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DTSTART;TZID=America/New_York:20260818T120000
DTEND;TZID=America/New_York:20260905T170000
DTSTAMP:20260802T181249Z
CREATED:20260802T181152Z
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UID:10003985-1787054400-1788627600@vpa.uncg.edu
SUMMARY:Layers: A Retrospective | Art exhibition
DESCRIPTION:Layers: A Retrospective\n\n\n\nSolo Exhibition\n\n\n\nby Beatrice Schall\n\n\n\nAugust 18 – September 5\, 2026\n\n\n\nReception: Friday\, Aug 21st | 6-8P\n\n\n\n\n\n\n\nMore About Layers: A Retrospective \n\n\n\nMy exhibition\, Layers: A Retrospective tells my life story through my work beginning in 1978 until the present; literally\, because I finished my last piece two weeks ago. \n\n\n\nMy thoughts about this exhibition was that my work was a way of sharing how I have approached my life through my art with the viewer. I have always been in love with materials including fabric\, rope\, text from books\, stones\, flower petals\, leaves\, photographs\, found objects\, etc. I don’t believe I am done exploring new materials. I have also enjoyed using different ways of getting pigment in my work in addition to traditional ways such as paint\, oil sticks\, and pencils. They include squeezing the pigment from flower petals\, dirt\, coffee\, tea bags and even my own blood. \n\n\n\nAs far as the subject matter is concerned\, my mind has always been open to whatever I feel is important enough for me to want to share. They have included my interest in other cultures\, the environment\, life cycles\, family stories\, history\, travel\, our bodies\, birth\, and death. Some of my work explores my visualization of the body in nature and nature in the body. This series includes fragments of poems by Mary Oliver incorporated with paint\, fabric\, stitching\, and burning. Her work has had a big influence on my own work and my approach to life. \n\n\n\nI am hoping that each and every viewer no matter what their age\, religion\, sexuality preferences\, etc. finds a way to connect with the work. My work does not have a fixed meaning; may each viewer find a connection through their own life story. \n\n\n\nMore About Beatrice \n\n\n\nI am interested in the cycles of life and nature in relation to the passage of time and memory. \n\n\n\nI am drawn to a palette of colors and materials that reflects the natural world: earth tones\, rocks\, flower petals\, stains from tea\, blood\, coffee\, flowers\, etc. In some works I use cheese cloth\, lace\, sheer fabric\, etc.\, which are placed over the image and act as a metaphor for protecting what I see as fragile in our world.  \n\n\n\nMy hope is that  the viewer will find a common bond between my work and themselves. \n\n\n\nLearn more: www.beatriceschall.com | IG: @beatrice.schall
URL:https://vpa.uncg.edu/single-event/layers-a-retrospective-art-exhibition/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:College of Visual and Performing Arts,Greensboro Project Space,School of Art
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ORGANIZER;CN="Greensboro Project Space":MAILTO:greensboroprojectspace@gmail.com
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DTSTART;TZID=America/New_York:20260915T120000
DTEND;TZID=America/New_York:20260926T170000
DTSTAMP:20260802T191412Z
CREATED:20260802T191409Z
LAST-MODIFIED:20260802T191412Z
UID:10003986-1789473600-1790442000@vpa.uncg.edu
SUMMARY:Stoop Stories | Art exhibition
DESCRIPTION:Stoop Stories\n\n\n\nSculpture\, Prints\, and Tales from the Brackish Waters Between Public and Private\, the Sentimental and Forgotten \n\n\n\nExhibition by Patrick Healy & Topher Alexander \n\n\n\n\n\n\n\nSeptember 15 – 26\, 2026\n\n\n\nReception: Friday\, Sept 25th | 6-8P\n\n\n\nMore About Stoop Stories \n\n\n\nThe brownstone steps\, the wraparound porch\, the bench outside your local deli – these spaces exist on the shoreline separating the sidewalk and the sentimental. The quaint theaters illuminated by streetlamp where first kisses are given and innumerable cups of coffee are consumed. Stoop Stories presents a collection of sculpture\, prints\, and tall tales examining that brackish water between public and private space. An exhibit reflecting on Topher and Patrick’s experiences working and traveling together from creaky southern porches to the marble steps of Venetian cathedrals. \n\n\n\nMore About Patrick and Topher \n\n\n\nPatrick Healy  \n\n\n\nAs a child of working class parents growing up in the suburbs of New York\, I experienced the locality of stoop-side congregation and bodega counter community\, coupled with the far reaching global network of the City and cable television. This micro/macro upbringing compelled me to parse and render these idiosyncratic/ubiquitous situations through my artistic endeavors. Currently working with fabricated steel and other industrial materials\, my sculpture aims to appropriate and subvert the banality of the everyday in order to bring a heightened awareness to its potential for absurdity\, whimsy\, and contemplation. I received my BFA at SUNY Alfred in 2009\, and remained in Upstate New York for nearly a decade\, allowing country living to permeate my city exterior. In 2018\, I made the pilgrimage down to North Carolina to pursue my MFA at UNC Greensboro.  While I can’t shake my accent\, and I’m still hunting for a decent bagel\, I am happy to call the southern stoop\, the porch\, my home. \n\n\n\nLearn more patrickhealystudio.com | IG: @phealyinc \n\n\n\nTopher Alexander \n\n\n\nTopher is a printmaker based in North Carolina. He received his MFA from UNC-Greensboro and currently teaches at the University of North Carolina Greensboro and Cape Fear Community College. His personal artwork ranges the gambit of traditional printmaking\, alternative print methods and experimental paper processes. He has helped coordinate numerous large format steam roller woodcut events across North Carolina as well as smaller workshops around the region as well. His recent work incorporates recycled materials and alternative processes to create work with an environmentally friendly footprint.  \n\n\n\nLearn more IG: @taimpressions
URL:https://vpa.uncg.edu/single-event/stoop-stories-art-exhibition/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:College of Visual and Performing Arts,Greensboro Project Space,School of Art
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ORGANIZER;CN="Greensboro Project Space":MAILTO:greensboroprojectspace@gmail.com
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DTSTART;TZID=America/New_York:20261001T173000
DTEND;TZID=America/New_York:20261001T183000
DTSTAMP:20260529T203059Z
CREATED:20260512T140605Z
LAST-MODIFIED:20260529T203059Z
UID:10003931-1790875800-1790879400@vpa.uncg.edu
SUMMARY:Clarence Morgan
DESCRIPTION:Falk Visiting Artist Talk: Clarence Morgan\n\n\n\n\n\n\nClarence “Morgan” Morgan is an American abstract painter whose work spans painting\, drawing\, printmaking\, and an ongoing reflective writing practice. Rooted in gesture\, intuition\, and process\, his work explores shifting relationships between order and improvisation. Through pattern\, repetition\, and fluid mark-making\, Morgan examines perceptual experience and the ways visual systems echo larger questions of time\, space\, and the natural and cosmic world.  \n\n\n\nMorgan’s paintings\, drawings\, and prints have been exhibited nationally and internationally\, with works represented in numerous public and private collections including the Cleveland Museum of Art\, the Walker Art Center\, the Minneapolis Institute of Art\, the Pennsylvania Academy of the Fine Arts\, and the Frederick R. Weisman Art Museum. His recent and current representation includes GF Contemporary (Santa Fe) and Todd Bockley Gallery (Minneapolis).  \n\n\n\nHe has produced editions at Tamarind Institute (Albuquerque)\, Highpoint Center for Printmaking (Minneapolis)\, Brandywine Workshop (Philadelphia)\, and the Patton Printmaking Studio at Anderson Ranch Arts Center (Snowmass\,   \n\n\n\nColorado). Morgan has received major fellowships from the Bush Foundation\, Jerome Foundation\, McKnight Foundation\, and the Minnesota State Arts Board\, among others.  \n\n\n\n\n\n\n\n\n\n\n\n\nIn 2025 Morgan was selected as an Invited Visiting Artist at the American Academy in Rome\, a residency that extends his ongoing investigations into abstraction\, phenomenology\, cosmology\, and the embodied experience of mark-making. His parallel writing practice—composed of notes\, essays\, and studio reflections—further articulates the metaphysical and perceptual concerns that inform his visual work.  \n\n\n\nMorgan has held teaching and visiting artist appointments at numerous institutions including Yale University\, Cooper Union\, Cranbrook Academy of Art\, Stanford University\, and the University of Minnesota\, where he served as Department Chair from 2004 to 2010 and is currently Head of Drawing/Painting. He lives and works in Chicago.  \n\n\n\nFree and open to the public. \n\n\n\n\n\n\n\nIn addition to public presentations\, artists in the UCLS series have important interactions with UNCG students\, such as holding masterclasses\, talkback sessions\, and seminars\, often just hours before performing on stage. Thanks to a grant from The Cemala Foundation\, some of these artists also work with K-12 students in the Guilford County Schools.
URL:https://vpa.uncg.edu/single-event/clarence-morgan/
LOCATION:Weatherspoon Art Museum\, 500 Tate St\, Greensboro\, NC\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art,UCLS
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