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DTSTART;TZID=America/New_York:20251007T120000
DTEND;TZID=America/New_York:20251011T170000
DTSTAMP:20260416T172102
CREATED:20250929T032739Z
LAST-MODIFIED:20250929T032839Z
UID:10003469-1759838400-1760202000@vpa.uncg.edu
SUMMARY:DRAwing Marathon Art Exhibition
DESCRIPTION:Drawing Marathon\n\n\n\nAn MFA Student Exhibition\n\n\n\n\n\n\n\nOctober 7 – 11\, 2025\n\n\n\nReception: Thursday\, Oct 9th | 6-8p\n\n\n\n \n\n\n\nFeatured Artists \n\n\n\nQuan Apollo\n\n\n\nMatt Fisher\n\n\n\nNhân  Lương\n\n\n\nMelanie Mcallister\n\n\n\nVictoria Mercado-Lues\n\n\n\nNaomi Michelle\n\n\n\nCalvin Ulrich\n\n\n\nAlana Wilson\n\n\n\n \n\n\n\nMore About Drawing Marathon Exhibition  \n\n\n\nDrawing Marathon is a foundational course in the MFA Studio Arts program at UNCG. Through a four-week intensive course that meets for 14+ hours every weekend\, students work through preconceived notions about their own image-making and artistic practices\, spending large blocks of time drawing in response to prompts or guidelines and then discussing the learning process with peers and this year’s Drawing Marathon instructor\, Jennifer Meanley. This exhibition is the culmination of the work produced during these four weeks by the graduate students\, including a range of drawings from quick experimentations to fully resolved drawings. \n\n\n\n \n\n\n\nGreensboro Project Space Weekly Gallery Hours: \n\n\n\nTuesday – Friday\, 12 -5 PM \n\n\n\nSaturday\, 2-5PM
URL:https://vpa.uncg.edu/single-event/drawing-marathon-art-exhibition/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:College of Visual and Performing Arts,Greensboro Project Space,School of Art
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ORGANIZER;CN="Greensboro Project Space":MAILTO:greensboroprojectspace@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251010T033000
DTEND;TZID=America/New_York:20251010T160000
DTSTAMP:20260416T172102
CREATED:20250911T181844Z
LAST-MODIFIED:20250911T181848Z
UID:10003444-1760067000-1760112000@vpa.uncg.edu
SUMMARY:A Decade of Darkness
DESCRIPTION:Photographer MJ Sharp is a documentary artist based in Durham\, North Carolina. She was a visiting Fulbright Scholar at the University of Exeter\, UK\, for the 2021/2022 academic year pursuing the art/science collaboration Our Disappearing Darkness and Recreating True Night  with nocturnal ecologist Dr. Kevin Gaston.  \n\n\n\nTo learn more about MJ Sharp visit: https://mjsharp.com/
URL:https://vpa.uncg.edu/single-event/a-decade-of-darkness/2025-10-10/
LOCATION:Gatewood Studio Arts Center\, 527 Highland Ave\, Greensboro\, NC 27412\, USA\, 527 Highland Ave\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251010T173000
DTEND;TZID=America/New_York:20251010T190000
DTSTAMP:20260416T172102
CREATED:20250921T211250Z
LAST-MODIFIED:20251006T115247Z
UID:10003465-1760117400-1760122800@vpa.uncg.edu
SUMMARY:Calypsus Brass
DESCRIPTION:https://youtube.com/live/4R0uVnQIvUk?feature=share\n\n\n\n\nCarrie Blosser and Jennifer Oliverio\, trumpetsEmily Schaefer\, hornLauren Rudzinskas\, tromboneStephanie Ycaza\, tuba \n\n\n\nFounded in 2021\, Calypsus Brass is a professional chamber ensemble performing new works recitals\, creating high-level professional recordings for composers\, and working with chamber musicians at all levels. The members are avid performers and educators who give recitals and masterclasses worldwide. \n\n\n\nA 501(c)3 Nonprofit\, Calypsus Brass is a groundbreaking musical group founded by women who earned doctoral degrees in music\, the first of its kind. Between them\, the members hold multiple doctorates\, a total of 14 degrees\, 3 minors\, and 4 advanced certificates in cognates such as pedagogy and jazz improvisation. Calypsus Brass serves as a recording ensemble for composers whose works have never been recorded.  \n\n\n\nCalypsus Brass is committed to prioritizing recording and performing works of historically marginalized composers to uplift the highest quality of music. To further this mission\, Calypsus Brass is proud to be the Ensemble in Residence for Rising Tide Music Press. This organization publishes and promotes BBIA (Black\, Brown\, Indigenous\, and Asian) musicians in their first 10 years of professional-level work as composers and arrangers. \n\n\n\nBecause professional recordings can be cost-prohibitive for composers and many composition competitions and calls for scores require recording with real instruments for consideration\, Calypsus Brass is committed to recording works by emerging artists. We encourage all musicians to program music by a diverse array of composers so that the music we perform is inclusive of the community we serve as artists. Calypsus is proud to lead by example in this mission with recording and commissioning projects. When premiering and recording works\, Calypsus Brass creates a relationship with composers\, helping to build their portfolios with recordings that the composers are proud to showcase while providing expert advice and coaching regarding idiomatic writing for brass instruments. \n\n\n\nAs devoted educators\, Calypsus members bring a robust pedagogical background to each masterclass and outreach event. Combining 80 years of educational experience\, Calypsus Brass presents specialized masterclasses and clinics on topics including: chamber music\, classical\, orchestra\, and jazz performance\, wellness\, audition preparation\, military and orchestral careers\, performance anxiety and psychology\, music career development\, marketing and branding\, arts administration and nonprofit management\, commissioning\, audio engineering\, and intersectionality in the music community. Calypsus Brass is a registered nonprofit. \n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nchoirs\, faculty\, music\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/calypsus-brass/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/09/calypsus-brass-logo-feature.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251010T173000
DTEND;TZID=America/New_York:20251010T190000
DTSTAMP:20260416T172102
CREATED:20250926T150847Z
LAST-MODIFIED:20250926T213507Z
UID:10003467-1760117400-1760122800@vpa.uncg.edu
SUMMARY:Jackson Hopper\, double bass
DESCRIPTION:Event Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nchoirs\, faculty\, music\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/jackson-hopper-double-bass/
LOCATION:Organ Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/09/student-recital-feature.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251010T193000
DTEND;TZID=America/New_York:20251010T210000
DTSTAMP:20260416T172102
CREATED:20250529T194659Z
LAST-MODIFIED:20251010T150820Z
UID:10003283-1760124600-1760130000@vpa.uncg.edu
SUMMARY:Concert Band
DESCRIPTION:https://youtube.com/live/nqLlBEl5GwY?feature=share\n\n\n\n\nPatty Saunders\, conductorLuke Ellard\, clarinetMolly Allman\, conductorJaden Brown\, conductor \n\n\n\nProgram\n\n\n\nVÁCLAV NELHÝBELCorsican Litany (1796) \n\n\n\nELENA SPECHTTo Old and New Places (2024) \n\n\n\nJODIE BLACKSHAWInto the Sun (2017) \n\n\n\nJOHN WILLIAMSViktor’s Tale from The Terminal (2009) \n\n\n\nKEVIN DAYSummit (2021) \n\n\n\nJOHN BARNES CHANCEVariations on a Korean Folk Song (1967) \n\n\n\n\nAbout the Program\nCorsican Litany\n\n\n\nVáclav Nelhýbel was a prolific Czech composer and conductor who studied composition and conducting at the Prague Conservatory of Music and musicology at Charles University and the University of Fribourg (Switzerland). He was the assistant conductor of the Czech Philharmonic and a composer and conductor of the Swiss National Radio. He co-founded and directed the Radio Free Europe in Munich and conducted the Vienna Philharmonic and Bavarian Symphony. He emigrated from the Czech Republic to the United States in 1957. \n\n\n\nFascinated with the American concert band\, Nelhýbel wrote Corsican Litany to explore the possibilities of the ensemble. Corsican laments were split into two categories: laments for deaths from natural causes and voceru\, songs of grief and vengeance for victims of murder. The voceru that inspired Nelhýbel’s Corsican Litany was first sung in 1775 at the funeral of a country doctor named Matju who had been murdered by his patient. This piece begins with the sound of tolling chimes to announce the beginning of mourning\, weaves sonically through pain and loss\, and ends with the chilling reminder that\, despite the voceru belief that vengeance can heal\, the tolling chime remains. \n\n\n\nNote by Patty Saunders \n\n\n\nTo Old and New Places\n\n\n\nElena Specht is a composer whose work often grows out of compelling stories and a strong sense of place. Her music has been performed by groups such as the U.S. Coast Guard Band and university wind ensembles. She currently works as a librarian with “The President’s Own” United States Marine Band. \n\n\n\nTo New and Old Places is written in three movements; each tied to a scene in a different young adult novel. In the first\, based on Jeanne DuPrau’s The City of Ember\, two young characters witness the sun rising for the very first time. The second\, based on Caroline B. Cooney’s The Face on the Milk Carton\, captures the bittersweet longing of a teenager imagining the life she might have had with her lost family. The final movement\, from C.S. Lewis’s The Voyage of the Dawn Treader\, carries the thrill of a voyage into uncharted seas. \n\n\n\nNote by Elena Specht and Molly Allman \n\n\n\nInto the Sun\n\n\n\nJodie Blackshaw is an Australian composer and conductor who studied composition with Larry Sitsky at the Australian National University. Blackshaw founded the Female Band Composer database in 2017 and the ColourFULL Music website in 2018. She is a composer that takes a student-centered approach in her works\, often including storylines\, options for student decision-making\, and program narratives that connect the piece with a larger story. \n\n\n\nInto the Sun is a compilation of stories told about the passage to Australia from the points of view of free settlers in the 1800s\, post-World War II immigrants\, and refugees seeking asylum. Blackshaw includes real-life stories that correspond to each of the piece’s six sections in her program notes that describe the emotional highs and lows of leaving home to find a new one. The sections include the Arrival; A New Land\, a New Life; Camps and Confusion; Acculturation: A Yearning for Home and All That is Familiar; Opportunity: With New-Found Enthusiasm; and Reflection: With a Feeling of Inner Peace of Calmness. Written to raise awareness of the plight of refugees\, Blackshaw broadens her programmatic message communicating a desire for all people to love one another. Blackshaw’s Into the Sun emphasizes this importance and the responsibility to help refugees in times of need. \n\n\n\nNote by Jodie Blackshaw and Patty Saunders \n\n\n\nViktor’s Tale from The Terminal\n\n\n\nJohn Williams is one of the most celebrated and influential film composers of the modern era. An American composer from New York\, Williams was the son of a jazz drummer and studied at UCLA\, the Juilliard School\, and Eastman. His career has included collaborations with director Steven Spielberg and George Lucas that has produced some of the most recognized music in cinematic history including Schindler’s List\, Indiana Jones\, and Star Wars. He has won numerous awards including five Academy Awards and twenty-five GRAMMY® awards. Williams remains active as a composer and conductor and continues to broaden his impact on modern film. \n\n\n\nViktor’s Tale is a composition for solo clarinet and orchestra that was developed from Williams’ score for the Steven Spielberg film The Terminal. Part drama and part comedy\, the film follows the protagonist\, Viktor Navorski\, as he finds himself a man without a country\, stuck in an airport terminal for days on end. Williams’ score brings to life this unfortunate circumstance and includes a musical portrait of Navorski’s warmth and friendliness through a dance-like piece for clarinet and ensemble. \n\n\n\nNote by the United States Marine Band and Patty Saunders \n\n\n\nSummit\n\n\n\nKevin Day is a composer\, jazz pianist\, producer\, and conductor who is known to juxtapose diverse musical traditions including contemporary classical\, jazz\, R&B\, and soul with classical composition. His father was a prominent hip-hop producer\, and his mother was a popular gospel singer. Day is one of eight founding members of the Nu Black Vanguard\, a collective dedicated to the advancement of Black composers\, and a graduate of Texas Christian University\, the University of Georgia\, and the University of Miami Frost School of Music. In 2024\, Day joined the faculty at the University of California San Diego as a lecturer in theory and musicianship. \n\n\n\nDay composed Summit in 2020 after being commissioned by the Indiana Bandmasters Association. The piece depicts a group of climbers as they journey up the face of a mountain. Along the way\, they encounter many obstacles\, including cliffs and chilling winds\, but the team perseveres and makes their way to the top. \n\n\n\nNote by Kevin Day and Jaden Brown \n\n\n\nVariations on a Korean Folk Song\n\n\n\nA native of Texas\, John Barnes Chance was an American composer and arranger who received his bachelor’s and master’s degrees from the University of Texas\, where he studied with Clifton Williams\, Kent Kennan\, and Paul Pisk. He performed as a percussionist with the Austin Symphony Orchestra and served as an arranger for the 4th Army Band in San Antonio and the 8th Army Band in Seoul\, Korea. After leaving the Army\, the Ford Foundation selected Chance to participate in the Young Composers Project. From 1960 through 1962\, he was composer-in-residence for the Greensboro Ford Foundation Young Composers Project writing for the Greensboro\, North Carolina public school system and Greensboro Senior High School\, now Grimsley High School. Chance was a prolific composer for wind band with works including Incantation and Dance and Blue Lake Overture. \n\n\n\nWhile stationed overseas in Seoul\, Chance heard the popular Korean folk song “Arirang” which inspired Variations on a Korean Folk Song. A song of love and heartbreak\, the theme is based on the ujo mode pentatonic scale and can be traced back to the 18th century. The tune was also used as a resistance anthem during the Japanese occupation of Korea when the singing of patriotic songs was criminalized. About the melody\, Chance said\, “The tune is not as simple as it sounds\, and my fascination with it during the intervening years led to its eventual use as the theme for this set of variations.” The theme is followed by five variations that alternate between fast and slow tempos and use multiple time signatures and rhythmic patterns to alter the theme. Variations on A Korean Folk Song is a cornerstone work for band and received the Sousa/Ostwald Award from the American Bandmasters Association in 1966. \n\n\n\nNote by Patty Saunders \n\n\n\n\nAbout the Artists\n\n\n\n\nClarinetist\, composer\, educator\, and new music collaborator Luke Ellard strives for art that continually reaches out\, valuing a relational spirit\, informed engagement\, and unapologetic authenticity.   \n\n\n\nFor Luke\, collaboration is what gives music life. As a clarinetist\, they have performed with members of Bang On a Can All Stars\, Eighth Blackbird\, International Contemporary Ensemble\, Fifth House Ensemble\, Arkansas Symphony\, Winston-Salem Symphony\, and Mallarmé Chamber Music. As a composer\, their music has been performed and commissioned by ensembles such as North Texas Wind Symphony\, HOCKET\, New Trombone Collective\, Barkada Quartet\, among others. Their current performance projects center around their self-produced solo cross-genre/electronic band LE\, performing with their new music quartet Sounding Board\, and commissioning new exciting works for the clarinet.   \n\n\n\nDr. Ellard serves on the faculty at the University of North Carolina at Greensboro as Assistant Professor of Clarinet\, having previously served on faculty at the University of Oklahoma and Midwestern State University while teaching privately and performing in the Dallas-Fort Worth area. Luke earned their Doctor of Musical Arts in Clarinet Performance with related studies in Contemporary Music and Music Entrepreneurship at the University of North Texas\, studying under Kimberly Cole Luevano. Additionally\, Luke has earned degrees from Indiana University Jacobs School of Music (James Campbell & Eric Hoeprich)\, the University of Texas at Austin (Yevgeniy Sharlat\, Dan Welcher\, & Donald Grantham)\, and Louisiana Tech University (Lawrence Gibbs\, Joe L. Alexander).   \n\n\n\n\nUNCG Bands\nThe renowned UNCG Bands are dedicated to the performance\, study\, and cultivation of wind band music of the highest quality\, and are a serious and distinctive medium of musical expression. The UNCG Bands are considered to be among the very finest collegiate band programs in America based upon our active profile of excellence in our performances\, recordings\, tours and convention performances. \n\n\n\nThrough exemplary practices in organization\, training\, and presentation\, the UNCG Bands provide exceptional experiences for our members\, sharing outstanding performances throughout the year and enhancing the institutional spirit and character of UNCG. \n\n\n\nThe UNCG Bands seek to support music education in the state of North Carolina and in our region by providing leadership and sponsorship to secondary school band programs and other organizations. \n\n\n\n\nUNCG Bands\n\n\n\n\n\n\n\n\n\nEvent Details\n\n\n\n\nDownload Program\n\n\n\n\n\nParking\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\nchoirs\, faculty\, music\n\n\nInstagram\n\nFacebook\n\nX\n\nYouTube
URL:https://vpa.uncg.edu/single-event/concert-band-8/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/08/luke-ellard-feature.jpg
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