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DTSTART;TZID=America/New_York:20250221T160000
DTEND;TZID=America/New_York:20250221T170000
DTSTAMP:20260411T171353
CREATED:20250129T194832Z
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UID:10003080-1740153600-1740157200@vpa.uncg.edu
SUMMARY:Irna Priore Music and Culture Lecture Series: Anna Gatdula
DESCRIPTION:The importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\nListening for the Voiceless: Musical Representation and Historical Subjectivity in Hosokawa’s Voiceless Voice in Hiroshima\n\n\n\nThis paper examines Toshio Hosokawa’s Voiceless Voice in Hiroshima (1989\, 2001) as a sonic archive that opens inquiry into the contradictory nature of historical matter: the subjects and objects of history\, the perpetrators and victims of trauma. Through close analysis of the composition’s musical techniques and textual elements\, alongside consideration of Kitaro Nishida’s philosophy\, voice and trauma studies\, and comparative historiographies of post-War Europe and Japan\, the paper argues that Hosokawa’s work challenges Western paradigms of historical subjectivity. The study traces how Hosokawa’s piece evolved over its compositional life\, reflecting shifting understandings of Hiroshima’s place in post-War global and Japanese memory. By incorporating texts from Holocaust survivor Paul Celan\, Hosokawa creates a transpacific dialogue that both connects and distinguishes these two pivotal 20th-century events.  \n\n\n\nThe paper critically examines the notion of “voicelessness” in relation to hibakusha (atomic bomb survivors)\, considering tensions between silence and testimony\, individual and collective memory\, and the politics of victimhood and reparation. Whose voice is voiceless? The victims\, the perpetrators\, the traumatized? Furthermore\, what is a priori in the act of identifying and identifying with historical voices? I argue that Hosokawa’s work\, informed by Nishida’s philosophy\, offers an alternative ontology to Western subject-object distinctions. Following David Eng (2022)\, the paper begins to theorize historical redress outside paradigms of sovereignty altogether. Ultimately\, this analysis of Voiceless Voice in Hiroshima contributes to ongoing discourse about the role of art in mediating historical memory and the politics of representation.) 
URL:https://vpa.uncg.edu/music/priore-mcls/
LOCATION:Music 235\, 100 McIver St\, Greensboro\, North Carolina\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/jpeg:https://vpa.uncg.edu/wp-content/uploads/2025/01/Gatdula-Headshot_Gerardo-Lopez.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250221T173000
DTEND;TZID=America/New_York:20250221T190000
DTSTAMP:20260411T171353
CREATED:20250206T161542Z
LAST-MODIFIED:20250206T163904Z
UID:10003091-1740159000-1740164400@vpa.uncg.edu
SUMMARY:Jack Kannan\, trumpet
DESCRIPTION:https://youtube.com/live/8wrOIeqGTG8?feature=share\n\n\n\n\n\nDownload Program
URL:https://vpa.uncg.edu/single-event/jack-kannan-trumpet/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:School of Music
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250221T183000
DTEND;TZID=America/New_York:20250221T200000
DTSTAMP:20260411T171353
CREATED:20240822T202142Z
LAST-MODIFIED:20250217T215111Z
UID:10001147-1740162600-1740168000@vpa.uncg.edu
SUMMARY:Spartan Voices
DESCRIPTION:The UNCG Choral program is recognized for excellence\, creative performances\, and high artistic standards. The UNCG Choirs are comprised of four ensembles: University Chamber Singers\, University Chorale\, Coro di Belle Voci\, and Spartan Voices. These diverse offerings allow students the opportunity to experience a wide range of stylistic ideas through the exploration of music from various time periods and various cultures\, including major choral-orchestral works as well as smaller chamber pieces. The UNCG Choirs have performed at state\, regional\, national and international conferences. Dr. Carole Ott serves as Director of Choral Activities and conductor of Chamber Singers and Chorale. Prof. Lindsay Kesselman is conductor of Coro di Belle Voci. Dr. Brett Nolker is conductor of Spartan Voices.  \n\n\n\nThe mission of the UNCG Choirs is dedicated to the teaching\, performance\, study and cultivation of choral music of the highest quality representing not just the western choral canon but also choral music of other cultures by a diverse body of historical and new composers. We believe that the UNCG Choirs are a serious and distinctive medium of musical expression\, of vital service and importance to its members and to UNCG. Through ensemble performance\, we strive to create an environment of trust\, communication\, and expressive freedom\, to present outstanding performances throughout the year\, and to enhance the institutional sprit and character of UNCG. To music as an art and a profession\, the UNCG Choirs seek to bring increasing artistry\, understanding\, and respect by efforts within our own immediate sphere and by providing leadership and sponsorship to school choral programs and through cooperation with all other agencies pursuing similar musical goals.
URL:https://vpa.uncg.edu/single-event/spartan-voices-3/
LOCATION:First Baptist Church Reidsville\, 409 S Main Street\, Reidsville\, North Carolina\, 27320\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250221T193000
DTEND;TZID=America/New_York:20250221T210000
DTSTAMP:20260411T171353
CREATED:20240716T205019Z
LAST-MODIFIED:20250206T164904Z
UID:10001123-1740166200-1740171600@vpa.uncg.edu
SUMMARY:Concert Band
DESCRIPTION:Program\n\n\n\nPatty Saunders\, conductorDalton Guin\, conductor \n\n\n\n\n\n\n\nITO On The March \n\n\n\nBRYANT Nothing Gold Can Stay \n\n\n\nCURNOW Rejouissance \n\n\n\nHORNE Scrapin’ \n\n\n\nCOPLEY Dragonfly \n\n\n\nARNOLD Prelude\, Siciliano\, and Rondo \n\n\n\n\n\n\n\n\nDownload Program\n\n\n\n\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\nJoin Our Email List\n\n\n\n\n\n\n\nhttps://youtube.com/live/wxG9VoFqmoI?feature=share\n\n\n\n\n\nAbout the UNCG Bands\nThe renowned UNCG Bands are dedicated to the performance\, study\, and cultivation of wind band music of the highest quality\, and are a serious and distinctive medium of musical expression. The UNCG Bands are considered to be among the very finest collegiate band programs in America based upon our active profile of excellence in our performances\, recordings\, tours and convention performances. \n\n\n\nThrough exemplary practices in organization\, training\, and presentation\, the UNCG Bands provide exceptional experiences for our members\, sharing outstanding performances throughout the year and enhancing the institutional spirit and character of UNCG. \n\n\n\nThe UNCG Bands seek to support music education in the state of North Carolina and in our region by providing leadership and sponsorship to secondary school band programs and other organizations.
URL:https://vpa.uncg.edu/single-event/concert-band-6/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250221T193000
DTEND;TZID=America/New_York:20250221T210000
DTSTAMP:20260411T171353
CREATED:20250127T152352Z
LAST-MODIFIED:20250220T132410Z
UID:10002777-1740166200-1740171600@vpa.uncg.edu
SUMMARY:Recontextualizing American Art Song
DESCRIPTION:Janinah Burnett\, sopranoLindsay Kesselman\, sopranoCrystal Kachevas\, sopranoRobert Bracey\, tenorEric Laine\, tenorRobert Wells\, baritoneJames Douglass\, pianoInāra Zandmane\, piano \n\n\n\n\n\n\n\n\nDownload Program\n\n\n\n\n\n\n\n\n\n\n\n\nThe importance of philanthropy has never been greater. Please consider a gift to the School of Music to support our mission and ensure the future of music at UNCG. \n\n\n\n\n\n\n\n\nhttps://youtube.com/live/UclKYVCCTUo?feature=share\n\n\n\n\nThis recital centers around an important reminder that America consists of far more than just the contiguous United States. You will hear music that embodies the familiar “Americana” style alongside works reflecting the landscapes and cultural narratives of Puerto Rico\, the Muskogee (Creek) Nation\, Harlem\, and more. By weaving together these different stories\, we hope to spark meaningful conversations about the richness and complexity of what being “American” truly encompasses.
URL:https://vpa.uncg.edu/single-event/recontextualizing-american-art-song/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,School of Music
ATTACH;FMTTYPE=image/png:https://vpa.uncg.edu/wp-content/uploads/2025/01/voice-faculty-recital-spring-2025-rev.png
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