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DTSTART;TZID=America/New_York:20261123T090000
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DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005489-1795424400-1795449600@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-11-23/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261123T173000
DTEND;TZID=America/New_York:20261123T190000
DTSTAMP:20261027T144427Z
CREATED:20261027T144422Z
LAST-MODIFIED:20261027T144427Z
UID:10005466-1795455000-1795460400@vpa.uncg.edu
SUMMARY:Angela Ho\, mezzo-soprano
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nchamber music\, music\, student recital\, studio recital\, trumpet\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/angela-ho-mezzo-soprano/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/09/student-recital-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261123T193000
DTEND;TZID=America/New_York:20261123T210000
DTSTAMP:20260831T201102Z
CREATED:20260831T201059Z
LAST-MODIFIED:20260831T201102Z
UID:10005392-1795462200-1795467600@vpa.uncg.edu
SUMMARY:Chamber Singers
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\n\nchamber music\, music\, student recital\, studio recital\, trumpet\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube\n\n\n\n\n\n\n\n\n\n\nCarole Ott\, conductor \n\n\n\n\n\n\n\n\nAbout the Program\n \n\n\n\nBack to Program \n\n\n\n\nUNCG Choirs\nThe mission of the UNCG Choirs is dedicated to the teaching\, performance\, study and cultivation of choral music of the highest quality representing not just the western choral canon but also choral music of other cultures by a diverse body of historical and new composers. We believe that the UNCG Choirs are a serious and distinctive medium of musical expression\, of vital service and importance to its members and to UNCG. Through ensemble performance\, we strive to create an environment of trust\, communication\, and expressive freedom\, to present outstanding performances throughout the year\, and to enhance the institutional sprit and character of UNCG. To music as an art and a profession\, the UNCG Choirs seek to bring increasing artistry\, understanding\, and respect by efforts within our own immediate sphere and by providing leadership and sponsorship to school choral programs and through cooperation with all other agencies pursuing similar musical goals. \n\n\n\n\nUNCG Choirs\n\n\n\n\nBack to Program
URL:https://vpa.uncg.edu/single-event/chamber-singers-7/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/04/choir-events-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261124T090000
DTEND;TZID=America/New_York:20261124T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005490-1795510800-1795536000@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-11-24/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261124T120000
DTEND;TZID=America/New_York:20261205T170000
DTSTAMP:20261026T010215Z
CREATED:20261026T010211Z
LAST-MODIFIED:20261026T010215Z
UID:10005457-1795521600-1796490000@vpa.uncg.edu
SUMMARY:Winter 2026 Senior BFA + BA Art Exhibition 
DESCRIPTION:Winter 2026 Senior BFA + BA Exhibition \n\n\n\n\n\n\n\nNovember 24 – December 5\, 2026\n\n\n\n Reception: Friday\, December 4th | 6-8P\n\n\n\nThe School of Art at UNC Greensboro and Greensboro Project Space are proud to announce the Winter 2026 Senior BFA + BA Exhibition. Highlighting the efforts of graduating seniors across disciplines\, this exhibition is a testament to the creative and academic accomplishments made by these artists. Working with photography\, animation\, printmaking & drawing\, and new media and design\, the exhibited works demonstrate a fine-tuned attention to detail\, ambitious exploration of material capabilities\, and expansiveness of concept. This exhibition demonstrates the persistence\, dedication to creative practice\, and openness to experimentation that defines the studio arts program at UNCG.
URL:https://vpa.uncg.edu/single-event/winter-2026-senior-bfa-ba-art-exhibition/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:College of Visual and Performing Arts,Greensboro Project Space,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/10/winter-2026-senior-BFA-BA-exhibition-flyer_8.5x11-scaled.jpg
ORGANIZER;CN="Greensboro Project Space":MAILTO:greensboroprojectspace@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261125T090000
DTEND;TZID=America/New_York:20261125T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005491-1795597200-1795622400@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-11-25/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261126T090000
DTEND;TZID=America/New_York:20261126T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005492-1795683600-1795708800@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-11-26/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261127T090000
DTEND;TZID=America/New_York:20261127T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005493-1795770000-1795795200@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-11-27/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261130T090000
DTEND;TZID=America/New_York:20261130T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005494-1796029200-1796054400@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-11-30/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261201T090000
DTEND;TZID=America/New_York:20261201T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005495-1796115600-1796140800@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-12-01/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261202T090000
DTEND;TZID=America/New_York:20261202T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005496-1796202000-1796227200@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-12-02/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261202T193000
DTEND;TZID=America/New_York:20261202T210000
DTSTAMP:20260831T201209Z
CREATED:20260831T201206Z
LAST-MODIFIED:20260831T201209Z
UID:10005393-1796239800-1796245200@vpa.uncg.edu
SUMMARY:Coro di Belle Voci
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\n\nchamber music\, music\, student recital\, studio recital\, trumpet\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube\n\n\n\n\n\n\n\n\n\n\nLindsay Kesselman\, conductor \n\n\n\n\n\n\n\n\nAbout the Program\n \n\n\n\nBack to Program \n\n\n\n\nUNCG Choirs\nThe mission of the UNCG Choirs is dedicated to the teaching\, performance\, study and cultivation of choral music of the highest quality representing not just the western choral canon but also choral music of other cultures by a diverse body of historical and new composers. We believe that the UNCG Choirs are a serious and distinctive medium of musical expression\, of vital service and importance to its members and to UNCG. Through ensemble performance\, we strive to create an environment of trust\, communication\, and expressive freedom\, to present outstanding performances throughout the year\, and to enhance the institutional sprit and character of UNCG. To music as an art and a profession\, the UNCG Choirs seek to bring increasing artistry\, understanding\, and respect by efforts within our own immediate sphere and by providing leadership and sponsorship to school choral programs and through cooperation with all other agencies pursuing similar musical goals. \n\n\n\n\nUNCG Choirs\n\n\n\n\nBack to Program
URL:https://vpa.uncg.edu/single-event/coro-di-belle-voci-7/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/04/choir-events-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261203T090000
DTEND;TZID=America/New_York:20261203T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005497-1796288400-1796313600@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-12-03/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261204T090000
DTEND;TZID=America/New_York:20261204T160000
DTSTAMP:20261102T144107Z
CREATED:20261102T141813Z
LAST-MODIFIED:20261102T144107Z
UID:10005498-1796374800-1796400000@vpa.uncg.edu
SUMMARY:The Cadence of Form
DESCRIPTION:The Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\n\n\n\n\n\n\n\n\n\nPublic Opening Reception\n\n\n\nThursday\, November 5 from 4–6 PM\n\n\n\n Artist Talk at 4:30 PM\n\n\n\n\nThe Cadence of Form: Pat Wasserboehr Explores the Interplay of Form\, Space\, and Movement \n\n\n\nAn exhibition celebrating a distinguished sculptural practice shaped by modernist traditions\, architectural principles\, and the human body.  \n\n\n\n In The Cadence of Form\, sculptor Pat Wasserboehr brings together modernist influences\, architectural sensibilities\, and references to the human body in a sustained exploration of form\, space\, and movement. Grounded in her enduring commitment to formalism\, Wasserboehr’s work examines the relationships between internal and external forms\, the spaces they define\, and the rhythms that emerge through their arrangement. Her sculptures invite viewers to consider the essential elements of three-dimensional composition\, where balance\, tension\, structure\, and movement become the primary language of expression.  \n\n\n\nWorking in stone\, plaster\, and wood\, Wasserboehr investigates the physical properties of her materials through a precise and deliberate process of modeling and construction. Her compositions explore the interplay of mass and void\, strength and suspension\, and stability and movement. Rather than relying on narrative\, she emphasizes the visual and spatial relationships that give each work its presence\, revealing how subtle shifts in form and structure can transform the experience of an object and its surrounding space.  \n\n\n\nWasserboehr’s artistic practice is informed by a distinguished academic career spanning more than four decades at the University of North Carolina at Greensboro (UNCG)\, where she taught in the School of Art from 1982 to 2024. As Head of the School from 1998 to 2010\, she helped shape its development and influenced generations of artists and art educators. Her broader teaching experience includes Boston University’s School of Visual Art and the University of Massachusetts Summer Studies Abroad Program in La Napoule\, France. Throughout her career\, she has presented sculpture demonstrations and lectures at academic institutions\, conferences\, and artist residencies in the Southeast and abroad.  \n\n\n\nInternational residencies have played an important role in her professional development\, including the University of Georgia’s Summer Program in Cortona\, Italy; Salem2Salem\, organized by Salem Art Works in Salem\, New York\, and Salem\, Baden-Württemberg\, Germany; and the Dietz Atelier Residency in Eberdingen\, Germany. Since 2014\, Wasserboehr has also been engaged in the evolving field of digital stone milling and carving through residencies with the Digital Stone Project\, where she serves as a board member. This work reflects an ongoing interest in the relationship between traditional sculptural processes and emerging technologies\, expanding the possibilities of working with stone.  \n\n\n\nHer sculpture has been exhibited regionally\, nationally\, and internationally. Selected venues include the Muscarelle Museum of Art in Williamsburg\, Virginia; the Fine Arts Museum of the South in Mobile\, Alabama; the Limner Gallery in Hudson\, New York; City Gallery in Lexington\, Kentucky; and the Phoenix Gallery in Chelsea\, New York. International exhibitions have included presentations at the Cathedral of San Christoforo in Barga\, Italy; Galleria Giovanni Bonelli in Pietrasanta\, Italy; the Historischen Bibliothek von Schloss Salem in Salem\, Germany; Enterprise Square Galleries in Alberta\, Canada; and the Shaanxi Provincial Museum of Fine Arts in Xi’an\, China. Her work has also been featured in Art of the State: Celebrating the Visual Art of North Carolina\, published by UNC Press\, and she is included in Virginia Watson Jones’s Contemporary American Women Sculptors.  \n\n\n\nWith The Cadence of Form\, Wasserboehr’s sculptures offer an opportunity to experience the enduring relevance of formalist sculpture through a practice that bridges modernist thought\, architectural structure\, material investigation\, and the expressive potential of the human form. Her work demonstrates a sustained commitment to understanding how sculptural elements interact\, how space becomes an active component of composition\, and how material itself informs the visual experience.  \n\n\n\nWe are honored to present Pat Wasserboehr’s work here in North Carolina\, a state where her artistic practice and educational leadership have contributed to the development of its creative community. The Cadence of Form celebrates not only her substantial artistic legacy but also her continuing exploration of the possibilities of contemporary sculpture.  \n\n\n\nExhibition Information\n\n\n\nThe Cadence of Form Pat Wasserboehr Gatewood Gallery\, UNCG October 29 – December 4\, 2026\, hours 9-4 pm\, M-F Greensboro\, North Carolina Contact: Gallery Director\, Professor Mariam Aziza Stephan\, mastepha@uncg.edu 
URL:https://vpa.uncg.edu/single-event/the-cadence-of-form/2026-12-04/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/11/Gatewood-edited.jpg
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261204T193000
DTEND;TZID=America/New_York:20261204T210000
DTSTAMP:20260925T200050Z
CREATED:20260910T181146Z
LAST-MODIFIED:20260925T200050Z
UID:10005405-1796412600-1796418000@vpa.uncg.edu
SUMMARY:The Steve Haines Trio with special guest Joey Calderazzo
DESCRIPTION:Experience straight-ahead jazz with The Steve Haines Trio\, featuring the powerhouse rhythm section of internationally renowned pianist Joey Calderazzo\, bassist Steve Haines and drummer Kobie Watkins. Having locked into a swinging musical language for over 15 years\, they provide a propulsive foundation that serves both the curiosity and soulfulness of the jazz tradition. The trio is joined by a heavyweight saxophonist and luminary Gregory Tardy. He brings a fresh\, creative spark to this group\, providing spontaneous melodies for the rhythm section. This performance promises an evening of world-class musicianship\, characterized by interplay\, deep grooves\, and the kind of improvisation that only happens when seasoned masters share the stage. \n\n\n\n\n\n\n\nThe Miles Davis Jazz Studies Program at UNCG is a unique and innovative undergraduate jazz program designed to emulate the traditional process of learning jazz\, through a combination of mentorship\, real-world playing experiences\, and a communal approach to learning. Although the program is housed in one of the largest music schools in the Southeast\, it is kept intentionally small\, resulting in an intensive and highly personalized learning environment. \n\n\n\n UNCG offers the following degree programs for students interested in studying Jazz: \n\n\n\n\nBachelor of Music (B.M.) – Performance\n\n\n\nPost-Baccalaureate Certificate in Jazz Studies\n\n\n\n\n\n\nTicketPriceAdult$30.73Seniors$19.76Students$8.78Ticket prices include all ticket fees and taxes.\n\n\n\n\nPurchase Tickets
URL:https://vpa.uncg.edu/single-event/haines-trio-with-joey-calderazzo/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/09/haines-trio-calderazzo-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261204T193000
DTEND;TZID=America/New_York:20261204T213000
DTSTAMP:20260820T143836Z
CREATED:20260820T143626Z
LAST-MODIFIED:20260820T143836Z
UID:10005343-1796412600-1796419800@vpa.uncg.edu
SUMMARY:First Year BFA Performance Showcase
DESCRIPTION:Dates:Friday\, December 4 at 7:30 p.m.Saturday\, December 5 at 7:30 p.m. \n\n\n\nTickets: Call the UNCG Theatre Box Office at 336.334.4392 or click the button below to purchase tickets online. \n\n\n\nReserve Tickets at Etix \n\n\n\nAge Rating: PG-13Run Time: Approx. 2 hoursProduction Location: Pam and David Sprinkle (Brown Building)\, 402 Tate St\, Greensboro\, NC 27412 \n\n\n\nSummary: \n\n\n\nThe BFA Acting and Musical Theatre students present a series of scenes that highlight their journey through realism and foundational acting techniques. Join us to celebrate their passion for storytelling as they perform American contemporary scene work from their studio classroom.
URL:https://vpa.uncg.edu/single-event/first-year-bfa-performance-showcase/2026-12-04/
LOCATION:Pam and David Sprinkle Theatre\, 402 Tate Street\, Greensboro\, NC\, 27403\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261205T193000
DTEND;TZID=America/New_York:20261205T213000
DTSTAMP:20260820T143836Z
CREATED:20260820T143626Z
LAST-MODIFIED:20260820T143836Z
UID:10005344-1796499000-1796506200@vpa.uncg.edu
SUMMARY:First Year BFA Performance Showcase
DESCRIPTION:Dates:Friday\, December 4 at 7:30 p.m.Saturday\, December 5 at 7:30 p.m. \n\n\n\nTickets: Call the UNCG Theatre Box Office at 336.334.4392 or click the button below to purchase tickets online. \n\n\n\nReserve Tickets at Etix \n\n\n\nAge Rating: PG-13Run Time: Approx. 2 hoursProduction Location: Pam and David Sprinkle (Brown Building)\, 402 Tate St\, Greensboro\, NC 27412 \n\n\n\nSummary: \n\n\n\nThe BFA Acting and Musical Theatre students present a series of scenes that highlight their journey through realism and foundational acting techniques. Join us to celebrate their passion for storytelling as they perform American contemporary scene work from their studio classroom.
URL:https://vpa.uncg.edu/single-event/first-year-bfa-performance-showcase/2026-12-05/
LOCATION:Pam and David Sprinkle Theatre\, 402 Tate Street\, Greensboro\, NC\, 27403\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270205T200000
DTEND;TZID=America/New_York:20270205T200000
DTSTAMP:20260813T153804Z
CREATED:20260512T164856Z
LAST-MODIFIED:20260813T153804Z
UID:10003933-1801857600-1801857600@vpa.uncg.edu
SUMMARY:Samara Joy
DESCRIPTION:A native of the Bronx\, Samara Joy became entranced by classic R&B as a child and cut her teeth as a singer in her church’s gospel choir. And while her family history is deeply musical—her grandparents helmed the Philadelphia gospel group the Savettes\, and her father\, the musician and songwriter Antonio McLendon\, has produced\, composed and arranged his own astounding original work—she didn’t delve into the jazz tradition until a college student at SUNY Purchase. During her studies there\, she won the 2019 Sarah Vaughan International Jazz Vocal Competition\, which introduced her to the larger jazz scene as a rising star to watch. She was heard\, by audiences and critics alike\, as a masterful interpreter of jazz standards and a rightful heiress of the sound\, technique\, and charisma that defined her jazz heroines—including Vaughan\, Betty Carter\, Abbey Lincoln\, and Carmen McRae.     \n\n\n\nJoy released her self-titled debut on the Whirlwind label in 2021\, followed a year later by Linger Awhile\, her breakout Verve debut\, of which DownBeat wrote\, “With this beautiful recording\, a silky-voiced star is born.” The album earned her a Grammy for Best Jazz Vocal Album in addition to a headline-making win for Best New Artist. A deluxe edition of the album was released\, as well as the EP A Joyful Holiday\, which took home Grammys for Best Jazz Vocal Album and Best Jazz Performance in 2025. Her new Verve album\, Portrait\, which Joy co-produced with the veteran trumpeter/bandleader and multi-Grammy winner Brian Lynch\, showcases the intimate\, soulful chemistry that she’s developed with her touring band\, already earning her an NAACP Image Award for Best Jazz Album. Portrait also spotlights her burgeoning gifts as a lyricist in ingenious arrangements that meld her thoughtful words with music by Charles Mingus\, Sun Ra\, and her late mentor Barry Harris.   \n\n\n\n\n\n\nTickets & Pricing\n\n\n\n\n\nTicket TypeOrchestra/MezzUNCG Students$7.50Regional Students$15.00UNCG Faculty/Staff$25.00Adults$58.00Seniors/Military$48.00Children (K-12)$20.00\n\n\n\n\nPURCHASE TICKETS\n\n\n\n\n\n\n* Tickets to CVPA and UCLS events are sold exclusively through our box office locations and ETix website\, and nowhere else. Tickets purchased through third-party vendors cannot be honored. \n\n\n\n\n\n\n\n\n\nIn addition to public presentations\, artists in the UCLS series have important interactions with UNCG students\, such as holding masterclasses\, talkback sessions\, and seminars\, often just hours before performing on stage. Thanks to a grant from The Cemala Foundation\, some of these artists also work with K-12 students in the Guilford County Schools.
URL:https://vpa.uncg.edu/single-event/samara-joy/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music,UCLS
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/05/SamaraJoyFeatured-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270206T193000
DTEND;TZID=America/New_York:20270206T213000
DTSTAMP:20260820T154118Z
CREATED:20260819T194510Z
LAST-MODIFIED:20260820T154118Z
UID:10005341-1801942200-1801949400@vpa.uncg.edu
SUMMARY:Taylor Takeback ‘27
DESCRIPTION:Conceived by Dominick Amendum\, Jennifer Vellenga\, and Jim WrenDirected by Jim Wren \n\n\n\nDates:Saturday\, February 6 at 7:30 p.m.Sunday\, February 7 at 2p.m. \n\n\n\nTickets: Call the UNCG Theatre Box Office at 336.334.4392 after Aug. 24 or click the button below to purchase tickets online. \n\n\n\nPurchase Tickets at Etix \n\n\n\nAge Rating: PG-13Run Time: Approx. 1 hours and 45 minutesProduction Location: Taylor Theatre\, 406 Tate St\, Greensboro\, NC 27412 \n\n\n\nSummary: \n\n\n\nCelebrate our long-awaited return to Taylor Theatre for an unforgettable evening of scenes and songs. Audiences are invited back into the space to experience it anew\, as current students bring to life excerpts from plays and musicals that have shaped Taylor’s artistic legacy. Directed by Emeritus faculty member Jim Wren\, with music direction by alumnus and Artist-in-Residence Dominick Amendum\, this dynamic performance bridges past and present by honoring the artists\, stories\, and community that define the School of Theatre. Join us as we launch an exciting new chapter and celebrate the power of coming home.
URL:https://vpa.uncg.edu/single-event/taylor-takeback-27/2027-02-06/
LOCATION:UNCG Taylor Theatre\, 406 Tate St\, Greensboro\, NC 27403\, USA\, 406 Tate St\, Greensboro\, NC\, 27403\, United States
CATEGORIES:College of Visual and Performing Arts,College of Visual and Performing Arts,School of Theatre
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270207T140000
DTEND;TZID=America/New_York:20270207T160000
DTSTAMP:20260820T154118Z
CREATED:20260819T194510Z
LAST-MODIFIED:20260820T154118Z
UID:10005342-1802008800-1802016000@vpa.uncg.edu
SUMMARY:Taylor Takeback ‘27
DESCRIPTION:Conceived by Dominick Amendum\, Jennifer Vellenga\, and Jim WrenDirected by Jim Wren \n\n\n\nDates:Saturday\, February 6 at 7:30 p.m.Sunday\, February 7 at 2p.m. \n\n\n\nTickets: Call the UNCG Theatre Box Office at 336.334.4392 after Aug. 24 or click the button below to purchase tickets online. \n\n\n\nPurchase Tickets at Etix \n\n\n\nAge Rating: PG-13Run Time: Approx. 1 hours and 45 minutesProduction Location: Taylor Theatre\, 406 Tate St\, Greensboro\, NC 27412 \n\n\n\nSummary: \n\n\n\nCelebrate our long-awaited return to Taylor Theatre for an unforgettable evening of scenes and songs. Audiences are invited back into the space to experience it anew\, as current students bring to life excerpts from plays and musicals that have shaped Taylor’s artistic legacy. Directed by Emeritus faculty member Jim Wren\, with music direction by alumnus and Artist-in-Residence Dominick Amendum\, this dynamic performance bridges past and present by honoring the artists\, stories\, and community that define the School of Theatre. Join us as we launch an exciting new chapter and celebrate the power of coming home.
URL:https://vpa.uncg.edu/single-event/taylor-takeback-27/2027-02-07/
LOCATION:UNCG Taylor Theatre\, 406 Tate St\, Greensboro\, NC 27403\, USA\, 406 Tate St\, Greensboro\, NC\, 27403\, United States
CATEGORIES:College of Visual and Performing Arts,College of Visual and Performing Arts,School of Theatre
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270211T193000
DTEND;TZID=America/New_York:20270211T210000
DTSTAMP:20260820T205634Z
CREATED:20260820T205629Z
LAST-MODIFIED:20260820T205634Z
UID:10005375-1802374200-1802379600@vpa.uncg.edu
SUMMARY:Symphonic Band
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\n\nchamber music\, music\, student recital\, studio recital\, trumpet\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube\n\n\n\n\n\n\n\n\n\n\nJonathan Caldwell\, conductorStephanie Ycaza\, tubaMolly Allman\, graduate conductor \n\n\n\nProgram\n\n\n\nJOHN PHILIP SOUSAThe Fairest of the Fair (1908) \n\n\n\nKELIJAH DUNTONStillwater (2019) \n\n\n\nVINCENT PERSICHETTIDivertimento\, op. 42 (1949) \n\n\n\nBRUCE BROUGHTONTurbulence (2013/2016) \n\n\n\nGERMAINE TAILLEFERREDeuxième suite pour orchestre [Les paysages de France] (1949/1999)arranged by Désiré Dondeyne \n\n\n\nNUBIA JAIME-DONJUANDanzon No. 3\, “The Lone Pine” (2026) \n\n\n\n\nAbout the Program\n \n\n\n\nBack to Program \n\n\n\n\nAbout the Soloist\n\n\n\n\nStephanie Ycaza is Assistant Professor of Tuba and Euphonium at the University of North Carolina at Greensboro. She previously held the position of Instructor of Tuba and Euphonium at the University of Northern Iowa\, and has also served on the music faculties of Virginia Commonwealth University\, Virginia State University\, Longwood University\, the University of Richmond\, and Shenandoah University. Stephanie is active as a masterclass teacher and as a clinician for middle and high school bands.  \n\n\n\nStephanie is a founding member of Calypsus Brass\, a brass quintet dedicated to performing new works and providing high-quality recordings for composers. Calypsus is committed to promoting the works of composers from historically marginalized groups\, and serves as an Ensemble-in-Residence for Rising Tide Music Press. Stephanie is Principal Tuba of the Waterloo-Cedar Falls Symphony\, and has also performed with the Virginia Symphony\, the Williamsburg Symphony\, the Capital Wind Symphony\, and the Virginia Grand Military band. She has also contributed to recording projects at Spacebomb Records in Richmond\, VA. Stephanie’s recent solo performances have focused on music for tuba with electronic accompaniment\, music by women composers\, and her own transcriptions and arrangements for low brass. She has appeared as a soloist at the International Tuba Euphonium Conference\, the Northeast\, Southeast\, and Midwest Regional ITEA Conferences\, the Army Band Tuba-Euphonium Workshop\, and the International Women’s Brass Conference. Stephanie also writes and gives presentations on the topic of mindfulness in the practice and performance of music.  \n\n\n\nStephanie holds a Doctor of Musical Arts degree from Shenandoah University\, a Master of Music degree and Artist Diploma from Yale University\, and a Bachelor of Music degree from Virginia Commonwealth University. She studied with Dr. Ross Walter\, Toby Hanks\, Mike Roylance\, Andrew Hitz\, and Michael Bunn. Stephanie is a Miraphone tuba artist.  \n\n\n\nBack to Program \n\n\n\n\nUNCG Bands\nThe UNCG Bands are devoted to the performance\, study\, and advancement of wind band music at the highest artistic level. Recognized as one of the nation’s premier collegiate band programs\, the UNCG Bands maintain an active and distinguished record of excellence through performances\, recordings\, tours\, and appearances at major conventions. \n\n\n\nThrough exemplary organization\, training\, and presentation\, the UNCG Bands offer exceptional musical experiences for our members and share outstanding performances throughout the year. Together\, we enrich the cultural life\, spirit\, and character of UNCG. \n\n\n\nThe UNCG Bands also proudly support music education across North Carolina and throughout the region by providing leadership\, mentorship\, and sponsorship to secondary school band programs and other musical organizations. \n\n\n\n\nUNCG Bands\n\n\n\n\nBack to Program
URL:https://vpa.uncg.edu/single-event/symphonic-band-14/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/07/PIC24762-MUS_Wind_Ensemble_0639-3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270216T193000
DTEND;TZID=America/New_York:20270216T210000
DTSTAMP:20260824T170851Z
CREATED:20260824T170845Z
LAST-MODIFIED:20260824T170851Z
UID:10005383-1802806200-1802811600@vpa.uncg.edu
SUMMARY:Concert Band
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\n\nchamber music\, music\, student recital\, studio recital\, trumpet\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube\n\n\n\n\n\n\n\n\n\n\nPatty Saunders\, conductorJaden Brown\, conductor \n\n\n\n\n\n\n\n\nAbout the Program\n \n\n\n\nBack to Program \n\n\n\n\nUNCG Bands\nThe UNCG Bands are devoted to the performance\, study\, and advancement of wind band music at the highest artistic level. Recognized as one of the nation’s premier collegiate band programs\, the UNCG Bands maintain an active and distinguished record of excellence through performances\, recordings\, tours\, and appearances at major conventions. \n\n\n\nThrough exemplary organization\, training\, and presentation\, the UNCG Bands offer exceptional musical experiences for our members and share outstanding performances throughout the year. Together\, we enrich the cultural life\, spirit\, and character of UNCG. \n\n\n\nThe UNCG Bands also proudly support music education across North Carolina and throughout the region by providing leadership\, mentorship\, and sponsorship to secondary school band programs and other musical organizations. \n\n\n\n\nUNCG Bands\n\n\n\n\nBack to Program
URL:https://vpa.uncg.edu/single-event/concert-band-13/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2024/07/PIC24762-MUS_Wind_Ensemble_0639-3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270217T173000
DTEND;TZID=America/New_York:20270217T190000
DTSTAMP:20260902T153227Z
CREATED:20260902T153224Z
LAST-MODIFIED:20260902T153227Z
UID:10005394-1802885400-1802890800@vpa.uncg.edu
SUMMARY:Coro di Belle Voci
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\n\nchamber music\, music\, student recital\, studio recital\, trumpet\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube\n\n\n\n\n\n\n\n\n\n\nLindsay Kesselman\, conductor \n\n\n\n\n\n\n\n\nAbout the Program\n \n\n\n\nBack to Program \n\n\n\n\nUNCG Choirs\nThe mission of the UNCG Choirs is dedicated to the teaching\, performance\, study and cultivation of choral music of the highest quality representing not just the western choral canon but also choral music of other cultures by a diverse body of historical and new composers. We believe that the UNCG Choirs are a serious and distinctive medium of musical expression\, of vital service and importance to its members and to UNCG. Through ensemble performance\, we strive to create an environment of trust\, communication\, and expressive freedom\, to present outstanding performances throughout the year\, and to enhance the institutional sprit and character of UNCG. To music as an art and a profession\, the UNCG Choirs seek to bring increasing artistry\, understanding\, and respect by efforts within our own immediate sphere and by providing leadership and sponsorship to school choral programs and through cooperation with all other agencies pursuing similar musical goals. \n\n\n\n\nUNCG Choirs\n\n\n\n\nBack to Program
URL:https://vpa.uncg.edu/single-event/coro-di-belle-voci-8/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/04/choir-events-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270217T193000
DTEND;TZID=America/New_York:20270217T210000
DTSTAMP:20260903T142105Z
CREATED:20260903T142011Z
LAST-MODIFIED:20260903T142105Z
UID:10005398-1802892600-1802898000@vpa.uncg.edu
SUMMARY:Symphony Orchestra
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\n\nchamber music\, music\, student recital\, studio recital\, trumpet\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nJungho Kim\, conductor \n\n\n\nProgram\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAbout the Program\n \n\n\n\nBack to Program \n\n\n\n\nAbout the Soloist\n \n\n\n\n\nUNCG Orchestras\nThe vibrant UNCG Orchestra program has long been recognized for performance excellence\, adventurous programming\, and high artistic standards. A diversity of offerings allow students the opportunity to perform repertoire for ensembles ranging from the largest cornerstone and contemporary works for full orchestra\, to intimate pieces for chamber orchestra\, to string orchestra. \n\n\n\nStudents in the UNCG Orchestra program are dedicated to the performance\, study and cultivation of orchestral music of the highest quality. The UNCG Orchestras offer outstanding performances throughout the year and enhance the institutional spirit and community of UNCG. We seek to promote music education in the state of North Carolina and in our region by supporting secondary school orchestra programs and other organizations through our outreach activities and other annual events on campus. \n\n\n\n\nUNCG Orchestras\n\n\n\n\nBack to Program
URL:https://vpa.uncg.edu/single-event/symphony-orchestra-12/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/11/symphony-orchestra-collage-FA25-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270219T193000
DTEND;TZID=America/New_York:20270219T210000
DTSTAMP:20260812T135608Z
CREATED:20260812T135605Z
LAST-MODIFIED:20260812T135608Z
UID:10003991-1803065400-1803070800@vpa.uncg.edu
SUMMARY:Wind Ensemble
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\n\nchamber music\, music\, student recital\, studio recital\, trumpet\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube\n\n\n\n\n\n\n\n\n\n\n\n\n36th Annual Carolina Band Festival and Conductors Conference \n\n\n\nJonathan Caldwell\, conductorCaroline Beatty\, guest conductorErin Bodnar\, guest conductorDamon Talley\, guest conductor \n\n\n\nProgram\n\n\n\nPAUL DOOLEYFantasy of Colors (2025) \n\n\n\nROGER DICKERSONEssay for Band (1958) \n\n\n\nSHUYING LICoping Cadences (2025/2026) \n\n\n\nGABRIELA ORTIZKauyumari (2021/2022)transcribed by Michael Bignolo \n\n\n\nJOHN MACKEY The Frozen Cathedral (2012) \n\n\n\n\nAbout the Program\nThe UNCG Wind Ensemble presents a program exploring color\, rhythm\, resilience\, and reflection. Paul Dooley’s Fantasy of Colors and Roger Dickerson’s Essay for Band highlight the range and expressive power of contemporary wind music. Shuying Li’s Coping Cadences will feature a sextet of UNCG faculty musicians. \n\n\n\nGabriela Ortiz’s Kauyumari\, arranged by Michael Brignolo\, draws inspiration from the blue deer of Huichol mythology. The concert concludes with John Mackey’s monumental The Frozen Cathedral\, premiered by the UNCG Wind Ensemble in 2012. \n\n\n\n\n\n\nAbout the Wind Ensemble\n\n\n\n\nThe UNCG Wind Ensemble is the premier wind band of the UNCG School of Music\, uniting fifty outstanding musicians from across the United States and around the world. Its members—ranging from first‑year undergraduates to master’s and doctoral students in performance and music education—are selected through a highly competitive audition process. Ensemble musicians regularly earn top solo and chamber awards\, competitive scholarships and fellowships\, and professional positions in orchestras\, military bands\, teaching\, and arts leadership. Current students represent seventeen states\, Slovenia\, and Hong Kong. \n\n\n\nFor decades\, the ensemble has built a distinguished record of artistic excellence\, with acclaimed performances at the John F. Kennedy Center for the Performing Arts\, Lincoln Center\, and leading venues throughout the eastern United States. Its catalog of more than twenty commercial recordings has received national recognition and helped position UNCG as a leader in wind band performance\, commissioning\, and recording. \n\n\n\nThe Wind Ensemble has been featured at major national and regional conferences of the College Band Directors National Association (CBDNA)\, National Band Association (NBA)\, American Bandmasters Association (ABA)\, and Music Educators National Conference (MENC). The ensemble has also collaborated with prominent composers and performers\, including Pulitzer Prize–winning composer Karel Husa and other influential figures in the field. \n\n\n\nRecent highlights include performances at the Music Center at Strathmore; a joint concert with the United States Army Band “Pershing’s Own”; a twelve‑day international tour through the Czech Republic\, Austria\, and Italy\, culminating in a featured performance at Prague’s renowned Dvořák Hall; and a tour of the Southern United States that concluded with an appearance at the national conference of the College Band Directors National Association. \n\n\n\nBack to Program \n\n\n\n\nUNCG Bands\nThe UNCG Bands are devoted to the performance\, study\, and advancement of wind band music at the highest artistic level. Recognized as one of the nation’s premier collegiate band programs\, the UNCG Bands maintain an active and distinguished record of excellence through performances\, recordings\, tours\, and appearances at major conventions. \n\n\n\nThrough exemplary organization\, training\, and presentation\, the UNCG Bands offer exceptional musical experiences for our members and share outstanding performances throughout the year. Together\, we enrich the cultural life\, spirit\, and character of UNCG. \n\n\n\nThe UNCG Bands also proudly support music education across North Carolina and throughout the region by providing leadership\, mentorship\, and sponsorship to secondary school band programs and other musical organizations. \n\n\n\n\nUNCG Bands\n\n\n\n\nBack to Program
URL:https://vpa.uncg.edu/single-event/wind-ensemble-feb-2027/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/07/denali-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270219T193000
DTEND;TZID=America/New_York:20270219T213000
DTSTAMP:20260820T154009Z
CREATED:20260820T145318Z
LAST-MODIFIED:20260820T154009Z
UID:10005345-1803065400-1803072600@vpa.uncg.edu
SUMMARY:Urinetown
DESCRIPTION:Music and Lyrics by Mark HollmannBook and Lyrics by Greg KotisDirected by: Tug Watson \n\n\n\nDates:Friday\, February 19 at 7:30 p.m.Saturday\, February 20 at 7:30 p.m.Sunday\, February 21 at 2:00 p.m.Thursday\, February 25 at 7:30 p.m.Friday\, February 26 at 7:30 p.m.Saturday\, February 27 at 7:30 p.m.Sunday\, February 28 at 2:00 p.m. \n\n\n\nTickets: Call the UNCG Theatre Box Office at 336.334.4392 after Aug. 24 or click the button below to purchase tickets online. \n\n\n\nPurchase Tickets at Etix \n\n\n\nAge Rating: PG-13Run Time: Approx. 1 hours and 45 minutesProduction Location: Pam and David Sprinkle (Brown Building)\, 402 Tate St\, Greensboro\, NC 27412 \n\n\n\nSummary: \n\n\n\nWinner of multiple Tony\, Obie\, and Outer Critics Circle Awards\, Urinetown is a wildly inventive musical satire that hilariously skewers politics\, capitalism\, environmental collapse\, and even musical theatre itself. In a drought-ravaged city where private toilets are outlawed\, citizens must pay a corrupt corporation for the right to use public restrooms. When an unlikely hero sparks a rebellion against the system\, chaos\, comedy\, and revolution collide in this sharp-witted\, darkly funny\, and surprisingly heartfelt theatrical sensation inspired by the works of Bertolt Brecht and Kurt Weill. \n\n\n\nUrinetown is presented through special arrangement with Musical Theatre International (MTI). All authorized performance materials are supplied by MTI. www.MTISHOWS.com
URL:https://vpa.uncg.edu/single-event/urinetown/2027-02-19/
LOCATION:Pam and David Sprinkle Theatre\, 402 Tate Street\, Greensboro\, NC\, 27403\, United States
CATEGORIES:College of Visual and Performing Arts,College of Visual and Performing Arts,School of Theatre
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270220T193000
DTEND;TZID=America/New_York:20270220T213000
DTSTAMP:20260820T154009Z
CREATED:20260820T145318Z
LAST-MODIFIED:20260820T154009Z
UID:10005346-1803151800-1803159000@vpa.uncg.edu
SUMMARY:Urinetown
DESCRIPTION:Music and Lyrics by Mark HollmannBook and Lyrics by Greg KotisDirected by: Tug Watson \n\n\n\nDates:Friday\, February 19 at 7:30 p.m.Saturday\, February 20 at 7:30 p.m.Sunday\, February 21 at 2:00 p.m.Thursday\, February 25 at 7:30 p.m.Friday\, February 26 at 7:30 p.m.Saturday\, February 27 at 7:30 p.m.Sunday\, February 28 at 2:00 p.m. \n\n\n\nTickets: Call the UNCG Theatre Box Office at 336.334.4392 after Aug. 24 or click the button below to purchase tickets online. \n\n\n\nPurchase Tickets at Etix \n\n\n\nAge Rating: PG-13Run Time: Approx. 1 hours and 45 minutesProduction Location: Pam and David Sprinkle (Brown Building)\, 402 Tate St\, Greensboro\, NC 27412 \n\n\n\nSummary: \n\n\n\nWinner of multiple Tony\, Obie\, and Outer Critics Circle Awards\, Urinetown is a wildly inventive musical satire that hilariously skewers politics\, capitalism\, environmental collapse\, and even musical theatre itself. In a drought-ravaged city where private toilets are outlawed\, citizens must pay a corrupt corporation for the right to use public restrooms. When an unlikely hero sparks a rebellion against the system\, chaos\, comedy\, and revolution collide in this sharp-witted\, darkly funny\, and surprisingly heartfelt theatrical sensation inspired by the works of Bertolt Brecht and Kurt Weill. \n\n\n\nUrinetown is presented through special arrangement with Musical Theatre International (MTI). All authorized performance materials are supplied by MTI. www.MTISHOWS.com
URL:https://vpa.uncg.edu/single-event/urinetown/2027-02-20/
LOCATION:Pam and David Sprinkle Theatre\, 402 Tate Street\, Greensboro\, NC\, 27403\, United States
CATEGORIES:College of Visual and Performing Arts,College of Visual and Performing Arts,School of Theatre
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270221T140000
DTEND;TZID=America/New_York:20270221T160000
DTSTAMP:20260820T154009Z
CREATED:20260820T145318Z
LAST-MODIFIED:20260820T154009Z
UID:10005347-1803218400-1803225600@vpa.uncg.edu
SUMMARY:Urinetown
DESCRIPTION:Music and Lyrics by Mark HollmannBook and Lyrics by Greg KotisDirected by: Tug Watson \n\n\n\nDates:Friday\, February 19 at 7:30 p.m.Saturday\, February 20 at 7:30 p.m.Sunday\, February 21 at 2:00 p.m.Thursday\, February 25 at 7:30 p.m.Friday\, February 26 at 7:30 p.m.Saturday\, February 27 at 7:30 p.m.Sunday\, February 28 at 2:00 p.m. \n\n\n\nTickets: Call the UNCG Theatre Box Office at 336.334.4392 after Aug. 24 or click the button below to purchase tickets online. \n\n\n\nPurchase Tickets at Etix \n\n\n\nAge Rating: PG-13Run Time: Approx. 1 hours and 45 minutesProduction Location: Pam and David Sprinkle (Brown Building)\, 402 Tate St\, Greensboro\, NC 27412 \n\n\n\nSummary: \n\n\n\nWinner of multiple Tony\, Obie\, and Outer Critics Circle Awards\, Urinetown is a wildly inventive musical satire that hilariously skewers politics\, capitalism\, environmental collapse\, and even musical theatre itself. In a drought-ravaged city where private toilets are outlawed\, citizens must pay a corrupt corporation for the right to use public restrooms. When an unlikely hero sparks a rebellion against the system\, chaos\, comedy\, and revolution collide in this sharp-witted\, darkly funny\, and surprisingly heartfelt theatrical sensation inspired by the works of Bertolt Brecht and Kurt Weill. \n\n\n\nUrinetown is presented through special arrangement with Musical Theatre International (MTI). All authorized performance materials are supplied by MTI. www.MTISHOWS.com
URL:https://vpa.uncg.edu/single-event/urinetown/2027-02-21/
LOCATION:Pam and David Sprinkle Theatre\, 402 Tate Street\, Greensboro\, NC\, 27403\, United States
CATEGORIES:College of Visual and Performing Arts,College of Visual and Performing Arts,School of Theatre
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270223T193000
DTEND;TZID=America/New_York:20270223T210000
DTSTAMP:20260902T153514Z
CREATED:20260902T153509Z
LAST-MODIFIED:20260902T153514Z
UID:10005395-1803411000-1803416400@vpa.uncg.edu
SUMMARY:University Chorale
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\n\nchamber music\, music\, student recital\, studio recital\, trumpet\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube\n\n\n\n\n\n\n\n\n\n\nKari Adams\, conductor \n\n\n\n\n\n\n\n\nAbout the Program\n \n\n\n\nBack to Program \n\n\n\n\nUNCG Choirs\nThe mission of the UNCG Choirs is dedicated to the teaching\, performance\, study and cultivation of choral music of the highest quality representing not just the western choral canon but also choral music of other cultures by a diverse body of historical and new composers. We believe that the UNCG Choirs are a serious and distinctive medium of musical expression\, of vital service and importance to its members and to UNCG. Through ensemble performance\, we strive to create an environment of trust\, communication\, and expressive freedom\, to present outstanding performances throughout the year\, and to enhance the institutional sprit and character of UNCG. To music as an art and a profession\, the UNCG Choirs seek to bring increasing artistry\, understanding\, and respect by efforts within our own immediate sphere and by providing leadership and sponsorship to school choral programs and through cooperation with all other agencies pursuing similar musical goals. \n\n\n\n\nUNCG Choirs\n\n\n\n\nBack to Program
URL:https://vpa.uncg.edu/single-event/university-chorale-8/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/04/choir-events-feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270224T193000
DTEND;TZID=America/New_York:20270224T210000
DTSTAMP:20260902T154025Z
CREATED:20260902T154021Z
LAST-MODIFIED:20260902T154025Z
UID:10005396-1803497400-1803502800@vpa.uncg.edu
SUMMARY:Chamber Singers
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\n\nchamber music\, music\, student recital\, studio recital\, trumpet\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube\n\n\n\n\n\n\n\n\n\n\nCarole Ott\, conductor \n\n\n\n\n\n\n\n\nAbout the Program\n \n\n\n\nBack to Program \n\n\n\n\nUNCG Choirs\nThe mission of the UNCG Choirs is dedicated to the teaching\, performance\, study and cultivation of choral music of the highest quality representing not just the western choral canon but also choral music of other cultures by a diverse body of historical and new composers. We believe that the UNCG Choirs are a serious and distinctive medium of musical expression\, of vital service and importance to its members and to UNCG. Through ensemble performance\, we strive to create an environment of trust\, communication\, and expressive freedom\, to present outstanding performances throughout the year\, and to enhance the institutional sprit and character of UNCG. To music as an art and a profession\, the UNCG Choirs seek to bring increasing artistry\, understanding\, and respect by efforts within our own immediate sphere and by providing leadership and sponsorship to school choral programs and through cooperation with all other agencies pursuing similar musical goals. \n\n\n\n\nUNCG Choirs\n\n\n\n\nBack to Program
URL:https://vpa.uncg.edu/single-event/chamber-singers-8/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/04/choir-events-feature.jpg
END:VEVENT
END:VCALENDAR