n\n\nLindsay Kesselman is a two-time GRAMMY-nominated soprano known for her warm\, collaborative spirit and investment in personal\, intimate communication with audiences. She regularly collaborates with orchestras\, wind symphonies\, chamber ensembles\, opera/theater companies\, and new music ensembles across the United States\, often premiering\, touring\, and recording new works composed for her by living composers. She is a passionate advocate for contemporary music and has commissioned/premiered over one hundred works to date.    \n\n\n\nRecent and upcoming highlights include the premiere of Darkening\, then Brightening by Christopher Cerrone with the University of Illinois Wind Symphony; the wind transcription of Caroline Shaw’s Is a Rose\, Energy in All Directions by Kenneth Frazelle with Sandbox Percussion at the Saratoga Performing Arts Center; the role of Anna in Kurt Weill and Bertolt Brecht’s The Seven Deadly Sins with the Charlotte Symphony; the role of Ada Lovelace in the new opera Galaxies in Her Eyes by Mark Lanz Weiser and Amy S. Punt; Astronautica: Voices of Women in Space with Voices of Ascension; the John Corigliano 80th birthday celebration at National Sawdust (2018); a leading role in Louis Andriessen’s opera Theatre of the World with the Los Angeles Philharmonic and Dutch National Opera; and an international tour of Einstein on the Beach with the Philip Glass Ensemble (2012–2015).  \n\n\n\nKesselman is Assistant Professor of Voice and Choral Music at the UNC Greensboro School of Music. Kesselman holds degrees in voice performance and music education from Rice University and Michigan State University. She is represented by Trudy Chan at Black Tea Music and lives in Charlotte with her husband\, Kevin Noe\, and son\, Rowan. \n\n\n\n\n\n\n\nA versatile singer\, actor\, musician\, writer\, arranger\, and educator\, Janinah Burnett is in demand and has thrilled audiences domestically and internationally in opera\, recital\, musical theatre\, jazz\, television\, and film. Some of her signature operatic roles include Mimí in La bohème\, Leila in Les pêcheurs des perles\, Donna Anna and Donna Elvira in Don Giovanni\, Micaëla in Carmen\, Marguerite in Faust\, and Violetta in La Traviata. An original cast member of Baz Luhrmann’s La Bohème on Broadway as Mimí\, she won a Los Angeles Theater Alliance Award and performed on the Tony Awards Presentation. \n\n\n\nBurnett was on the roster of principal artists at the Metropolitan Opera for eight consecutive seasons debuting as Bianca in La Rondine. She was a member of the closing cast of Phantom of the Opera on Broadway\, making appearances as “Carlotta Giudicelli” since 2016. \n\n\n\nIn February 2021\, Burnett released her debut album\, Love the Color of Your Butterfly\, which features musical arrangements and collaborations with some of the world’s finest jazz musicians including Christian Sands\, Sullivan Fortner Jr.\, Casey Benjamin\, and Terreon Gully who produced the project. Released on her own record label Clazz Records\, Love the Color of Your Butterfly is an amalgamation of jazz\, opera\, art song\, oratorio\, rhythm and blues\, and spirituals and introduces her concept of “Clazz\,” which encourages collaboration and redefines the parameters of genre while embracing parts of history that are erased\, widely unknown and forgotten. Love the Color of Your Butterfly has been featured in numerous publications including the Financial Times\, Playbill\, Broadway World\, Downbeat Magazine\, and Opera News. \n\n\n\nBurnett has been a guest artist and taught masterclasses at Eastern Mennonite University\, The Cinema School\, Clark University\, and Bar Harbor Music Festival. She holds an MM from the Eastman School of Music and a BA from Spelman College.  \n\n\n\n\nUNCG Choirs\nThe UNCG Choral program is recognized for excellence\, creative performances\, and high artistic standards. The UNCG Choirs are comprised of four ensembles: University Chamber Singers\, University Chorale\, Coro di Belle Voci\, and Spartan Voices. These diverse offerings allow students the opportunity to experience a wide range of stylistic ideas through the exploration of music from various time periods and various cultures\, including major choral-orchestral works as well as smaller chamber pieces. The UNCG Choirs have performed at state\, regional\, national and international conferences. Dr. Carole Ott serves as Director of Choral Activities and conductor of Chamber Singers and Chorale. Prof. Lindsay Kesselman is conductor of Coro di Belle Voci. Dr. Brett Nolker is conductor of Spartan Voices.  \n\n\n\nThe mission of the UNCG Choirs is dedicated to the teaching\, performance\, study and cultivation of choral music of the highest quality representing not just the western choral canon but also choral music of other cultures by a diverse body of historical and new composers. We believe that the UNCG Choirs are a serious and distinctive medium of musical expression\, of vital service and importance to its members and to UNCG. Through ensemble performance\, we strive to create an environment of trust\, communication\, and expressive freedom\, to present outstanding performances throughout the year\, and to enhance the institutional sprit and character of UNCG. To music as an art and a profession\, the UNCG Choirs seek to bring increasing artistry\, understanding\, and respect by efforts within our own immediate sphere and by providing leadership and sponsorship to school choral programs and through cooperation with all other agencies pursuing similar musical goals. \n\n\n\n\nUNCG Choirs
URL:https://vpa.uncg.edu/single-event/chamber-singers/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241009T193000
DTEND;TZID=America/New_York:20241009T210000
DTSTAMP:20260404T194830
CREATED:20240717T204827Z
LAST-MODIFIED:20241009T142848Z
UID:10001125-1728502200-1728507600@vpa.uncg.edu
SUMMARY:Symphony Orchestra
DESCRIPTION:Program\n\n\n\nJungho Kim\, conductorFranck Fontcouberte\, guest conductorAngela Moretti\, bassoonDaisy Schön\, soprano \n\n\n\nWEBER Concerto for Bassoon in F Major\, op. 75 \n\n\n\nBIZET Suite No. 1 from Carmen \n\n\n\nBOULANGER D’un Matins de printemps \n\n\n\nGOUNOD Musique de ballet de Faust“Je veux vivre” from Roméo et Juliette \n\n\n\n\n\n\n\n\nDownload Program\n\n\n\n\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\nhttps://youtube.com/live/brdiyduH_CE?feature=share\n\n\n\n\n\nAbout the Artists\n\n\n\n\nAngela Moretti is currently in her first year of study for the Doctor of Musical Arts degree at the University of North Carolina at Greensboro. She holds a Master’s degree from the University of Central Florida and a Bachelor of Music Education degree from Florida State University. Prior to her time at UNCG\, Ms. Moretti was the Adjunct Lecturer of Bassoon at Texas Lutheran University and served in the U.S. Army as a member of the 8th Army Band in South Korea and the 323d Army Band in Texas. While serving as an Army musician\, she performed in hundreds of concerts\, festivals\, and clinics in South Korea and the United States. Prior to her Army service\, Angela was a music teacher at Lakewood Park Elementary School in Florida and held positions with several regional orchestras across Florida and Texas. Her small business\, Laughing Crow Bassoon Reeds\, specializes in handmade bassoon reeds and supplies for amateur and professional bassoonists. In her spare time\, Angela enjoys hiking\, nature photography\, freelance graphic design\, and spending time with her rescued greyhound\, Sarge. \n\n\n\n\n\n\n\nMs. Daisy Schön\, she/her\, is a classical soprano pursuing her Masters at UNCG. She studies with Dr. Robert Wells and is in the Vocal Pedagogy track. Daisy graduated from Indiana University with a BM degree in Vocal Performance where she studied with Dr. Brian Gill. While at IU\, Daisy sang in numerous opera choruses\, oratorios\, and premiered contemporary vocal solo works. Last summer\, Ms. Schön sang at the Collaborative Piano Institute at Louisiana State University\, where she sang in masterclasses with master teachers of collaborative piano and premiered a set of music written for her and Mengyao Zhao by Steven Naylor. Daisy also teaches a vibrant studio and maintains an interest and focus on trauma-informed teaching practices. She strives for a compassionate\, joyful\, and mindful approach to her musicianship and facilitating. \n\n\n\n\n\n\n\nFranck Fontcouberte is the artistic director of the Contrepoint instrumental ensemble\, the «MusicaSète» festival\, the «Rencontres Gigeantesques»\, the Ensemble Vocal et Instrumental de Montpellier and the Chorale de Sète\, Conductor of the United Strings of Europe in London. \n\n\n\nAfter working as conductor with David Robertson\, Zoltan Pesko\, Armin Jordan and Pierre Boulez\, he gives numerous concerts in France and abroad with his own orchestras and as guest conductor in Florence\, Rome\, Riga\, Athens\, Istanbul\, Barcelona\, Prague\, Salzburg\, Johannesburg\, Belgrade\, Kotor\, Novisad\, London\, Geneva\, Lausanne\, Beirut and Merida. \n\n\n\nAlongside his career as Music Director and Conductor\, Franck Fontcouberte is a professor of instrumental ensembles at the Regional Conservatory of Montpellier Méditerranée Métropole. He founded the International Academy of Conducting\, which provides opportunities for young conductors from around the world to develop under his guidance. He was invited by the Université Notre Dame de Beyrouth to give master classes between 2016 and 2020. \n\n\n\nFranck Fontcouberte has recorded many instrumental and lyrical works\, including: La Belle Hélène by Jacques Offenbach\, the Coronation Mass by Franz Liszt\, the Requiem by Giuseppe Verdi\, Norma by Vincenzo Bellini\, Valses et Polkas by Johann Strauss\, Sacred and Profane Dances by Claude Debussy\, Music for strings\, percussion and celesta by Béla Bartók\, Serenade for strings by Tchaikosvki\, by Dvorak\, by Elgar\, the Chamber Symphony by Shostakovitch\, the Concert for violin and percussion on Balkan themes in world premiere by Mateja Marinkovic. His latest album «In motion» under the Swedish label Bis was released in November 2020. It presents the work «Maralinga» by the Australian composer Matthew Hindson with the New Zealand virtuoso violinist Amalia Hall. \n\n\n\n\nUNCG Orchestras\nThe vibrant UNCG Orchestra program has long been recognized for performance excellence\, adventurous programming\, and high artistic standards. A diversity of offerings allow students the opportunity to perform repertoire for ensembles ranging from the largest cornerstone and contemporary works for full orchestra\, to intimate pieces for chamber orchestra\, to string orchestra. \n\n\n\nStudents in the UNCG Orchestra program are dedicated to the performance\, study and cultivation of orchestral music of the highest quality. The UNCG Orchestras offer outstanding performances throughout the year and enhance the institutional spirit and community of UNCG. We seek to promote music education in the state of North Carolina and in our region by supporting secondary school orchestra programs and other organizations through our outreach activities and other annual events on campus.
URL:https://vpa.uncg.edu/single-event/symphony-orchestra-6/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2023/10/uncg-symphony-orchestra.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241010T193000
DTEND;TZID=America/New_York:20241010T210000
DTSTAMP:20260404T194830
CREATED:20240711T225213Z
LAST-MODIFIED:20240915T175307Z
UID:10001112-1728588600-1728594000@vpa.uncg.edu
SUMMARY:Wind Ensemble
DESCRIPTION:Program\n\n\n\nJonathan Caldwell\, conductorJaninah Burnett\, vocalistErik Santos\, composer \n\n\n\nFLAGELLO Bravado \n\n\n\nPURRINGTON apricity \n\n\n\nSANTOS The Seer \n\n\n\nBERNSTEIN Profanation from Symphony No. 1\, “Jeremiah” \n\n\n\n\n\n\n\n\nDownload Program\n\n\n\n\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\nhttps://youtube.com/live/_w5Ibf6DKvY?feature=share\n\n\n\n\n\nAbout the Artists\n\n\n\n\nA versatile singer\, actor\, musician\, writer\, arranger\, and educator\, Janinah Burnett is in demand and has thrilled audiences domestically and internationally in opera\, recital\, musical theatre\, jazz\, television\, and film. Some of her signature operatic roles include Mimí in La bohème\, Leila in Les pêcheurs des perles\, Donna Anna and Donna Elvira in Don Giovanni\, Micaëla in Carmen\, Marguerite in Faust\, and Violetta in La Traviata. An original cast member of Baz Luhrmann’s La Bohème on Broadway as Mimí\, she won a Los Angeles Theater Alliance Award and performed on the Tony Awards Presentation. \n\n\n\nBurnett was on the roster of principal artists at the Metropolitan Opera for eight consecutive seasons debuting as Bianca in La Rondine. She was a member of the closing cast of Phantom of the Opera on Broadway\, making appearances as “Carlotta Giudicelli” since 2016. \n\n\n\nIn February 2021\, Burnett released her debut album\, Love the Color of Your Butterfly\, which features musical arrangements and collaborations with some of the world’s finest jazz musicians including Christian Sands\, Sullivan Fortner Jr.\, Casey Benjamin\, and Terreon Gully who produced the project. Released on her own record label Clazz Records\, Love the Color of Your Butterfly is an amalgamation of jazz\, opera\, art song\, oratorio\, rhythm and blues\, and spirituals and introduces her concept of “Clazz\,” which encourages collaboration and redefines the parameters of genre while embracing parts of history that are erased\, widely unknown and forgotten. Love the Color of Your Butterfly has been featured in numerous publications including the Financial Times\, Playbill\, Broadway World\, Downbeat Magazine\, and Opera News. \n\n\n\nBurnett has been a guest artist and taught masterclasses at Eastern Mennonite University\, The Cinema School\, Clark University\, and Bar Harbor Music Festival. She holds an MM from the Eastman School of Music and a BA from Spelman College. \n\n\n\n\n\n\n\nErik Santos is a composer\, multi-instrumentalist\, singer\, producer\, and teacher\, who is active in many musical genres\, from rock and jazz\, to classical\, to electronic\, world music\, and music for theater and dance. He is the Chair of the Composition Department at the University of Michigan School of Music\, Theatre & Dance. \n\n\n\nAs the first-born in a family of musicians – father Rosendo Ejercito Santos\, Jr.\, mother Harriet\, brothers Nathan and Jason – music has always been at the core of his life practice\, both as a profession and hobby. \n\n\n\nProfessor Santos has received commissions\, prizes\, fellowships\, and other recognitions for his concert music\, including the prestigious 2020 Sousa-ABA-Ostwald Prize from the American Bandmasters Association\, the Charles Ives Scholarship\, and the Charles Ives Fellowship from The American Academy of Arts and Letters\, awards from Broadcast Music Incorporated (BMI)\, the MacDowell Colony\, the Bozeman Symphony\, the Civic Orchestra of Chicago\, the Rackham Graduate School of U-M\, and the Music Teachers National Association (MTNA). \n\n\n\nBut\, in recent years\, Santos has become increasingly preoccupied with presenting music in venues other than the classical concert hall  — dance clubs\, street corners\, radio\, theaters\, churches\, museums\, cafes\, car stereos\, movies\, Internet\, iPods\, etc. — where there is more emphasis given to the interaction of music with other spontaneous sensory elements\, involving listeners at the hub of a transdimensional experience. This interest flourished in 2002 when he was invited to join the pioneering and internationally celebrated Japanese butoh company Dairakudakan: Temputenshiki (avant-garde dance/theater)\, as a resident composer—a potent collaboration that continues to this day. \n\n\n\nIn 2005\, Santos and artist/singer Toko Shiiki formed an upbeat band called October Babies\, which has performed a large variety of original multi-cultural and multi-lingual dance songs in America and Japan. (Check out their 2020 EP Find New Way\, and new videos!) They affiliated with the local Ann Arbor music label/collective Oddfellow Music\, which later became Willis Sound. Having completed 5 albums\, along with music videos and documentaries with October Babies\, Santos and Shiiki became interested in filmmaking\, and this led to the full-length movie Threshold: Whispers of Fukushima in 2015. This project focuses on the lives of several musicians who have chosen to live in their homeland of Fukushima\, Japan\, despite the devastation of earthquake and tsunami\, the threat of the failing nuclear reactor\, and even persecution by fellow human beings. By 2019\, they completed three more films inspired by creative relationships they formed in Fukushima (Over the Sky\, Passing the Baton\, and Up the Mountain)\, as well as the film We Women Weave\, about the Moonseed Movement Troupe. \n\n\n\nThe creative relationships formed in the making of Threshold have continued to grow. For example\, in 2016\, Santos and Shiiki co-organized a partnership with the University of Michigan Center for World Performance Studies\, the Center for Japanese Studies\, and SMTD\, to invite the fiery Japanese youth drum ensemble Yamakiya Taiko to perform at the University of Michigan for The Fukushima Tribute Concert/Residency. This week-long event began with a thunderous concert at the Power Center and continued with a bunch of rousing Taiko workshops around campus and town. The ensemble premiered a new work Santos wrote for them and a cadre of U-M student drummers\, called “Armadillo Flow.” Check out the video! \n\n\n\nSantos has been on the Michigan local original music scene for XX years\, with bands October Babies\, The Crossed Lines\, 16 More Miles\, and Citygoat\, and he’s hosted several long-running Open Mic stages in the area. These days\, he’s possessed by a fresh passion for practicing – learning\, unlearning\, all day every day – memorizing poetry\, investigating inventions of Bach and Bruce Lee\, and Vince Gilligan\, enjoying sound. \n\n\n\n\nWind Ensemble\nThe UNCG Wind Ensemble is a highly select concert band of fifty performers majoring in music at the UNCG School of Music. Performers in the current Wind Ensemble are drawn from sixteen states\, Slovenia\, and Hong Kong. The ensemble has enjoyed a distinguished record of performance throughout its history. In January 1992\, the UNCG Wind Ensemble performed “A Tribute to John Philip Sousa” to a capacity crowd of 2\,700 at the Concert Hall of the John F. Kennedy Center for the Performing Arts in Washington\, D.C. Twice\, the Wind Ensemble earned critical acclaim from The Washington Post following concerts in the nation’s capital. The Wind Ensemble has performed throughout the eastern United States in recent years including the first-ever performance\, in 1987\, by a North Carolina collegiate ensemble in Lincoln Center\, New York City. The Wind Ensemble performed that same year in West Virginia\, Virginia\, Pennsylvania\, and Washington\, D.C. The Wind Ensemble has recorded nineteen commercially-available albums which have received widespread praise.
URL:https://vpa.uncg.edu/single-event/wind-ensemble-6/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/05/UNCG-Wind-Ensemble-Web-2400px.jpg
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DTSTART;TZID=America/New_York:20241016T193000
DTEND;TZID=America/New_York:20241016T210000
DTSTAMP:20260404T194830
CREATED:20240911T173700Z
LAST-MODIFIED:20241015T133822Z
UID:10001590-1729107000-1729112400@vpa.uncg.edu
SUMMARY:Ana Luque Fernandez\, violin
DESCRIPTION:Download Program\n\n\n\n\nBorn in Granada (Spain)\, Ana Luque Fernandez holds degrees in violin and chamber music from Granada and Murcia Conservatories in Spain. Ana also graduated from the Louisiana State University in the USA as a Master of Music in Violin Performance (1996) and as a Doctor of Musical Arts (2002).   \n\n\n\nHer main teachers have been Joaquín Palomares\, Camilla Wicks\, and Kevork Mardirossian\, having also received advice from Danuta Glowacka\, Dennis Parker\, Yair Kless\, Fredell Lack\, and Yfrah Neaman\, among others.  \n\n\n\nShe has held orchestra positions in the Murcia Chamber Orchestra (1989-1991) and the Murcia Symphony Orchestra (1991-1993) in Spain\, and the Baton Rouge Symphony Orchestra (1994-2000) in the USA. Since 1993\, she plays regularly with the Granada Symphony Orchestra (OCG).  \n\n\n\nAna has been a founding member of the Atlántico String Quartet and Carezzévole Piano Trío\, and collaborates with many other chamber music projects having performed in the USA\, Spain\, Finland\, Colombia and Morocco.  \n\n\n\nShe is the author of the monograph The Works of Manuel Quiroga: A Catalogue (Louisiana State University\, USA 2002)\, the book The Music of Manuel Quiroga Losada (VDM-Verlag\, 2009)  and the article Catalogación y Revisión de la Producción Musical de Manuel Quiroga Losada (1r Congrés Internacional Investigació en Música\, Valencia\, 2010).  \n\n\n\nAlso\, she has been professor at the string summer courses “Música y Naturaleza” (2000-2006) and Da Capo Strings School (2011-2019). Moreover\, she has been guest instructor at different conservatories in Spain and international institutions such as: I Barenboim-Said Foundation´s Master of Orchestral Studies (Seville\, Spain\, 2008); III International String Academy (Pereira\, Colombia\, 2012); and Jacobs School of Music (Bloomington-Indiana\, USA\, 2013).   \n\n\n\nAna has been tenure violin professor in Seville´s Conservatory “Francisco Guerrero” (2000-2002)\, Granada´s Conservatory “Angel Barrios” (2002-2006)\, and in Granada´s Real Conservatorio Superior “Victoria Eugenia” since 2006. 
URL:https://vpa.uncg.edu/single-event/ana-luque-fernandez-violin/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:School of Music
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241018T200000
DTEND;TZID=America/New_York:20241018T200000
DTSTAMP:20260404T194830
CREATED:20240703T211903Z
LAST-MODIFIED:20240703T211904Z
UID:10001107-1729281600-1729281600@vpa.uncg.edu
SUMMARY:Swing Out
DESCRIPTION:Sw!ng Out\n\n\n\nAcclaimed choreographer Caleb Teicher brings the best of the swing dance world to Greensboro with live music by the Eyal Vilner Big Band. \n\n\n\nA New York Times’s Critic’s Pick\, SW!NG OUT celebrates the unbridled joy of Lindy Hop and the excitement of the artists’ distinct improvisational styles—generating a different show each night. \n\n\n\nMusic by the Eyal Vilner Big Band complements the social dance experience with irresistible rhythms that will make you want to dance along. Welcoming audiences into the fold\, each performance concludes with an on-stage jam session with the company! \n\n\n\n\n\n\n\nOrchestra/MezzBalconiesUNCG Students$7.50$7.50UNCG Faculty/Staff$25.00$25.00Adults$50.00$45.00Seniors/Military$40.00$35.00Children (K-12)$25.00$15.00\n\n\n\n\nPURCHASE TICKETS\n\n\n\n\n* Tickets to CVPA and UCLS events are sold exclusively through our box office locations and ETix website\, and nowhere else. Tickets purchased through third-party vendors cannot be honored. \n\n\n\n\n\n\n\n\n\n\nIn addition to public presentations\, artists in the UCLS series have important interactions with UNCG students\, such as holding masterclasses\, talkback sessions\, and seminars\, often just hours before performing on stage. Thanks to a grant from The Cemala Foundation\, some of these artists also work with K-12 students in the Guilford County Schools.
URL:https://vpa.uncg.edu/single-event/swing-out/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,UCLS
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241021T193000
DTEND;TZID=America/New_York:20241021T210000
DTSTAMP:20260404T194830
CREATED:20240924T145340Z
LAST-MODIFIED:20241016T184657Z
UID:10001601-1729539000-1729544400@vpa.uncg.edu
SUMMARY:The Sequence Quartet
DESCRIPTION:https://youtube.com/live/iJ6i-98R0n0?feature=share\n\n\n\n\n\nDownload Program\n\n\n\n\n\n\n\n\nThe Sequence Quartet is a euphonium quartet founded in August 2020 at the Indiana University Jacobs School of Music. Its current members include Josh Bishop\, Caleb Harris\, Jack Lorens\, and Andrew Sallee. The quartet plays a wide variety of works including original euphonium quartet music\, wind band transcriptions\, and orchestral transcriptions. With multiple composers and arrangers in the ensemble\, the group is also committed to creating new works for the ensemble and pushing the boundaries of what the instrument can do. Since its founding\, the quartet has completed a regional tour and has been invited as guest performers at numerous Tuba/Euphonium conferences including the 2023 International Euphonium Tuba Festival and the 2023 International Tuba/Euphonium Conference. The quartet is committed to educating future generations of low brass students while also introducing the euphonium to a broader audience. 
URL:https://vpa.uncg.edu/single-event/the-sequence-quartet/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241026T193000
DTEND;TZID=America/New_York:20241026T210000
DTSTAMP:20260404T194830
CREATED:20240716T152918Z
LAST-MODIFIED:20241016T134851Z
UID:10001120-1729971000-1729976400@vpa.uncg.edu
SUMMARY:Collage
DESCRIPTION:The UNCG School of Music is proud to present our 17th annual performance of Collage at 7:30 PM on October 26\, 2024! We are excited to welcome audiences back to UNCG Auditorium for our most exciting event of the year with a new date! Get into the spooky spirit with special lighting\, haunting music\, and non-stop scintillating performances! \n\n\n\nCollage is captivating and totally unique\, featuring an incredible range of performers presenting one riveting work after another. Join School of Music students and many of our world-class faculty members for this non-stop evening of amazing performances. It’s not to be missed! \n\n\n\nAll ticket proceeds benefit the School of Music Collage Scholarship Fund. \n\n\n\nSectionAdultsSeniorsStudentsSection Afront orchestra\, mezzanine$27$22$17Section Bmiddle and rear orchestra\, lower balcony$20$16$12Section Cupper balcony$15$11$8\n\n\n\n\nPurchase Tickets
URL:https://vpa.uncg.edu/single-event/collage-5/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music,UCLS
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/07/collage-feature-image.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241104T193000
DTEND;TZID=America/New_York:20241104T210000
DTSTAMP:20260404T194830
CREATED:20241009T171040Z
LAST-MODIFIED:20241015T170521Z
UID:10001609-1730748600-1730754000@vpa.uncg.edu
SUMMARY:Clare Longendyke\, piano
DESCRIPTION:A pianist with “an artistic ferocity that captivated and astonished listeners” (Waverly Newspapers)\, Clare Longendyke is a soloist\, chamber musician\, and musical innovator who performs with American orchestras and on recital series around the world. Recent highlights include performances with orchestras in Minnesota\, Iowa\, Indiana\, and Virginia\, and the release of her debut solo CD in 2024\, …of dreams unveiled\, featuring works of Debussy\, Amy Williams\, and Anthony R. Green. The album debuted at #2 on the Traditional Classical Billboard Chart and was praised as “a work of remarkable pianistic invention” (The WholeNote)\, “delightfully daring\,” and “a CD that should not be missed” (EarRelevant).    \n\n\n\nA charming and charismatic performer\, Clare’s passion for the music she plays radiates through her artistry and in the way she speaks from the concert stage. She has a contagious commitment to the music of our time\, and her programming celebrates works by favorite composers of the past—Robert and Clara Schumann\, Beethoven\, and Debussy\, to name a few—while creating space for those that are paving the way towards classical music’s more inclusive future. One of the highlights of her career has been to collaborate with living composers to commission new works. She relishes the opportunity to put her stamp on pieces of music that will go on to be staples of the piano repertoire for centuries. In the last decade\, she has commissioned over 30 new solo and chamber music works and been involved in over 250 world premiere performances.  \n\n\n\nClare’s 2024/25 Season highlights include Carnegie Hall and collaborations with the Mankato Symphony Orchestra (MN) and Denver Young Artists Orchestra. Past appearances include The University of Chicago Presents\, The Schubert Club of Minnesota\, The Ordway Center for the Performing Arts (MN)\, Sandler Center for the Performing Arts (VA)\, The Palladium (IN)\, and Olin Arts Center (ME). Recent orchestral partners include Symphonicity (VA)\, Rochester Symphony Orchestra (MN)\, and the Oak Ridge Symphony (TN). Her playing has been heard on radio stations around the country\, including NPR’s Performance Today.  \n\n\n\nClare has lived and studied on both American coasts and abroad\, earning degrees at Boston University’s College of Fine Arts and her Master’s and Doctor of Music from the Indiana University Jacobs School of Music. An ardent Francophile and fluent French speaker\, she received the Fulbright-Harriet Hale Woolley Award in the Arts to study at the École normale de musique in Paris in 2009. She has served as Artist-in-Residence at The University of Chicago (2019–21) and the Rose-Hulman Institute of Technology in Terre Haute\, Indiana (2023–24).  \n\n\n\nFor Clare\, performance is just one aspect of her role as an ambassador for classical music in today’s world. The connections she makes on concert stages\, in classrooms\, and everywhere in between help to foster a greater sense of community for the classical music field that she cares about so deeply. 
URL:https://vpa.uncg.edu/single-event/clare-longendyke-piano/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
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DTSTART;TZID=America/New_York:20241105T173000
DTEND;TZID=America/New_York:20241105T190000
DTSTAMP:20260404T194830
CREATED:20240911T174838Z
LAST-MODIFIED:20241016T135151Z
UID:10001591-1730827800-1730833200@vpa.uncg.edu
SUMMARY:Shannon Thomas\, violin and Stijn DeCock\, piano
DESCRIPTION:Download Program\n\n\n\n\nA Tennessee native\, violinist Shannon Thomas has garnered a reputation for exciting\, thoughtful performances as a chamber musician\, soloist\, and in recital throughout North and South America\, Europe\, and Asia. Recent performing engagements have taken her to the Kennedy Center\, Spoleto Festival USA\, Carnegie Hall Stern Auditorium\, Bolivia’s Centro Sinfonico in La Paz\, and the Banff Centre where she has collaborated with distinguished artists such as the St. Lawrence String Quartet\, David Halen\, Richard King\, Wendy Chen\, Anita Pontremoli\, and Midori.  \n\n\n\nAs a chamber musician\, Shannon has performed at the Innsbrook Summer Music Festival\, Garth Newel Music Center\, Sarasota Music Festival\, Kneisel Hall\, ENCORE School for Strings\, Aspen Music Festival\, the International Clarinet Association National Conference (Belgium)\, Northwestern University\, and Brancaleoni International Music Festival (Italy). She is violinist of the Benzaiten Trio and performs regularly with the Bryant Park Chamber Players in New York City\, ProMusica Chamber Orchestra\, and IRIS Collective under the direction of Michael Stern. Shannon has recorded for Blue Griffin Records\, most recently releasing a CD celebrating the music of Lera Auerbach\, Ellen Zwilich\, and Jennifer Higdon.  \n\n\n\nInterested in sharing her enthusiasm for the arts through teaching\, Shannon is in demand as a pedagogue. She currently serves as Associate Professor of Violin at Florida State University and directs the Gabriel Del Orbe Violin Program in the Dominican Republic. In the summers\, she teaches at Green Mountain Chamber Music Festival and Hilton Head Chamber Music Institute. Previously on the faculties of University of Southern Mississippi\, the Cleveland Institute of Music Preparatory Division\, and Interlochen Arts Camp\, her students have been prizewinners and finalists at national competitions\, including MTNA and the Sphinx Competition. She has also taught at the Kinhaven Music School\, Stony Brook University Chamber Music Camp\, and Innsbrook Institute Summer Music Academy and Festival\, where she served as Education Director. Shannon has presented educational sessions and masterclasses at the National ASTA conference\, Florida Music Educators Association annual conference\, and the University of North Carolina at Chapel Hill’s Luby Violin Symposium. In addition\, she has served as an adjudicator and clinician for the Seattle Young Artists Music Festival Association and to MTNA and regional All-State orchestral auditions. She is co-artistic director of MusicBridges Tallahassee\, a non-profit that provides opportunities for youth to succeed through the power of music and diversity.  \n\n\n\nShannon earned a Doctorate of Musical Arts at the Cleveland Institute of Music\, where she was Paul Kantor’s teaching assistant. She received a Master of Music at Yale University and a Bachelor of Music at Vanderbilt University\, and also pursued graduate work at Arizona State University\, where she was the first student to be accepted into the Artist Diploma program. She studied chamber music with Peter Salaff\, Merry Peckham\, George Sopkin\, Christopher von Baeyer\, Laurie Smukler and members of the Juilliard\, Blair\, Tokyo\, and Cavani String Quartets. Her principal teachers have included Paul Kantor\, Cornelia Heard\, Jonathan Swartz\, Robert Lipsett\, and Ani Kavafian. She lives in Tallahassee\, Florida\, with her husband\, violinist Frank Trem\, and their morkie named Puccini.  \n\n\n\n\n\n\n\nHailed for his passionate and virtuosic piano playing by the East Hampton Star\, internationally acclaimed pianist Stijn De Cock maintains an active musical career as a soloist\, chamber musician\, and teaching artist in the US and abroad. His playing has been described as “alternating between the stormy and sublime\, while getting to the heart of the music” and was praised for its ability to create “a most compelling musical narrative (Amalfi Festival concert review).”  \n\n\n\nDr. De Cock’s concert seasons have included concerts on four continents\, from the US to Europe\, Asia\, and Africa. In recent concert seasons\, Dr. De Cock has appeared in Kenya\, Macau\, Taiwan\, Russia\, China\, Canada\, Italy\, France\, Belgium\, Poland\, the Czech Republic\, Greece\, and Spain\, in solo\, chamber\, and collaborative capacities. He has performed in prestigious music festivals around the world\, a selection of which include the Amalfi Coast International Music and Arts Festival\, PianoTexas\, Pianofest in the Hamptons\, the XIV NewSound Festival\, the Interventions New Music Festival at the Great Gallery of the Toledo Museum of Art\, the Prague International Piano Masterclasses\, and the Gijón International Piano Festival. Dr. De Cock has also been a major prize winner in multiple competitions\, including the Los Angeles International Liszt Competition\, the Ann Arbor Society for Musical Arts Young Artist Competition\, the Poland International Music Festival Piano Competition and the Prix des Jeunes and Lions Club music competitions in Belgium. As the founding director or the Brancaleoni International Music Festival\, Dr. De Cock has created a large-scale summer festival that offers a unique\, intensive\, and immersive artistic learning environment to the aspiring young pianists\, singers\, and string players from around the world in the beautiful Marche region of Italy. Also a sought after teaching artist\, Dr. De Cock has presented masterclasses and lecture-recitals in Naples\, Amalfi\, and Maiori\, at the Amalfi Coast International Music and Arts Festival in Italy\, the Charles University in Prague\, the Pardubice Conservatory in the Czech Republic\, Tangaza College and the Conservatoire de Kenya in Nairobi\, Kenya\, Wah Yan College and Lasalle College in Hong-Kong\, China\, Tunghai University in Taiwan\, and many more. Dr. De Cock has taught and held faculty positions at the State University of New York Fredonia\, the University of Michigan\, Schoolcraft College\, Albion College\, and the University of Wisconsin Stevens Point. He currently serves on the piano faculty of Florida State University as Associate Professor of Piano.  \n\n\n\nDr. De Cock hold a Premier Prix from the Royal Conservatory of Music in Brussels\, where he was trained in the tradition of Russian pianism by Evgeny Moguilevky\, a former student of Moscow Conservatory’s legendary teacher\, Heinrich Neuhaus\, whose formidable students included Sviatoslav Richter\, Emil Gilels\, and Radu Lupu. He also holds a Master’s Degree and Doctorate of Musical Arts from the University of Michigan\, which he pursued under tutelage of Logan Skelton. Dr. De Cock has also received guidance from artists such as Claude Frank\, Robert McDonald\, Yehoved Kaplinsky\, Julian Martin\, Matti Raekallio\, Boris Slutsky\, Malcolm Bilson\, Martin Katz\, Margot Garrett\, and Marilyn Horne.  \n\n\n\nDr. De Cock is an active member of the American Liszt Society\, the College Music Society\, and MTNA. His students have won prizes at state and international piano competitions\, gained admission to competitive undergraduate and graduate college programs and participated in international music festivals.
URL:https://vpa.uncg.edu/single-event/shannon-thomas-violin-and-stijn-decock-piano/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:School of Music
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241115T193000
DTEND;TZID=America/New_York:20241115T210000
DTSTAMP:20260404T194830
CREATED:20241114T230848Z
LAST-MODIFIED:20241114T231513Z
UID:10002040-1731699000-1731704400@vpa.uncg.edu
SUMMARY:Scott Rawls\, viola
DESCRIPTION:Kimberly Sparr\, violaJames Douglass\, piano \n\n\n\n\n\n\n\n\nDownload Program\n\n\n\n\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\n\n\n\nViolist Scott Rawls has appeared as soloist and chamber musician throughout the United States\, Canada\, Mexico\, Japan\, and Europe.  Recent chamber music endeavors include performances with Dmitry Sitkovetsky\, Branford Marsalis\, Sergey Antonov\, Michelle Cann and the Reynolda Quartet.  With the Nikkanen/Rawls/Bailey string trio\, he has played tours in Alaska\, Washington\, Arizona and Texas.  His solo and chamber music recordings can be heard on the Centaur\, CRI\, Nonesuch\, Capstone\, and Philips labels.   \n\n\n\nA strong proponent of new music\, Rawls has premiered dozens of new works by prominent composers.  Most notable\, he has toured extensively as a member of Steve Reich and Musicians.  As the violist in this ensemble\, he performed the numerous premieres of Daniel Variations\, The Cave and Three Tales by Steve Reich and Beryl Korot\, videographer. And under the auspices of presenting organizations such as the Wiener Festwochen\, Festival d’Automne a Paris\, Holland Festival\, Berlin Festival\, Spoleto Festival USA and the Lincoln Center Festival\, he has performed in major music centers around the world including London\, Vienna\, Rome\, Milan\, Tokyo\, Prague\, Amsterdam\, Brussels\, Los Angeles\, Chicago and New York.    \n\n\n\nUnder the baton of maestro Christopher Dragon\, he plays principal viola in the Greensboro Symphony Orchestra.  During the summer season\, Rawls plays principal in the festival orchestra at Brevard Music Center where he also coordinates the viola program.  He was also recently appointed principal viola of the Palm Beach Opera orchestra\, David Stern artistic director.  \n\n\n\nDr. Rawls currently serves as Professor of Viola and Chamber Music at The University of North Carolina at Greensboro. He holds a BM degree from Indiana University and a MM and DMA from State University of New York at Stony Brook. His major mentors include Abraham Skernick\, Georges Janzer\, John Graham and Julius Levine.  \n\n\n\n\n\n\n\n\n\n\n\nKimberly Sparr is Associate Professor of Viola at Louisiana State University. Equally skilled as a soloist\, chamber and orchestral violist\, she has garnered praise for her versatility and virtuosity across the United States and beyond. She is a founding member of the Atlantic Chamber Ensemble and is on faculty at the Brevard Music Festival. Sparr has also taught at the National Music Festival and the Summer Strings Academy for Girls.   \n\n\n\nAs an orchestral violist\, Sparr was the assistant principal violist of Virginia’s Richmond Symphony from 2008-13 and has performed with the Saint Paul Chamber Orchestra\, National Symphony Orchestra\, and the Washington National Opera\, among others. Her festival participation includes Jackson Hole Chamber Music; New Hampshire Music Festival; Tanglewood Music Center; the Verbier Festival Orchestra in Switzerland; Festival Mozaic and Cabrillo Festival of Contemporary Music in California; Sarasota Music Festival; and the Lake George Music Festival in New York. Recently\, she has been an invited guest with Agarita and the Harrington String Quartet.  \n\n\n\nSparr has appeared as a concerto soloist with the Amarillo Virtuosi\, the Pittsburgh Civic Orchestra\, the Texas Tech University Symphony Orchestra\, Colorado Music Festival Orchestra\, and the Lubbock Symphony Orchestra. An enthusiastic educator\, Dr. Sparr has previously served on the faculties of Texas Tech University\, The College of William and Mary\, and University of Maryland\, Baltimore County (UMBC). She also performs with the trio\, Scabaret.   \n\n\n\n\n\n\n\n\n\n\n\nAs a collaborative pianist\, James Douglass has performed across the United States\, Europe\, and China\, in genres as diverse as opera\, choral arts\, vocal arts\, chamber music\, jazz\, musical theater\, and cabaret. His performances have been heard on public radio and television broadcasts in Los Angeles\, New Orleans\, Nashville\, Mississippi\, and Alabama\, as well as the Welsh Television network in Great Britain\, and in venues such as Carnegie Weill Hall and the Liszt Academy (Budapest). Dr. Douglass has taught at Mississippi College\, Occidental College (Los Angeles)\, the University of Southern California\, and Middle Tennessee State University where he was director the of collaborative piano degree program. In the summer of 2004 he began teaching in the summer study program AIMS (American Institute of Musical Studies) in Graz\, Austria where has served variously as the instructor of collaborative piano and a vocal coach in the Lieder studios. He joined the faculty of the University of North Carolina at Greensboro in 2005 and is currently the Professor of Collaborative Piano\, director of the collaborative piano degrees program\, coordinator of chamber music activities\, and vocal coach. Dr. Douglass holds degrees in piano performance from the University of Alabama (BM\, MM) and the DMA in collaborative piano from the University of Southern California. He is also active as a clinician\, adjudicator\, and recording artist\, having released internationally (among other recordings) two CDs with soprano Hope Koehler of the songs of John Jacob Niles\, and most recently a recording of Othmar Schöck’s song cycle Das Stille Leuchten with the late mezzo-soprano Clara O’Brien. 
URL:https://vpa.uncg.edu/single-event/scott-rawls-viola/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
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DTSTART;TZID=America/New_York:20241118T193000
DTEND;TZID=America/New_York:20241118T210000
DTSTAMP:20260404T194830
CREATED:20240724T150514Z
LAST-MODIFIED:20241114T183337Z
UID:10001130-1731958200-1731963600@vpa.uncg.edu
SUMMARY:Sinfonia
DESCRIPTION:Program\n\n\n\nMarissa Guarriello\, conductorAnna Tschiegg-Baker\, graduate conductorDalton Guin\, graduate conductorSam Hollar\, guest composer and conductorDonny Walter\, guest conductor \n\n\n\nRILEY Flying \n\n\n\nPARRISH Boreas \n\n\n\nJAIME-DONJUAN A su merced\, Don José \n\n\n\nHOLLAR Masque of the Red Death \n\n\n\nCOLERIDGE-TAYLOR Danse negre \n\n\n\nHIRSCH Grand Central \n\n\n\n\n\n\n\n\nDownload Program\n\n\n\n\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\nhttps://youtube.com/live/x3-H-a_o49c?feature=share\n\n\n\n\n\nUNCG Orchestras\nThe vibrant UNCG Orchestra program has long been recognized for performance excellence\, adventurous programming\, and high artistic standards. A diversity of offerings allow students the opportunity to perform repertoire for ensembles ranging from the largest cornerstone and contemporary works for full orchestra\, to intimate pieces for chamber orchestra\, to string orchestra. \n\n\n\nStudents in the UNCG Orchestra program are dedicated to the performance\, study and cultivation of orchestral music of the highest quality. The UNCG Orchestras offer outstanding performances throughout the year and enhance the institutional spirit and community of UNCG. We seek to promote music education in the state of North Carolina and in our region by supporting secondary school orchestra programs and other organizations through our outreach activities and other annual events on campus.
URL:https://vpa.uncg.edu/single-event/sinfonia-9/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
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