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DTSTART;TZID=America/New_York:20251111T120000
DTEND;TZID=America/New_York:20251122T170000
DTSTAMP:20260411T030554
CREATED:20251005T215529Z
LAST-MODIFIED:20251030T123526Z
UID:10003519-1762862400-1763830800@vpa.uncg.edu
SUMMARY:un hilo a veces rio [a thread sometimes river] art exhibition
DESCRIPTION:un hilo a veces rio\n\n\n\n[a thread sometimes river]\n\n\n\nSolo Exhibition by Vida Zamora\n\n\n\n\n\n\n\nNovember 11 – 22\, 2025\n\n\n\nReception: Friday\, Nov 21st | 6-8p\n\n\n\n \n\n\n\nMore About un hilo a ceces río [a thread sometimes river] \n\n\n\nun hilo a veces río [a thread sometimes river] is a collective\, image based sculptural composition that weaves time\, affect\, and world-making. In its assembly of “images\,” memory is not articulated through description nor representation\, but as a felt and active force in all its porosity–extending itself behind\, beyond and within singularity into the immanence of collectivity writ-large. The collaborators of this piece gathered\, made\, and worlded-with each other. In this act of sharing\, the life that emanated from their time together has been carefully and intentionally assembled into a map that leads nowhere but to the act of remembering itself: a latent potentiality that refuses to be defined and that inaugurates affect in an outward (shared) and inward (opaque) motion. Vida co-orchestrates–with Petra\, Patricia\, Lucy\, Martha\, and with the assistance of Anna\, Margaret\, Meijuan\, Sophie\, and Jessica–an piece that does not want to materialize\, but that finds a home in experience itself.  \n\n\n\nMore About Vida Zamora \n\n\n\nVida Zamora [b.1998; Puebla] is a transdisciplinary artist in constant errancy. She graduated from MICA [MD] with a BFA\, and was a UnionDocs [NY] Collaborative Studio Fellow. After graduating\, she dealt with immigration and gender affirming care\, yet recently gained access to a studio setting to continue her practice. Her work has been exhibited in programs at DIFFUSION [Canada]\, Millennium Film Workshop [NY]\, UnionDocs [NY]\, FISURA [Mexico]\, Badn?m [India]\, Cinema Parallels [Bosnia]\, and perfect lovers [NC] by curators such as the Re:assemblage collective\, Adriana Trujillo\, Michellè st. Michel\, Dylan Angel and Victoria Bouloubasis. \n\n\n\nTo learn more visit  vidazamora.art or follow them on Instagram: @vdzm__ \n\n\n\n \n\n\n\nGreensboro Project Space Open Public Hours \n\n\n\nTuesday-Friday\, 12-5p \n\n\n\nSaturday\, 2-5p
URL:https://vpa.uncg.edu/single-event/un-hilo-a-ceces-rio-a-thread-sometimes-river-art-exhibition/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:College of Visual and Performing Arts,Greensboro Project Space,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/10/un-hilo-scaled.jpg
ORGANIZER;CN="Greensboro Project Space":MAILTO:greensboroprojectspace@gmail.com
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251111T120000
DTEND;TZID=America/New_York:20251122T170000
DTSTAMP:20260411T030554
CREATED:20251013T124109Z
LAST-MODIFIED:20251013T124114Z
UID:10003523-1762862400-1763830800@vpa.uncg.edu
SUMMARY:But It Was Something About Living art exhibition
DESCRIPTION:But It Was Something About Living\n\n\n\nA Collaborative Installation\n\n\n\nIsabella Gamez\, Maya Rampel\, Marin Carr-Quimet\, Fig Hendrick\n\n\n\n \n\n\n\n\n\n\n\nNovember 11 – 22\, 2025\n\n\n\nReception: Friday\, Nov 21st | 6-8P\n\n\n\nMore About But It Was Something About Living \n\n\n\nThe collaborative installation\, But It Was Something About Living\, explores the bodily process of digesting grief and how this innately personal experience can become communal. The work is an ongoing conversation between the collaborating artists and a practice in coalition building. The work explores parallels between digestion and processing\, between the bodily and the communal\, and between material and emotional costs. The installation consists of relics of community gatherings\, shared practices\, and of exercises in building and brainstorming where we should go from here. \n\n\n\nMore About the Artists \n\n\n\nIsabella Gamez is a printmaker and painter floating between North Carolina and Connecticut. Her work focuses on disease\, its relationship with the body\, and influences from public health.  \n\n\n\nLearn more about Isabella here \n\n\n\nMaya Rampel is a multimedia visual artist and designer based in North Carolina. Their practice centers on fluidity between mediums and the recombination of familiar elements into new forms. \n\n\n\nLearn more about Maya here \n\n\n\nMarin Carr-Quimet (they/he/she) works and lives between Asheville\, NC and Chapel Hill\, NC. They received their BFA from the University of North Carolina at Chapel Hill in 2024\, and like to focus on collective and collaborative work. Their work is heavily based in material and the built environment.  \n\n\n\nLearn more about Marin here or follow them on IG@marin.c.q \n\n\n\nFig Hendrick is a mixed-media artist based in North Carolina. He approaches his work through the themes of death\, consciousness\, and hope. \n\n\n\n \n\n\n\nGreensboro Project Space Open Public Hours  \n\n\n\nTuesday-Friday\, 12-5p \n\n\n\nSaturday\, 2-5p
URL:https://vpa.uncg.edu/single-event/but-it-was-something-about-living-art-exhibition/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:College of Visual and Performing Arts,Greensboro Project Space,School of Art
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/10/Flyer-1.jpeg
ORGANIZER;CN="Greensboro Project Space":MAILTO:greensboroprojectspace@gmail.com
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251118T090000
DTEND;TZID=America/New_York:20251118T160000
DTSTAMP:20260411T030554
CREATED:20251003T150323Z
LAST-MODIFIED:20251003T150327Z
UID:10003501-1763456400-1763481600@vpa.uncg.edu
SUMMARY:Crossing the Coulee
DESCRIPTION:Kate Gordon’s studio practice focuses on painting in the expanded field\, sourcing inspiration from pop-up books\, dioramas\, and collage. The dream imagery that Gordon mines aims to capture the strangeness of the waking world\, which is often not as logical as it might at first appear. Gordon has shown her paintings\, collages\, and video works nationally; exhibitions include a site-specific installation “Alligator Naps” at the Hilliard Art Museum\, curation into the Weatherspoon Art Museum’s “Art on Paper” exhibition\, and an invitation to create a public video installation at Block 2\, a visual platform for new media artists in Raleigh\, NC. Most recent professional accomplishments include participation in Kolaj Institute’s Artist Residency in Scotland\, curation into “Is This Too Much?”\, a maximalist exhibition at Le Mieux Galleries\, and inclusion in the “Louisiana Contemporary” exhibition at the Ogden Museum of Southern Art. Gordon currently holds the position of Associate Professor of Figure Drawing & Foundations at the University of Louisiana at Lafayette. She earned an M.F.A. from the University of North Carolina at Greensboro and a B.F.A. from Pratt Institute. \n\n\n\nExhibition runs October 16 – December 5\, 2025 Monday – Friday\, 8am – 4pmArtist Talk and Reception October 16\, 4:30pm
URL:https://vpa.uncg.edu/single-event/crossing-the-coulee-2/2025-11-18/
LOCATION:UNCG Gatewood Studio Arts Building\, 527 Highland Ave\, Greensboro\, NC\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251118T173000
DTEND;TZID=America/New_York:20251118T190000
DTSTAMP:20260411T030554
CREATED:20251107T214338Z
LAST-MODIFIED:20251107T214341Z
UID:10003580-1763487000-1763492400@vpa.uncg.edu
SUMMARY:Studio Voice Recital
DESCRIPTION:https://youtube.com/live/6Vr5a8tROP8\n\n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nkeyboard\, music\, piano\, student recital\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/studio-voice-recital-15/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/08/studio-recital-feature.jpeg
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DTSTART;TZID=America/New_York:20251118T173000
DTEND;TZID=America/New_York:20251118T190000
DTSTAMP:20260411T030554
CREATED:20251111T153501Z
LAST-MODIFIED:20251117T155039Z
UID:10003586-1763487000-1763492400@vpa.uncg.edu
SUMMARY:Strings Chamber Music Recital
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nkeyboard\, music\, piano\, student recital\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/violin-studio-chamber-music-recital/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/08/studio-recital-feature.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251118T193000
DTEND;TZID=America/New_York:20251118T210000
DTSTAMP:20260411T030554
CREATED:20250529T180643Z
LAST-MODIFIED:20251117T194127Z
UID:10003290-1763494200-1763499600@vpa.uncg.edu
SUMMARY:Symphonic Band
DESCRIPTION:https://youtube.com/live/8dXsdSsper8?feature=share\n\n\n\n\nJonathan Caldwell\, conductorGarrett Klein\, trumpetJuan José Navarro\, guest conductor \n\n\n\nProgram\n\n\n\nOSCAR NAVARRODowney Overture (2011) \n\n\n\nULYSSES KAYSolemn Prelude (1950) \n\n\n\nPHILIP SPARKEManhattan (2004) \n\n\n\nMANUEL MORALES MARTÍNEZSoñad el mar pasodoble (2020) \n\n\n\nPERCY GRAINGERCountry Gardens (1918)Irish Tune from County Derry (1918)Shepherd’s Hey (1918) \n\n\n\n\nAbout the Program\nDowney Overture\n\n\n\nÓscar Navarro is a Spanish composer and conductor. He studied clarinet\, composition\, and conducting in Spain and later specialized in film and television scoring at the University of Southern California in Los Angeles. His music has been performed worldwide by orchestras and symphonic bands\, including the Downey Symphony Orchestra\, for whom this overture was written. Downey Overture was composed as a celebration of both Navarro’s native Spain and his time in California. It is dedicated to the Downey Symphony Orchestra and its conductor Sharon Lavery. Navarro describes the piece as “a Latin-American fusion…an amalgam of rhythm and musical color wrapped in an atmosphere of dance.” The overture opens with bold\, dance-inspired rhythms\, with percussion and winds engaging in rhythmic interplay. The music moves through contrasting sections\, from lively to more dramatic\, and concludes by returning to earlier themes\, leaving a sense of energy and unity. \n\n\n\nNote by Óscar Navarro and Molly Allman \n\n\n\nSolemn Prelude\n\n\n\nUlysses S. Kay\, an American composer and educator\, was born in Tucson\, Arizona\, where he grew up surrounded by musical influence. His great-uncle\, American jazz cornetist King Oliver\, encouraged Kay to study piano. Kay studied at the University of Arizona\, the Eastman School of Music\, and Columbia University\, working with mentors including Howard Hanson and Paul Hindemith. Over his career\, he composed more than forty orchestral works\, five operas\, nearly fifty choral compositions\, and seven original works for band\, establishing himself as a significant twentieth-century composer. Kay was also one of the most successful African-American composers of his generation and gained widespread recognition in the classical world breaking barriers for other Black artists. He received numerous honors including a Guggenheim fellowship\, two Prix de Rome selections\, and six honorary doctorates. Despite his success and contributions\, Kay’s band works remain lesser-known and infrequently performed. Solemn Prelude (1950) was commissioned by Donald I. Moore for the Baylor University Golden Wave Band. Initially published by Broadcast Music Incorporated and Associated Music Publishing\, a typewritten note in the Ulysses Kay Archives indicates it was later listed as withdrawn\, leaving it unclear whether Kay intended it to be published or performed. Solemn Prelude is composed in an ABA form and exemplifies Kay’s compositional philosophy: “I [am] using quite simple musical materials and avoiding all so-called ‘effects\,’ [and] I have attempted to achieve symphonic expression while observing the characteristic qualities of the full concert band.” The slow and melodic work is built from a recurring rhythmic motive in D Minor\, first heard in the saxophones and low brass\, which accompanies the opening euphonium solo. Then solo passages are passed across the ensemble to include flute\, oboe\, trumpet\, and bassoon. The initial rhythmic motive returns and dominates the texture in the closing measures. \n\n\n\nNote by Patty Saunders \n\n\n\nSong and Dance\n\n\n\nPhilip Sparke is an English composer who has written extensively for brass band. In 1983\, the GUS Band\, a British brass band\, commissioned Sparke to write Jubilee Overture for an upcoming recording session and to celebrate their 50th anniversary. Following the success of Jubilee Overture\, the band commissioned Song and Dance the next year. In 2009\, Geoffrey Brand arranged Song and Dance for solo cornet and concert band. Song and Dance is a single movement piece in two sections\, a song followed by a dance. The “Song” features a “Scotch snap” rhythm followed by a lyrical cadenza leading to a muted presentation of the opening theme. The “Dance” is lively and tuneful with frequently changing meters to accompany the dancing melody. \n\n\n\nNote by Philip Sparke and Jaden Brown \n\n\n\nPageant\, op. 59\n\n\n\nVincent Persichetti was an American composer\, educator\, and pianist\, and an influential figure in early band literature. In the immediate aftermath of World War II\, bands struggled to program substantial\, original repertoire written specifically for band. Persichetti’s insistence on composing high quality music helped move the medium forward in many ways. In 1952\, Edwin Franko Goldman\, founder of the Goldman Band in New York City and the American Bandmasters Association (ABA)\, commissioned Persichetti to write a piece for the upcoming ABA Convention. Pageant was premiered at the 1953 ABA Convention in Miami\, Florida with Persichetti conducting the University of Miami Band. Early manuscript sketches of Pageant show that the piece was initially meant to be titled Morning Music for Band. Traces of the idea of “morning music” can be heard in the opening horn motif and the clarinet soli that follows. The piece is in two sections\, the first being slower and more lyrical and the second being a “parade” section introduced by the snare drum. \n\n\n\nNote by Vincent Persichetti and Jaden Brown \n\n\n\nSoñad el mar\n\n\n\nManuel Morales Martínez is a Spanish composer and conductor whose work focuses on wind ensembles across the Valencian region\, a heartland of Spanish band music tradition. Soñad el mar was composed in 2017 for the Banda Primitiva de Rafelbuñol and is a concert pasodoble. While a concert pasodoble maintains the characteristic pasodoble rhythmic framework\, these pasodobles are slower and more formally\, harmonically\, and melodically complex than a traditional pasodoble. The piece begins with a percussion-driven introduction\, leads into a bold main theme\, and features solos for horn and english horn in the trio section before returning to the main material. Throughout\, the music recalls the gentle motion of the sea while retaining the characteristic pulse of the pasodoble. Martínez describes the work as “tonal\, Romantic style and captures the calmness of the Mediterranean Sea.” \n\n\n\nNote by Manuel Morales Martínez and Molly Allman \n\n\n\nCountry GardensIrish Tune from County DerryShepherd’s Hey\n\n\n\nPercy Grainger (1882–1961)\, an Australian-born composer and pianist\, played a pivotal role in the early development of band literature in the early twentieth century through innovative orchestration and adventurous rhythms and meters. Known for his inclusion of folk melodies\, Grainger used Edison wax-cylinder phonographs to collect English folk songs throughout Britain often collaborating with Cecil Sharp\, a renowned collector. Fascinated by the unique performances of the singers and often integrating the tunes into his compositions\, he sought ways to capture the nuances of pitch and rhythm in his works. Grainger’s contributions to band repertoire include cornerstone works such as Lincolnshire Posy and Colonial Song. Country Gardens (1918) is an English folk tune shared with Grainger by Cecil Sharp based on the tune “The Vicar of Bray.” Grainger played improvisations on it as a concert pianist during his tour for the U.S. Army during World War I and later presented the song to his mother as a birthday gift. Despite its immense popularity\, Grainger referred to it as “my wretched tone art.” Grainger arranged the piece for band in 1953. In his program notes\, he wrote: “The typical English country garden is not often used to grow flowers in; it is more likely to be a vegetable plot. So you can think of turnips as I play it.” Irish Tune from County Derry (1918) highlights the lyrical beauty of folk song. The tune was collected by Miss J. Ross from New Town\, Limavady\, Co. Derry\, Ireland without a specific tune being credited. Grainger stated\, “The name of the tune unfortunately was not ascertained by Miss Ross\, who sent it to me with the simple remark that it was ‘very old\,’ in the correctness of which statement I have no hesitation in expressing my perfect concurrence.” The melody is shared by the song “Danny Boy\,” whose lyrics were composed by English songwriter Frederic Weatherly after Grainger had already arranged the tune. Grainger also arranged the melody in a version for wordless chorus. Shepherd’s Hey (1918)\, published and sold with Irish Tune from County Derry for many years\, is a lively arrangement of a Morris dance tune from rural English tradition. The “Hey” in the title refers to a specific Morris dance step\, though Grainger noted\, “This setting is not suitable to dance Morris Dance to.” Morris dances traditionally feature teams of “Morris Men” performing with bells and clashing sticks. Grainger collected the original melody and states that the work should be played “in a jolly\, energetic manner—with bounce and relish.” \n\n\n\nNote by Patty Saunders \n\n\n\n\nAbout the Artists\nGarrett Klein\n\n\n\n\n\n\n\nTrumpet artist Garrett Klein has garnered an international reputation for his varied performing career and dedicated teaching. He is currently serving as Assistant Professor of Trumpet at UNC Greensboro where he leads the Trumpet Studio\, directs the Trumpet Ensemble\, and serves as Brass Area Chair.   Aside from his teaching\, Garrett is the Principal Trumpet of the Greensboro Symphony Orchestra and Principal Solo Cornet with North Carolina Brass Band. He is a former member of the world-renowned Dallas Brass and toured the nation with that ensemble for five years. He has also appeared as a guest musician with Charlotte Symphony\, The Phoenix Symphony\, the Tucson Symphony Orchestra\, the New World Symphony\, the Singapore Symphony Orchestra\, and the Malaysian Philharmonic Orchestra. A new music advocate\, Garrett has worked with composers to commission several new works for trumpet\, presenting newly composed works at three International Trumpet Guild Conferences.  Garrett earned his DMA and MM degrees at Arizona State University\, along with a Certificate in Music Theory Pedagogy. Prior to ASU\, he studied at the prestigious Yong Siew Toh Conservatory of Music in Singapore and St. Olaf College in Minnesota. Garrett Klein is an endorsing artist for Conn-Selmer and proudly performs on Vincent Bach trumpets.  \n\n\n\nJuan José Navarro\n\n\n\n\n\n\n\nJuan José Navarro holds a Superior degree in Clarinet from the Conservatory of Music of Valencia\, in Orchestra Conducting from the Conservatory of Music of Murcia and Master in Conducting and Choral Pedagogy from the International University of La Rioja. \n\n\n\nHe has conducted for many of the productions of the Compaña Lírica Andaluza\, such as El Barbero de Lavapiés\, Agua Azucarillos y Aguardiente\, El Dúo de la Africana…in venues such as the Teatro Alameda of Málaga and the Nuevo Teatro Infanta Leonor of Jaén. \n\n\n\nHe has run courses\, lectures and given master classes for conducting in Universities as Almería (Spain)\, Virginia Tech University (Virginia)\, The University of Illinis (Illinois)\, Eastern Michigan University (Michigan)\, University of Northern Iowa (Iowa)\, University of Maryland (Maryland)\, University North Carolina Greensboro (North Carolina)\, Bolzano High Conservatory (Italy)\,  Luisiana State University (Luisiana)\, University Jewel College ( Missouri)\, Kansas University (Arkansas) and in places as Murcia\, Galicia\, Jaén\, Granada and Almería organized by such institutions as the Vicerrectorado de Extensión Universitaria of the University of Almería\, the Federación Andaluza de Bandas de Música\, the Real Conservatorio Profesional de Música of Almería as well as for the teaching staff at the Centro de Enseñanza al Profesorado. \n\n\n\nHe got the second prize conducting the San Indalecio Wind Orchestra in the National Competition in Murcia and the first prize conducting the Unión Musical de Godelleta in the Special Section of the Wind Bands Competition of Valencia. \n\n\n\nHe has been titular musical director for 8 years of the Sinfónica Municipal de Almería. He is co-founder along with José Miguel Rodilla of the Academia de Dirección de Orquesta y Banda\, “Diesis“\, which gives classes in Almería\, Murcia\, Sevilla and Valencia to more than eighty pupils from every part of Spain. \n\n\n\nHe has recently received the distinction of “Honorary Friend” of the University of Almería for his great contribution as director of the Orchestra\, Choir and Music Department. \n\n\n\nCurrently he is clarinet and conducting teacher at the Real Conservatorio Profesional de Música of Almería\, director of the Almería University Music Room where he conducts the Symphony Orchestra and Choir\, Professor of the Conducting Master at the Almería University and Conducting teacher at Diesis Academy. \n\n\n\n\nUNCG Bands\nThe renowned UNCG Bands are dedicated to the performance\, study\, and cultivation of wind band music of the highest quality\, and are a serious and distinctive medium of musical expression. The UNCG Bands are considered to be among the very finest collegiate band programs in America based upon our active profile of excellence in our performances\, recordings\, tours and convention performances. \n\n\n\nThrough exemplary practices in organization\, training\, and presentation\, the UNCG Bands provide exceptional experiences for our members\, sharing outstanding performances throughout the year and enhancing the institutional spirit and character of UNCG. \n\n\n\nThe UNCG Bands seek to support music education in the state of North Carolina and in our region by providing leadership and sponsorship to secondary school band programs and other organizations. \n\n\n\n\nUNCG Bands\n\n\n\n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nkeyboard\, music\, piano\, student recital\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/symphonic-band-10/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2023/11/garrett-klein-e1562876742315.jpg
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