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X-WR-CALDESC:Events for College of Visual and Performing Arts
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DTSTART;VALUE=DATE:20221012
DTEND;VALUE=DATE:20221023
DTSTAMP:20260612T144047
CREATED:20240130T163314Z
LAST-MODIFIED:20240130T163314Z
UID:10000446-1665532800-1666483199@vpa.uncg.edu
SUMMARY:23 Chunks of Being Exhibition @ Greensboro Project Space
DESCRIPTION:Exhibition on View\nWhen: October 11th- October 22nd\, 2022\nClosing Reception: October 21st 6:00pm-8:00pm\nWhere: Greensboro Project Space (111 E February One Place) \nGallery Hours: Tuesdays-Fridays\, 12-5pm; Saturdays\, 2-5pm\nSolo Show\, Featuring: Greg Grieve \n23 Chunks of Being – A Retrospective  \nThe Dungeon Master ofMeanings \nAs a major contributor to the emerging study of religion andvideo games\, Gregory Price Grieve\, Head of the Religious Studies Department atThe University of North Carolina at Greensboro\, researches and teaches Asianreligions and popular culture. His retrospective of photo-collages\, paintings\,sculptures\, videos\, and installations spans almost forty years\, with many showntogether for the first time. His artistic expression explores the ideasconnecting his research interests without having to resort to the fixedmeanings required in academic language.  \nGrieve uses collage\, assemblage\, montage\, andinstallation–techniques originally employed by the early 20thcentury avant-guard movements. The Dadaists\, Surrealists\, and earlyConceptualists reinvented the role of artist with strategies to battle ossifiedinstitutions. Their materials and techniques could satirize social conventions\,undermine the certainty of rationality\, or embody the sensory and informationaloverload that was part of modernization. Similarly\, Grieve uses found photographic images\, many from the Library of Congress\,and found objects\, combining them to create apersonal language. Their layering\,superimposition\, transparency\, and montage unify his source materials with a new logic. The resulting aestheticis one of free-associative flows\, lucid dreaming\, and humor with titles thatplay with etymology\, imply conceptual readings\, or make cross-disciplinaryreferences to add an additional layer of interpretation. \n In this electric moment\, as thephysical atomizes into data and perception into pixels\, Grieve’s retrospective isnot just a collection of objects. It’s an archive of a life understanding itself. The artist becomesa dungeon master\, the viewer a willing player\, andthe artworks in ’23 Chunks of Being’ componentsin a game of embracing the groundlessness we navigate.  \n(Ryan Hill\, Professor and Directorof Sculpture Tucson)
URL:https://vpa.uncg.edu/single-event/23-chunks-of-being-exhibition-greensboro-project-space/
LOCATION:Greensboro Project Space\, 111 E February 1 Pl\, Greensboro\, NC 27406\, USA
CATEGORIES:School of Art
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221014T173000
DTEND;TZID=America/New_York:20221014T190000
DTSTAMP:20260612T144047
CREATED:20240130T163321Z
LAST-MODIFIED:20240130T163321Z
UID:10000464-1665768600-1665774000@vpa.uncg.edu
SUMMARY:Ming Kong\, violin • Undergraduate Recital
DESCRIPTION:RESERVE TICKETSDOWNLOAD PROGRAMVIEW ON CPVA LIVE\n\n\n\n\n\n\n\nAudience Note\nTickets are required to attend any concert or recital in person. Patrons must sit in their assigned seat. Face coverings that cover the nose and mouth are strongly encouraged\, but not required\, while inside the performance hall.
URL:https://vpa.uncg.edu/single-event/ming-kong-violin-undergraduate-recital/
LOCATION:Tew Recital Hall\, 100 McIver St\, Greensboro\, 27412\, United States
CATEGORIES:CVPA Live!,School of Music
ORGANIZER;CN="Music Bldg-1-CVPA &#8211%3B Recital Hall (350)":MAILTO:uncg.edu_38393931303333362d313837@resource.calendar.google.com
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221014T200000
DTEND;TZID=America/New_York:20221014T200000
DTSTAMP:20260612T144047
CREATED:20240130T163322Z
LAST-MODIFIED:20240130T163322Z
UID:10000465-1665777600-1665777600@vpa.uncg.edu
SUMMARY:Urban Bush Women
DESCRIPTION:Urban Bush Women (UBW) burst onto the dance scene in 1984 with bold\, demanding\, and exciting works which brought under-told stories to life through the art and vision of its award-winning Founder\, Jawole Willa Jo Zollar. The Company weaves contemporary dance\, music\, and text with the history\, culture\, and spiritual traditions of the African Diaspora under the artistic direction of Chanon Judson and Samantha Speis. \nOff the concert stage\, UBW has developed an extensive community engagement program\, BOLD (Builders\, Organizers\, and Leaders through Dance). UBW’s largest community engagement project is its Summer Leadership Institute (SLI). This 10-day intensive training program connects dance professionals with community-based artists/activists in a learning experience to leverage the arts as a vehicle for civic engagement. \nUBW launched the Choreographic Center Initiative (CCI) in January 2016. The CCI supports the development of women choreographers of color and other under-heard voices. \n\n\n \n\n\n\n\nOrchestra/Mezz\nBalconies\n\n\nUNCG Students\n$5\n\n\n\nNon-UNCG Students\n$10\n\n\n\nSingle\n$50\n\n\n\nSeniors/Military\nFaculty/Staff/Retirees\n$45\n\n\n\nPurchase Tickets\n* Tickets to CVPA and UCLS events are sold exclusively through our box office locations and ETix website\, and nowhere else. Tickets purchased through third-party vendors cannot be honored. \n\n\n\n \n\nIn addition to public presentations\, every artist in the UCLS series does important work with UNCG students\, such as holding masterclasses and seminars\, often just hours before performing on stage. Thanks to The Cemala Foundation\, some of these artists also work with K-12 students in the Guilford County Schools.
URL:https://vpa.uncg.edu/single-event/urban-bush-women/
LOCATION:UNCG Auditorium\, 408 Tate Street\, Greensboro\, NC\, 27412\, United States
CATEGORIES:College of Visual and Performing Arts,UCLS
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