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DTSTART;TZID=America/New_York:20260331T090000
DTEND;TZID=America/New_York:20260331T160000
DTSTAMP:20260412T094820
CREATED:20260324T124752Z
LAST-MODIFIED:20260324T140224Z
UID:10003814-1774947600-1774972800@vpa.uncg.edu
SUMMARY:New Frequencies
DESCRIPTION:New Frequencies presents a selection of works by Sandra Andrade\, Rodgers Dameron\, Blas Isasi\, Kasia Ozga\, Varun Saxena\, and Leilei Xia. Over the past three years the UNCG School of Art has welcomed these six artists as new members of its Studio Art faculty. This group exhibition highlights a dynamic range of practices across sculpture\, new media and design\, animation\, and interdisciplinary media\, offering insight into the creative research and artistic inquiry shaping the work of these recently appointed faculty members.This exhibition opens March 26 and runs weekdays until April 24. The opening reception is March 26 from 4-6pm. \n\n\n\nFaculty will give talks on their process and practice from 1-2pm in the Gatewood GalleryApril 1 – Rodgers Dameron\, Varun Saxena\, and Leilei XiaApril 2 – Sandra Andrade\, Blas Isasi\, and Kasia Ozga
URL:https://vpa.uncg.edu/single-event/new-frequencies/2026-03-31/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,College of Visual and Performing Arts,School of Art
ATTACH;FMTTYPE=image/png:https://vpa.uncg.edu/wp-content/uploads/2026/03/NF_1080x1350-1.png
ORGANIZER;CN="School of Art":MAILTO:uncgarts@uncg.edu
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DTSTART;TZID=America/New_York:20260331T123000
DTEND;TZID=America/New_York:20260404T170000
DTSTAMP:20260412T094820
CREATED:20260302T045136Z
LAST-MODIFIED:20260302T045140Z
UID:10003752-1774960200-1775322000@vpa.uncg.edu
SUMMARY:MFA Thesis art exhibition: sammi eady
DESCRIPTION:Mind’s Eye\n\n\n\nMFA Thesis Exhibition\n\n\n\nby Sammi Eady\n\n\n\n\n\n\n\nExhibition: March 31 – April 4\, 2026\n\n\n\nReception: Saturday\, April 4th\, 6-8p\n\n\n\nMind’s Eye is an exhibition revealing the contention between how the mind and the body remember a space. \n\n\n\nFrom childhood homes\, first jobs\, and card games\, landmarks from my past are mapped through ongoing perception rather than fixed recordings. Relying on mind palaces and other mnemonic devices\, both somatic and psychological approaches of visualization result in mixed perspective landscapes. Vulnerable fabrics bunch with memory. Artifacts extracted from these mappings indulge in their permeability. \n\n\n\nMind’s Eye is a metaphysical world in which memory is re-imbued into the blueprints of its infrastructures\, embracing the distortion of perception that happens during repeated recollection. \n\n\n\nMore About Sammi \n\n\n\nIn my practice\, I navigate themes of memory and embodiment through fiber art. Stemming from an urgency to recite and document domestic interiors current and past\, I rely on transmissive recollection to reconstruct these sites under both trusting and skeptical guises. My work harnesses formal qualities of color\, perspective\, and light to pinpoint intersections between mental exaggeration and lost accuracies. Through this process\, I question the viability of collective experiences\, counteract future states of disembodiment\, and retreat into past states of being. \n\n\n\nBorn in Lakeland\, Florida\, I attended the University of Florida in 2024 before moving to Greensboro\, North Carolina to pursue an MFA in studio art at the University of North Carolina-Greensboro. \n\n\n\nLearn more about Sammi: IG @scr4mmi
URL:https://vpa.uncg.edu/single-event/mfa-thesis-art-exhibition-sammi-eady/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:College of Visual and Performing Arts,Greensboro Project Space,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/03/SammiMFAPoster-scaled.jpg
ORGANIZER;CN="Greensboro Project Space":MAILTO:greensboroprojectspace@gmail.com
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260331T173000
DTEND;TZID=America/New_York:20260331T190000
DTSTAMP:20260412T094820
CREATED:20260316T161123Z
LAST-MODIFIED:20260323T140450Z
UID:10003787-1774978200-1774983600@vpa.uncg.edu
SUMMARY:Keys and Bridges Duo
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\n\nkeyboard\, music\, piano\, student recital\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube\n\n\n\n\n\n\n\n\n\n\nProf. Billie Feather is a singer-songwriter\, guitarist\, banjoist\, bassist who originally hails from Johnstown\, PA. Raised in the beautiful Pennsylvania mountains and surrounded by a family of avid music lovers\, Billie’s love of performing music in all forms was fostered. \n\n\n\nIn her sixth grade year\, Billie began saving for her first guitar by doing odd jobs and begging her parents for music lessons. Her parents finally gave into their daughter’s pestering for lessons and it happily grew into a lifelong passion of music performance and songwriting. \n\n\n\nFor her senior year in high school\, Billie was accepted into the prestigious music conservatory at The University of North Carolina School of the Arts in Classical Guitar Performance and remained there for her college studies. During her years at UNCSA\, Billie was a guest classical guitarist in The Carolina Wind Symphony and has been able to perform all over North Carolina as both a solo artist and in classical guitar ensembles. After graduating in 2006\, Billie expanded her musical studies by learning the double bass\, electric bass\, banjo\, and mandolin. \n\n\n\nAfter graduation\, Billie founded a private teaching studio in Winston-Salem\, NC and began performing in several local bands – most notably the bo-stevens (a North Carolina honky-tonk band) and The Darnell Woodies (an old-time Appalachian punk string band). During her tenure in these bands\, Billie was able to tour the United States and Europe. \n\n\n\nWhile in Winston-Salem\, she began studying stringed instrument repair at Separk Music. Eventually\, Billie was asked to take a position in Chapel Hill\, NC as instrument repair technician at Wes Lambe Guitars. Currently\, Billie operates her own stringed instrument repair shop in Durham\, NC. \n\n\n\nEventually\, Billie began to hear the call of academia once more and enrolled in North Carolina Central University for a second undergraduate degree with a focus in jazz guitar and arranging. \n\n\n\nGraduating with honors\, she was invigorated to share her love of jazz with her community and students by starting a local Beginner’s Jazz Jam and a Suzuki Guitar Jazz Curriculum to keep jazz traditions alive for the next generation. \n\n\n\nMerging her love of both classical and jazz\, Billie returned to the UNC School of the Arts where she earned Master’s Degree in Guitar Performance and a Professional Artist Certificate in Recording Engineering and Guitar. \n\n\n\nAn active performer\, Billie can be found in a variety of musical groups and settings. See more about Billie’s bands in the “Projects” page\, her songwriting examples in the “Songwriting” page\, and recordings featuring her musical work on the “Recordings” page. \n\n\n\nYou can find Billie at The University of North Carolina at Greensboro teaching guitar as part of their Popular Music and Technology Program. Her previous appointments include Washington State University\, in Pullman\, Washington where she taught Group Guitar/UCORE Classes and Meredith College in Raleigh\, North Carolina where she was the college\, community music school\, and Suzuki guitar professor. \n\n\n\nBillie’s performances have been hailed as “spectacular\, athletic\, and… narrative and epic rather than simply a recreation of recorded work” and a “live music find and stage presence of the first order and deserves the stellar career that is clearly in front of her” by the Camel City Dispatch blog. \n\n\n\n\n\n\n\n\n\n\n\nDr. Courtney Miller is Assistant Professor of Oboe at the University of North Carolina at Greensboro\, where she teaches oboe\, chamber music\, reed making\, and graduate seminars. Before coming to the University of North Carolina\, Greensboro\, she served on faculty at the University of Iowa in Iowa\, Boston College in Massachusetts\, and Ashland University in Ohio.  \n\n\n\nA highly regarded performer and pedagogue\, Dr. Miller tours as a soloist\, chamber musician\, and teacher throughout the United States\, Europe\, Asia\, and South America. Dr. Miller is a versatile artist devoted to performing new compositions and lesser-known works alongside standard repertoire.  Her 2019 album Portuguese Perspectives introduces a collection of world-premiere recordings for the oboe by Portuguese composers and includes several new commissions by Miller. This album and her 2015 release\, Modern Fairy Tales\, are available on iTunes\, Amazon\, and Spotify. American Record Guide praises her “seamless consistency in the various registers of the oboe…and sensitive phrasing and articulation.” Fanfare Magazine hails Courtney Miller as “a performer of considerable skill\, with an unfailingly lovely sound\, abundant technical ability\, and a special gift for turning notes into poetry.”    \n\n\n\nAn experienced orchestral musician\, Miller has performed in many orchestras in the United States\, such as the Chicago Symphony\, Orchestra Iowa\, Quad Cities Symphony\, and the Jacksonville Symphony. Dr. Miller performs as Principal Oboe with the North Carolina Opera. \n\n\n\n In addition to collaborations within the field of music\, Dr. Miller has a flair for interdisciplinary work. She has collaborated with hip-hop dancer Ernest “EKnock” Phillips\, belly dancer Janelle Issis\, and most recently\, choreographer and dancer Kristin Marrs.   \n\n\n\n Dr. Miller has authored articles published in the Double Reed Journal and the Journal of the American Viola Society. She has also presented recitals and papers at the College Music Society’s Northeast Regional Conference. Dr. Miller performs regularly at the International Double Reed Society’s annual conferences. In 2017\, she was a featured artist at the first international conference of the Associação Brasileira de Palhetas Duplas (Brazilian Double Reed Society or ABPD).  \n\n\n\nCourtney Miller has a Doctor of Musical Arts from Boston University\, a Master of Music from Cleveland Institute of Music\, and a Bachelor of Music from Florida State University. Her primary teachers include John Ferrillo\, John Mack\, and Eric Ohlsson.  
URL:https://vpa.uncg.edu/single-event/keys-and-bridges-duo/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2026/01/faculty-recital-feature.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260331T193000
DTEND;TZID=America/New_York:20260331T210000
DTSTAMP:20260412T094820
CREATED:20260316T161836Z
LAST-MODIFIED:20260316T193237Z
UID:10003788-1774985400-1774990800@vpa.uncg.edu
SUMMARY:Hayley Jensen\, clarinet
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nkeyboard\, music\, piano\, student recital\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/hayley-jensen-clarinet-2/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/09/student-recital-feature.jpg
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